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NASCAR Hall of Famer Darrell Waltrip steps back from public life for serious health concerns
FRANKLIN, Tenn. (AP) — Darrell Waltrip, who parlayed a Hall of Fame driving career in NASCAR into a long-time broadcasting stint at Fox Sports, has stepped away
NASCAR Hall of Famer Darrell Waltrip steps back from public life for serious health concerns
Darrell Waltrip, a Hall of Fame NASCAR driver and longtime Fox Sports broadcaster, has stepped away from public life due to a progressive brain disease. Waltrip and his family announced Wednesday that he has been diagnosed with Frontotemporal Degeneration, possibly complicated by Chronic Traumati...
St. Louis Cardinals vs Pittsburgh Pirates Game Discussion Wednesday
The St. Louis Cardinals will do battle with the Bucs again at PNC Park Wednesday night. Matthew Liberatore is the scheduled starter for the Cardinals Wednesday night while the Pirates have announced RHP Lake Bachar as their starter. First pitch is scheduled for 5:40pm central time and the game broadcast will be available via Cardinals.tv.
Iowa judge dismisses Trump’s lawsuit against Des Moines Register and pollster
A judge in Iowa has dismissed President Donald Trump’s lawsuit against The Des Moines Register and its former pollster. Trump sued in December 2024, accusing pollster J. Ann Selzer and
NHL strikes local broadcast deal with Charter for four teams
The NHL has negotiated direct-to-distributor deals for four of its teams that were left without local media rights agreements this upcoming season following the collapse of Main Street Sports Group, the now-defunct owner of the FanDuel Sports Networks. According to a report by Alex Silverman in Sports Business Journal, the NHL has negotiated multiyear linear…
Newcastle United defender Richardson signs first professional deal
Newcastle United defender Abbie Richardson has signed her first professional contract with the club.WSL Full-Time were informed of the news via an official club press release from The Magpies earlier ...
Arteta 'didn't learn' from Brighton's fast start
Arsenal podcaster Alan Alger says Mikel Arteta "didn't learn" from Brighton's fine start in their 3-0 win over the Gunners on Saturday. The Seagulls' high press smothered Arteta's side, who struggled to match the intensity of their opponents, before Pascal Gross opened the scoring after half an hour. My one big criticism of Arteta is that in his quotes he said 'we will learn from this' - but he didn't learn from watching the first 20 minutes happening in front of him.
Holland America continues to raise the bar for cruise ship entertainment with 4 new shows on Oosterdam
Last year's "Fosse and Verdon, The Duet That Changed Broadway" was only the beginning of a whole new approach to onboard productions.
Mark Ballas subtly shuts down conspiracy theories about Whitney Leavitt’s “Traitors” casting
The “DWTS” pro, who was partnered with Leavitt last season, claims she’s been set to head to the Scottish Highlands “for a while.”
'Survivor' Season 51: Where to stream tonight, premiere date, castaways and everything else you need to know
'Survivor' is back for a new season full of twists, turns and 'permanent uncertainty.' Here's everything you need to know before tuning in.
Lawmakers seek AG probe after audit finds problems with North Dakota business financing program
BISMARCK (North Dakota Monitor) - A legislative audit committee voted Tuesday to urge the full Legislature to ...
Good, Bad, Ugly from Week 2
Welcome to Steelers Morning Rush, our new daily short-form podcast with Alan Saunders, giving a longer perspective on a single […]
YouTube Music gets more conversational with new AI features
YouTube is adding new AI-powered features to YouTube Music that aim to make it easier for listeners to discover music, explore artists, and find podcasts
'Wirtz has not become a bad player overnight'
The LFC Poets podcast's Peter Warburton believes Florian Wirtz would look like a "world beater" if his Liverpool team-mates were on his wavelength and says he has not "become a bad player overnight". The Germany attacking midfielder has come under criticism since he signed last year in a deal worth £116m.
YouTube announces Custom Feeds, GIF comments, and ’Your podcast lineup’
At Made on YouTube 2026 today, YouTube announced a slew of new features. We’ve highlighted the capabilities that will impact...
“Survivor 51 ”cast deliver super dramatic exit lines after being blindsided (exclusive)
Who’s got the most epic send-off?
Hilary Duff to perform in Hershey next year; here are the details
Beloved early 2000s actor and pop singer Hilary Duff recently announced that she would extend her "The Lucky Me Tour," adding a Hershey stop among 31 other dates.
Seven Minutes Was All Newcastle Needed to Answer Their Critics
Five days ago, Alan Shearer called it embarrassing. Newcastle had just been taken apart 4-1 at Elland Road, undone by a Lewis Miley own goal and three more from a Leeds side that looked sharper, hungrier, and considerably better organized than the visitors. It was the kind of result that invites overreaction, and for a […]
920 Sports podcast has the latest on high school football and volleyball
The 920 Sports podcast looks back at Week 5 of the high school football season, previews the big Freedom/Little Chute matchup and has volleyball updates.
