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A first look at 'The Terminal List' Season 2 starring Chris Pratt, coming to Prime Video October 21
Based on author Jack Carr's novel 'True Believer,' this season takes James Reece across the world.
Kingdom Hearts' first-ever anime TV series coming to Disney+
The popular Square Enix video game starring Mickey Mouse and friends is getting a TV show.
D23 live updates: Exclusive trailers shown for new movies, shows
Meet Clay and Mooshy from Disney's "Clay," starring Kieran Culkin. This concept art shows the new film, hitting theaters November 2028.
History gets overthrown as ‘SIX the Musical Live!’ hits theaters
“SIX the Musical Live!” starring the original West End Queens hits theaters across the U.S.
Matthew McConaughey's got buzz
The last time we saw Matthew McConaughey, he was driving a school bus into an inferno. This time? Costarring with bees.
'Coyote vs. Acme' review: The movie Warner Bros. didn't want you to see is Looney Tunes at its very best
Starring Will Forte, John Cena and Lana Condor, "Coyote vs. Acme" was fated to be a tax write-off. Then fans spoke out.
Matthew McConaughey prompts priceless reaction from Ella Langley after Oscar winner covers ‘Choosin’ Texas’
Matthew McConaughey grabbed a mandolin to perform a bluegrass cover of Ella Langley's "Choosin' Texas" on "The Tonight Show Starring Jimmy Fallon."
Chris Fleming & Irina Shayk Join Universal Rom-Com ‘The Catch’
EXCLUSIVE: Comedian Chris Fleming (HBO’s Live at the Palace) and Irina Shayk (Hercules) have inked deals to join The Catch, Universal Pictures’ new baseball-themed romantic comedy starring Emma Stone ...
Jeff Zucker is banking on the UAE to help build his new $8 billion entertainment empire
The $8bn Banijay-All3Media merger has created a global media and entertainment powerhouse—and Jeff Zucker believes the Gulf has a starring role to play
Watch the teaser trailer for 'Blade Runner 2099,' a new sci-fi series coming to Prime Video November 25
The limited series starring Michelle Yeoh and Hunter Schafer is set 50 years after 'Blade Runner 2049'.
Pickleball politics can get ugly. A new movie lampoons them.
Apple TV's new pickleball comedy "The Dink," starring Jake Johnson, features turf wars, tensions with tennis players — and that popping sound.
What to stream: ‘The Dink,’ ‘Stuart Fails to Save the Universe’
Charli xcx's new album and a pickleball movie starring Jake Johnson are some of the new television, films, music and games headed to a device near you.
How the ‘famously’ phoneless Christopher Nolan gets in touch with actors
Matt Damon is revealing how the ‘famously’ phoneless Christopher Nolan reached out to him about starring in ‘The Odyssey.’
Tom Cruise Reveals Surprising New Look In Trailer For Movie About An Eccentric Billionaire
Check out the movie star’s wild new role in the upcoming black comedy starring Jesse Plemons and Riz Ahmed.
Google Vids now lets you star in your own AI videos
Google is adding personalized AI avatars to Vids that let users create videos starring a digital version of themselves, alongside Gemini Omni-powered tools for generating and editing videos from prompts and reference images.
"Pitch Black" Set Guide: Full Set List, Product Lineup, Store...
We now have the full English set list for Pitch Black starring Mega Darkrai ex! As posted before, it will release on July 17th as our fifth English Mega
Dynasty Entertainment LLC Presents Country Legends in Concert
DAVENPORT, IOWA (July 7, 2026) — Dynasty Entertainment LLC is thrilled to announce Country Legends in Concert Starring T G Sheppard and David Frizzell at the Adler Theatre on October 21, 2026; the
Cook review: ‘Minions & Monsters’ is a clever comedy about movie history
Everybody who’s seen the 1998 “Ronin” raise your hand. Really? You’ve missed a terrific action movie starring Robert DeNiro and Jean Reno is thusly named because it’s a parallel for the Japanese word ...
