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Chris Pratt confirms Star-Lord will return to Marvel Cinematic Universe
Chris Pratt attends the 'Guardians of the Galaxy Vol. 3' World Premiere at the Dolby Theatre in Hollywood, California on April 27, 2023. (Photo by Rich Polk/Getty Images for Disney)
The YMCA and Center Theatre Group partner on live theater
The Center Theatre Group (soon to show 'Oh, Mary!') and L.A.'s YMCA have joined forces to bring live theater to the whole city with 'Every Age. Every Stage.'
Hardly Strictly Celtic comes to the Nevada Theatre Oct. 24
Paul Emery’s Nevada City LIVE! series presents Hardly Strictly Celtic, a multigenerational evening of something new, something old, something borrowed, something bold… A musical experience combining over 100 plus years
Entertainment
Cumberland Theatre will present “The Pillowman,” an award-winning psychological thriller by Martin McDonagh, through Oct. 25. Directed by Nick Hrutkey, the production features Pierce Bunch, Aaron Civello, Brian Records, and
SIA in-flight entertainment to get major upgrade, including larger screens, Bluetooth pairing
SINGAPORE – Travellers can expect a personal movie theatre experience on Singapore Airlines (SIA) routes after upgrades to its in-flight entertainment system, which will include touchscreens measuring...
Red Barn Theatre plans 5 productions this season
Key West’s Red Barn Theatre has pulled out all the stops in the line-up for their 47th season under the banner of shows that are “Bold, Dazzling, and Iconic.”
Billy Crystal review: Comedian's '860' turns loss into living memory
Billy Crystal's '860,' directed by Scott Ellis at Broadway's Imperial Theatre, recounts the destruction of his home in the Palisades fires in his moving new solo show that looks back at the memories accumulated over his long career.
Theatre Guild presents ‘The Cemetery Club’ to end its season
PUNXSUTAWNEY — The Punxsutawney Theatre Arts Guild is staging “The Cemetery Club” on Friday, Oct. 23, and on Saturday, Oct. 24, at the Presbyterian Church of Punxsutawney, located on Union
'Connections on the Road': Mental health on campus
During "Connections with Evan Dawson" on Oct. 22, 2026, we're broadcasting live from The Little Theatre with a discussion on how to best support student mental health on college campuses.
'Hamilton' dance workshop celebrates importance of art in politics
On Sunday, the Rutgers Democracy Lab and Livingston Theatre Company hosted "Hamilton: Arts, Democracy & Dance" to commemorate the 250th anniversary of the United States as well as the Eagleton Institute of Politics' 70th anniversary. Held at the College Avenue Student Center, this event was an opportunity to showcase the intersection of arts and democracy, to discuss this serendipitous connection and to learn some choreography from the Broadway hit musical.
An exploding baseball and a smashed guitar. What went down at Modesto’s State Theatre
The winners of the annual MAMA Awards were announced Tuesday.
The Latino Theater Company presents 'Yamel Cucuy,' about ICE
'Yamel Cucuy' — at the Latino Theater Company, inside the Los Angeles Theatre Center in downtown L.A. — follows a 13-year-old girl hunted by ICE agents.
Black River Entertainment Hosts Showcase At Franklin Theatre
The Franklin Theatre’s monthly Songwriters Series took place last Thursday (Oct. 15) showcasing [...]
October 22 Vallejo/Vacaville Arts-Entertainment Sources: Activities
The Broadway musical Little Shop of Horrors plays through the weekend at the Bay Area Stage Theatre.
Tradition! DMTC returns to ‘Fiddler’
Davis Musical Theatre Company will present a special 60 min adaptation of the nine-time Tony Award-winning Broadway musical, “Fiddler on the Roof Sr.” The show follows Tevye the milkman as
'Office Space' star Richard Riehle dies at 78
Actor Richard Riehle arrives at the premiere of New Line Cinema's 'A Very Harold & Kumar 3D Christmas' at Grauman's Chinese Theatre on November 2, 2011 in Hollywood, California. (Jason Merritt/Getty Images)Richard Riehle, known for his role in the 1999 film Office Space, has died. He was 78.A statement shared by Artists & Representatives and Wright Entertainment, Inc. announced Riehle's passing on Monday, writing, "Our industry has lost an exceptional talent, and our community has lost a truly wonderful man.""We are deeply saddened to confirm the passing of our beloved client, Richard Riehle, this past weekend," the statement said. "A remarkable actor whose career in theater, film, and television spanned nearly five decades and more than 400 projects, Richard leaves behind an extraordinary legacy."The statement continued, "Beyond his immense talent, he will be remembered for his genuine goodness, boundless kindness, and unwavering generosity, particularly toward emerging actors and filmmakers, whom he encouraged and supported at every opportunity."Born on May 12, 1948, Riehle starred in many television series and films over the years.Notable projects include Casino, The Man from Earth and Deuce Bigalow: Male Gigolo.He got his start as an actor at the University of Notre Dame, where he was involved in the University Theatre and starred in several stage productions. He went on to earn a Master of Fine Arts in acting and directing from the University of Minnesota.While he's played characters that have an "average Joe" presence, he always made the most of his brief screen time.Some roles that he is remembered for include The Quartermaster in Glory, the train guard in The Fugitive, Reverend Scroggins in Fried Green Tomatoes and Bill Cozbi in Bridesmaids.On television, he starred as Principal Ed Rooney in the 1990 series Ferris Bueller and as grandfather Walt Finnerty in the early 2000s sitcom, Grounded For Life.In 2023, he also played Warden Reynolds in Barry.Riehle is survived by his wife, Jane Latham, and their four children.Copyright © 2026, ABC Audio. All rights reserved.
