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The Most Successful Movie Of The Year Is Dominating Peacock
The Odyssey, Spider-Man, The Avengers, no one can dethrone this film from the top of the mountain and now it's on Peacock.
Not Greek to them. Scholars question Christopher Nolan\'s \'The Odyssey\'
Greek translator Emily Wilson finds the release of Christopher Nolan's film “The Odyssey” both gratifying and unsatisfying. Her 2017 translation of Homer's epic has surged in popularity. Nolan even cited
Tom Cruise and Half of Hollywood Lit Up the 2026 World Cup Final
The movie star, who is promoting the heck out of his new film “Digger,” put his stamp on Sunday’s World Cup final, and was joined by half of Hollywood.
Kodak EC35 is a dirt-cheap point-and-shoot film camera
The film photography renaissance continues and gets more affordable.
Christopher Nolan's 'Odyssey' debut breaks major box office record
Is Christopher Nolan the most reliable director working today? With his latest film, the Oscar winner has pulled off a feat that few filmmakers can.
Not Greek to them. Scholars question Christopher Nolan's 'The Odyssey'
Greek translator Emily Wilson finds the release of Christopher Nolan's film "The Odyssey" both gratifying and unsatisfying.
Not Greek to them. Scholars question Christopher Nolan's 'The Odyssey'
Greek translator Emily Wilson finds the release of Christopher Nolan's film "The Odyssey" both gratifying and unsatisfying.
Not Greek to them. Scholars question Christopher Nolan's 'The Odyssey'
Greek translator Emily Wilson finds the release of Christopher Nolan's film "The Odyssey" both gratifying and unsatisfying.
Not Greek to them. Scholars question Christopher Nolan's 'The Odyssey'
Greek translator Emily Wilson finds the release of Christopher Nolan's film "The Odyssey" both gratifying and unsatisfying.
1994 Classic, Originally a Box Office Flop, Ranked the 'Best Movie of All Time'
Among film fans, no topic is more hotly debated than the subject of what the greatest movie ever made is. While there will never be an official answer to such a subjective topic, a massive fan vote ha...
Star Trek: Why Do The USS Voyager's Nacelles Fold?
Nacelles, the tube-shaped engines on a Starfleet vessel, don't typically fold, but the USS Voyager is an exception. Here's why that ship is different.
How Adam Sandler Apparently Wants To Help Travis Kelce's Acting Career
So are we getting Kelce in a Grown Ups film?
Where Was ‘The Odyssey’ Filmed? All About the Surprising Destinations Featured in Christopher Nolan’s Movie
Christopher Nolan’s ‘The Odyssey’ was shot across five European countries. Here’s everything to know about where ‘The Odyssey’ movie was filmed.
Column: My favorite films of 2026, so far
In general, the highest-quality movies are usually reserved for the end of the year as we head towards awards season. But there are movies releasing every week of the year,
First look at Priyanka Chopra Jonas in ‘RRR’ director SS Rajamouli’s ‘Varanasi’ (exclusive)
See an exclusive first look at Priyanka Chopra Jonas’ character, Mandakini, in the new film from ‘RRR’ director SS Rajamouli.
In new documentary, Mario Cuomo is a stark contrast to today's Catholic politicians
In the forthcoming documentary "Mario," which recently debuted at the Tribeca Film Festival, the Catholic faith of former New York Gov. Mario Cuomo takes center stage.
The Odyssey Fans Say The Movie Needs An Epilepsy Warning
Christopher Nolan’s latest film has one segment that fans are warning new viewers about
Ron Howard describes ‘intense’ filming experience on John Wayne’s last movie
Howard and Wayne starred in the 1976 movie “The Shootist” together along with Lauren Bacall and James Stewart.
Every Christopher Nolan movie ranked, including ‘The Odyssey’
Nolan’s 13 films changed the ambitions of the blockbuster. Here’s how "The Odyssey" and all the rest stack up.
Matt Damon gets caught not knowing his ‘Odyssey’ costar Zendaya’s last name
Zendaya and Matt Damon both star in ‘The Odyssey,’ but he struggled to summon her last name while promoting the new film: ‘Uhhhh…’
Urban Renaissance Entertainment Announces Marcus Nel-Jamal Hamm's Expanded Role on Merry F-ing Christmas and New Creative Partnership with Tiffany Toney
Filmmakers Tiffany Toney and Marcus Nel-Jamal Hamm join forces on Merry F-ing Christmas.LOS ANGELES, July 16, 2026 (GLOBE NEWSWIRE) -- Urban Ren...
What to Stream: 'Heartstopper Forever,' 'Lucky' and Steve Lacy
A new album from Steve Lacy and the conclusion of the “Heartstopper” series are some of the new television, films, music and games headed to a device near you.
