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Maven’s Kate Ryder on using AI to help solve long-unanswered questions in women’s health-care
Maven CEO and founder Kate Ryder says AI has already dramatically lowered administrative costs and is writing all of the health benefits’ company’s code, but for patients, the greater promise of AI is in closing information gaps, a particularly frustrating issue women have always faced when seeking care.
The real problem with Katie Zacharia not actually being a ‘lawyer’
The press secretary is supposed to spin the news, not be the news.
iPhone Duo: Apple Charging $49 for New Cover Layer, $229 for Battery
We just published Apple's list of iPhone Duo repair fees for customers without AppleCare+ coverage, and we want to bring extra attention to two of the fees in particular: a new cover layer costs $49, and a replacement battery is $229. Apple's vice president of hardware engineering Kate Bergeron revealed that the iPhone Duo's nano-texture cover layer above the inner display can be removed and replaced.
Katie Zacharia's debut shows the pitfalls and possibilities of White House press secretary's role
This would not be an easy job under any circumstances.
From Bedrock to Business: The Last Mile of Agentic AI - SPONSOR CONTENT WEBINAR FROM AWS AND WORKATO
Sponsor Content Webinar from AWS and Workato.
Amid Wyoming’s mental health struggles, governor hopes successor prioritizes the issue
by Katie Klingsporn, WyoFile JACKSON—Wyoming is among five states with the highest suicide rates in the nation. In recent years, it has fallen from No. 1
Tiki Barber Says Cam Skattebo Must Fix Mindset Now
Giants legend Tiki Barber calls out Cam Skattebo for his fourth fumble, insisting the rookie must change his mindset to stay on the roster.
Full Debate: Kathy Hochul, Bruce Blakeman spar off in gubernatorial debate
Watch the full debate here.
Politics increasingly shape students' college choices, survey finds
A new report finds politics is increasingly shaping college searches, with one-third of prospective students ruling out schools for political reasons and many making those decisions before applying.
Clark County voters weigh affordability, health care, education and wars ahead of November
Clark County voters cite affordability, health care, education and global conflicts as top election issues. Ballots are now being mailed, and officials are adding ballot box cameras after a 2024 vandalism.
Trump’s new messenger: From the Politics Desk
Plus, a potential Midwest opening for the GOP.
U.S. Bank hosts Arkansas small-business lunch and learn, turning challenges into wins
Katie Zacharia Makes Bumpy Debut as Trump’s New Press Secretary
Ms. Zacharia spent eight minutes reading from a script, called on only three reporters and made an awkward slip-up.
Trump's new press secretary faces questions over her bar credentials
White House press secretary Katie Zacharia is facing scrutiny about her legal qualifications after she was pressed to explain them.
Small business sentiment fades in NFIB survey, but one store owner 'cautiously optimistic'
NFIB says small business optimism slipped below its long-term average in September as owners cited uncertainty, labor shortages and inflation.
Vehicle crashes into front of business on Maumelle Boulevard in NLR
Police are investigating after a vehicle crashed into a business along Maumelle Boulevard in North Little Rock on Tuesday afternoon.
Enter the Zachbot: Trump’s new press secretary malfunctions on podium debut
Katie Zacharia’s maiden briefing was excruciating – at least her predecessor had delivered her propaganda hot
Katie Zacharia makes brief debut as White House press secretary
President Donald Trump announced on Friday that Zacharia would replace Karoline Leavitt
Katie Zacharia calls on Trump-friendly outlets in brief debut as press secretary
In her opening statement, Zacharia repeatedly praised Trump’s energy and touted the crowd sizes at his rallies, where scores of seats have been unfilled in recent days.
Alumna Katie Gavin’s Path from Beach Volleyball to Business
Since earning two degrees at Pepperdine Gavin has moved from the gritty sands of volleyball games to closing multimillion dollar deals in commercial investment sales.
Katie Zacharia ends first White House press briefing after 14 minutes
Katie Zacharia took the lectern for the first time as White House press secretary on Oct. 13, but if you blinked, you might have missed it.
White House officials question whether Trump will keep Zacharia in press secretary role after short first briefing
Several White House officials are questioning how long Katie Zacharia will keep the press secretary job after her first briefing Tuesday, noting her performance was unlikely to satisfy President Donald Trump.
White House official calls Katie Zacharia’s first press briefing ‘brutal’
(CNN) — Several White House officials are questioning how long Katie Zacharia will keep the press secretary job after her first briefing Tuesday, noting her performance was unlikely to satisfy
Guilfoyle asked to resign as Greece ambassador amid improper conduct claims
New White House press secretary Katie Zacharia made the announcement Tuesday morning
Guilfoyle asked to resign as Greece ambassador amid improper conduct claims
New White House press secretary Katie Zacharia made the announcement Tuesday morning
Trump administration asks Kimberly Guilfoyle to resign as ambassador to Greece
New White House press secretary Katie Zacharia made the announcement Tuesday morning
Trump’s new White House press secretary Katie Zacharia keeps first briefing short
Zacharia, a conservative commentator, stuck close to prepared remarks in her first outing at the podium. She called on three reporters, all from conservative outlets.