David Arquette brings ‘Scream’ milestone to Cedar Rapids
Wes Craven was almost fired, the first kiss wasn't easy, and “Scream 8” is on the way. David Arquette looks back on 30 years of Ghostface before his Oct. 25 Q&A at the Paramount Theatre in Cedar Rapids.
You can still get into Macklemore’s sold-out Red Rocks Amphitheatre show for under $100
The Seattle rapper plays a sold-out show in Morrison on Oct. 22.
'Other Desert Cities' review: Julia Louis-Dreyfus debuts Broadway
A revival of Jon Robin Baitz's 'Other Desert Cities,' directed by John Benjamin Hickey, opens at Broadway's Hudson Theatre with a cast that includes Julia Louis-Dreyfus, Ed Harris and Allison Janney.
Westcoast Black Theatre Troupe Hits Us with a Hot Note
The company's season opener, 'Sophisticated Ladies,' salutes composer Duke Ellington with style and verve.
Ilion Little Theatre to present Stephen King's 'Misery'
ILION — Ilion Little Theatre will present “Misery,” a psychological thriller based on Stephen King’s bestselling novel, Oct. 23-25 at the theater, 13 Remington Ave.
Science comes to life at RVCC Theatre on Monday, Oct. 26
The Theatre at Raritan Valley Community College (RVCC) will kick off its School-Time series with a performance of “Look Out! Science is Coming!” at 11 a.m. on Monday, Oct. 26,
Three upcoming shows offer variety at Stanley Theatre
UTICA — From the music of Phil Collins to a popular television game show and a Halloween-themed circus, The Stanley Theatre has a variety of entertainment lined up.
The Creative Arts Economy: A Local Business Beat Hiding Plain Sight
Long before TimeLine Theatre opened the doors to its new home in Chicago’s Uptown neighborhood earlier this year, PJ Powers and Mica Cole had a vision for something much more than a state-of-the-art show venue. For Powers, the theatre’s co-founder and Cole, executive director, the goal was to transform a shuttered warehouse into a living...Read More
Veteran Western Swing Band Plays Bethlehem Oct. 24
BETHLEHEM, N.H. — The Colonial Theatre welcomes legendary Western swing band Asleep at the Wheel to the stage on Saturday, October 24 at 8 p.m. for an evening of American
‘The Compass’ at UW-Madison asks audience to weigh thorny AI questions
The play at Mitchell Theatre, showing through Oct. 25, turns the audience into jury members in a criminal case that hinges on a teen’s use of AI.
IAMA Theatre Company's 'Bobby Robotowitz' tackles AI in your home
Amy Rosoff and James Luster star in IAMA Theatre Company's play with InHouse Theatre, 'Bobby Robotowitz,' directed by Casey Stangl and written by Matt Schatz.
Executive Profile: Cactus Sam Harris
Cactus Sam Harris House Organist, Board Member Warnors Theatre What we do: Warnors Theatre is a nonprofit organization dedicated to preserving one of Fresno's great historic landmarks while providing a place for entertainment, the
'Houdini' takes to the stage at the Grand Theatre
EAU CLAIRE — A story of life and death, Houdini, illusions and “other worlds” will take the stage this October, as audience members are encouraged to attend a showing of
Taproot Theatre’s ‘Smoke on the Mountain’ returns to the stage
Taproot Theatre first produced “Smoke on the Mountain” in 1992, and it’s been a frequent inclusion in its seasons over the years.
Rocky Horror Picture Show, Haunted Hallway return to Rome
Rome's Capitol Theatre hosts The Rocky Horror Picture Show and free Haunted Hallway Bazaar on Oct. 24, featuring costumes, entertainment and more.
Review: Ella Langley ponders the dream at LA's Greek Theatre
LOS ANGELES — Halfway through her very sold-out concert Tuesday night at the Greek Theatre, Ella Langley pulled up a stool near the front of the stage and told us
2026 Engineering, Science and Technology Emmy Awards
IMAGE DISTRIBUTED FOR THE TELEVISION ACADEMY - Kirsten Vangsness hosts the 2026 Engineering, Science & Technology Emmy Awards at the Television Academy's Wolf Theatre in the Saban Media Center on
Matthew Morrison brings Broadway magic to Jupiter stage
From “Glee” to Broadway, Matthew Morrison brings star power, storytelling and showstopping music to the Maltz Jupiter Theatre for one unforgettable night.
Ella Langley ponders the dream at L.A.'s Greek Theatre
The 27-year-old country singer brought her smash 'Choosin' Texas' to the Greek on Tuesday night in the first of two sold-out shows.
MIDDAY GUEST: Jackson Area Business and Professional Women and Excelsior Theatre Company
Mary Jo Middlebrooks, with the Jackson Area Business and Professional Women and Excelsior Theatre Company, joined our show to talk about to upcoming Ghost A-Walkin Tour and Dinner.