Tom Holland says he took 'The Odyssey' role because of Zendaya
Tom Holland said the film's production initially overlapped with the next "Spider-Man" movie.
Andy Serkis defends all-white ‘Lord of the Rings’ ensemble, says casting wasn’t ‘politically correct’
Andy Serkis says he didn’t take a ‘politically correct just-casting-for-the sake-of-casting-and-ticking-boxes’ approach to all-white ensemble of his upcoming ‘Lord of the Rings’ film, ‘The Hunt for Gollum.’
The States Try to Topple WarnerMount…Thus Begins the Local Antitrust Era
(Welcome to the “Most Important Story of the Week”, my bi-weekly strategy column analyzing the most important (but often not buzziest) news story of the last two weeks. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. Please subscribe.) Well, it looks like it’s time for another strategy column. Can I finally avoid writing about M&A? No, it seems I cannot. Admittedly, I’m a week early with this column, since I usually put it out every other week. But this news couldn’t wait. This will make three “Most Important Stories” in a row with a merger or acquisition as its centerpiece. First, Roku-Fox (an acquisition), then Comcast-NBCUniversal (a divestment!), and now the State AGs and the WGA’s lawsuits against Paramount’s pursuit of Warner Bros. Discovery (antitrust). M&A is usually the “most important” topic any given week, simply because a giant company merging or breaking up (or preventing those outcomes) can have the biggest impact on the streaming board. If you think about these companies as players in a game, changing the number of players is one of the biggest changes you can make. I shouldn’t really complain, either, since this lawsuit is very good news for customers and suppliers (econ speak for talent, workers and indie studios in Hollywood). So let me answer some questions about this potential trial, along with (shudder) making some heavily caveated predictions. I’ll also look at whether Hollywood must consolidate, whether or not the states can win, trouble at X-Box, Netflix’s YouTube binge, and more. Plus, I have five images that visualize this merger and the harm, including three brand new data looks you’ve never seen before. Subscribe Most Important Story of the Week - Can The States and the WGA Stop Hollywood’s Consolidation (Crisis)? If every other newsletter and news outlet is writing about the same story, I try to avoid writing about it as well, but I can’t ignore a story this consequential. The story of the last year was the fate of Warner Bros. Discovery, and this development potentially extends that saga into 2027. As I tried to figure out my angle, I realized, like my last column, I’m again faced with a series of questions. These questions, though, are much more forward-looking. Will the states win? Will the WGA win? If so, what happens to Warner Bros. Discovery? Either way, will this chill the market for future mergers? So you know what that means: predictions. About the future, no less, the hardest thing to predict.1 Just remember: nothing here comes with a guarantee. And the more confident someone is in their predictions, the less you should trust them. This situation is incredibly fluid, nuanced, uncertain and tenuous. So let’s try to explain what may happen. Question: Why File this Lawsuit? I’ll admit, a few months back, I was fairly pessimistic about the fate of this lawsuit. Rumors had started bubbling up that the state Attorneys General (in particular California) wanted to settle with either some minor divestments (usually CNN) or behavioral remedies. And that tracked for me: the states usually settle lawsuits, like the recent John Deere right-to-repair suit. Yet, they plan to fight this. (As they did the LiveNation-Ticketmaster monopolization trial and the Nexstar-Tegna merger.) Honestly, that also makes a ton of sense. Frankly, this move is just good politics for these State AGs. Most are still running for higher and higher office in blue states—some folks have emphasized that only Democratic AGs joined this suit, but given the Ellison/Trump ties, and fears of retribution, that tracks—and a high profile case like this will help them move up the electoral ladder, especially since Paramount and its leadership (the Ellisons, father and heir) have sided with the other side of the political aisle. That makes them unsympathetic to Democratic voters and Hollywood workers in particular. Why did this lawsuit happen? In addition to the very real concerns about industry consolidation, this is why. That said, I don’t think we would have seen this lawsuit for Netflix and Warner Bros., simply because they’re more sympathetic and aligned with Democrats. But those consolidation concerns are real. The “town”—meaning Hollywood and such—really is seeing the damage of mergers on this industry. That’s why the WGA also filed its own lawsuit in defense of workers as well. (Wildcard: What about Europe? Will they try to stop the deal, too? There have been some rumors out of the UK they may try to fight the deal, and UK enforcers just stopped a Getty Images-Shutterstock tie up, so there is precedence. This argument could go either way, though. On one hand, the EU doesn’t need to step in, cause they states are handling it. On the other hand, this could make the EU’s case easier. Just imagine if both sides coordinated. I’ll simply say, “We’ll see!”) Question: Will The State AGs or the WGA Win? Can the state AGs play David to Paramount-Skydance’s Goliath here? That’s really the whole