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State survey: 76% of Pa. students report good mental health
The 2025 Pennsylvania Youth Survey found 76% of students reported good overall mental health and 83% felt safe at school, state officials said.
AI Could Turn U.S. Media And Entertainment Into A $48 Billion Market
Scripts, storyboards, trailers, thumbnails, voiceovers and rough cuts are all becoming part of AI’s entertainment-industry résumé. A Research and Markets report projects the U.S. AI media and entertainment market will grow from $9.70 billion in 2025 to $47.95 billion by 2034, with a compound annual growth rate of 19.43 per cent from 2026 through 2034. […]
Apple to replace iPhone 18 Pro Max facing AT&T glitch
Apple (AAPL) offers to replace some of the iPhone 18 Pro Max devices after customers on the AT&T (T) network faced a cellular connectivity issue. Read more here.
Ivy Tech Valparaiso to Host Fall into Wellness Mental Health Fair Oct. 5
Community event will connect students, employees and community members with mental health resources, wellness activities and support VALPARAISO, Ind. — Ivy Tech Community College’s Valparaiso Campus will host its Fall into Wellness Mental Health Fair on Monday, Oct. 5, bringing together students, employees and community members for an afternoon focused on mental health, well-being and connection. The free event will take place from 11 a.m. to 2 p.m. in the Commons Area at Ivy Tech Community College, 3100 Ivy Tech Drive, Valparaiso. The fair is open to students, faculty, staff and members of the community. Designed to make conversations around mental health
Starz Entertainment: Price Increases, Sub Growth, And Distribution Deals
Starz Entertainment (STRZ) stock is up 100%+ YTD as guidance rises, deleveraging continues, and buyout chatter grows. See here for more details.
Five Good Texans Questions with Blogging the Boys
We catch up with David Halprin of Blogging the Boys for five questions
County Health Department Alerting Community About Possible Measles Exposures at UPMC Chautauqua
The Chautauqua County Health Department is notifying the community about possible measles exposures at UPMC Chautauqua. The Department said people who tested positive for measles were at the hospit…
Detroit Harvest Fest adds movies, more food trucks in year 6
Detroit Harvest Fest returns to the Ralph C. Wilson Jr. riverfront park with 40 food trucks, live music and outdoor movie screenings.
Empowering Small Business: The Impact of Technology on U.S. Small Business
A new Chamber report finds AI use is leading to small business job growth.
Rural Health Transformation Fund: RX or Placebo?
NORC Walsh Center for Rural Health Analysis Director Alana Knudson and Virginia's Director of Rural Health Transformation Heidi Hertz briefed NPF fellows about the obstacles and opportunities in federal rural health policy.
More than just a boost: Caffeine’s effects on teens
Energy drinks and coffee are common among teens. A pediatric cardiologist explains concerns about caffeine, heart palpitations, and sleep.
Henrico Business Watch: Business license filings Sept. 24-30, 2026
Henrico County reported the following business license filings with start dates during the week. The filings are listed alphabetically by business or trade name, followed by a registered address and business industry classification. Better Health Psychiatry PLLC, 8206 Reinland Drive, Henrico – Nurse and personal care. C Squared Creations LLC, 5407
Alexandre Pato-backed consortium completes Northampton Town takeover
Northampton Town have officially entered a new era after Sports Alpha Capital (SAC) completed its takeover of the League Two club.The investment group has acquired a 70% shareholding in Northampton To...
“Traitors ”star reveals scalp partially fell off during “DWTS” live show: ‘I looked like a lizard’
“I look down, and I see a little chunk of skin.”
Pi Alpha Xi: Student Plant Sales Paying It Forward
Pi Alpha Xi’s biannual plant sales at NC State University unite horticulture students and the community to raise essential funds that support student scholarships, academic opportunities and impactful outreach initiatives.
Three fixes to correctly price small-business debt in developing economies
Small businesses in developing economies pay far more to borrow than risk justifies. Three fixes could cut a Kenyan firm's cost of debt by over 8 points.
Not your everyday coffee in a Serbia cafe. Enjoy it in the company of alpacas
A cafe in northern Serbia has unusual hosts | WBBM Newsradio 780 AM & 105.9 FM
Not your everyday coffee in a Serbia cafe. Enjoy it in the company of alpacas
A cafe in northern Serbia has unusual hosts | WWL
Jaylen Brown Has Perfect Response to 76ers' 'Alpha' Question
Jaylen Brown is going to be a real leader for the 76ers. He explains how his mindset is all about winning.