What happened to ‘The Love Boat’ cast? See the crew of the Pacific Princess 40 years later
That swirling theme music could mean only one thing: The Pacific Princess was pulling in with its appealing crew and oodles of celebrity guests. See the stars of ‘The Love Boat’ more than 40 years after the finale.
CentraCare Hosts Free Virtual Heart Health Event October 8th
(KNSI) - According to the Centers for Disease Control, heart disease remains one of the most common health con...
Kostoulas & Vuskovic shining for high-flying Seagulls
Brighton are flying high under the youngest manager in the top flight after five games of the Premier League season. Fabian Hurzeler guided his side to a 3-0 victory against Arsenal on the 125-year anniversary of the club in style - and the Seagulls sit in a very pleasing third place in the table. Former Brighton midfielder Warren Aspinall told Radio Sussex's Albion Unlimited podcast that the Gunners were "out-thought and out-battled".
'Ampadu showed why he's one of league's best midfielders'
Leeds captain Ethan Ampadu showed he is one of the best midfielders in the league in the 0-0 draw with Crystal Palace, believes Don't Go To Bed Just Yet podcaster Jonny Buchan. Leeds United stayed unbeaten in the Premier League - with two wins and three draws - thanks to the draw with Crystal Palace.
Reform and the UAE – a threat to British politics
By Alex Carlen The United Arab Emirates likes to present itself as part of the solution to the climate crisis. The oil-rich Gulf state has committed to Net Zero by 2050, hosted COP 28, and even declared “championing climate action” as one of three strategic objectives for this week’s session of the United Nations General Assembly. But behind the scenes the UAE has quietly built one of its closest political relationships in Europe with the party most hostile to climate action in Britain: Nigel Farage’s Reform UK. There is no evidence that the UAE is funding Reform. But a new FairSquare report, Petro-populism: the UAE–Reform threat, published today, documents a growing political relationship that should concern anyone interested in the integrity of British democracy. Reform’s leaders have embraced the UAE’s political model and promoted positions that align closely with the Emirati government’s priorities, while the UAE has given Farage and his party unusually warm access and public backing. What is emerging is not simply a relationship between British politicians and a wealthy Gulf state, but a channel through which an authoritarian government can cultivate political influence here, and abroad. Democracy for Sale relies on its readers. If you already support us, thanks so much. If you don’t, sign up to support fearless independent investigative journalism. Subscribe Back in January, Nigel Farage appeared at a GB News event in Dubai. On the 50th floor of a tower overlooking the luxury resorts and upscale residences of Palm Jumeirah, the Reform leader declared: “I want Clacton to look like this.” At the event – which Farage never declared on his official register of interests – senior Emirati officials mixed with British expats. Farage was keen to flatter. “We recognise you are our friends”, he said, assuring them that “a Brexit London, a Reform London, will remember you.” Controversy surrounding Reform’s finances and its susceptibility to foreign influence have centred around high-profile donations from billionaire crypto donors, and the jailing of Nathan Gill, Reform’s former leader in Wales, for accepting bribes to give pro-Russia speeches. Far less attention has been paid to Reform’s blossoming new alliance with the UAE, an oil-rich authoritarian state with a track record of ruinous anti-democratic interventions. Farage wasn’t always so fond of the UAE. Back in 2023 he called it an “absolute monarchy with an abysmal human rights record.” Now Reform’s hierarchy calls the UAE home. Deputy leader Richard Tice splits his time between his constituency and Dubai and has called on the UK to learn from the UAE. The party’s treasurer Nick Candy runs a firm which has been in partnership with a UAE-state linked firm since 2024. Nadhim Zahawi sits on the board of an Abu Dhabi think tank alongside an array of the most senior UAE officials and is reportedly close to three brothers of the country’s despotic ruler Mohammed Bin Zayed. Reform’s leading lights have effusively praised the UAE’s governance model, defended it from criticism, and advanced its political agenda in the UK. GB News, whose two major shareholders – the Legatum Foundation and Paul Marshall – have strong links to the UAE, has been more than happy to broadcast UAE propaganda and was forced to pay damages in 2025 after airing a false claim about a UK charity by the UAE “disinfluencer” Amjad Taha. The UAE has responded in kind. When the UAE Minister for Foreign Affairs conducted an official visit to the UK in May, Farage was the only non-government figure granted an audience. UAE state media publicised the meeting, and said that they discussed “the strategic relations between the two countries and ways to enhance them in a manner that serves mutual interests.” For the UAE these ‘mutual interests’ largely concern its paranoia over political Islam, and in this regard the UAE-Reform alliance is part of a broad and troubling pattern. Following a crackdown on dissent at home in the aftermath of the Arab Spring, the UAE has offered