thing, isn’t it? If you know this result, you could make a lot of money. When things are uncertain, it’s tempting to shrug and say, “Eh” meaning it’s a 50/50 proposition. I wouldn’t, though. When in doubt, you should expect that the merging parties succeed. AT&T did successfully buy Warner Bros., after all, and Disney bought Fox without any challenges. Many judges are extremely sympathetic to mergers, and I’d bet the state AGs get a judge who will allow the merger. (Even Obama-appointed judges often allow mergers.) As I understand it, we’ll see two main attacks. First, theatrical films. The AGs are arguing that, when it comes to share of box office and the number of both “wide releases” and blockbuster (or “tentpole”) films, the merging parties will have over 27% market share. Now, the Supreme Court once ruled from on high that any merger that exceeds 30% is presumptively illegal, but that’s guidance, not an ironclad bar. Still, the states will have to argue that this is close to having too much power, and with that power, this will likely further worsen the theater/studio splits in particular. Indeed, as Matthew Stoller pointed out, “just five studios are responsible for 95% of all blockbusters; if this merger goes through, then Paramount and Disney will control 60% of that.” So yes, movie studios will be very concentrated after this merger. Want me to visualize some of that? Well, here’s the share of films that grossed over $200 million at the domestic box office since 2022. (Note: this isn’t all films released in over 3,000 screens, but it is a good look at market power.) First, here are the 43 films by studio: Notice all the blue (Disney), orange (Universal), and purple (Warner Bros)? Yeah, those studios are powerful, and this combines Paramount with one of them. Here’s the look by studio and share of the films that grossed over $200 million: Now, if you look at that and also think, “Huh, should we break up Disney?” I’m with you. I’ve seen some folks poo-poo this idea that this is a real category, but it is! For an upcoming article, I’ve been pulling data on the share of top 100 films at the box office as a share of total box office, and it’s massive. Here’s the chart: (This analysis looks at The-Number’s top 100 films and total domestic box office each year.) To be clear, tentpoles make up 80.7% of the box office each year, so I do think it’s a genuine market. (To be clear, films grossing over $50 million make up 80% of the domestic box office, and films grossing over $100 million make up 64.1%.) I mean, the top 100 films at the box office make up 95% of each year’s grosses. Worse, the combined studios will likely cut output to flex that market power. Everyone can just look at what happened to Disney and Fox to see the precedent. (With fewer films, the remaining theaters have to give more for those few films that remain.) Here’s an image I’ve used a lot, the share of wide-release films from Disney and Fox over time: The AGs will also argue that this consolidation will also impact the cable industry. In this case, the consolidation is actually worse, but that environment is…complicated. Paramount will argue that the cable industry is shrinking. That said, predictions that cable will “go to zero” also don’t look very well supported by the data, as the declines are shrinking, meaning “cable” or “vMVPDs” will likely stabilize at some point. Can the state Attorneys General win on those two main arguments? I honestly don’t know. Again, I’d bet no, since history in general supports that, but it depends on the judge/jury and how they interpret the arguments. Notably, Paramount won’t face accusations about monopoly power in other areas, like streaming, news, sports rights, or vertical integration. I tend to disagree with leaving out sports rights, but I also see the appeal for a simpler case. The states also aren’t really pushing novel theories about labor harm either, which should help. (By the way, Sean McNulty at The Ankler wrote a great run through of potential options, and Capitol Forum also wrote a great paper on theatrical consolidation. Both these pieces predated the lawsuit. Matthew Stoller is also out with his analysis of the pros and cons of the case too.) In some ways, the WGA’s case is even stronger. Quoting Sean McNulty’s summary: “The WGA is citing WARNAMOUNT as crossing a 30% market share in multiple sectors, a number that the Supreme Court has precedent for deeming “presumptively anticompetitive” in a market. According to the WGA numbers, WARNAMOUNT would have represented: - 35% of film writing jobs between 2021 and 2024 - 36% of TV writing projects between 2022 and 2025 - 38% of overall deals between 2021 and 2024” Notably, antitrust enforcers did win recently in the Penguin-Simon & Schuster merger by focusing on labor impact, so don’t count this thinking out. (Wildcard: Will the states try to get a jury trial? Most likely no, they’ll let a judge handle it. If I’m them, though, I’d try to put this in front of a jury. Juries tend to understand monopoly power in a more realistic way than judges faced with legions of economists.) Question: What if They Win? What if They Lose?
THE ODYSSEY Review: Potent As Political Message, Flawed As Entertainment
Christopher Nolan's new film stars Matt Damon, Anne Hathaway, Tom Holland, Benny Safdie, and a cast of thousands.
Is ‘The Odyssey’ Christopher Nolan’s best movie?
Is it possible that Christopher Nolan is only just now hitting his peak as a filmmaker with ‘The Odyssey’?