Other Desert Cities Will Host Special Performance Benefiting Entertainment Community Fund
The evening will support the Fund's work addressing the needs of those who work in theatre and entertainment.
Belton approves entertainment district with go-karts, movie theater and apartments
Belton City Council approves bonds for a new entertainment district featuring B&B Theatres, go-karts, bowling, restaurants and 638 apartments.
Belton approves finance incentives for Uptown Entertainment District, home to B&B Theatre
A major entertainment district in the heart of Belton will move forward after the city council approved two financing tools, including $250 million in Chapter 100 bonds, in a 7-2 vote Tuesday night.
Paramount takes over Netflix’s Bay Theater in Pacific Palisades, plans reopening
Paramount Pictures is taking over the Bay Theater at Caruso’s Palisades Village, closed since the January 2025 fire, and plans to reopen it as a dine-in cinema.
Theatre Cedar Rapids offers Halloween scares with ‘Exorcist’
Directed by UNI's Matthew Weedman, this isn't just a horror show — it's a powerful story about faith, doubt, and saving a child in crisis. See it now in the intimate Grandon Studio Theatre — if you dare.
‘Honky Tonk Highway’ brings country musical to Cedar Rapids
In an interview ahead of the show’s Oct. 15-18 run at CSPS, composer Rob Nassif talked about the inspiration for “Honky Tonk Highway,” the challenges of writing country music and his hopes for the SPT Theatre production.
CSU Theatre brings haunting tale of Dracula to life with a feminist twist
This fall, Colorado State University Theatre’s play was the classic tale of “Dracula,” written by Bram Stoker, but told with a feminist twist. Written by Kate Hamill and directed by Saffron Henke, CSU associate professor of theatre, “Dracula: A Feminist Revenge Fantasy, Really” brought a whole new message to the original Gothic horror story, emphasizing women’s...
Film exhibitors welcome entertainment duty exemption for local films, theatre in Federal Territories
KUALA LUMPUR, Oct 13 — The Malaysian Association of Film Exhibitors (MAFE) has welcomed the exemption of entertain...
‘Leni’s Last Lament’ at Intiman Theatre confronts filmmaker Leni Riefenstahl
This one-woman show, centered on controversial German director Leni Riefenstahl, doesn’t set out to provoke sympathy for the devil.
‘Italian Wannabe’ Highlights Food Night At Colonial Theatre
BETHLEHEM, N.H. — The Colonial Theatre will celebrate the connections between food, home, and community with a special screening of “Italian Wannabe” on Thursday, Oct. 15, featuring Italian-inspired food, a
ENTERTAINMENT: ‘Misery’ onstage in Argenta; touring ‘Velveteen’ at UCA
Argenta Contemporary Theatre stages “Misery,” William Goldman’s adaptation of Stephen King’s novel, Wednesday through Nov. 1.
Adéla brings 'Nicole Kidman' and Chappell Roan to the Fonda Theatre
The 22-year-old pop singer flamed out on a YouTube competition series. Now she's one of the year's viral breakouts.
Are colleges doing enough to support students' mental health? Join our live audience.
"Connections" goes on the road to The Little Theatre for a conversation about mental health on college and university campuses. We'd like you to join us.
Duo Westerlund-Hagen Tune Instruments Of War To Homage To Friendship
Catamount Arts is supporting Vermont State University’s presentation of drum-and-trumpet duo Westerlund-Hagen, on Wednesday, Oct. 14, at Alexander Twilight Theatre on the Lyndon campus.
HOMETOWN ENTERTAINMENT: Comedy about the French Revolution opens this week at Showtimers Community Theatre
French Revolution-themed comedy opens at Roanoke theatre.
Budget 2027: Entertainment duty exemption for local film, theatre tickets in Federal Territories, creative sector gets RM130m
KUALA LUMPUR, Oct 9 — Tickets for local films and theatre performances in the Federal Territories will be fully ex...
‘Rocky Horror’ is a 50-year tradition of mess and chaos. This NOLA theatre does it anyway.
The theater has been hosting live screenings since before Katrina and it’s become a rite of passage for many in New Orleans, especially in the queer community. “Sometimes it just looks like a hurricane of popcorn and rice and toilet paper came through the plac. You blow it all to the front, sweep it up and move on to the next day.”
Brad Williams brings comedy tour to Embassy Theatre in Fort Wayne
Comedian Brad Williams brings his Tall Tales tour to Embassy Theatre on Thursday.
“Big Cat Diaries”: A story about accompaniment and connection
Last week, the Magnuson Theatre hosted their performance of "Big Cat Dairies" inspired by a GU professor's experience in the Amazon rainforest.
Loyola Named Top Music Business School for 6th Year
NEW ORLEANS – The School of Music and Theatre Professions at Loyola University New Orleans has once again earned international recognition as one of the
Jonathan Groff gets rave reviews in Royal Shakespeare Theatre debut
A technical glitch with the set may have thrown a wrench into his latest opening night on stage, but that didn’t prevent Jonathan Groff from getting some glowing reviews earlier
Hay Festival Dallas expands with books, music, politics
Hay Festival Dallas returns Oct. 15-18 at Wild Detectives and Texas Theatre. Participants include Bun B, Nikole Hannah-Jones and Richard Ford.
Waynesboro museum exhibit celebrates 100 years of Wayne Theatre
A new exhibit at the Waynesboro Heritage Museum explores 100 years of the Wayne Theatre and its impact on the community.