material and political support to a range of violent and authoritarian actors willing to oppose the Muslim Brotherhood with no regard for the consequences. Its meddling in Egypt, Tunisia, Yemen, and most notably Sudan, have been devastating. The UAE’s strategy of seeking out partners on the political fringes who it believes will advance its interests is not unique to Britain – it extends beyond the Middle East to Europe and the US. In France, it has offered clandestine support to Marine Le Pen through secret meetings, as well allegedly funding trips to the region after which Le Pen returned with a renewed focus on the UAE’s perceived enemies – Qatar and the Muslim Brotherhood. Left-wing opposition leader Jean-Luc Mélenchon has accused the UAE of smearing him and of “encouraging discrimination, hatred or violence”. In the US, the UAE actively supported the rise of Donald Trump, establishing itself as a key ally during both his first and second terms. Around these relationships sits a wider ecosystem of figures willing to amplify UAE narratives, that even extends to Andrew Tate and Tommy Robinson. Subscribe In Britain, the UAE has used a combination of aggressive diplomacy and illicit, disruptive tactics to achieve its policy goal of eliminating any perceived threat from political Islam. In 2012, for instance, it threatened to block billion-pound arms deals with the UK and stop inward investment if David Cameron did not act against the Muslim Brotherhood and rein in the BBC’s coverage of the group – going so far as to suggest, with no supporting evidence, that the group had infiltrated the BBC. It has financed smear campaigns against a high-profile UK charity and funded a mercenary to secretly surveil, and possibly assassinate, a British national on British soil. In Reform UK, the UAE has finally found an ally willing to not only ban the Muslim Brotherhood, but to publicly vilify the group and repeat the UAE’s claims that dangerous Muslims are a fifth column in British society, a narrative that aligns with the Islamophobia and anti-immigration sentiments that underpin Reform’s populist politics. The Rycroft review into foreign interference concluded that “hostile states and non-state actors have a clear incentive to attempt to undermine UK democracy.” The UAE’s network and alliance with Reform must be understood within that framework. It is a powerful, disruptive and deeply authoritarian actor with the resources and networks to intervene in our politics, and a track-record of doing so in a multitude of other countries. The evidence of the threat the UAE poses is overwhelming. The question is whether parliamentarians are willing to call the UAE out and demand action using the tools that the government has to respond. Placing the UAE on the “Enhanced Tier” of the Foreign Registration scheme alongside Russia and Iran would send a powerful signal to the UAE that its meddling will no longer be tolerated, and would place Farage’s next trips to the UAE under the scrutiny they deserve. Alex Carlen is research and advocacy manager at London based human rights organisation FairSquare and author of its new report Petro-populism: the UAE–Reform threat. Subscribe
Sean Steur Explains Why He Left Ajax For Newcastle United
Sean Steur has explained why he decided to leave Ajax for Newcastle United in the summer.
'The Peterson Show' review: Janine Nabers' new play goes awry
The Echo Theater Company presents the world premiere of 'The Peterson Show' by Janine Nabers, a play that reunites the cast of a beloved Black sitcom after the TV dad has gone to jail.
8 events in Lancaster County this weekend, from art shows to the Lititz Craft Beer Fest
It's a weekend of festivals in Lancaster County.
In its 80th year, Lancaster Symphony Orchestra embraces new shows and changing times
The Lancaster Symphony Orchestra has been part of Lancaster County's arts tapestry for 80 years, but its programming is far from dated.
Man Utd, Neville and how the media agenda is set
Gary Neville setting the media agenda when it comes to Manchester United is not a new thing. One instance was in December 2021, after a poor first-half performance against a struggling Newcastle side when Ralf Rangnick's side trailed 1-0 at the break. "They're a bunch of whinge-bags," Neville said at half-time on Sky Sports.
Your weather app runs on satellites, supercomputers and a retired science teacher who walked to his rain gauge at 7 a.m. every day for 50 years
The forecast on your phone has a secret ingredient: 8,700 volunteers with a thermometer. Meet the Frenches, a family in Gouverneur, N.Y. Ray monitored the stats for 50 years before his son took over. The 11-year-old granddaughter is next.
JD Sports keeps its nerve on guidance despite a bruising half
JD Sports Fashion PLC (LSE:JD., OTC:JDSPY) has kept its full-year profit forecast intact, even after a rough six months in which earnings slid by a fifth. The FTSE 100 trainers-and-tracksuits giant still expects profit before tax and adjusting items of £700 million to £800 million for the...
JD Sports keeps its nerve on guidance despite a bruising half
JD Sports Fashion PLC (LSE:JD., OTC:JDSPY) has kept its full-year profit forecast intact, even after a rough six months in which earnings slid by a fifth. The FTSE 100 trainers-and-tracksuits giant still expects profit before tax and adjusting items of £700 million to £800 million for the...