The weather and science behind a perfect fireworks show
A great fireworks show is about far more than the fireworks themselves — the weather plays a starring role. Clouds, wind and even the humidity can mean the difference between a crisp, dazzling display and a hazy, muffled dud. Meteorologist Caitlin Kaiser breaks down the science that makes fireworks burst into color and the conditions that can make or break the perfect show.
Netflix will release JonBenét Ramsey show starring Melissa McCarthy
The eight-episode series also stars Clive Owen, Garrett Hedlund, Alison Pill, and Shea Whigham.
Netflix and Superheroes Are Having a Rough Stretch on Streaming....
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) I have a quick prediction before we start today’s article: You might see this data in future news articles. Not my specific charts or analysis, but the core trend I’ve been monitoring—Netflix is having a lackluster Q2—will become inescapable. Often, folks want to know “What does the data say?” Well, that’s what it says. I haven’t seen this analysis hit the trades really yet, but I have a feeling some other outlets are going to start making this case soon. Remember, you read it here first. You probably have read about the problems facing superhero films at the box office this weekend. Well, this week, I explore whether superheroes are dying on TV as well! And the data says: definitely maybe! We have a lot to cover in today’s Streaming Ratings Report, which covers the two weeks of 18-May and 25-May. Today, I’m just looking at TV, like Netflix’s disappointing Q2, superhero shows underwhelming, a few TV shows dropping off the charts, The Pitt finally ending its epic run on the viewership charts (and whether “view counts” change its status as one of the biggest shows of all time), all the flops, bombs and misses, and a whole lot more. Tomorrow, I’ve got a great rundown of the film side of things. Let’s dive right in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, Showlabs, TV Time trend data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of May 18th to May 31st, 2026. You can find a link to my terminology here.) Subscribe Television - Netflix’s Q2 Slump Continues Having analyzed streaming ratings for going on half a decade, I have learned to trust my gut, but I’m always relieved when I can find actual data to back it up. For example, after a string of very popular shows like Stranger Things, Bridgerton, The Lincoln Lawyer and The Night Agent came out, week after week, in January and February, my gut wondered if Netflix had enough new and returning TV shows to sustain them throughout the year. Since then, Netflix’s post-March slate of shows has not impressed me. This week seemed to feature a potential new hit, but then, like a classic Duffer Bros. TV show, there was a twist. I speak of The Boroughs, Netflix’s latest (and last) Duffer Bros. produced show. The pitch is “Stranger Things with older actors”. And it topped the Nielsen charts: With just two weeks of viewership, The Boroughs would have been a top 25 debut show last year: But here’s the twist: Netflix has already cancelled The Boroughs! What happened? Likely a few things. First, the show didn’t do as well globally as it did in the US. As What’s on Netflix showed, it lagged behind several other shows that got cancelled. Second, its completion rate was likely low; after an initial burst of interest, it quickly dropped off on the Samba TV and Luminate charts. Third, the Duffer Bros. left Netflix for Paramount, and that may have factored into Netflix’s decision here. (Though I tend to believe that if a show is doing well, Netflix would have kept greenlighting seasons.) Still, just because I can explain why Netflix may have cancelled this show doesn’t mean I’m justifying it. In particular, as I’ve noted before, Netflix is losing a lot of their bigger shows as they reach their natural ends, and they need to replace those shows. This show had the hallmarks of a big new genre show, and it’s their biggest hit of the last few months (in the US at least), but now it’s done. Netflix’s other show this week—The Four Seasons, the second season of the “hit” show from last year—definitely disappointed. Its sophomore season had about half the viewership of the first, only 12.7 million hours. It also only had a two week run on Samba TV, and its numbers were all down on Luminate too. In other words, even with two successes, the Q2 slump for Netflix looks real: I could add to the list of disappointments: Both Lord of the Files and Man on Fire had short runs on the Nielsen charts. Running Point’s sophomore season also opened to about half its viewership, similar to The Four Seasons. A Good Girl’s Guide to Murder’s second season—see below—didn’t even make any of the three viewership charts I track, unlike the first season. Netflix is absolutely having a dismal second three months of 2026. If this Nielsen data is any indication, and I think it is, I think this will show up in Netflix’s engagement report, and maybe even their financial outcomes. And the rest of June doesn’t look much better. We have two hit shows coming back—Sweet Magnolias, one of their quietest big shows, and Avatar: The Last Airbender, a big hit for them in 2024—but the other big swings are limited series crime thrillers i.e. no future season potential. Like I said above, sometimes when I uncover a juicy nugget like this, other outlets end up writing very similar articles mimicking the data without credit. We’ll see if that happens this time! Share Television - The State of Superhero Shows on Streaming When I first heard the pitch for Spider-Noir—a Sony TV show on Prime Video that binge-released eight episodes first on MGM+ then on Prime Video two days later—I had my doubts. It’s a live-action Spider-Man show set in the 1930s, starring Nicholas Cage, based on a cameo of a character in Spider-Man: Into the Spider-Verse. No, seriously, that’s the pitch. That could either go terrifically well or horribly wrong. Great because, Spider-Man. He’s the biggest superhero we have. I’ve seen tracking numbers that put the new _Spider-Man: Brand New Da_y as the blockbuster of the year and initial pre-sales back that up. And yet this Spider-Noir pitch feels very esoteric. (Also, the eight-episode binge release feels very “Amazon copying Netflix” again.) So what’s the data say? And what does this say about the future of superhero shows?