Modi’s government brought Bollywood to heel. Hollywood should pay attention.
A censored Indian film shows how quickly creative freedom can buckle under political pressure.
14 entertaining things to do in the Wilmington area this weekend
We've got big touring bands, intimate listening room shows, a big new musical at Thalian Hall and a couple of fun film screenings as well.
Concert review: DeVotchKa and Wheelchair Sports Camp celebrate Little Miss Sunshine at Red Rocks
Film on the Rocks returned to Red Rocks Amphitheatre on Monday night with a celebration that felt uniquely Colorado. Denver Film partnered with the
Olivia Wilde recalls Penelope Cruz improvising their kiss in ‘The Invite’
‘The Invite’ director and star Olivia Wilde was ‘shocked’ when Penelope Cruz decided to kiss her in an unscripted moment in the film.
Tom Cruise’s love for ‘Amores Perros’ led him to ‘Digger’
Tom Cruise has launched an early promotional tour — and preview of a potential Hollywood awards campaign — for his next film. The 64-year-old star says he still remembers being
Horvath Convenes Entertainment Union Coalition to Advance Solutions for Hollywood
Supervisor Horvath met with leaders of the Entertainment Union Coalition to discuss the urgent challenges facing Los Angeles' film and television industry and identify strategies to keep production, jobs, and investment in the region.
Christopher Nolan sparks fresh backlash after calling 'The Odyssey' criticism 'irrelevant'
Critics slammed Nolan's response to "The Odyssey" casting backlash involving Lupita Nyong'o, Elliot Page, and the film's modern language choices.
A look inside Christopher Nolan’s ‘The Odyssey’ by the numbers
Christopher Nolan's “The Odyssey” is an epic film, hitting theaters Friday. The Associated Press looks at the film, by the numbers. It runs 172 minutes, slightly shorter than “Oppenheimer.” The
Over 200 businesses hope to forge Sundance sponsor partnerships, Boulder Chamber says
With the Sundance Film Festival on the horizon, businesses can share details through an online hub, and will be contacted directly if their services or space matches the needs of a festival sponsor.
Donald Warren "Don" Iwerks
Donald Warren “Don” Iwerks, the Oscar ®winning film pioneer, Disney Legend, and son of Mickey Mouse co-creator Ub Iwerks, whose
REVIEW and Extended Interview: On The New Film: 'Westhampton'
FLINT, Mich. (WJRT) — As someone who recently moved back to his home state after being away for ten years, I can confirm...it's a minefield.
Sam Neill, ‘Jurassic Park’ and ‘Possession’ star, dies at 78
Sam Neill, the legendary New Zealand actor who starred in the ‘Jurassic Park’ films as well as horror classics like ‘Possession,’ died on Monday at 78, his family announced on social media.
'Jurassic Park' actor Sam Neill dies at 78
In this Oct. 11, 2019, file photo, actor Sam Neill attends a press conference at the Sitges Fantastic Film Festival in Sitges, Spain. (Borja B. Hojas/Getty Images, FILE)
What to Stream: 'Heartstopper Forever,' 'Lucky' and Steve Lacy
Steve Lacy's new album and the conclusion of the “Heartstopper” series are among the streaming highlights in entertainment this week. The film “Heartstopper Forever” streams on Netflix on July 17.
What to Stream: 'Heartstopper Forever,' 'Lucky' and Steve Lacy
Steve Lacy's new album and the conclusion of the “Heartstopper” series are among the streaming highlights in entertainment this week. The film “Heartstopper Forever” streams on Netflix on July 17.
State legislators warn of threat to film and TV tax credit program
More than three dozen state legislators have sent a letter to Gov. Gavin Newsom and state government leaders warning of a threat to the film and TV tax credit program.
‘Daredevil’ star Wai Ching Ho dies at 82
The film and television veteran was also known for her roles in “Hustlers,” “Iron Fist,” “Turning Red,” and “Awkwafina Is Nora from Queens.”
Something is wrong with Buddy.
Our first few looks at the upcoming feature film debut from Casper Kelly, the deranged human behind Too Many Cooks, played it completely straight. But with the first official teaser, it’s clear that Kelly is taking the “horror” part of “horror comedy” seriously. [Media: https://youtu.be/0mil0YgOtu8]
Matt Damon says Christopher Nolan looked ‘like a drowned rat’ while filming intense scene for “The” “Odyssey”
The actor praised Nolan for “never complaining” throughout the grueling shoot.
Don Iwerks, special effects pioneer, dies at 96
The Academy Award-winner created special effects used in Disney films and attractions around the world.
Warframe's next major update blends Blade Runner, The Sopranos, and film noir in a whole new solar system, coming later this year
Creative director Rebecca Ford speaks on leaving for Tau in Warframe's next major update, as well as the core inspirations for Fornax.