How opencast mining risks reawakening dormant geological faults
New study finds subsidence caused by groundwater extraction can take place as far as 20km from site of mine
When should fighters stop fighting?
IN DEPTH: As 49-year-old Yoel Romero prepares to go to war with Darren Till in a bare-knuckle bout, Will Castle delves into the dangers of fighting for too long and why combatants struggle to quit the sport
Minnesota Orchestra announces 2026–27 broadcast schedule
The Minnesota Orchestra has announced the return of This Is Minnesota Orchestra for its sixth consecutive season, featuring four live concert broadcasts on Minnesota PBS and livestreams on YouTube.
Latest Kyrie Irving Trade News Could Be Great For Lakers
The NBA future of Kyrie Irving could see a big trade coming in his future. A new report confirms the Dallas Mavericks expecting to start the season with Irving as the starting point guard. Most teams around the league forecast him to get traded in the near future. Cooper Flagg becoming the face of the […] The post Latest Kyrie Irving Trade News Could Be Great For Lakers appeared first on HEAVY.
ESPN’s Direction Could Influence Their Decision On Troy Aikman
"ESPN is changing, and so is the audience it is trying to reach. The network is investing in younger voices, creators and personalities who can live beyond the traditional broadcast window. Aikman represents a different era of sports media." The post ESPN’s Direction Could Influence Their Decision On Troy Aikman appeared first on Barrett Media.
DBR Podcast #850 – Duke Loses A Cherished Family Member
Definitely a sad day for all of Dukedom
Bills Roundtable Podcast Ep 49: An Unstoppable Offense
Josh Allen’s high-powered unit is dismantling defenses, but major defensive lapses and key injuries threaten Buffalo’s perfection. Mike Straw and Anthony Moeglin debate if this formula is sustainable.
Chip and Joanna Gaines Finally Sell Their Famous $2.7 Million Historic Waco Castle—Fully Furnished
The yearslong renovation and design project, which was featured on "Fixer Upper: The Castle," is ready for new residents.
Kenner Police arrest business owner after finding hidden cameras in restrooms
A Kenner business owner is accused of recording people inside the bathroom of his business. According to his L...
Detroit Pistons reach streaming agreement with DAZN
In addition to broadcasting for free on local TV, the Detroit Pistons will also stream games with an exclusive partner next season.
Free Speech Groups Say the FCC's Disney/ABC Investigation 'Reeks of Political Pretext'
FIRE, Cato, PEN America, and others take on the broadcasting police.
From paleo to intermittent fasting: are any diets actually good for us?
As diet trends proliferate on social media, it can be hard to work out which are backed by science and which should be ignored. From paleo to keto, raw food to intermittent fasting, each attracts a tribe of ardent followers. Now Daniel Lieberman, professor of biological sciences at Harvard University, has written a book to try to cut through the noise. In Fed Up, he uses his background as an evolutionary anthropologist to scrutinise the evidence, turning himself into a guinea pig in the process and trying various diets. In this podcast, he tells Ian Sample which one has remained part of his routine
Would Troy Aikman actually walk away from ESPN?
This originally appeared in Tuesday morning’s edition of The A Block, Awful Announcing’s daily newsletter with the latest sports media news, commentary, and analysis. Sign up here and be the first to know everything going on in the sports media world. Something is off when the analyst half of the longest-running broadcast marriage in NFL history…
Training at 11 tomorrow
Tomorrow, the Rossoneri will continue their training with a session at 11:00 CEST at the Niccolò Galli training centre in Casteldebole.
Bryson’s story: Penn State Health delivers coordinated care for Lancaster family
After newborn Bryson Geiss was transferred to Penn State Health Golisano Children’s Hospital for specialized NICU care, he recovered quickly and went home with his family just two days later.
Frank Ski launches weekly YouTube podcast ‘Frankly Speaking’
V-103 host Frank Ski has started a podcast, "Frankly Speaking," featuring interviews with politicians, celebrities and lifestyle experts. He records from his home.
A Geico Holiday Special? Insurance Giant’s New CMO Widens Spotlight on Entertainment
Geico’s famous animated Gecko used to turn up only in TV commercials. He recently enjoyed guest-star billing on a podcast. The cartoonish figure with the sophisticated accent appeared in June on WNBA ...
New Report Warns AI Could Close a 70-Year Gap in Weather Forecasting for Health or Widen It Without Deliberate Action
A 10-day forecast now takes minutes to produce, on a single computer chip, putting life-saving warnings within reach of the world's most vulnerable
Kentucky to receive millions in federal funding for mental health services
By Sarah Ladd, Kentucky Lantern September 21, 2026 Kentucky will receive $17 million in federal funding from t...