A 'Verity' meme is outshining the 'Verity' movie. They have nothing to do with each other.
A movie starring Anne Hathaway shares the same name as a meme that's popular with Gen Alpha.
AMC Entertainment: This Time, Fundamentals Support The Surge
AMC Entertainment has had a very volatile history, driven by volatile box office trends and very high debt. Click here to read this AMC stock update.
Water As a Political Weapon: Populism and The Indus Waters Treaty
When Pakistan’s Field Marshal Asim Munir addressed the 276th Corps Commanders’ Conference at General Headquarters in Rawalpindi on 6 July 2026, he stated that the country would take “all [...]
NPF Names 32 Journalists for October 2026 Local Business Journalism Fellowship
The National Press Foundation has selected 32 journalists from across the country to participate in the October 2026 Local Business Journalism Fellowship in Chicago, Illiniois.
A hidden energy “treasure” under the Alps and Pyrenees? Scientists stunned - Futura-Sciences
A Secret Under Our Feet? Could hydrogen be the hidden energy of tomorrow? Recent breakthroughs are strengthening the case for this natural gas—also known as “white hydrogen”—as a key energy player in a decarbonized future. In France’s Lorraine region, for example, deep drilling has uncovered significant concentrations of natural hydrogen,...
AirJoule: Exciting Science, Decent Acquisition, But No Revenue Yet
AirJoule’s acquisition of BitSink adds $11M revenue and data center cooling distribution.
Debt service and the Pentagon. Private equity and the politics of the US housing market. The return of black lung disease & the Franco-Prussian War in color.
Thank you for opening your Chartbook email. RALPH BALSON. 1890—1964. Oil and enamel, signed. Source: Gavekal This going to hurt - the two 7s in the US: diesel and mortgage rates Source: Gavekal In the US housing market, costs are soaring and the role of corporate, private equity-backed buyers is high on the mid-term election agenda. HEY READERS, THANK YOU for opening the Chartbook email. I hope it brightens your day. I enjoy putting out the newsletter, but tbh, what keeps this flow going is the generosity of those readers who clicked the subscription button. If you are persuaded to click, please consider the annual subscription of $60. It is both better value for you and a much better deal for me, as it involves only one credit card charge. Why feed the payments companies if we don’t have to. Subscribe It is striking how, since 2020, big banks have dropped out of the political spotlight in the US. For contributing subscribers only. Subscribe Rates of the lung disease pneumoconiosis among working US coal miners have risen to levels not seen in nearly 40 years Source: Bloomberg Chinese Clean Technology Exports For contributing subscribers only. Subscribe Ralph Balson (1939) Portrait of Grace Crowley Cole, G. O. & Haseman, S. M., (2023) “‘The Substance of Paint’: Class and Materiality in the Work of Ralph Balson”, Open Library of Humanities 9(2). Ralph Balson (1890–1964) was an English plumber and house painter who emigrated to Australia in 1913 and subsequently became a key member of Sydney’s artistic avant-garde. He is credited with having the first solo exhibition of purely abstract painting in Australia in 1941. Despite his role in developing Australian non-objective painting, Balson remained principally a house painter, working on his art practice at weekends. In 1955 he retired on a state pension and became a full-time artist. Balson’s artistic education and methods were critically shaped by his working-class background. He did not travel abroad until 1960 and was an avid auto-didact. His materials, palette, techniques and compositional strategies were likewise informed by his trade. Balson’s profession as a painter-decorator made him conspicuous within the predominantly middle-class Sydney art scene, though his painting partner Grace Crowley considered it an advantage in their pursuit of constructive painting. This paper explores the impact of Balson’s trade on his trajectory towards pure abstraction. While his art was at odds with the predominantly figurative mode of class-conscious art in Australian Modernism, we argue that it is embedded in the experience of class through its creative adaptation of labour into aesthetics. Source: OLH Svetlana Alexievich, The Art of Oral History No. 1 Paris Review Issue 257, Fall 2026 Interviewed by Elena Kostyuchenko INTERVIEWER How were you able to go to Chernobyl? Did you need special papers? ALEXIEVICH It was a time of chaos. They let me right into the zone. … More than anything, there was confusion. Adamovich [Ales Adamovich, the Soviet Belarusian writer], I remember, persuaded Gorbachev to send in the scientists, who showed up without even bringing their shaving kits. They were told that there had been an explosion