Wes Anderson's needle-drop genius gets its due at his Hollywood Bowl tribute
Anderson’s score work is planned to exacting detail. But this three-night stand with Bill Murray, Beck, Jackson Browne and more was played in the spirit of the way fans revisit his beloved films.
The Highest Grossing Movies Across 9 Sports
It began in 1894 with a boxing match filmed with Thomas Edison’s new invention. Here are some subsequent blockbusters.
‘Full House’ stars recall how it was decided whether Mary-Kate or Ashley Olsen filmed scenes
‘Full House’ stars Jodie Sweetin and Andrea Barber recall how it was decided whether Mary-Kate or Ashley Olsen would film scenes on the ABC sitcom.
Imagine Entertainment's Brian Grazer: To fear AI would be a big waste of time
With media consolidation & AI taking center stage at Allen & Co’s annual conference in Sun Valley, Julia Boorstin sits down with legendary film producer Brian Grazer to discuss his outlook for the industry.
Why are there so many CGI animals in movies right now?
Toto, I’ve a feeling we’re not in movies anymore. Ever since the dawn of silent films, animal actors have been a big- and small-screen staple, whether it’s Rin Tin Tin,
Politics Puts a Spotlight on TV, Film Production Exodus From L.A.
On today's 'Strictly Business' podcast, Luminate analyst Tyler Aquilina details his report, 'Hollywood Exodus,' onthe production crisis in L.A.
All Five HUNGER GAMES Films Return to Theaters from Lionsgate and Fathom Entertainment in Anticipation of THE HUNGER GAMES: SUNRISE ON THE REAPING
The odds will be in audiences’ favor as fans of the The Hunger Games saga—new and returning—experience all the magic of the franchise once again, with all five Hunger Games films returning to theaters September 3- 7, 2026. Back in theaters from Lionsgate and Fathom Entertainment each of the entries in The Hunger Games: All Five Films will […]
Netflix in Talks to Buy Letterboxd: Report
Could Letterboxd, the popular film-review social network, end up in the clutches of Netflix or another big entertainment corporation? Letterboxd, founded in 2011, has been shopping itself to intereste...
Taylor Frankie Paul reportedly filming again on ‘The Secret Lives of Mormon Wives’
Embattled reality star Taylor Frankie Paul reportedly back in front of the cameras for ‘The Secret Lives of Mormon Wives,’ four months after video surfaced of her throwing a chair at her boyfriend Dakota Mortensen.
Cannes Film 'A Girl Unknown' Gets US Deal With Greenwich Entertainment
Cannes Drama 'A Girl Unknown' Gets Domestic Deal With Greenwich Entertainment
Cannes Drama ‘A Girl Unknown’ Gets Domestic Deal With Greenwich Entertainment
EXCLUSIVE: Greenwich Entertainment has acquired U.S. distribution rights to A Girl Unknown, the debut feature by Chinese filmmaker Zou Jing. The movie premiered in the Critics Weeks section of the 202...
Behind Christopher Nolan’s 6-country epic undertaking to bring ‘The Odyssey’ to the big screen
Christopher Nolan has taken on the epic challenge of adapting “The Odyssey” into a large-scale Hollywood film.
Patrick Dempsey says he's not running for Senate in Maine as Democrats weigh a replacement
The “Grey’s Anatomy” star quashed speculation that he was among those being considered to replace embattled Democratic nominee Graham Platner.
Social-Media UAP Influencers Misunderstand How Science Works!
When I noticed that the photographs taken by the Apollo astronauts half a century ago had blue dots on the parts of the Kodak film that…
Taylor Swift receives Emmy nomination days after getting married
The newlywed singer has been recognized for her Disney+ concert film “Taylor Swift: The Eras Tour: The Final Show.”
Zooey Deschanel went blonde to play pop star ‘like Britney Spears’ before landing ‘Elf’ role
Zooey Deschanel nearly played a Britney Spears-esque pop star in a film that was ultimately shelved, which nevertheless required her to go blonde, which she kept for her role as Jovie in ‘Elf.’
Titan OS adds 30 Radial Entertainment FAST channels in Europe
Titan OS is adding and expanding reach of 30 free ad-supported streaming TV channels from Radial Entertainment’s FilmRise to its smart TV OS-powered device footprint across Europe. | Expansion of FilmRise channels internationally is currently a top priority for Radial, the company said.
Microdrama filming starts in Baton Rouge and producer Tommy Harper talks his new adventure
Action!
What to stream: Rolling Stones, ‘Little House on the Prairie’ and ‘Backrooms’
The latest Rolling Stones album and the streaming debut of the hit movie "Backrooms" are some of the new television, films, music and games headed to a device near you. New movies to stream The box-office sensation "Backrooms" is making...