Bollywood actor Nana Patekar dies at 75
MUMBAI, Oct 8 (Reuters) - Nana Patekar, a veteran Indian actor known for his fiery performances in Bollywood films and theatre, died on Thursday aged 75, local media reported.
The Red Barn Theatre preps for upcoming season
Key West’s Red Barn Theatre has pulled out all the stops in the line-up for their 47 th season under the banner of shows that are “Bold, Dazzling, and Iconic.”
Emery Theater earns awards for historic preservation
The Emery Theater earned five awards after its recent renovations, which transformed the landmark into a permanent home for The Children’s Theatre of Cincinnati.
Version of popular game show coming to Wichita Orpheum
“The Price is Right Live” will be making a stop at the Orpheum Theatre in February.
RISE brings 'Dracula' to the Assembly Theatre
WOONSOCKET – Rose Linnell recalls a production of “Dracula” 20 years or so ago when she was a student at New Mexico State University. “It was different,” said the Bellingham,
REP LIEU JOINS REP. FRIEDMAN, LOS ANGELES DELEGATION, AND ENTERTAINMENT UNION IN PUSH FOR NATIONAL FILM TAX CREDIT
GLENDALE, CA – Today, October 6, 2026, Congressman Ted Lieu (D-Los Angeles County) joined U.S. Congresswoman Laura Friedman (D-Los Angeles County), Members of the Los Angeles congressional delegation, and the major unions representing film and television workers at the Alex Theatre in a new push for the Motion Picture, Television, and Entertainment Revitalization Act.
‘Dirty Dancing’ musical is coming to Broadway next year
NEW YORK — A stage version of the 1987 movie “Dirty Dancing” is coming to Broadway for the first time. “Dirty Dancing: The Musical” waltzes into the Lena Horne Theatre
Aziz Ansari's Hypothetical Tour finally comes to L.A.
The multihyphenate has been touring for nearly 20 months, with breaks for his film projects, and his tour is finally making a stop in L.A. at the Dolby Theatre.
Behind the epic rumble in 'The Outsiders' at the Hollywood Pantages
Carefully choreographed stagecraft is at the heart of the epic fight scene toward the end of 'The Outsiders' at the Hollywood Pantages Theatre.
'The Outsiders' review: A dynamic staging at the Hollywood Pantages
'The Outsiders,' winner of the 2024 Tony for best musical and based on the classic S.E. Hinton novel, has its L.A. premiere at the Hollywood Pantages Theatre.
This groove-heavy trio is bringing the dance party to the Bay Area
British trio Jungle brings its groove-heavy blend of funk, disco and neo-soul to the Greek Theatre in Berkeley behind its new album, “Sunshine.”
AROUND THE LAKES: Geneva Theatre Guild announces 49th season
GENEVA — The Geneva Theatre Guild has announced its 49th season, a dynamic year of theater that celebrates local talent, classic storytelling, and the Guild’s long tradition of community‐driven artistry.
TLFF 2026 winners announced
Twelve Lions Film Festival wrapped up another year at The Kentucky Theatre Sept. 25-27 with a variety of films from around the state, country and world.
August power outages, Rivoli Theatre marquee, Indiana Small Business Program
On Tuesday, the Interim Study Committee on Energy, Utilities and Telecommunications met at the Indiana Statehouse to discuss the widespread and long-lasting power outages Northwest Indiana residents endured following severe
Max Amini says comedy can bridge divide between Iran and America
The L.A.-based Iranian American comedian, who is touted as being the world's most watched comedian on the internet, comes home to the Dolby Theatre for six shows starting this weekend.
Laughter Shocktober brings dangerously unrehearsed comedy to Nevada City Oct. 8
Laughter Shock, Nevada County’s notoriously unpredictable improv troupe, returns to the Nevada Theatre for one night of unscripted comedy with Laughter Shocktober, Thursday, October 8 at 7:30 p.m.
The Canyon Theatre Guild Opens Political Comedy and Mystery Thriller!