at a nuclear power plant, but for some reason they thought that they’d be there for only a day or two. The first time I went was several months later, and people kept telling me about things they didn’t understand—how the fishermen couldn’t find worms, because they’d burrowed deep into the earth, how the milk wouldn’t curdle at the cheese factories. The honeybees wouldn’t come out of their hives. The evacuations started, I think, in the first month. The old women hid, they wouldn’t leave. I mentioned radiation to one of them and she said, “I’ve seen that radiation, all right! It’s yellow with green in it. I saw puddles of it in my garden, and I told the other women, and we ran and looked, and she had it in her garden, and the other one, too!” God, it was wild, the way the mind made sense of it. There was a story going around about Gorbachev telling the scientists to show him the radiation. “We can’t, it’s invisible.” “But I want to see it!” I also ran into the soldiers who’d been flown in on helicopters from Afghanistan. I asked them, “What are you doing here with your machine guns?” They said, “We’re collecting the radiation, that’s what.” So you had some of them running around with their guns, others out in the village washing off firewood or burying soil in the soil. These were the kinds of things that exploded our worldview. They made you realize that culture was just a chest filled with old manuscripts. There were no books in there that could help me. Our philosophers turned out to be useless when faced with the unprecedented. Derrida, Baudrillard—philosophy fell silent. What was happening? How would we live with it? That’s when I decided it simply needed to be witnessed. Which is what I did. INTERVIEWER I wanted to ask about how you talk to people. … ALEXIEVICH Yes, we sit and we talk—about what interests me and about life in general. About love, about everything in the world. That way, what comes out is three-dimensional. If you cut straight to the part you need, which is what journalists do, it won’t be interesting, and it won’t be the truth, either. Not the whole truth. INTERVIEWER Do people always open up when you ask questions, or can questions get in the way? ALEXIEVICH You have to ask questions, of course. Your job is to scour away the banality and return people to their true selves, to make them face what they rarely tap into. With every new person, you have to find a new way to do it. When you ask an interesting question or you share what happened to you, you help people really think about what they’re saying and not just repeat whatever they’ve picked up from the newspaper. But not everybody is capable of it, not everyone wants to put themselves through that. Either the chemistry starts to kick in or it doesn’t. A person might be wonderful, but you can tell that the conversation just isn’t going to happen. You can try to push it, but it will be a product of your own intellect, rather than of that mysterious connection. Life doesn’t come from the mind. Some people I can call two years after our last conversation, and they’ll say, “Oh, Svetochka! I think of you all the time,” and we’ll start talking again. With others, that won’t happen. That doesn’t mean they’re not extraordinary people, just that you can’t connect with them. They might have some insight, but you don’t have the right antenna to pick up their signal. Source: The Paris Review Colorized Franco-Prussian war … the ruins of Strasbourg with a French photographer and his mobile dark room. Ralph Balson (1961) Matter Painting If you’ve scrolled this far, you know you want to click: Subscribe
Esteban Ocon: Haas driver to leave team at end of 2026 F1 season after two years with American-owned squad
Esteban Ocon looks set to be without a drive for the 2027 Formula 1 season; the Frenchman will leave Haas after joining from Alpine for the 2025 season; watch Formula 1s return to Malaysia from Friday morning live on Sky Sports F1 as Sepang hosts the Bahrain Grand Prix
PS5 Pro Shortage Hits Japan As Sony Limits Console Purchases To Active Playstation Users Ahead Of GTA 6
A lottery system has been introduced in an effort to counter shortages while alleviating scalper concerns ahead of GTA 6
Inspired Entertainment slides after Brazil's ban on online betting and gambling
Inspired Entertainment (INSE) warns Brazil’s online betting ban may hit digital revenue; outlook may change with Q3 results as Congress reviews.
RI Approves Health Insurance Rate Increases of 3% to 18%
GoLocalProv.com is the “go to” local Web experience that breaks the biggest local stories – sports, news, business, weather, news, politics, arts,…
Is It Really Dandruff? The Science Behind Seborrheic Dermatitis
Dandruff and seborrheic dermatitis are closely related, but the actual flakes can tell you the difference — making all the difference in how you treat it.