Listen to whales to improve connection, care & ocean health (commentary)
Seventy years ago, Le Monde du Silence, a film by Jacques Cousteau and Louis Malle, depicted the ocean as silent. Today, we know that the ocean is filled with the melodies of millions of vocalizing sea creatures, from the crisp snapping of shrimps to the complex singing and speaking of whales. In fact, the first […]
Will Smith’s Worst Movie Is A Sci-Fi Disaster Streaming For Free
Will Smith has been in all-time great sci-fi movies and yet, his worst film is a too-serious action flop that's aged like milk.
Commentary: The ‘Supergirl’ flop is being misread
Contrary to its title character, "Supergirl" did not take flight. The film grossed $38 million domestically in its opening weekend, less than one-third of what "Superman" earned in its debut
Meet the founder betting Africa's next entertainment giant will be built on ownership, not just storytelling
The worlds biggest entertainment companies arent valuable because they make great films or television
Halon Entertainment completes management buyout
The company, which works across film, television, games, immersive entertainment and advertising, said the move follows a joint decision by Halon and NEP Group that independence would allow the business to focus entirely on its clients, employees and long-term growth.
Anne Hathaway's Little-Seen, Short-Lived Teen TV Show Was A Late '90s Gem
Anne Hathaway got her start in this short-lived '90s teen show, which remains a fascinating time capsule for network TV from that era.
For the 2014 film Interstellar, director Christopher Nolan hired Caltech physicist Kip Thorne as his science consultant — and the visual simulations Thorne helped design for the film's black hole were so mathematically accurate that they generated two peer-reviewed scientific papers and became the model for how astrophysicists visualize black holes today
In late 2012, when the American film director Christopher Nolan formally took over the production of a Warner Brothers science-fiction project that had been drifting through Hollywood development since approximately 2005 (originally intended for Steven Spielberg, based on a screenplay concept the film producer Lynda Obst had developed jointly with the Caltech theoretical physicist Kip […]
ENTERTAINMENT: ‘Moulin Rouge! The Musical’ onstage at WAC
A touring company brings “Moulin Rouge! The Musical” (a jukebox musical featuring tunes from Jacques Offenbach to Lady Gaga with a book by John Logan, based on Baz Luhrmann’s 2001 film) to Fayetteville’s Walton Arts Center.
Long Reads for the Long Weekend
(Welcome to the Entertainment Strategy Guy, a newsletter on the entertainment industry and business strategy. I write a weekly Streaming Ratings Report and a bi-weekly strategy column, along with occasional deep dives into other topics, like today’s article. Please subscribe.) Happy Fourth of July weekend! As has been a tradition of mine going back to the beginning of the EntStrategyGuy website, I’m sharing my favorite long reads of the last year, like I did in 2019, 2020, 2021, 2024, and 2025. Let’s dive right in! Subscribe “Different Prices for the Same Ride: How Uber and Lyft Use AI to Get More Money Out of You“ by Derek Kravitz in Consumer Reports I don’t think surveillance pricing, like the kind described in this brilliant Consumer Reports article, is long for the world—it’s toxically unpopular—but we’ll see if either party takes on this issue. If I ran a political party focused on affordability, I would focus on a few pro-consumer and pro-market policies: Banning non-compete agreements. Ending surveillance pricing Eliminating junk fees (read more here...) Ensuring “right to repair” for consumer (and military!) products Capping excessive app store fees Stopping digital/algorithmic price-fixing tools. Preventing automatic subscription price increases. And more. If you want to fight inflation, there are a lot of great ways to do it quickly. Speaking of higher prices... “Secret Documents Show Pepsi and Walmart Colluded to Raise Food Prices Across the Economy“ by Matt Stoller in BIG Again, I think a political party should focus on lowering prices for consumers. And deals like this—Walmart making a deal/forcing Pepsi to offer the lowest prices at its stores and nowhere else—hypothetically lower prices at Walmart...but raise them everywhere else. “15 DUIs, still driving: California’s failure to take repeat drunk drivers off the road“ by Robert Lewis and Lauren Hepler in CalMatters CalMatters does terrific reporting in California, something the Golden State desperately needs more of, and this article is a great example of that. “PugLips: The next insanely popular thing you’ve never heard of…” by Simon Carless in Game Discover Co I thought that this parody article (and yes, it’s a parody, but I was definitely unsure at first) was hilarious and totally nailed how much tech/business journalism feels these days. Actually, three of my favorite articles this year were on hype in the video game industry, including Georg Zoller’s “The Video Game Industries Very Dark Night”—which I linked to recently and wrote a follow-up here—and Owen Mahoney’s “Derek Zoolander, Videogame Exec”. In particular, I like Mahoney’s focus on user experience as a guide to what trends will actually grab hold of customers. “The Matrix Lies“ by Evan Shapiro in Media War & Peace Evan Shapiro’s first person account of his experience with AI was hilarious. I think LLMs capabilities have significantly grown from last summer, and yet...my editor/researcher just had an abysmal experience using an LLM to do a quite basic task (which our LLM normally does each week) and the LLM made a mistake on every single data entry...along with seven different mistakes affecting twelve of the twenty or so entries, including mistakes that are explicitly spelled out in the prompt. That’s a brutal failure rate. Again, if you use AI/LLM for data collection, you need to take a lot of extra steps to verify and check the data. “Ghosts in the Balcony: A Cross-Country Trip to 58 Theaters Fighting to Survive“ by Matthew Frank in The Ankler I thought Matthew Frank’s pitch to head across America to visit theaters sounded insane aggressive at the time—at least it felt that way to someone a decade older than him; man, to be in your twenties again, am I right?—but I knew the result would be great. And it was, a terrific feature by a great young writer. Also, I loved Matthew’s recent article on who’s getting the precious few entry level jobs in Hollywood. (Hint: nepotism.) “Disney erased FiveThirtyEight“ and “Did Las Vegas get too greedy?” by Nate Silver in Silver Bulletin I love media history and analysis, and there’s no one better to get the history of FiveThirtyEight than from Nate Silver, who wrote about his personal experience in one of my favorite pieces from this year. I also loved Nate’s breakdown of what’s causing Vegas’ woes, but I’ll offer one criticism, summarized as “Might I suggest antitrust?” Many centrists/center-right/libertarian thinkers (Nate is self-described as the latter) often don’t consider consolidation or antitrust as factors in policy issues like housing, America’s military readiness, or, in this case, Las Vegas. Even if libertarians want to debunk antitrust/consolidation concerns, I’d love to read that debunking. In this case, Vegas is incredibly consolidated (though it also has been for a long time) and I’d have loved to read Nate at least contending with this factor, since he addresses almost every other potential factor for Vegas’ decline. “Why Microsoft’s Carbon Removal Pullback Is Such a Big Deal“ by Robinson Meyer in Heatmap News I’m a big supporter of carbon removal efforts, but this nascent industry faces a lot of headwinds, including this big move most recently. I think it’s clear that solar panels and batteries should be able to get the world to its carbon footprint goals, but effective carbon renewal remains necessary to prevent the worst impacts of global warming. “AI is killing the cheap smartphone“ by David Oks LLMs and AI will impact the world in ways we’re not ready for, and already, third world countries are seeing the prices of cheap cellphones skyrocket due to the cost of chips skyrocketing. This article by David Oks is a terrific breakdown. “100 Days of Madness: Netflix, Paramount, Warner and the Future of Hollywood“ by Wade Major at Hollywood Heretic Wade Major dove deep into Hollywood/streaming’s financials in this must read piece. Not that I agree with everything in this article (read my take on Warner Bros./Paramount here) but the analysis is top notch. I think many people discount how quality thinking, regardless of the argument/conclusion, will make you a better thinker. “Erased by the UFC: Frank Shamrock, The MMA GOAT of the 20th Century“ by Nate Wilcox in The MMA Draw Newsletter Growing up playing the UFC fighting game on the Dreamcast, Frank Shamrock was my favorite MMA fighter, and this history/tribute to him was great. Other Fun Reads “The Hardest Part Of History To Tell Is How It Felt“ by Craig Fehrman at Defector “Unmasking the Sea Star Killer“ by Craig Welch at bioGraphic “What Could Save the Industry? Fin-Syn“ by Richard Rushfield in The Ankler Alex Rollins Berg in Underexposed on movie bumpers, pillow shots, Disney trash cinema, cult films, and Casablanca. David H. Montgomery in YouGov’s The Surveyor on punctuation marks, condiments, dinosaurs, and comic strips and kids media. “How Medium finally pivoted its way to profitability“ and “Why the best journalists on YouTube are all former Vox employees“ by Simon Owens in Simon Owens’s Media Newsletter “It’s Not Just You, Netflix Shows Have Gotten Slightly Shorter: Here’s What the Data Says“ by Kasey Moore at What’s on Netflix “Numlock Awards: How Diane Warren became the biggest loser in Oscar history“ by Nathaniel Rakich and “Numlock Awards: The Oscar Bait era is over. The Oscar Chum era is here.” by Walt Hickey & Michael Domanico at Numlock Awards
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Netflix and Superheroes Are Having a Rough Stretch on Streaming....