WATCH LIVE: New White House press secretary Katie Zacharia holds first briefing
I grew up at Katz's Deli. Now I'm the one running it.
Jake Dell grew up spending time at Katz's Delicatessen. Today, he runs the famous NYC restaurant and hopes to preserve its family legacy.
Live updates: Trump to rally for GOP candidates in Alaska
Live updates and the latest news as Trump rallies for GOP candidates in Alaska; White House press secretary Katie Zacharia holds her first news briefing; and Senate candidates in Maine, Georgia, and Iowa hold debates.
CSU Theatre brings haunting tale of Dracula to life with a feminist twist
This fall, Colorado State University Theatre’s play was the classic tale of “Dracula,” written by Bram Stoker, but told with a feminist twist. Written by Kate Hamill and directed by Saffron Henke, CSU associate professor of theatre, “Dracula: A Feminist Revenge Fantasy, Really” brought a whole new message to the original Gothic horror story, emphasizing women’s...
Cha Jun-hwan steps away from national team, eyes entertainment career
Korean figure skating star Cha Jun-hwan, 25, is stepping away from competitive ice this season, with signs pointing to a new chapter in the enterta...
Cha Jun-hwan steps away from figure skating competition to pursue entertainment work
Cha Jun-hwan announced that he would not compete in the 2026-27 season. As a result, he is expected to withdraw from the Cup of China and the NHK Trophy, the third and sixth events, respectively, of the International Skating Union Grand Prix series.
Dems push Medicare for All as Republicans, including Sen. Cruz, slam single-payer plan
From New York to Michigan, Medicare-for-all has become a major campaign issue this election cycle, drawing sharp opposition from many Republicans.
New White House press secretary begins her term
Katie Zacharia is scheduled to hold her first briefing Tuesday.
Live updates: Trump to rally for Republican candidates in Ohio
Live updates and the latest news as Trump rallies for GOP candidates in Ohio, new White House press secretary Katie Zacharia starts her job and Darline Graham and Annie Andrews clash in a debate.
Cayette-Weston had weathered Katrina and LeBron’s departure, was ready for Charlotte
Shelly Cayette-Weston had a history of reclamation projects after Hurricane Katrina in New Orleans and after LeBron James left and devastated Cleveland. She was the right person for the job in Charlotte.
Commentary: Pennsylvania's GOP members of Congress are failing us on measles.
Tragically, more than 1,000 people in Pennsylvania have been infected with measles in 2026, now associated with 198 hospitalizations and five deaths. In neighboring New York, Gov. Kathy Hochul just declared a statewide health emergency as cases surge in rural counties. Yet of Pennsylvania’s 1,078 cases in 41 counties (as of last Thursday), less than […]
What to Stream: Katseye, 'VisionQuest,' 'Tenzing' and a new 'Castlevania' game
New streaming entertainment options are arriving this week, including a tribute to Norm Macdonald and a new Marvel series. Judd Apatow's documentary on Norm Macdonald is begins streaming on Netflix
What to Stream: Katseye, 'VisionQuest,' 'Tenzing' and a new 'Castlevania' game
New streaming entertainment options are arriving this week, including a tribute to Norm Macdonald and a new Marvel series. Judd Apatow's documentary on Norm Macdonald is begins streaming on Netflix
Harbaugh’s Yard-Grab Gamble Backfires In Overtime Tie
Giants coach John Harbaugh admits he wanted more yards before a field goal in overtime. The plan failed as Cam Skattebo fumbled, costing the team a win.
Politics Unplugged (Full Episode) Oct. 11, 2026
On "Politics Unplugged," political editor Dennis Welch sits down with Republican gubernatorial candidate Andy Biggs for a wide-ranging interview weeks before election day. The conversation is dominated by Governor Katie Hobbs' multi-million-dollar ad campaign accusing Biggs of protecting Warren Jeffs' FLDS cult while he was Arizona Senate President. Biggs forcefully denies the allegations, defending his legislative record and accusing the interviewer of carrying Hobbs' water. He escalates further, claiming Hobbs' rhetoric has led to death threats and that she would be "thrilled" if he were physically harmed. The interview also covers his vote against honoring Capitol Police on January 6th, his call to Rusty Bowers about decertifying the 2020 election, and whether he'd certify results as governor in 2028. Hobbs' office responds with a statement denying the claims. The show closes with a teaser for a Hobbs interview the following week.
Gwyneth Paltrow officiates star-studded wedding of Rob Lowe’s eldest son Matthew Lowe
Matthew and Emily Markus said “I do” in front of A-listers including Chris Pratt, Katy Perry, Zoe Saldaña, and more.
Albums with the most No. 1 hits: Taylor Swift, Katy Perry, Drake, more
Taylor Swift's "The Life of a Showgirl" has yielded three No. 1 hits on the Billboard Hot 100, joining an elite list of blockbuster albums.
Stalled publications: Inside the deadlock at the world's top climate science body
KATE ABNETT and SUDARSHAN VARADHAN, of Reuters, report on challenges ahead of UN climate talks in November, 2028...