DOVBYK BACK TO TRAINING
Training resumed at Casteldebole as the Rossoneri began a three-week break from league action due to the international fixtures. The squad underwent a series of individual fitness tests, followed by t...
Business Culture Podcaster Sammi Cohen Is Launching Social Commerce Network (SCN), a Livestreamed News Show Inspired by TBPN and Aimed at Being a Next-Gen CNBC
Sammi Cohen has hundreds of thousands of followers who tune in to her podcast focused on the intersection of business, tech and culture — and she thinks they’re hungry for a live dose of her brand of ...
Business Podcaster Sammi Cohen to Launch Social Commerce Network (SCN) Live Broadcasts
Business podcaster and creator Sammi Cohen is launching Social Commerce Network (SCN), a live show broadcast three times per week featuring news and interviews with CEOs.
TV and streaming viewing picks for September 22, 2026: How to watch WNBA on ESPN
All Times Eastern College Basketball ACC Network Basketball Podcast — ACC Network, 5 p.m. College Football Florida Atlantic Weekly Press Conference — ESPN+, 11:45 a.m. Cincinnati Football Press Conference — ESPN+, noon Oklahoma Football Press Conference — SEC Network, noon Iowa State Football Press Conference — EPSN+, 12:55 p.m. B1G Live: Football Coaches Press Conferences…
Sports on TV/radio listings: Sept. 22
Where to watch and/or listen to today's sporting events that will be televised or broadcast on the radio.
'Survivor 51' full cast: Meet the 21 new castaways battling for $1 million
The new season ushers in the 'Open Era' — and no twist from the show's past is off-limits.
Banijay Entertainment Brings Back Romance with Nordisk Film TV’s Date Knight
Media and entertainment group, Banijay Entertainment, today unveils a brand-new dating reality format Date Knight. Produced by Nordisk Film TV, part of Banijay Nordic, for Danish public broadcaster DR, the format will join the group’s portfolio of new IP heading to MIPCOM. Date Knight invites singles to step into a spectacular romantasy world where epic […]
How lip-syncing to AI let Forced Entertainment ‘play the game of theatre’
Today we have a fascinating piece by long-time Forced Entertainment fan Ben Kulvichit, speaking to Tim Etchells about their latest show Cold Sweat, how they are integrating lip-sync and AI voices into their work, the question of ‘authenticity’ on stage, and how lip-sync has even opened the door for them to make “something a little bit like drama”. This piece is a paid partnership with the Southbank Centre, where you can see Cold Sweat next month – we’re very grateful to the Southbank Centre for their ongoing support for Exeunt. Holly Williams ‘It was immediately interesting and uncanny’ **By Ben Kulvichit** “Is the microphone on?” So goes one of the opening lines of Signal to Noise, delivered by a human performer lip-syncing to an AI-generated voice. The voice is American, cheery but sluggish, slowed down into a gelatinous drawl. It repeats ad infinitum in a farce of stuckness; an answer never materialises. I find myself asking the same question as I hop on a Google Meet call with Tim Etchells, the artistic director of Forced Entertainment. We spend five or ten minutes frowning at each other, muting and unmuting, me gesticulating in semaphore into my webcam, checking if I am coming through now, restarting the laptop. To Etchells, I appear exaggeratedly mouthing words, my voice missing. In this gloopy purgatory of broken communication, life imitates art imitates life imitates art. We try a Zoom instead. Forced Entertainment, the pioneering British theatre company who have been at the avant-garde of performance since the 1980s, turned an interesting artistic corner with Signal to Noise, created on the occasion of their 40th anniversary. The whole performance employed this lip-sync technique to AI voices; on the face of it a left-field move from a company whose identity has long been grounded in the earthy, immediate presences of its performers and its unassuming, low-tech approach to theatricality. The technique, however, turned out to provide the company with a “rich new seam” of artistic enquiry, and has now spawned a trilogy of works. The second instalment, Cold Sweat, plays at Sheffield Theatres, Southbank Centre, and Lancaster Arts in October, while the third part, Everything Must Go, has been touring in Europe and is slated to come to the UK in 2027. As is often the case with Forced Entertainment shows, the main conceit for this work didn’t arrive until quite late. They were “four or five weeks into rehearsals for Signal to Noise,” Etchells recalls, and getting nowhere. Away from rehearsals, he had been playing around with feeding “weird texts” to AI voices to see how they would cope with them – “basically for my own amusement” – and was compelled by the uniformly “serviceable, benign, good-natured” tone they would read in, no matter how poetic, fractured or experimental the writing. On a hunch, he brought some examples into rehearsals and the performers gave lip-syncing a go. “It was immediately interesting and uncanny,” he recalls, with the performers having to deal in the moment with the problem of mapping themselves onto another artificial ‘performer,’ which itself was dealing with the problem of a very human text. “Almost all the writing for these projects would be useless to us unless it was done in this way,” says Etchells. “We wouldn’t know what to do with it. It’s too poetic. It’s too fictional. It’s too tangled.” But exploring lip-syncing along to the text has opened “an enormous reservoir of ways of thinking about writing and performing.” Subscribe to Exeunt, and get two in-depth pieces on theatre a week, direct to your inbox Subscribe Forced Entertainment have long been sifting through the detritus of popular