Santa Clarita Magazine
Quincy Community Theatre to stage pirate-themed adventure
QUINCY — Quincy Community Theatre will take audiences on a pirate-themed adventure this fall with “Judy Moody & Stink: The Mad, Mad, Mad, Mad Treasure Hunt,” running Oct. 22-25. The […]
Chris Koza album release concert Oct. 24
Lanesboro Arts is thrilled to celebrate the release of Chris Koza’s latest album, “Millsmoke on the Skyline,” with a concert at the St. Mane Theatre at 7 p.m. on October 24. Chris Koza is a composer and performer based in Denver and Minneapolis. In his writing, Koza both honors and builds on the vast genre of Americana music. For every song that sounds like it could be strummed from a boxcar clacking slowly across a grassy midwestern plain, there’s a tune sailing from a city rooftop, echoing across a valley of streets and traffic, or a melody twisting and shimmering like a dim frequency deep into the starry night.Both as a solo artist and with his band Rogue Valley, Koza has supported and shared the stage with artists such as Brandi Carlile, Gordon Lightfoot, Ingrid Michaelson, The Jayhawks, Neko Case, Kathleen Edwards, Dan Wilson, and many more. His music regularly appears on ABC’s “General Hospital,” “60 Minutes,” and “Good Morning America.” Koza’s song, “Be Wild,” was also featured in a state of Minnesota tourism campaign.#placement_932485_0_i{width:100%;max-width:550px;margin:0 auto;}var rnd = window.rnd || Math.floor(Math.random()*10e6);var pid932485 = window.pid932485 || rnd;var plc932485 = window.plc932485 || 0;var abkw = window.abkw || '';var absrc = 'https://ads.empowerlocal.co/adserve/;ID=181918;size=0x0;setID=932485;type=js;sw='+screen.width+';sh='+screen.height+';spr='+window.devicePixelRatio+';kw='+abkw+';pid='+pid932485+';place='+(plc932485++)+';rnd='+rnd+';click=CLICK_MACRO_PLACEHOLDER';var _absrc = absrc.split("type=js"); absrc = _absrc[0] + 'type=js;referrer=' + encodeURIComponent(document.location.href) + _absrc[1];document.write('');Koza’s latest offering, “Millsmoke on the Skyline,” grants the newfound outsider perspective of the rich life and golden fleeting days throughout the rural Midwest. Weaving melody and lyrics into vignettes and narratives set in places where love is powerful, dreams are vast, and life is beautiful.The St. Mane Theatre box office will open at 6 p.m. on the day of the concert. Tickets will be sold in person at the door or can be purchased online at lanesboroarts.org. Seating at the St. Mane theatre is first come, first served. Tickets are on sale now for $25 for general admission or $22 for Lanesboro Arts members.The 2026 performing arts season at Lanesboro Arts is made possible by our season sponsor, Poet Refinery, as well as our concert level sponsors, High Court Pub, Krage Insurance Agency & Preble Farmers Mutual, Stone Mill Clothing & Gifts, E2 Boutique/Amish Experience, and The Cottage House Inn, and community sponsors, VIS Plumbing, Granny’s Liquor, Kingsley Mercantile, Batstone CPA, Clara’s Eatery, IGA, Niagara Cave, and Huntington Electric. This event is made possible by the voters of Minnesota through a Minnesota State Arts Board grant, thanks to a legislative appropriation from the Arts and Cultural Heritage Fund. #placement_932489_0_i{width:100%;max-width:550px;margin:0 auto;}var rnd = window.rnd || Math.floor(Math.random()*10e6);var pid932489 = window.pid932489 || rnd;var plc932489 = window.plc932489 || 0;var abkw = window.abkw || '';var absrc = 'https://ads.empowerlocal.co/adserve/;ID=181918;size=0x0;setID=932489;type=js;sw='+screen.width+';sh='+screen.height+';spr='+window.devicePixelRatio+';kw='+abkw+';pid='+pid932489+';place='+(plc932489++)+';rnd='+rnd+';click=CLICK_MACRO_PLACEHOLDER';var _absrc = absrc.split("type=js"); absrc = _absrc[0] + 'type=js;referrer=' + encodeURIComponent(document.location.href) + _absrc[1];document.write('');
The Color Purple
Temple Civic Theatre will present "The Color Purple" starting Thursday. For information and tickets visit templecivictheatre.com.
Gambit's Best of New Orleans 2026: Entertainment
Design by Dora Sison / Gambit Best Bounce Artist googletag.cmd.push(function() { googletag.display('ad-1492300'); }); 1. Big Freedia (Instagram: @bigfreedia)2. Ha Sizzle (Instagram: @hasizzlethevoice)3. Subtweet Shawn (Instagram: @subtweetshawn1) Trixie Minx Photo by Sophia Germer / The Times-Picayune Best Burlesque Performer1. Trixie Minx (Instagram: @trixienola)2. Bella Blue (Instagram: @bellablueforever)3. Miss Angie Z (Instagram: @missangiez) Best Casino1. Caesars New Orleans (8 Canal St., 800-427-7247; caesars.com/caesars-new-orleans)2. Treasure Chest Casino (4550 Williams Blvd., Kenner, 504-443-8000; treasurechest.com)3. Boomtown Casino (4132 Peters Road., Harvey, 504-366-7711; boomtownneworleans.com) Best Drag Performer1. Debbie with a D (Instagram: @debbiewithad)2. Katrina Waters (Instagram: @katrinawaters504)3. Laveau Contraire (Instagram: @laveaucontraire) Best Festival (that's still around)1. New Orleans Jazz & Heritage Festival (nojazzfest.com)2. French Quarter Festival (frenchquarterfest.org)3. Hogs For The Cause (hogsfest.org) Best Food Festival1. New Orleans Fried Chicken Festival (friedchickenfestival.com)2. Oak Street Po-Boy Festival (poboyfest.com)3. New Orleans Jazz & Heritage Festival (nojazzfest.com) Tipitina's Photo by Sophia Germer / The Times-Picayune Best Live Music Venue1. Tipitina’s (501 Napoleon Ave., 504-895-8477; tipitinas.com)2. The Broadside (600 N Broad St., 504-766-0871; broadsidenola.com)3. The Fillmore (6 Canal St., 504-881-1555; thefillmorenola.com) Best Live Music Club1. Maple Leaf Bar (8316 Oak St., 504-866-9359; mapleleafbar.com)2. Snug Harbor Jazz Bistro (626 Frenchmen St., 504-949-0696; snugjazz.com)3. Chickie