Ohio State legend Katie Smith to headline SSI Women in Sports Business event, awards
Katie Smith, an Ohio State legend, Olympic gold medalist and Basketball Hall of Famer, will headline an afternoon at The Ohio State University focused on women
Michaelson shares take on Trump’s WH press secretary pick, a frequent guest on his panels
Gov. Hochul opts NY into Trump’s federal school voucher program
NEW YORK — Gov. Kathy Hochul on Friday said New York will participate in President Donald Trump’s school voucher program, setting up a clash with the teachers unions and elected
Mid-America Science Museum in Hot Springs readies a fun-filled fall lineup
White Hall senior named Miss Arkansas’ Teen 2026, advocates for student mental health
Trump names commentator Katie Zacharia as next White House press secretary
Katie Zacharia briefly worked as a spokesperson for the Department of Homeland Security earlier this year
Trump names commentator Katie Zacharia as next White House press secretary
Katie Zacharia briefly worked as a spokesperson for the Department of Homeland Security earlier this year
Trump names commentator Katie Zacharia as next White House press secretary
Katie Zacharia briefly worked as a spokesperson for the Department of Homeland Security earlier this year
Vibe-Coded Browser Ports Of Games Work Perfectly, Unfortunately
Call of Duty: Black Ops, Halo: CE, Grand Theft Auto: Vice City, Skate 3 and many more titles have been decompiled and ported to web browsers overnight
Task force ditches Wyoming-run health insurance plan idea, mulls unorthodox service models
by Katie Klingsporn, WyoFile A legislative task force studying health insurance affordability in Wyoming has declined to advance a proposal to create a
Trump names commentator Katie Zacharia of his media company as next White House press secretary
WASHINGTON (AP) — President Donald Trump announced Friday that Katie Zacharia, a communications adviser for his media company, will succeed Karoline Leavitt as White House press secretary.Trump reveal...
Netflix’s Summer of Bummer
(Welcome to the Entertainment Strategy Guy, a newsletter on the entertainment industry and business strategy. I write a weekly Streaming Ratings Report and a bi-weekly strategy column, along with occasional deep dives into other topics, like today’s article. Please subscribe.) Today, I’ve got a guest post from longtime friend of the newsletter, Brandon Katz. I’ve been trying to find time all summer to look at Netflix’s straight-to-streaming film slate, but between a pre-planned trip and Nielsen moving up their streaming data timeline, I’ve been swamped. So I reached out to Brandon, one of my favorite fellow analysts, to write about it. And I feel like he captured the tone and data focus of the newsletter perfectly. You can connect with Brandon on LinkedIn and Twitter. Enjoy! Don’t worry, folks. You’re in safe hands with me. To ease any anxieties about an interloper in ESG’s domain, I’ll start by stealing one of his best framing devices: headlines. Box office flops are covered in the same way the Teenage Mutant Ninja Turtles eye pizza: with cartoonish insatiability. I would know. I’m a former reporter who wrote nearly identical headlines: Yet, intentionally or not, streaming misses get treated with kids gloves, filtered through a rosy lens: In the last six years, U.S. streaming viewership has become nearly as transparent as the box office, but the data often arrives weeks later, in a number of less intuitive metrics, and with nary an official budget to be found. This plays into the Wall Street-whispering narratives major streamers have been cultivating for years. They get a pass in a way that theatrical studios simply don’t. Subscribe Netflix’s Summer Slate Not a single Netflix original film released between May and August this year opened above 20 million U.S. TV hours, per Nielsen. That benchmark usually serves as the EntStrategyGuy’s floor for a streaming hit on Netflix. None of these films enjoyed a hit-cementing single week of 20-plus million hours during their runs. Netflix’s two best films were true crime docs, Maternal Instinct (16.5 million hours) and The Crash (19.7 million), the best overall week for a film this summer. Great for most other streamers, but not necessarily what we’re used to seeing from Netflix. For an overly-dramatic comparison, Happy Gilmore 2 opened last summer to around 47 million hours (celebrity cameos, baby!). Zooming out, the picture looks even worse. In 2026, Netflix’s five biggest scripted summer films posted the lowest average (28.6 million hours) and median (28.8 million hours) eight-week viewership totals of the past four years. Now, it’s unrealistic and unfair to expect Netflix to deliver a _KPop Demon Hunters-_sized hit every year. But it’s also not ideal to see the size of their hits shrinking over the last few summers. Let’s quickly run through some of the notable summer misses. Jennifer Lopez and Brett Goldstein’s perfectly fine romcom, Office Romance, fell off the charts after 20 million hours in its first two weeks. Top films usually last for four-plus weeks. Starry titles ideally don’t decay that fast either. Homegrown star Millie Bobby Brown couldn’t prevent the snappy Enola Holmes franchise from diminishing returns. At 14.3 million U.S. hours, the third film posted roughly half of what the first two films did in their first two weeks. What’s on Netflix calculated that per-day global views were down nearly 60% from the second movie. The Whisper Man did okay with more than 36 million hours over its first four weeks. But I expected a little more juice from a film featuring Robert De Niro, Michelle Monaghan, and Adam Scott. Kevin Hart’s Ladies First collected just 11.2 million hours total across two weeks. That’s a big miss for one of Netflix’s go-to stars. Plopping into the same bucket are Sunny Sandler’s Don’t Say Good Luck (10.3 million in two weeks) and John Cena’s Little Brother (17.5 million). Meanwhile, English-language originals Color Book (June 19), In the Hand of Dante (June 24) and Heartstopper Forever (July 17) never sniffed Nielsen’s Top 10 at all, despite needing only 2 to 5 million hours to land in the top ten most weeks. (By my count, eleven English-language scripted original films released between May and August did chart). It’s only fair to mention that Swapped (1-May) posted nearly 42 million U.S. hours over five weeks (the longest Netflix original run