culture, from daytime TV to end-of-the-pier vaudeville, magic acts and clown shows, to find frameworks for their own unusual entertainments. Lip-syncing, then, makes sense for them to experiment with. As a mode of performance, it’s wired into popular consciousness through pop stars trying to convince stadium audiences of their liveness, or those same voices as channeled through the made-up lips of contestants on RuPaul’s Drag Race, or movie dialogue spreading virally through the host bodies of TikTok users. For Etchells, lip-syncing is often about “approaching real voices and trying to take on their aura,” subsuming that original human presence into yours. “There’s a very basic, elemental sort of theatre magic to it, produced in this very easy way.” This broad approach resonates with instances of lip-syncing within contemporary performance, too. In works like Re-Member Me and Showmanism, performance artist Dickie Beau acts as a kind of spirit medium for archival recordings (this process of re-membering – as in, giving corporeal form to voices – relies on his masterfully precise actor’s technique), while Frankie Thompson is similarly possessed by a host of characters ranging from a nine-year-old Jacob Rees-Mogg to Cliff Richards, all of whom she finds compellingly nauseating, in the exorcism ritual that is her latest show, Horrible Things. What’s different about Forced Entertainment’s use of lip-syncing is that here, there is no original presence to be channeled. The performers are instead taking on what Etchells describes as “the voices of nobody,” or rather the “phantasmic, aggregated echoes” of the many many voices on whose data the AI has been trained, and which are now conjuring into existence words they never actually said. There is a sort of mournful, empty quality to these voices, having “washed up” far away from the people they originally belonged to, to find themselves in stranger’s mouths listing objects, wondering if anyone can hear them and glitching in interminable loops. There is a cold, sad anonymity to it all. Etchells remarks that occasionally the software company he used has notified him that particular people are withdrawing their voices from the platform, instructing him to cease use of those voices. Using these technologies in performance certainly brings up ethical questions around digital rights, consent, identity and ownership, although in the grand scheme of things, Etchells is fairly blasé about it: of all the purposes someone’s voice might be put to without their knowledge, “an avant-garde performance is probably the least of their worries.” [ ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) [ Frankie Thompson: How I manage my own ‘horrible things’ at the Edinburgh Fringe ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) Exeunt · Aug 25 [ Read full story ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) For the performers, though, lip-syncing to these strange, artificial voices is an odd task, requiring them to bend their live, human presence into the shapes produced by machines. Politically, it mirrors processes that are already at play in the continued computational automation of human life. Etchells brings up James Bridle’s writings on new technologies as a reference point: one example Bridle gives is of “chaotic storage”, a logistics technique employed by Amazon fulfilment centres whereby items are stored not according to traditional methods of categorisation or alphabetisation, but in a way that an algorithm determines to produce the most efficient routes for ‘picking’ based on customer purchase patterns. This appears completely random and incomprehensible to humans, with paddling pools sitting next to USB sticks sitting next to blowtorches, and so for the warehouse workers, the process of picking items becomes completely reliant on technology which tells them where to go. Our world is increasingly being designed not with humans in mind, but rather machines. As Etchells puts it, “technology malforms the space, and then you end up having to live in it.” Initially, Forced Entertainment tried their best to live in the world of machines: “I was in the it’s-got-to-be-perfect school of lip-sync,” says Etchells. But with their aesthetic being so tied to the failing act, the slipping mask, the shoddy costume, “it’s no surprise really that that didn’t last.” Instead, the performers got to enjoy being late for a line, or playing games with each other, “stealing” each other’s voices. Etchells compares it to the principles of ventriloquism, in which a free-floating voice unattached to a body is fundamentally discomforting and “sort of traumatic”. That discomfort is equally as alluring to Forced Entertainment as the satisfaction of precision, the pretence of authenticity only interesting if shown to be a pretence. Lip-sync has also opened up new avenues for the company. Having been allergic all their lives to Plays-with-a-capital-P, with Cold Sweat Forced Entertainment find themselves approaching something a little bit like drama. Rather than the presentational arena of Signal to Noise’s open white stage, Cold Sweat places us more decisively in a “fictional locale”: what appears to be “the aftermath of some disastrous party or backyard drinking binge” where three figures – family members, or neighbours, perhaps – are the last ones standing. “It’s all quite acrimonious and accusatory, everyone’s talking over each other.” For Etchells, this more fictional mode is “a door that we’ve never been able to open. We’ve just never really gone there.” Perhaps it is the technique of lip-syncing, an extra buffer of mediation, that allows them to venture away from the here-and-now without feeling that they have to commit to the “psychological claptrap” that comes along with acting; to be able to “play the game of theatre, without getting one’s hands too dirty.” As I wonder how else the impulses behind Forced Entertainment’s work have changed over time, it occurs to me that over the last ten years of new creations, with the exception of If All Else Fails, the company’s performers haven’t ever spoken on stage: there were two shows without any language at all, Out of Order and Under Bright Light, and then this trilogy of lip-sync works. Etchells agrees it’s a shift away from earlier productions, that were so often about “the actual voices of the performers and their actual presences. We had a lot of money, in some ways, on an authentic approach to what it might mean to speak on the stage.” But this sense of authentic presence itself had a fakeness to it; these days, Etchells can’t stand that mode of being onstage where performers “are here to be cheeky and witty versions of themselves. I don’t want to be charmed.” Pulling back into a more anonymous space has resulted in works that feel slightly sharper-edged, more brutal in a way. “All of these shows are post-Brexit, post-Trump, post-truth, post-everything,” Etchells notes. Speech, charisma, authenticity – these things feel politically loaded, and perhaps warmth and openness just don’t feel like the right tools to reflect the world we’re living in. “It feels like the space is closing down, and we’re trying to deal with the fact that the system, the structure that you’re in, is more oppressive and more powerful. It probably always was, but I think we’re just more tuned to it now.” Yet even without their voices, the performers’ distinctive presences – ones that many audiences have followed around for years, if not decades – still, inevitably, shine through as they physically navigate whatever unending task the system of the piece has set for them. They’re still trying to keep up with the onslaught of text, still running about, changing costumes, moving stuff around. The human is always stuck in the teeth of the machine, jamming the smooth, frictionless cheeriness of the not-real, gesticulating silently, trying desperately to communicate. Cold Sweat is at Sheffield Theatres, 2 to 3 October; Southbank Centre, London, 9 to 10 October; Lancaster Arts, 14 October [ ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) [ Exeunt recommends... the best autumn theatre ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) Exeunt · Sep 16 [ Read full story ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) This piece was paid for by the Southbank Centre. Such support helps Exeunt to keep publishing the most interesting writing, about the most exciting theatre. Interested in partnering with Exeunt? Visit our Advertise with Exeunt page, where you can get more information, download an advertising pack, and find our contact details.
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Whether you like it or not, celebrities have an impact on politics
The global groundswell of support for Macklemore’s pro-Palestinian advocacy serves to remind us that maybe celebrity activism really is that deep after all, writes Cheek’s Varsha Yajman. Subscribe In the last week, publications, podcasts, and influencers that have either rarely or never spoken about Israel’s genocide in Palestine have flooded my social feed. And it was all because singer Ed Sheeran and his team dropped Macklemore as his opener for saying “Free Palestine” on stage. Millions raised, millions speaking up in support of Palestine - all of this confirming my view that, whether I like it or not, celebrities do have an impact on political outcomes. And this is interesting when much of the time celebrity activism can induce an eye roll - I love to see Charli XCX pointing out a Palestinian flag in the crowd, but it’s hardly the bold symbol of allyship that some fans would make it out to be. But there’s a line between healthy scepticism and outright dismissal - and I’d argue that the latter lets the rich and powerful off far too easily. For instance, actress Jennifer Lawrence, once outspoken about her political views, last year told The Times she no longer believes celebrities have a role to play: “Celebrities do not make a difference whatsoever on who people vote for. So then what am I doing? I’m just sharing my opinion on something that’s going to add fuel to a fire that’s ripping the country apart.” While it’s a narrative she might find comfort in, it simply is not true. Grassroots movements often garner worldwide attention when celebrities and other high-profile spokespeople bring a mainstream platform to their causes. And this frustrates me. We have had three years of a live-streamed genocide. Macklemore himself has been calling for a Free Palestine long before he booked the Sheeran concert. Yet it’s the high-profile fallout of the last week that finally seems to have made saying “Free Palestine” socially acceptable in the mainstream. It feels like the collective mood has shifted, where calling out censorship is now the obvious response - not just the business of ‘radical’ activists. To recap, Sheeran’s decision followed an ultimatum from billionaire Robert Kraft, owner of Gillette Stadium, one of the venues Sheeran was scheduled to perform at: either drop Macklemore as your opener after only two of the eight scheduled shows, or you do not play at any stadiums. Sheeran’s disappointing decision to stand on the side of billionaire-led censorship has ultimately seen a surge in support for Free Palestine. It began when all his openers and his backing band pulled out of Sheeran’s tour, in solidarity with Macklemore and with the Palestinian cause. It was met with an uproar of support from those who had never or barely touched politics before: influencers lip-syncing to Macklemore’s music, singers like Jack Antonoff