US eDiscovery and legal data business Repario acquires ALSP UnitedLex
US eDiscovery and legal data business Repario acquires ALSP UnitedLex
Wrapping up Recovery Month with Alpharus Health, formerly Gateway Foundation: Rebrand and resources
Alpharus Health, formerly Gateway Foundation
Environmental and public health groups sue EPA over power plant regulation rollback
The organizations say eliminating carbon emissions limits threatens Americans’ health.
Understanding American Healthcare: A Deep Dive for Reporters
Christy Ford Chapin of the University of Maryland Baltimore County presented findings from her 2015 book to provide journalists with historical context for their healthcare reporting.
Flutter Entertainment reacts to online betting and gaming ban in Brazil
Flutter (FLUT) halts Brazil online betting after a provisional ban; SEC filing outlines possible $70M revenue hit.
THORNE SETS A HIGHER STANDARD FOR SCIENCE-BACKED WELLNESS WITH NEW CREATINE + ALPHA-GPC CONSUMER RESEARCH SUPPORTING MENTAL AND PHYSICAL PERFORMANCE
/PRNewswire/ -- Thorne, the leader in science-backed health and wellness solutions, today announced results from a new consumer study evaluating its Creatine +...
Toward a post-Trump politics
From the clutter of midterm election poll results, it’s possible sometimes to see new patterns of political support emerging. The overall pattern, as it stands, makes some sense. As in the 2006 and 2018 off-year cycles, the Republican president’s job approval had sagged to well below 50%. Polls at this point in the year showed […]
‘The Saturday Night Live of Arkansas politics’: A Q&A with Gridiron veteran Beth McAlpine
Gridiron, a biennial satirical musical production led by the Little Rock legal community, has been going on for more than 100 years. It returns to the Arkansas Repertory Theatre on Tuesday.
Lucky Strike Entertainment: A Weak Consumer Leads To Downside Risks
Lucky Strike Entertainment rated SELL: premium EV/EBITDA, high leverage, weak demand, and negative FCF. Click for more on LUCK stock.
Dr. Georges C. Benjamin: Health For All Is True National Security
Dr. Georges Benjamin of the APHA advised NPF fellows about political division that hamper healthcare quality and access and says the U.S. needs a healthcare system that includes everyone.
UnitedHealth: Quality Dividends From Health Insurance
UnitedHealth raised 2026 adjusted diluted EPS guidance to $19.50–$20.00, reflecting strong margin discipline. Read why UNH stock is a Buy.
Earnings matter more than politics for S&P 500 gains, BofA says
Corporate profits drive S&P 500 returns more than politics, says BofA.
School of Social Sciences unites four majors
This semester, the College of Arts and Sciences created the School of Social Sciences, which includes economics, political science, criminology and sociology majors. The creation of the school has been
Chick-fil-A opening soon in Muncy Township
Muncy, Pa. — An opening date is getting closer for Chick-fil-A at Lycoming Crossing in Muncy Township.
Modder Squeezes 74% More Performance Out of DLSS 5 on AMD Radeon in One Day
Modders working on bringing NVIDIA's DLSS 5 Neural Rendering to AMD Radeon GPUs just had their busiest day yet. The developer behind the DLSS-NR-on-AMD tool shipped two new versions within 24 hours, Alpha 0.3.3 and Alpha 0.4.0, together adding roughly 74% performance on Radeon hardware, according...
Lewisburg Downtown Partnership celebrates community impact during annual Soiree
The Lewisburg Downtown Partnership recently held its third annual Soiree, where it recognized community volunteers and introduced the new Impact on Market Street Award.
Oscar Health: Market Share Gains Are Only Part Of The Plan
Oscar Health (OSCR) buy thesis: $45–$49 fair value on ACA growth, improving margins and Lucie upside.
Ilyas Sahin Shares New Science Study on Colorectal Cancer Liver Metastasis
Ilyas Sahin Shares New Science Study on Colorectal Cancer Liver Metastasis / Abdullah Burak Yildiz, Akhouri Kishore Raghawan, Albert Sickmann, Alpaslan
Angela Rayner criticises worker visa plans on eve of Labour conference
The housing secretary says the government's plans to change wait times for permanent residency are unfair because they "change the goalposts".
Why the U.S. Chamber Shows Up at UNGA: Connecting American Business to the World
Motorcades, boardrooms, and billion-dollar conversations: the U.S. Chamber of Commerce's Chief International Affairs Officer reflects on what the UN General Assembly really means for American business and global growth.
Tesla's Roadster reveal: Rocket science or reality check?
Tesla teases next-gen Roadster ahead of Oct. 1 Waco event.