this summer) and is currently their eighth most-watched English-language film ever worldwide. Remarkably Bright Creatures (37 million, 4 weeks) and Voicemails for Isabelle (27 million, 4 weeks) weren’t bombs either. Still, overall, I think it’s fair to say this was a quieter summer season than we’re used to seeing from the market-leader. You might not realize that given the language commonly used in public analysis. The Twist Despite the starkly black-and-white tone of the coverage, here’s the twist: when many box office bombs arrive on streaming, their viewership looks a whole lot like many of Netflix’s supposedly successful summer releases. Hmm, where have we heard that one before? Masters of the Universe topped out at $65 million stateside against a $170 million budget_._ I’ll admit, Skeletor ripping sleeveless curls as a gym bro and bodyslamming Adam’s co-workers was funny. But, much to the chagrin of my bank account, my laughter doesn’t launch franchises. Yet the He-Man reboot opened to 19.6 million hours (from a Wednesday five-day opening instead of just one weekend), on par with Hoppers on Disney+ (19.4 million). It put up nearly 47 million hours over its first six weeks, bigger than all of Netflix’s summer releases. Pretty darn healthy and likely to land among the 25 most-watched movies on streaming this year. Sticking with Amazon, The Sheep Detectives just barely broke even at the box office with $133 million worldwide (and only $66 million domestic). I never expected cloven-hooved, cud-chewing mammals to be able to bring me to tears. Yet that’s exactly how I found myself at the end of this surprisingly affecting movie (#NoShame). It was likely the unexpected quality in a family-friendly film that powered its streaming over-performance. Sheep Detectives delivered a solid run for Prime video netting 26.2 million hours! How about franchise IP? Star Wars: The Mandalorian & Grogu had the lowest opening ($81 million) and lowest-grossing Disney-era live-action Star Wars film ($178 million domestic). One day before release, its Heat score (19.8%)—audiences who list their interest as a 7/7—fell behind blockbusters Wicked (21%), Superman (23%), Fantastic Four: First Steps (23%), Michael (23%), Toy Story 5 (26%) and Avatar: Fire and Ash (27%), according to Greenlight Analytics. The urgent enthusiasm just wasn’t there. On streaming, Mando opened to weeks of 12.1 million, 6.1 million and 2.7 million hours (21 million total) over its first three frames. Not the numbers Lucasfilm was hoping for nor the numbers of a streaming hit. But they’re in the same vicinity as some Netflix summer releases with $345 million at the global box office to offset a smidgen of the pain. Final Thoughts So why oh why does this nuance gap exist? Four key reasons: Data Literacy: A “$100 million opening” just makes sense. After decades of box office reporting, even casual movie fans are well-versed in the benchmarks of hits and home runs. There’s an immediate shorthand. But “16.5 million” hours doesn’t land nearly as cleanly. Despite leaps of progress, the streaming ratings era is still in its infancy compared to theatrical. The EntStrategyGuy and I met thanks to a late 2010s group chat of data nerds hungry to find a shred of certainty in nebulous streaming performance. I’m not surprised to see “No. 1 on Netflix” still getting misconstrued out in the wild. Timing: By Friday morning, we have the box office’s Thursday night previews totaled, allowing us to better project the weekend’s expectations. From there, ticket sales are reported daily. By Sunday, the film’s fate is usually finalized, at least in terms of public perception. In streaming, Nielsen recently improved its delay to…two weeks. The medium isn’t forced to contend with instant gratification as harshly. Financials: Theatrical film budgets are a mere Google away. Profit and loss is calculated in the cold and unforgiving naked light of day for all to see. But finding the vast majority of streaming exclusive movie budgets requires the forensic investigation skills of a Criminal Minds detective. Also, it’s very difficult to calculate how much revenue/value a straight-to-streaming films provides a streamer. This is why there are so few stories about streaming original movies “losing X amount of money”. On top of that, marketing budgets are far greater for theatrical movies than streaming exclusive movies, which leads to earlier and better awareness. This then translates to a wider pool of potential interest. Narrative Control: Netflix is the only major streaming service to publish weekly first-hand viewership data and annual engagement reports. Naturally, some headlines borrow their first-hand framing**.** Other streamers benefit from their comparative lack of transparency. They may occasionally announce vague performance platitudes such as Apple TV’s Mayday becoming its “biggest film debut on the platform to date over its first 18 days,” and that it ranked No. 1 with left-handed viewers in its first weekend. (Fine, I made up that second one). But, for the most part, they keep first-hand viewership shrouded in mystery to avoid bad press. Especially for outlets that demand multiple articles per day from their writers, it’s an easy (and understandable) way for some reporters to hit their daily article quota by just repeating what the streamers have told them. TL:DR version: Streaming-exclusive movies are asked to do different things than theatrical movies, but that doesn’t mean they should escape judgment. Both still need to draw enough eyeballs to justify their cost within the proper performance contexts. The more cleanly we can inject a little nuance into streaming analysis, the better we’ll understand the audience and content trends that drive this industry. And that’s what all of this is really about: knowing what audiences actually want! Brandon Katz is the Director of Insights & Content Strategy at Greenlight Analytics where he focuses on evaluating the ever-fluid media landscape to unearth understanding, opportunity and value. Greenlight Analytics is the entertainment intelligence consulting company redefining how Hollywood finds, understands, and activates audiences. Prior to joining Greenlight Analytics, he served as the senior entertainment industry strategist at Parrot Analytics, and as a full-time entertainment industry reporter covering the Xs and Os of Hollywood, most notably with TheWrap and the Observer.