Wah Wah (2828 Canal St., 504-541-2050; chickiewahwah.com)3. Blue Nile (532 Frenchmen St., 504-766-6193; bluenilelive.com) Best Local Blues Artist/Band1. Little Freddie King (littlefreddieking.com)2. Samantha Fish (samanthafish.com)3. Tab Benoit (tabbenoit.com) Best Local Brass Band1. Rebirth Brass Band (rebirthbrassband.com)2. Hot 8 Brass Band (hot8brassband.com)3. The Soul Rebels (thesoulrebels.com) Best Local DJ1. Paul Lakeway (Instagram: @paul_lakeway)2. DJ Soul Sister (Instagram: @djsoulsister)3. ANTWIGADEE! (Instagram: @antwigadee) Best Local Funk Band1. Dumpstaphunk (dumpstaphunk.com)2. Galactic (galacticfunk.com)3. Big Sam's Funky Nation (bigsamsfunkynation.com) Kaye the Beast Provided Photo by Catherine Debuys Best Local Hip-Hop Group/Artist1. Kaye the Beast (Instagram: @kayethebeast)2. La Reezy (Instagram: @lareezymusic)3. Pell (Instagram: @pellyeah) Best Local Movie Theater1. The Broad Theater (636 N. Broad St., 504-218-1008; thebroadtheater.com)2. The Prytania (5339 Prytania St., 504-891-2787; theprytania.com) googletag.cmd.push(function() { googletag.display('ad-1492297'); }); 3. The Prytania Theatre at Canal Place (333 Canal St., 3rd floor, 504-290-2658; theprytania.com) Best Local Music Artist/Band1. Robin Barnes & The Fiya Birds (robinbarnesmusic.com)2. Trombone Shorty (tromboneshorty.com)3. Sweet Crude (sweetcrudeband.com) Best Local Rock Band1. The Revivalists (therevivalists.com)2. Better Than Ezra (betterthanezra.com)3. Cowboy Mouth (cowboymouth.com) Best Wedding Band/ DJ1. The Mixed Nuts (themixednuts.com)2. Bucktown All-Stars (bucktownallstars.com)3. Warm Advice (warmadvice.com) Doreen Ketchens Provided photo Best Local Street Performer1. Doreen Ketchens (doreensjazz.org)2. Jourdan Blue (Instagram: @jourblue)3. Sariyah Idan (ariyahidan.com) Best Local Theater Company1. The Tennessee Williams Theatre Company of New Orleans (504-264-2580; twtheatrenola.com)2. Le Petit Theatre (616 St. Peter St., 504-522-2081; lepetittheatre.com)3. The NOLA Project (504-302-9117; nolaproject.com) Best Local Traditional Jazz Group/Artist1. Preservation Hall Jazz Band (preservationhalljazzband.com)2. Kermit Ruffins (@ruffinsbbq)3. Trombone Shorty (tromboneshorty.com) Best Marching Band1. St. Augustine High School Marching 100 (Instagram: @staugmarching100)2. Edna Karr High School Marching Band (Instagram: @theofficialkarrband)3. The Roots of Music Marching Crusaders (therootsofmusic.org) Best Mardi Gras Parade1. Muses (kreweofmuses.org)2. Iris (kreweofiris.org)3. Endymion (endymion.org) 610 Stompers Photo by Chris Granger / The Times-Picayune Best Mardi Gras Dance Krewe1. 610 Stompers (610stompers.com)2. Amelia EarHawts (aecabinkrewe.com)3. The Jamettes (Instagram: @thejametteskrewe) Best Place to See Burlesque/Drag1. The AllWays Lounge & Cabaret (2240 St. Claude Ave., 504-218-5778; theallwayslounge.net)2. The Original Nite Cap (1300 St. Bernard Ave., 2nd floor, 504-224-2854; Instagram: @originalnitecap)3. The Country Club (634 Louisa St., 504-945-0742; thecountryclubneworleans.com) Best Place to See Comedy1. Sports Drink (1042 Toledano St.; sportsdrink.org)2. The Howlin' Wolf (907 S. Peters St., 504-529-5844; thehowlinwolf.com)3. Big Couch New Orleans (1045 Desire St.; bigcouchnola.com) Best Local Comedian1. Ryan Rogers (ryanrogerscomedy.com)2. Mark Normand (marknormandcomedy.com)3. Cyrus Cooper (Instagram: @cyrusjcooper) Best Strip Club1. The Penthouse Club (727 Iberville St., 504-524-4354; penthouseclubneworleans.com)2. Rick’s Cabaret (315 Bourbon St., 504-524-4222; rickscabaretneworleans.com)3. Larry Flynt's Hustler Club (225 Bourbon St., 504-524-0010; neworleanshustlerclub.com) Best Performing Arts Center1. Jefferson Performing Arts Center (6400 Airline Dr., 504-731-4700; jeffersonpac.com)2. Saenger Theatre (1111 Canal St., 504-525-1052; saengertheatreneworleans.com)3. Mahalia Jackson Theater for the Performing Arts (1419 Basin St., 504-525-1052; mahaliajacksontheater.com) .donate-gambit-article-module-container { text-align: center; padding: 10px; /* background-color: #24da6d; */ background-color: rgb(153, 0, 0); margin-bottom: 20px; } .donate-gambit-article-module-title { font-weight: bold; color: #fff; } .donate-gambit-article-module-copy { color: #fff !important; font-size: 16px; } .donate-gambit-article-module-button { background-color: black; width: 50%; border-color: black; font-size: 16px; } .donate-gambit-article-module-button:hover { background-color: black; } @media only screen and (max-width: 600px) { .donate-gambit-article-module-button { font-size: 14px; width: 100%; } .donate-gambit-article-module-copy { font-size: 14px; } } BECOME A GAMBIT MEMBER AND JOIN OUR KREWE TODAY For more than 40 years, Gambit has covered New Orleans, for New Orleans. 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How lip-syncing to AI let Forced Entertainment ‘play the game of theatre’
Today we have a fascinating piece by long-time Forced Entertainment fan Ben Kulvichit, speaking to Tim Etchells about their latest show Cold Sweat, how they are integrating lip-sync and AI voices into their work, the question of ‘authenticity’ on stage, and how lip-sync has even opened the door for them to make “something a little bit like drama”. This piece is a paid partnership with the Southbank Centre, where you can see Cold Sweat next month – we’re very grateful to the Southbank Centre for their ongoing support for Exeunt. Holly Williams ‘It was immediately interesting and uncanny’ **By Ben Kulvichit** “Is the microphone on?” So goes one of the opening lines of Signal to Noise, delivered by a human performer lip-syncing to an AI-generated voice. The voice is American, cheery but sluggish, slowed down into a gelatinous drawl. It repeats ad infinitum