singing “Free Palestine,” and publications and podcasts standing with Macklemore. And finally, we saw material support: Macklemore donated $1 million in profits from his two nights opening for Sheeran’s tour to several Palestinian aid groups and called for Sheeran and Kraft to match it, which they have since promised to do. We’ve also seen children’s entertainer Ms Rachel follow suit with a $1 million donation to Palestinian aid, and publication PopBase has donated $10,000. Anera, a humanitarian aid group working in Palestine, Lebanon, and Jordan, said donations since Macklemore’s announcement were more than triple this month’s daily average. The group’s Instagram page has also gained 8,000 followers. Macklemore far from the first celebrity to speak and participate in politics in the Western World. In 1924, singer Al Jolson supported Republican candidate Warren G. Harding for president, and decades later, celebrities such as Harry Belafonte, Lena Horne, and Aretha Franklin voiced their public support for the Civil Rights movement. More recently, in the lead-up to the 2024 US election, ‘The Daily Show with Trevor Noah partnered with the organisation Power the Polls to recruit poll workers to address shortages- a problem disproportionately affecting voters of colour. The campaign saw 170,000 new sign-ups - 35,000 of which came directly through the TV show’s link - resulting in the recruitment of 713,000 total poll workers that year, an almost three-fold increase on the organisation’s goal. Alongside recruiting workers, celebrities in the US (where voting in elections is not compulsory) have made a huge difference by calling for people to register to vote. Taylor Swift’s endorsement of Kamala Harris in 2024 saw over 400,000 visitors on the voter registration site within 24 hours of her Instagram post. In 2023, Swift had urged her fans to register, resulting in 35,000 new voter registrations. Similarly, Ariana Grande promoted voter registration in 2019 by setting up booths at concerts on the American leg of her tour, resulting in over 33,000 voters registering. And the same thing is happening closer to home. This year, musician Jack River successfully called for government action to ensure creatives in Australia do not have their work scraped by generative AI companies. Celebrity as the mediator between the punter and the politician Celebrity activism isn’t just a feel-good news story - research tells us it actually makes a difference. By directing attention to issues affecting the average person, like voting inaccessibility or a lack of action on a genocide, researchers Alfred Archer and Amanda Cawston state that “celebrities can play a useful bridging role between political elites and the people they represent”. Alternatively, in a world where talking about politics is “not cool,” or where people lack exposure or knowledge to engage with politics, celebrities can act as an educational resource or an entry point into the political world - when they speak up about an issue, their audience gets exposed to it. Olivia Rodrigo’s Daisy Chain Fields festival is a perfect example. Rodrigo partnered with twelve organisations focused on women’s issues, such as reproductive rights. These organisations had stalls at the festival for people to meet them and were also featured heavily on social media, giving their issues global attention and raising $20 million for the organisations. We have also seen celebrities at award shows such as the Emmys wearing F*CK ICE pins, referring to the U.S. Immigration and Customs Enforcement’s treatment and detainment of people - generally people of colour. When celebrities speak up about political issues in public forums, they put the issue at the forefront of mainstream media, rally their supporters, and make it clear that, however much they disagree, the government cannot simply ignore it. Our over-reliance on celebrities versus our politicians As much as I love seeing my favourite celebrity use their platform for a good cause, there is an important question to ask: not whether celebrity activism is good or bad, but whether we should have to rely on celebrities. And the answer would, in an ideal world, be no. In an ideal world, or merely a just world, action on Palestine would’ve happened decades ago, climate change would be taken seriously, and most importantly, people would understand their democratic rights. However, that is not our reality. Only around 28 per cent of Australian Year 10 students reach proficiency in civics and citizenship. In the US, almost two-thirds of people under 30 say high school civics education didn’t prepare them to understand voting deadlines, how to research candidates, or how to vote by mail. When civics education is weak, our trust in these institutions and our understanding of change-making processes also decline. This is where celebrity steps in and becomes our main source of reliance. As Mary R. Connelly notes in _The Tartan, “_Celebrities will always be involved in campaigns in one form or another, but their presence is not what causes people to vote blindly. The lack of political engagement and literacy is what allows celebrities to wield their influence on the political sphere so impactfully.” About the author Varsha Yajman is the Digital Content Producer at Cheek Media. She is a youth advocate and lawyer with a background in climate litigation and is passionate about looking at the intersection between race, climate justice, and mental health. Thanks for reading Cheek Media Co. ! This post is public so feel free to share it. Share
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"I really love the entire cast," Metcalfe said.
Jesse Metcalfe Names the 3 ‘John Tucker Must Die' Costars He Wants To Reunite With
"I really love the entire cast," Metcalfe said.