Trump taps conservative commentator as next White House press secretary
Katie Zacharia replaces Karoline Leavitt, who departed the White House in August after giving birth to her second child.
Spencer Pratt says he was told Democratic candidate Talarico is in mental health facility
Former Los Angeles mayoral candidate Spencer Pratt said Friday that he was told Texas Democratic candidate James Talarico is in a mental health facility.
Commentator Katie Zacharia offered job of new White House press secretary
The conservative commentator currently works as a communications adviser at Trump Media & Technology Group.
Trump selects Katie Zacharia as next White House press secretary
President Donald Trump has selected Katie Zacharia, a conservator commentator who worked briefly at the Department of Homeland Security, as his new press secretary, multiple White House officials told CNN.
Trump selects Katie Zacharia as next White House press secretary
(CNN) — President Donald Trump has selected Katie Zacharia, a conservative commentator who worked briefly at the Department of Homeland Security, as his new press secretary, multiple White House officials
Katie Zacharia Picked as Trump’s New White House Press Secretary
Ms. Zacharia is a conservative commentator who briefly worked at the Department of Homeland Security. She succeeds Karoline Leavitt.
Princess Kate embraces fall fashion with plaid skirt in Belfast
Princess Kate is embracing fall with deep green tartan print.
NY Giants’ bruising back needs help, not another 20 carries
Cam Skattebo has carried the ball 50 times over the Giants’ last three games and gained 154 yards. Asking for […]
What to Stream: Katseye, 'VisionQuest,' 'Tenzing' and a new 'Castlevania' game
New streaming entertainment options are arriving this week, including a tribute to Norm Macdonald and a new Marvel series. Judd Apatow's documentary on Norm Macdonald is begins streaming on Netflix on...
Kate and Rooney Mara turn sisterhood into uncanny twin roles
NEW YORK – No, you’re not just hearing double.
Commentary: Corrections isn’t a political sideshow. Michigan’s next governor must make it a priority.
As Michigan Advance’s Katherine Dailey reported Tuesday, the next governor will inherit a department facing severe staffing shortages, violence, concerns about conditions inside its facilities and bipartisan calls for new leadership.
‘Rocky Horror’ is a 50-year tradition of mess and chaos. This NOLA theatre does it anyway.
The theater has been hosting live screenings since before Katrina and it’s become a rite of passage for many in New Orleans, especially in the queer community. “Sometimes it just looks like a hurricane of popcorn and rice and toilet paper came through the plac. You blow it all to the front, sweep it up and move on to the next day.”
Inside the deadlock at the world's top climate science body
By Kate Abnett and Sudarshan Varadhan BRUSSELS/SINGAPORE, Oct 9 (Reuters) - The decision was expected to take minutes.
Inside the Deadlock at the World's Top Climate Science Body
By Kate Abnett and Sudarshan Varadhan BRUSSELS/SINGAPORE, Oct 9 (Reuters) - The decision was expected to take minutes. But after nearly three years of debate, members of the world’s leading authority on climate change still can’t agree on a timeline to publish its next review of the latest science ...
Sophia Laforteza Will Return to KATSEYE in January 2027 Following Mental Health Break
The group’s management and label announced Laforteza’s return in a statement on Thursday, Oct. 8
Katie Nolan genuinely baffled by ‘the rehabilitation of Deshaun Watson’
If you made it to this Thursday still blissfully unaware that Cleveland Browns quarterback Deshaun Watson played on Thursday Night Football last week, how? Amazon’s Prime Video really wanted everyone to know about Deshaun Watson playing on Thursday Night Football. Before kickoff, Taylor Rooks sat down with Watson. During the game, Al Michaels and Kirk Herbstreit glossed over…
Performing Arts Center Pointing to 2027 Opening as Local Entertainment, Business, and Educational Partner
This reporter recently met with Front Royal Performing Arts Center (FRPAC) Board of Directors President Shae Parker and Vice-President Kate Gorecki to get an overview, including photos seen below, of the renovation status of the planned, multi-faceted Performing Arts Center on the 100 block of East Main Street at its intersection with Church Street. With
City council debates higher taxes on big corporations, expanding small business exemptions
The proposal could exempt 18,000 small businesses from city taxes while generating millions in new revenue, but critics warn it could drive companies away.