in a farce of stuckness; an answer never materialises. I find myself asking the same question as I hop on a Google Meet call with Tim Etchells, the artistic director of Forced Entertainment. We spend five or ten minutes frowning at each other, muting and unmuting, me gesticulating in semaphore into my webcam, checking if I am coming through now, restarting the laptop. To Etchells, I appear exaggeratedly mouthing words, my voice missing. In this gloopy purgatory of broken communication, life imitates art imitates life imitates art. We try a Zoom instead. Forced Entertainment, the pioneering British theatre company who have been at the avant-garde of performance since the 1980s, turned an interesting artistic corner with Signal to Noise, created on the occasion of their 40th anniversary. The whole performance employed this lip-sync technique to AI voices; on the face of it a left-field move from a company whose identity has long been grounded in the earthy, immediate presences of its performers and its unassuming, low-tech approach to theatricality. The technique, however, turned out to provide the company with a “rich new seam” of artistic enquiry, and has now spawned a trilogy of works. The second instalment, Cold Sweat, plays at Sheffield Theatres, Southbank Centre, and Lancaster Arts in October, while the third part, Everything Must Go, has been touring in Europe and is slated to come to the UK in 2027. As is often the case with Forced Entertainment shows, the main conceit for this work didn’t arrive until quite late. They were “four or five weeks into rehearsals for Signal to Noise,” Etchells recalls, and getting nowhere. Away from rehearsals, he had been playing around with feeding “weird texts” to AI voices to see how they would cope with them – “basically for my own amusement” – and was compelled by the uniformly “serviceable, benign, good-natured” tone they would read in, no matter how poetic, fractured or experimental the writing. On a hunch, he brought some examples into rehearsals and the performers gave lip-syncing a go. “It was immediately interesting and uncanny,” he recalls, with the performers having to deal in the moment with the problem of mapping themselves onto another artificial ‘performer,’ which itself was dealing with the problem of a very human text. “Almost all the writing for these projects would be useless to us unless it was done in this way,” says Etchells. “We wouldn’t know what to do with it. It’s too poetic. It’s too fictional. It’s too tangled.” But exploring lip-syncing along to the text has opened “an enormous reservoir of ways of thinking about writing and performing.” Subscribe to Exeunt, and get two in-depth pieces on theatre a week, direct to your inbox Subscribe Forced Entertainment have long been sifting through the detritus of popular culture, from daytime TV to end-of-the-pier vaudeville, magic acts and clown shows, to find frameworks for their own unusual entertainments. Lip-syncing, then, makes sense for them to experiment with. As a mode of performance, it’s wired into popular consciousness through pop stars trying to convince stadium audiences of their liveness, or those same voices as channeled through the made-up lips of contestants on RuPaul’s Drag Race, or movie dialogue spreading virally through the host bodies of TikTok users. For Etchells, lip-syncing is often about “approaching real voices and trying to take on their aura,” subsuming that original human presence into yours. “There’s a very basic, elemental sort of theatre magic to it, produced in this very easy way.” This broad approach resonates with instances of lip-syncing within contemporary performance, too. In works like Re-Member Me and Showmanism, performance artist Dickie Beau acts as a kind of spirit medium for archival recordings (this process of re-membering – as in, giving corporeal form to voices – relies on his masterfully precise actor’s technique), while Frankie Thompson is similarly possessed by a host of characters ranging from a nine-year-old Jacob Rees-Mogg to Cliff Richards, all of whom she finds compellingly nauseating, in the exorcism ritual that is her latest show, Horrible Things. What’s different about Forced Entertainment’s use of lip-syncing is that here, there is no original presence to be channeled. The performers are instead taking on what Etchells describes as “the voices of nobody,” or rather the “phantasmic, aggregated echoes” of the many many voices on whose data the AI has been trained, and which are now conjuring into existence words they never actually said. There is a sort of mournful, empty quality to these voices, having “washed up” far away from the people they originally belonged to, to find themselves in stranger’s mouths listing objects, wondering if anyone can hear them and glitching in interminable loops. There is a cold, sad anonymity to it all. Etchells remarks that occasionally the software company he used has notified him that particular people are withdrawing their voices from the platform, instructing him to cease use of those voices. Using these technologies in performance certainly brings up ethical questions around digital rights, consent, identity and ownership, although in the grand scheme of things, Etchells is fairly blasé about it: of all the purposes someone’s voice might be put to without their knowledge, “an avant-garde performance is probably the least of their worries.” [ ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) [ Frankie Thompson: How I manage my own ‘horrible things’ at the Edinburgh Fringe ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) Exeunt · Aug 25 [ Read full story ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) For the