DC boss reacts to 'Supergirl' global box office flop
DC Studios boss reacted to 'Supergirl' box office disappointment after a $38 million domestic opening for the superhero movie starring Milly Alcock.
Author Meg Cabot says she's read the 'Princess Diaries 3' script 'and it was amazing'
Meg Cabot, author of the 'Princess Diaries' book series, says she's read the script for 'The Princess Diaries 3' starring Anne Hathaway and it's 'amazing.'
Kristen Stewart and Alia Shawkat are 'The Wrong Girls' in first look at new stoner comedy (exclusive)
EW has your exclusive first look at the stoner comedy 'The Wrong Girls' from writer-director Dylan Meyer, starring Kristen Stewart, Alia Shawkat, LaKeith Stanfield, Seth Rogen, and Kate McKinnon.
Lizzy Caplan, John Stamos Movie 'Drag' Gets Winter 2027 Release
Briarcliff Entertainment has dated the Danny DeVito produced 'Drag' starring Lizzy Caplan, Lucy DeVito and John Stamos for Jan. 29, 2027.
Why the Madonna biopic starring Julia Garner isn't happening after all
Through the process of writing the script, Madonna was bitten by the memoir bug, and she channeled that energy into her forthcoming album "Confessions on a Dance Floor: Part II," which drops July 3.
Mia Sara reveals why starring in 'Ferris Bueller's Day Off' wasn't a 'good experience'
Mia Sara has largely given up Hollywood, appearing in only one film in the past decade, and when asked about her biggest credit, in 'Ferris Bueller's Day off,' she's afraid she may disappoint fans.
Book lovers rejoice! 'The Five Star Weekend' gets companion podcast with author Elin Hilderbrand
EW can exclusively announce author Elin Hilderbrand will host a companion podcast for Peacock's 'The Five Star Weekend,' an adaptation of her best-selling book starring Jennifer Garner.
Amazon dropped Luca Guadagnino's OpenAI film, months after partnering with OpenAI
Could "Artificial," starring Andrew Garfield as Sam Altman, still see the light of day?
Nicole Kidman looks wonderfully witchy in ‘Practical Magic 2’ preview
The film, starring Kidman and Sandra Bullock, whizzes into theaters — presumably on broomsticks — Sept. 11.
Amazon no longer releasing Sam Altman biopic 'Artificial' starring Andrew Garfield
Amazon announced that it will no longer release Luca Guadagnino's Sam Altman biopic 'Artificial' starring Andrew Garfield. The news comes four months after OpenAI announced a strategic partnership with Amazon.
Planned 'Police Academy' reboot starring Key and Peele was canceled after Michael Brown killing in Ferguson
Ike Barinholtz says he was writing a new 'Police Academy' film for Keegan-Michael Key and Jordan Peele, until Michael Brown was killed in Ferguson, Mo.
Liverpool have chosen their Yan Diomande alternative forward
Liverpool are bang in the mix to sign Yan Diomande. The Ivorian, 19, is currently starring for his national team at the ongoing FIFA World Cup. And the winger emerged on Liverpool’s radar a few mont...