Berlin’s new political star is offering something all of Europe needs
Elif Eralp wants lower rents and more public housing. It’s not rocket science but mainstream parties still don’t get why they are failing, says Guardian Europe columnist Fatma Aydemir
He lives with his parents and loves Jesus. Meet Gen Alpha's new heartthrob.
Malachi Barton opens up about "Coven Academy" and his rise as Disney's latest heartthrob.
Weekly Entertainment Report: Live music and lively arts, Sept. 24-27 » Nashua Ink Link
"Music makes the people come together." - Madonna
Google expands free AI video generation in Google Vids
Google expands Google Vids: create free AI videos with Gemini Omni 1.1 Flash, 1080p HD, avatars & SynthID watermark.
Google DeepMind's latest AI tool promises a new era for genetics research, but experts warn to take its predictions with caution
AlphaGenome Atlas could make it easier for geneticists to access powerful AI, but its predictions aren't always accurate.
Tiny Violins At The Ready, Pokémon Scalpers Are Upset About New Expansion's Profitability
Boo hoo
Will P&G’s (PG) New Science-Led Head & Shoulders and Oral-B iO Push Change Its Narrative?
In recent months, Procter & Gamble has rolled out new Head & Shoulders formulations featuring the HydraZinc Complex and expanded its Oral-B iO line, emphasizing clinically tested scalp and oral care technologies now available across multiple product collections in the U.S. market. These launches highlight how Procter & Gamble is leaning on science-led product innovation to reinforce its brands and support its broader shift from pricing-driven growth toward offering more tangible consumer...
‘Berlin's Mamdani’: a beacon for Germany's bruised Left
Elif Eralp is set to be the city’s first Turkish-origin mayor, running on housing and affordability campaign
Oregon forest health improves slightly in 2025, but don't celebrate
Tree survey finds fewer acres damaged by drought, disease, pests and storms An Oregon Department of Forestry aerial survey indicates Oregon tree health improved in 2025, with a slight dip […]
Hayden Panettiere's death was caused by the toxic effects of fentanyl and other drugs, ruled 'accidental'
The Greenville County Coroner's Office said that the 36-year-old's cause of death has been ruled as "toxic effects of fentanyl, 4-ANPP, Alprazolam, Methocarbamol and Quetiapine." The manner of death h...
The UIndy College of Health Sciences Recognizes Outstanding Alumni with 2026 Awards
The University of Indianapolis’s College of Health Sciences (CHS) proudly recognized outstanding alumni who have achieved exceptional success and leveraged their UIndy education to make a significant impact in their field, within their communities, and in the world. This year’s CHS Alumni Awards recipients were: Ralph Reiff '80 (Physical Education, Biology) A first-generation college student,
The UIndy College of Health Sciences Recognizes Outstanding Alumni with 2026 Awards
The University of Indianapolis’s College of Health Sciences (CHS) proudly recognized outstanding alumni who have achieved exceptional success and leveraged their UIndy education to make a significant impact in their field, within their communities, and in the world. This year’s CHS Alumni Awards recipients were: Ralph Reiff '80 (Physical Education, Biology) A first-generation college student,
How lip-syncing to AI let Forced Entertainment ‘play the game of theatre’
Today we have a fascinating piece by long-time Forced Entertainment fan Ben Kulvichit, speaking to Tim Etchells about their latest show Cold Sweat, how they are integrating lip-sync and AI voices into their work, the question of ‘authenticity’ on stage, and how lip-sync has even opened the door for them to make “something a little bit like drama”. This piece is a paid partnership with the Southbank Centre, where you can see Cold Sweat next month – we’re very grateful to the Southbank Centre for their ongoing support for Exeunt. Holly Williams ‘It was immediately interesting and uncanny’ **By Ben Kulvichit** “Is the microphone on?” So goes one of the opening lines of Signal to Noise, delivered by a human performer lip-syncing to an AI-generated voice. The voice is American, cheery but sluggish, slowed down into a gelatinous drawl. It repeats ad infinitum in a farce of stuckness; an answer never materialises. I find myself asking the same question as I hop on a Google Meet call with Tim Etchells, the artistic director of Forced Entertainment. We spend five or ten minutes frowning at each other, muting and unmuting, me gesticulating in semaphore into my webcam, checking if I am coming through now, restarting the laptop. To Etchells, I appear exaggeratedly mouthing words, my voice missing. In this gloopy purgatory of broken communication, life imitates art imitates life imitates art. We try a Zoom instead. Forced Entertainment, the pioneering British theatre company who have been at the avant-garde of performance since the 1980s, turned an interesting artistic corner with Signal to Noise, created on the occasion of their 40th anniversary. The whole performance employed this lip-sync technique to AI voices; on the face of it a left-field move from a company whose identity has long been grounded in the earthy, immediate