Celebrating Excellence in Student Health: District Nurses Earn National Certification - Pine Bush Central School District
We are proud to celebrate two of our very own school nurses, Kathleen Chamberlain and Linda Loennecker, our nursing department chair, for achieving national certification through the National Board for Certification of School Nurses (NBCSN)! Achieving NBCSN certification is a major milestone in school nursing. The rigorous examination tests advanced clinical expertise, specialized knowledge, and … Continue reading "Celebrating Excellence in Student Health: District Nurses Earn National Certification"
Photo shows top Trump aide's daughter with pro-Russia politician in Bosnia
Katie Wiles is a partner at the political lobbying firm Continental Strategy. A spokesperson for the firm acknowledged to CBS News on Thursday that Wiles had taken the trip to Republika Srpska but not on business.
Farmers facing mental health struggles, the break down and available resources
Who Won August and September: Original Films or Franchises?
(Welcome to the Entertainment Strategy Guy, a newsletter on the entertainment industry and business strategy. I write a weekly Streaming Ratings Report and a bi-weekly strategy column, along with occasional deep dives into other topics, like today’s article. Please subscribe.) I just heard someone say that if you’re reading a pundit or data analyst, and they don’t tell you that they got anything wrong, they’re not a pundit but an “influencer”. I agree with that. You have to tell your audience when you get things wrong, or they won’t (or shouldn’t) trust you as much. Today, we’ve got another edition of “What I Got Right, What I Got Wrong”. In general, I’m patting myself on the back (and patting very hard) about a few things like IP at the box office, LIV golf, horror films, crowdfunding movies, superheroes, and old people going to the theaters. That said, I also made a couple of data mistakes on the streaming bubble popping and HBO’s datecdotes, so I’m not perfect. But first, I need your feedback... Subscribe Follow-Ups: What Should We Call Mid-Budget Movies Which Aren’t Cinematic Enough for Theaters But Are Too Expensive to Make Money on Streaming? After I asked for feedback on what we should call straight-to-streaming films that are too big to pencil out on streaming but not really big enough to resonate in theaters, I got some great suggestions from you all, including... “Moldilocks” from John Aboud “Little Big Indie” from Travis Frick1 “Midflicks” from Jonathan Funke. “Extra-Medium” from Jona Nwuke. (Read the explanation in the footnote.) Between these and Brandon Katz—who suggested “Bermuda Budget Triangle”, “The Platform Gap” and “The Distribution Deadzone”—we’ve got some excellent suggestions. And they’re better than my suggestion, the “Streaming Budget Dead Zone”, so let’s take a poll! The winning entry becomes the new term. Loading... RIGHT: LIV Golf is Fully Bankrupt…Is Anyone Else Next? A few years ago, I was always a bit perplexed at all the articles I’d read praising LIV Golf and their strategy to disrupt the PGA. LIV Golf, a brand new professional golf league, offered PGA stars ten times what they made on the PGA Tour to join their new league. And folks praised this strategy for its initial “success” in that a lot of big names did indeed leave the PGA. Yeah, of course the players came over. LIV Golf paid them so, so, so much more! But LIV Golf hadn’t discovered a way to increase potential revenue. So think about this in basic business terms… They paid much more in costs… …but had no real way to increase revenue. That’s not a strategy! That’s deficit financing. It won’t work unless you bankrupt the competition (and then turn around and pay those same golfers much, much less). It’s not a sustainable strategy and only lasts as long as the company/person/nation backing it decides they’re cool with losing money. For LIV Golf, that meant Middle East oil wealth, in particular Saudi Arabian money. Clearly, the current Iran War has hurt Middle East finances, so they need to trim their more exorbitant spending. And LIV Golf was part of that trimming. This should be a major warning for others. TGL’s parent company, TMRW Sports, just got a $1 billion valuation, despite TGL’s (the indoor golf league) horrible TV viewership of less than half a million viewers per match. Unrivaled, the women’s basketball league, just secured a $650 valuation, despite its horrible TV viewership and a new rival (Project B) entering the scene next year. To relate this to streaming, Hollywood should ask which streamers may have wealthy patrons funding their losses. (Let’s be clear: Google, Amazon and Apple.) Could those patrons lose their appetite? For Amazon, probably not. But Apple has a new boss, so maybe! WRONG: My Analysis of the Streaming Bubble Was Missing a Week I’m going to be congratulating myself a lot today, but I make mistakes too, like this data goof. When I last compiled the data on the decline in TV shows, I was missing one week at the end of June. If you look at the first image, you can see that one week was mislabelled as “July”. Mainly, this image got updated to show a 27% decline, not 29%: This change doesn’t really impact the overall analysis, but it is two percent better. By the way, through the third quarter, the decline increased and it’s now a 30% decrease since 2022. (I’ll write/visualize this in an upcoming article.) But I want you to trust me and my data. Especially these days, when many people are using LLMs that I know are inserting faulty data into their charts, I want to keep earning my audience’s faith. So that’s the accurate data. RIGHT: IP Remains Very, Very Popular In July, I