performers, though, lip-syncing to these strange, artificial voices is an odd task, requiring them to bend their live, human presence into the shapes produced by machines. Politically, it mirrors processes that are already at play in the continued computational automation of human life. Etchells brings up James Bridle’s writings on new technologies as a reference point: one example Bridle gives is of “chaotic storage”, a logistics technique employed by Amazon fulfilment centres whereby items are stored not according to traditional methods of categorisation or alphabetisation, but in a way that an algorithm determines to produce the most efficient routes for ‘picking’ based on customer purchase patterns. This appears completely random and incomprehensible to humans, with paddling pools sitting next to USB sticks sitting next to blowtorches, and so for the warehouse workers, the process of picking items becomes completely reliant on technology which tells them where to go. Our world is increasingly being designed not with humans in mind, but rather machines. As Etchells puts it, “technology malforms the space, and then you end up having to live in it.” Initially, Forced Entertainment tried their best to live in the world of machines: “I was in the it’s-got-to-be-perfect school of lip-sync,” says Etchells. But with their aesthetic being so tied to the failing act, the slipping mask, the shoddy costume, “it’s no surprise really that that didn’t last.” Instead, the performers got to enjoy being late for a line, or playing games with each other, “stealing” each other’s voices. Etchells compares it to the principles of ventriloquism, in which a free-floating voice unattached to a body is fundamentally discomforting and “sort of traumatic”. That discomfort is equally as alluring to Forced Entertainment as the satisfaction of precision, the pretence of authenticity only interesting if shown to be a pretence. Lip-sync has also opened up new avenues for the company. Having been allergic all their lives to Plays-with-a-capital-P, with Cold Sweat Forced Entertainment find themselves approaching something a little bit like drama. Rather than the presentational arena of Signal to Noise’s open white stage, Cold Sweat places us more decisively in a “fictional locale”: what appears to be “the aftermath of some disastrous party or backyard drinking binge” where three figures – family members, or neighbours, perhaps – are the last ones standing. “It’s all quite acrimonious and accusatory, everyone’s talking over each other.” For Etchells, this more fictional mode is “a door that we’ve never been able to open. We’ve just never really gone there.” Perhaps it is the technique of lip-syncing, an extra buffer of mediation, that allows them to venture away from the here-and-now without feeling that they have to commit to the “psychological claptrap” that comes along with acting; to be able to “play the game of theatre, without getting one’s hands too dirty.” As I wonder how else the impulses behind Forced Entertainment’s work have changed over time, it occurs to me that over the last ten years of new creations, with the exception of If All Else Fails, the company’s performers haven’t ever spoken on stage: there were two shows without any language at all, Out of Order and Under Bright Light, and then this trilogy of lip-sync works. Etchells agrees it’s a shift away from earlier productions, that were so often about “the actual voices of the performers and their actual presences. We had a lot of money, in some ways, on an authentic approach to what it might mean to speak on the stage.” But this sense of authentic presence itself had a fakeness to it; these days, Etchells can’t stand that mode of being onstage where performers “are here to be cheeky and witty versions of themselves. I don’t want to be charmed.” Pulling back into a more anonymous space has resulted in works that feel slightly sharper-edged, more brutal in a way. “All of these shows are post-Brexit, post-Trump, post-truth, post-everything,” Etchells notes. Speech, charisma, authenticity – these things feel politically loaded, and perhaps warmth and openness just don’t feel like the right tools to reflect the world we’re living in. “It feels like the space is closing down, and we’re trying to deal with the fact that the system, the structure that you’re in, is more oppressive and more powerful. It probably always was, but I think we’re just more tuned to it now.” Yet even without their voices, the performers’ distinctive presences – ones that many audiences have followed around for years, if not decades – still, inevitably, shine through as they physically navigate whatever unending task the system of the piece has set for them. They’re still trying to keep up with the onslaught of text, still running about, changing costumes, moving stuff around. The human is always stuck in the teeth of the machine, jamming the smooth, frictionless cheeriness of the not-real, gesticulating silently, trying desperately to communicate. Cold Sweat is at Sheffield Theatres, 2 to 3 October; Southbank Centre, London, 9 to 10 October; Lancaster Arts, 14 October [ ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) [ Exeunt recommends... the best autumn theatre ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) Exeunt · Sep 16 [ Read full story ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) This piece was paid for by the Southbank Centre. Such support helps Exeunt to keep publishing the most interesting writing, about the most exciting theatre. Interested in partnering with Exeunt? Visit our Advertise with Exeunt page, where you can get more information, download an advertising pack, and find our contact details.