presences of its performers and its unassuming, low-tech approach to theatricality. The technique, however, turned out to provide the company with a “rich new seam” of artistic enquiry, and has now spawned a trilogy of works. The second instalment, Cold Sweat, plays at Sheffield Theatres, Southbank Centre, and Lancaster Arts in October, while the third part, Everything Must Go, has been touring in Europe and is slated to come to the UK in 2027. As is often the case with Forced Entertainment shows, the main conceit for this work didn’t arrive until quite late. They were “four or five weeks into rehearsals for Signal to Noise,” Etchells recalls, and getting nowhere. Away from rehearsals, he had been playing around with feeding “weird texts” to AI voices to see how they would cope with them – “basically for my own amusement” – and was compelled by the uniformly “serviceable, benign, good-natured” tone they would read in, no matter how poetic, fractured or experimental the writing. On a hunch, he brought some examples into rehearsals and the performers gave lip-syncing a go. “It was immediately interesting and uncanny,” he recalls, with the performers having to deal in the moment with the problem of mapping themselves onto another artificial ‘performer,’ which itself was dealing with the problem of a very human text. “Almost all the writing for these projects would be useless to us unless it was done in this way,” says Etchells. “We wouldn’t know what to do with it. It’s too poetic. It’s too fictional. It’s too tangled.” But exploring lip-syncing along to the text has opened “an enormous reservoir of ways of thinking about writing and performing.” Subscribe to Exeunt, and get two in-depth pieces on theatre a week, direct to your inbox Subscribe Forced Entertainment have long been sifting through the detritus of popular culture, from daytime TV to end-of-the-pier vaudeville, magic acts and clown shows, to find frameworks for their own unusual entertainments. Lip-syncing, then, makes sense for them to experiment with. As a mode of performance, it’s wired into popular consciousness through pop stars trying to convince stadium audiences of their liveness, or those same voices as channeled through the made-up lips of contestants on RuPaul’s Drag Race, or movie dialogue spreading virally through the host bodies of TikTok users. For Etchells, lip-syncing is often about “approaching real voices and trying to take on their aura,” subsuming that original human presence into yours. “There’s a very basic, elemental sort of theatre magic to it, produced in this very easy way.” This broad approach resonates with instances of lip-syncing within contemporary performance, too. In works like Re-Member Me and Showmanism, performance artist Dickie Beau acts as a kind of spirit medium for archival recordings (this process of re-membering – as in, giving corporeal form to voices – relies on his masterfully precise actor’s technique), while Frankie Thompson is similarly possessed by a host of characters ranging from a nine-year-old Jacob Rees-Mogg to Cliff Richards, all of whom she finds compellingly nauseating, in the exorcism ritual that is her latest show, Horrible Things. What’s different about Forced Entertainment’s use of lip-syncing is that here, there is no original presence to be channeled. The performers are instead taking on what Etchells describes as “the voices of nobody,” or rather the “phantasmic, aggregated echoes” of the many many voices on whose data the AI has been trained, and which are now conjuring into existence words they never actually said. There is a sort of mournful, empty quality to these voices, having “washed up” far away from the people they originally belonged to, to find themselves in stranger’s mouths listing objects, wondering if anyone can hear them and glitching in interminable loops. There is a cold, sad anonymity to it all. Etchells remarks that occasionally the software company he used has notified him that particular people are withdrawing their voices from the platform, instructing him to cease use of those voices. Using these technologies in performance certainly brings up ethical questions around digital rights, consent, identity and ownership, although in the grand scheme of things, Etchells is fairly blasé about it: of all the purposes someone’s voice might be put to without their knowledge, “an avant-garde performance is probably the least of their worries.” [ ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) [ Frankie Thompson: How I manage my own ‘horrible things’ at the Edinburgh Fringe ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) Exeunt · Aug 25 [ Read full story ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) For the performers, though, lip-syncing to these strange, artificial voices is an odd task, requiring them to bend their live, human presence into the shapes produced by machines. Politically, it mirrors processes that are already at play in the continued computational automation of human life. Etchells brings up James Bridle’s writings on new technologies as a reference point: one example Bridle gives is of “chaotic storage”, a logistics technique employed by Amazon fulfilment centres whereby items are stored not according to