wrote a giant (and I mean giant) article on Backrooms, Obsession, and the box office, going over what we know, what we don’t know about what works in theaters, looking at YouTubers, IP, the horror genre, comic book movies, and a whole lot more. The month of August really tested a lot of my theses and, being honest, mostly supported my arguments. Let’s start with IP. Looking at 8-Aug (the weekend after Spider-Man: Brand New Day came out) to 18-Sep (the weekend that Resident Evil came out, which I think provides a nice bookend to this time period), there were seven films based on pre-existing IP: Resident Evil (2026) ($126 million) Practical Magic 2 ($65 million) _Insidious: Out of the Furthe_r ($65 million) Coyote Vs. Acme ($59 million) Paw Patrol: The Dino Movie ($53 million) Tony ($15 million) Super Troopers 3 ($7 million) Compare those to the notable original films from the past month—I actually could have included more movies, but here are just thirteen, bringing us to an even twenty films—including.... The End of Oak Street ($54 million) Buddy ($26 million) Mutiny ($15 million) By Any Means ($15 million) The Dog Stars ($14 million) Runner ($14 million) One Night Only ($11 million) Hope ($8 million) Spa Weekend ($7 million) The Uprising ($6 million) Teenage Sex and Death at Camp Miasma ($6 million) Onslaught ($3 million) Eli Roth’s Ice Cream Man ($2.8 million) Here’s that in chart form: Five of the top six films in this time period were all based on IP. I made a big chart of films that grossed over $200 million at the box office before Spider-Man: Brand New Day and The Odyssey hit theaters. Let’s update that chart! By the way, if you want to see how I categorized each film—so another bar chart—here it is: I know that many of my fellow critics/pundits/analysts dislike films based on IP and how Hollywood is making so many of them. And I’m sympathetic to this point of view. As I’ve written many, many times before, you need a balance between existing franchises, new IP, and original films. And Hollywood clearly needs to make more films like Resident Evil (a well-made film from a visionary director) and fewer Practical Magic 2’s (which didn’t get critical or customer buzz). But at some point, critics and pundits need to contend with what audiences are telling them: Movie-goers aren’t showing up to original films. Audiences are speaking with their dollars, telling you they want more IP and franchises. You can try to convince studio heads to make fewer IP-based films and franchises, but the data and numbers aren’t there. Instead, critics need to work harder to convince audiences to show up for original films. Aim your ire/concern at the average person, not studio heads.2 Because they’re just making the films that audiences are telling them to make. WRONG: Original Horror Films Didn’t Break Out I’ll be honest, even though I wrote an article casting some skepticism on the horror genre in July, if you asked me to make a prediction, I would have predicted that, in August, a new, original horror film would have blown up. No, seriously, I just assumed that Obsession and Backrooms presaged a change in audience behavior. But none of the buzzy new original horror films from August—Teenage Sex and Death at Camp Miasma, Onslaught (not an action film in spite of the ads), The End of Oak Street, Eli Roth’s Ice Cream Man, or _Buddy—_broke out. To be clear, exactly one of those films (Buddy) had good “ROI”, but again—I try to be specific in my language—none were “popular” in any broad sense of the word. None of them will be “saving” movies theaters like Backrooms or _Obsession_helped save the summer. The new Insidious film and Resident Evil, both based on IP, were far and away the biggest horror films since July. (We’ll see if this changes in October/Halloween season.) RIGHT: Stay Skeptical about Crowdfunding... I’ve long been skeptical about crowd-investing platforms as one of Hollywood’s saviors, mainly because there’s so much hype/buzz. People need to stay more skeptical about more things, explaining both the potential upside but also the downsides. In particular, the media often hypes crowdfunding at the start and never checks in on the actual results after they’ve come in later. And August gave us our first update! _Ice Cream Man—_directed by Eli Roth—grossed $6 million off of a $5.5 million budget. This is a production of The Horror Section, which was one of the first “crowd investing” studios with 2,400 investors, which means that 2,400 investors probably lost money. They certainly aren’t getting as great of returns as if they had just invested their dollars in the stock market. Hopefully Stiletto (Tagline: “Someone’s Going to Make it Rain Blood!”) does better next month. WRONG: Another Data Goof Here’s another data error. When the first episode of House of the Dragon came out, HBO put out that it had 21.5 million viewers in the first three days, and I read that to mean in the US…but no, it was global. So my US-only datecdotes charts shouldn’t have included it. We never got US-only numbers for the first episode, but for the final episode, HBO put out that it had 11 million US viewers. (And that global dropped to 21 million viewers.) Here’s the updated chart (which I’ve since used in the Streaming Ratings Report): Still, this show is absolutely huge. RIGHT: Superhero Films Remain Very, Very Popular After Supergirl flopped, I read a few takes that “comic book movies are going the way of the Western”. Post-Spider-Man: Brand New Day, that take didn’t age well. To be fair, I have a very nuanced take on the superhero genre right now; it’s down right now, for a lot of reasons. But it’s not “dead”. Maybe _Spider-_Man is just a really popular character? I