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) I have a quick prediction before we start today’s article: You might see this data in future news articles. Not my specific charts or analysis, but the core trend I’ve been monitoring—Netflix is having a lackluster Q2—will become inescapable. Often, folks want to know “What does the data say?” Well, that’s what it says. I haven’t seen this analysis hit the trades really yet, but I have a feeling some other outlets are going to start making this case soon. Remember, you read it here first. You probably have read about the problems facing superhero films at the box office this weekend. Well, this week, I explore whether superheroes are dying on TV as well! And the data says: definitely maybe! We have a lot to cover in today’s Streaming Ratings Report, which covers the two weeks of 18-May and 25-May. Today, I’m just looking at TV, like Netflix’s disappointing Q2, superhero shows underwhelming, a few TV shows dropping off the charts, The Pitt finally ending its epic run on the viewership charts (and whether “view counts” change its status as one of the biggest shows of all time), all the flops, bombs and misses, and a whole lot more. Tomorrow, I’ve got a great rundown of the film side of things. Let’s dive right in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, Showlabs, TV Time trend data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of May 18th to May 31st, 2026. You can find a link to my terminology here.) Subscribe Television - Netflix’s Q2 Slump Continues Having analyzed streaming ratings for going on half a decade, I have learned to trust my gut, but I’m always relieved when I can find actual data to back it up. For example, after a string of very popular shows like Stranger Things, Bridgerton, The Lincoln Lawyer and The Night Agent came out, week after week, in January and February, my gut wondered if Netflix had enough new and returning TV shows to sustain them throughout the year. Since then, Netflix’s post-March slate of shows has not impressed me. This week seemed to feature a potential new hit, but then, like a classic Duffer Bros. TV show, there was a twist. I speak of The Boroughs, Netflix’s latest (and last) Duffer Bros. produced show. The pitch is “Stranger Things with older actors”. And it topped the Nielsen charts: With just two weeks of viewership, The Boroughs would have been a top 25 debut show last year: But here’s the twist: Netflix has already cancelled The Boroughs! What happened? Likely a few things. First, the show didn’t do as well globally as it did in the US. As What’s on Netflix showed, it lagged behind several other shows that got cancelled. Second, its completion rate was likely low; after an initial burst of interest, it quickly dropped off on the Samba TV and Luminate charts. Third, the Duffer Bros. left Netflix for Paramount, and that may have factored into Netflix’s decision here. (Though I tend to believe that if a show is doing well, Netflix would have kept greenlighting seasons.) Still, just because I can explain why Netflix may have cancelled this show doesn’t mean I’m justifying it. In particular, as I’ve noted before, Netflix is losing a lot of their bigger shows as they reach their natural ends, and they need to replace those shows. This show had the hallmarks of a big new genre show, and it’s their biggest hit of the last few months (in the US at least), but now it’s done. Netflix’s other show this week—The Four Seasons, the second season of the “hit” show from last year—definitely disappointed. Its sophomore season had about half the viewership of the first, only 12.7 million hours. It also only had a two week run on Samba TV, and its numbers were all down on Luminate too. In other words, even with two successes, the Q2 slump for Netflix looks real: I could add to the list of disappointments: Both Lord of the Files and Man on Fire had short runs on the Nielsen charts. Running Point’s sophomore season also opened to about half its viewership, similar to The Four Seasons. A Good Girl’s Guide to Murder’s second season—see below—didn’t even make any of the three viewership charts I track, unlike the first season. Netflix is absolutely having a dismal second three months of 2026. If this Nielsen data is any indication, and I think it is, I think this will show up in Netflix’s engagement report, and maybe even their financial outcomes. And the rest of June doesn’t look much better. We have two hit shows coming back—Sweet Magnolias, one of their quietest big shows, and Avatar: The Last Airbender, a big hit for them in 2024—but the other big swings are limited series crime thrillers i.e. no future season potential. Like I said above, sometimes when I uncover a juicy nugget like this, other outlets end up writing very similar articles mimicking the data without credit. We’ll see if that happens this time! Share Television - The State of Superhero Shows on Streaming When I first heard the pitch for Spider-Noir—a Sony TV show on Prime Video that binge-released eight episodes first on MGM+ then on Prime Video two days later—I had my doubts. It’s a live-action Spider-Man show set in the 1930s, starring Nicholas Cage, based on a cameo of a character in Spider-Man: Into the Spider-Verse. No, seriously, that’s the pitch. That could either go terrifically well or horribly wrong. Great because, Spider-Man. He’s the biggest superhero we have. I’ve seen tracking numbers that put the new _Spider-Man: Brand New Da_y as the blockbuster of the year and initial pre-sales back that up. And yet this Spider-Noir pitch feels very esoteric. (Also, the eight-episode binge release feels very “Amazon copying Netflix” again.) So what’s the data say? And what does this say about the future of superhero shows?
Sony Pictures Entertainment invests $100m in Cosm
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