traditional methods of categorisation or alphabetisation, but in a way that an algorithm determines to produce the most efficient routes for ‘picking’ based on customer purchase patterns. This appears completely random and incomprehensible to humans, with paddling pools sitting next to USB sticks sitting next to blowtorches, and so for the warehouse workers, the process of picking items becomes completely reliant on technology which tells them where to go. Our world is increasingly being designed not with humans in mind, but rather machines. As Etchells puts it, “technology malforms the space, and then you end up having to live in it.” Initially, Forced Entertainment tried their best to live in the world of machines: “I was in the it’s-got-to-be-perfect school of lip-sync,” says Etchells. But with their aesthetic being so tied to the failing act, the slipping mask, the shoddy costume, “it’s no surprise really that that didn’t last.” Instead, the performers got to enjoy being late for a line, or playing games with each other, “stealing” each other’s voices. Etchells compares it to the principles of ventriloquism, in which a free-floating voice unattached to a body is fundamentally discomforting and “sort of traumatic”. That discomfort is equally as alluring to Forced Entertainment as the satisfaction of precision, the pretence of authenticity only interesting if shown to be a pretence. Lip-sync has also opened up new avenues for the company. Having been allergic all their lives to Plays-with-a-capital-P, with Cold Sweat Forced Entertainment find themselves approaching something a little bit like drama. Rather than the presentational arena of Signal to Noise’s open white stage, Cold Sweat places us more decisively in a “fictional locale”: what appears to be “the aftermath of some disastrous party or backyard drinking binge” where three figures – family members, or neighbours, perhaps – are the last ones standing. “It’s all quite acrimonious and accusatory, everyone’s talking over each other.” For Etchells, this more fictional mode is “a door that we’ve never been able to open. We’ve just never really gone there.” Perhaps it is the technique of lip-syncing, an extra buffer of mediation, that allows them to venture away from the here-and-now without feeling that they have to commit to the “psychological claptrap” that comes along with acting; to be able to “play the game of theatre, without getting one’s hands too dirty.” As I wonder how else the impulses behind Forced Entertainment’s work have changed over time, it occurs to me that over the last ten years of new creations, with the exception of If All Else Fails, the company’s performers haven’t ever spoken on stage: there were two shows without any language at all, Out of Order and Under Bright Light, and then this trilogy of lip-sync works. Etchells agrees it’s a shift away from earlier productions, that were so often about “the actual voices of the performers and their actual presences. We had a lot of money, in some ways, on an authentic approach to what it might mean to speak on the stage.” But this sense of authentic presence itself had a fakeness to it; these days, Etchells can’t stand that mode of being onstage where performers “are here to be cheeky and witty versions of themselves. I don’t want to be charmed.” Pulling back into a more anonymous space has resulted in works that feel slightly sharper-edged, more brutal in a way. “All of these shows are post-Brexit, post-Trump, post-truth, post-everything,” Etchells notes. Speech, charisma, authenticity – these things feel politically loaded, and perhaps warmth and openness just don’t feel like the right tools to reflect the world we’re living in. “It feels like the space is closing down, and we’re trying to deal with the fact that the system, the structure that you’re in, is more oppressive and more powerful. It probably always was, but I think we’re just more tuned to it now.” Yet even without their voices, the performers’ distinctive presences – ones that many audiences have followed around for years, if not decades – still, inevitably, shine through as they physically navigate whatever unending task the system of the piece has set for them. They’re still trying to keep up with the onslaught of text, still running about, changing costumes, moving stuff around. The human is always stuck in the teeth of the machine, jamming the smooth, frictionless cheeriness of the not-real, gesticulating silently, trying desperately to communicate. Cold Sweat is at Sheffield Theatres, 2 to 3 October; Southbank Centre, London, 9 to 10 October; Lancaster Arts, 14 October [ ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) [ Exeunt recommends... the best autumn theatre ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) Exeunt · Sep 16 [ Read full story ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) This piece was paid for by the Southbank Centre. Such support helps Exeunt to keep publishing the most interesting writing, about the most exciting theatre. Interested in partnering with Exeunt? Visit our Advertise with Exeunt page, where you can get more information, download an advertising pack, and find our contact details.
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