saw that take, and it’s a fair counter-argument. (But pundits arguing that superhero movies were dead should have mentioned this $1.5 billion counter-argument…) But is it just Spider-Man? The next Avengers film already has $50 million in pre-sales (and I was skeptical that that film would do well) and the Avengers: End Game re-release topped the box office two weekends ago (over three original films). And I wouldn’t bet against Batman or Superman. So maybe it’s just Spider-Man, Batman, Superman and the Avengers. Oh, and Deadpool, of course. And Black Panther. And Wolverine. And probably the X-Men. Plus a well-made Wonder Woman or the Hulk film could break out. But that’s it! It’s just those ten characters/teams. Oh, what’s that? Lanterns is also doing well on HBO? (See previous section…) To be fair, I’m actually pretty sympathetic to the argument that more popular characters—like Spider-Man and Batman—anchor more popular films. In fact, I made that exact argument three years ago when I first wrote about the “Marvel-cession”. In many ways, you can blame The Guardians of the Galaxy for fooling Marvel Studios (and the rest of us) into believing that any character could pop. It turns out, the list of iconic characters is probably smaller than most people think. But it’s probably too early to say that superhero films and comic book movies are dead unless “death” means a slight decline over a longtime. RIGHT: Who Killed Theaters? Old People I get frustrated whenever I see headlines or analysis about how young people are “returning” to theaters. As I’ve detailed(for years), young people have always powered the US box office, despite narratives about “kids these days” and their “phones”. Really, what’s changed post-2020/pandemic is that old people aren’t going to the movies nearly as much. This summer, I saw a movie (from an older director) in a theater near a retirement community, and multiple older people at the theater were talking about how this was their first time seeing a movie in years. I dislike personal anecdotes, so YouGov can fill in the data, best summarized by this headline: “Who killed movie theaters? Not the youths”. According to them, 64% of people aged 18-29 have seen a movie in the last year, but only 30% of 65-and-older. 20% of 18-29 have seen a movie in theaters in the last week and 42% in the last month. Here’s the polling data: Most concerning? Many Americans (17%) think theaters are a worse or much worse experience than watching films at home. Slight WRONG: Hadestown Opens Big A live theater capture of the Broadway musical, Hadestown, made $20 million at the US box office, which begs the question: was I wrong to be skeptical about musicals a few years ago? Yes and no. On the one hand, $20 million is a far cry from being “popular”, so yeah, the genre isn’t that popular overall and Hadestown is one of the more popular musicals from recent years (i.e. the “Taylor Swift Data Fallacy” in action). On the other, I doubt filming this cost all that much, and I don’t think that they spent much on marketing, so this is a good source of ancillary revenue. Smaller Updates WRONG: As I mentioned in a Streaming Ratings Report, I underestimated the budget for Enola Holmes 3. It probably cost more like $50 million, if not more. But... I’m not sure that it really matters? At sub-10 million hours, prices have to come down to make this work. WRONG: Netflix is giving Ink a 27-day in theaters! To quote the kids/YouTubers these days, let’s go! Now I might actually have a chance to see Danny Boyle’s latest in theaters. I’d complained about this in a “Coming Soon” section, but I was heartened to read that Netflix is giving multiple films longer theatrical windows this year. RIGHT: Netflix is sending 4-5 films per year to theaters. Netflix is slowly but surely sending more and more films to theaters, as I cautiously predicted earlier this year. For now, it’s just three big films and a number of awards contenders, but still, this is great news. And they’ll be releasing box office grosses! Just this week, Ted Sarandos confirmed that KPop Demon Hunters 2 will come to theaters (and my guess is it performs in the box office top ten at a minimum). WRONG: Angel has 3 million subscribers! How do I know this? Well, they told Deadline, who reported it. I marked this as “wrong”, since they’ve doubled their subscribers in one year but, you know, they don’t really have a hit film to speak of and they’re still losing money. WRONG: Furious was only renewed for one more season. I accidentally wrote “two more seasons” in my latest “Renewals, Cancellations, Un-Orders and Removals Update”. RIGHT: House of David is ending with its third season. In July, Prime Video renewed House of David for a third season, as I just wrote in my latest “Renewals and Cancellations” report. Well, now it’s ending after that third season. Why? As I’ve been writing, its viewership wasn’t great. I got feedback that this show didn’t cost very much, but it cost enough that its limited viewership didn’t save it. WRONG: Adults was a Hulu original! So I missed Adults when it first came out last year; I saw that it aired on FX and just assumed that it was a linear-first program. Turns out, it aired three episodes on FX, but binge-released the rest of its episodes the next day on Hulu. Huh. So I should have covered it last year! But I just wrote about it. 1 “When I was a kid in the 90s, if you wore a t-shirt to school that wasn’t too big and also wasn’t too small, but somehow didn’t quite fit, we’d say you were wearing an “extra-medium” shirt.” 2 As always, a huge exception is Disney, which barely makes anything original anymore.
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