Sci-Fi Thriller ‘Orion,’ Starring Andrew McCarthy, Debby Ryan and Drew Van Acker, Set for Theatrical Release via Blue Harbor Entertainment (EXCLUSIVE)
A festival favorite film is now headed to theaters. “Orion,” a sci-fi thriller starring Andrew McCarthy (“Pretty in Pink,” “St. Elmo’s Fire”), Drew Van Acker (“Pretty Little Liars,” “Titans”) and Debb...
‘Ponies’ merges comedy with a gritty spy story in TV dramedy
The Peacock series “Ponies” starring Emilia Clarke and Haley Lu Richardson blends comedy and drama as widows of CIA operatives become intelligence assets in the 1970s Soviet Union.
'Ponies' merges comedy with a gritty spy story in TV dramedy
The Peacock series “Ponies” starring Emilia Clarke and Haley Lu Richardson blends comedy and drama as widows of CIA operatives become intelligence assets in the 1970s Soviet Union | KMBZ
'Ponies' merges comedy with a gritty spy story in TV dramedy
The Peacock series “Ponies” starring Emilia Clarke and Haley Lu Richardson blends comedy and drama as widows of CIA operatives become intelligence assets in the 1970s Soviet Union. Despite its
What Does the Alien’s Message Mean in 'Disclosure Day'? All About the End of Steven Spielberg’s New Movie
'Disclosure Day,' starring Emily Blunt and Josh O'Connor, premiered in theaters June 12. Here's the end of Steven Spielberg's new movie explained.
“Lioness” returns with explosive season 3 trailer: 'I'm scared for you'
The Taylor Sheridan series, starring Zoe Saldaña and Nicole Kidman, is back Aug. 2 on Paramount+.
'Project Hail Mary' Returns Atop Weekly U.K. Home Entertainment Sales Chart Through June 10
Amazon MGM Studios’ former chart topper Project Hail Mary, starring Ryan Gosling as a lone astronaut on a mission to save humanity, returned to No. 1 from No. 2 the previous week in its fourth week on the weekly Official Film Chart — the U.K. home entertainment sales chart. Last week’s No. 1, Universal’s The Super … Continue reading "‘Project Hail Mary’ Returns Atop Weekly U.K. Home Entertainment Sales Chart Through June 10"
Deadline Hollywood
Bleecker Street and LD Entertainment are teaming on U.S. rights for 'A Talent for Murder' starring Helen Mirren, Alden Ehrenreich and Olivia Cooke. Read more below.
Helen Mirren's 'A Talent for Murder' Acquired by Bleecker, LD Entertainment
Bleecker Street and LD Entertainment acquired U.S. rights to "A Talent for Murder," starring Helen Mirren, Alden Ehrenreich and Olivia Cooke.
Ray Romano was ‘stiff’ in “Everybody Loves Raymond” season 1, felt nervous after getting fired from “NewsRadio”
Starring in his own show was "a little terrifying," the comedian recently admitted.
Alexa Demie reveals how she felt about Barbie Ferreira leaving 'Euphoria' after season 2
'Euphoria' star Alexa Demie has revealed how she really felt about Barbie Ferreira's shocking exit after season 2, ahead of the heavily criticized final season of the Zendaya-starring show.
We Interrupt This Knicks Victory for a Political Ad Starring Mamdani
Mayor Zohran Mamdani lent his political star power to an unusual TV ad promoting three Democrats running for House seats in New York City.
'The Super Mario Galaxy Movie' Remains Atop U.K. Home Entertainment Sales Chart Through June 3
Universal’s The Super Mario Galaxy Movie remained No. 1 on the weekly Official Film Chart — the U.K. home entertainment sales chart — through June 3 due to digital transactions. Amazon MGM Studios’ former chart topper Project Hail Mary, starring Ryan Gosling as a lone astronaut on a mission to save humanity, remained at No. … Continue reading "‘The Super Mario Galaxy Movie’ Remains Atop U.K. Home Entertainment Sales Chart Through June 3"
'Grangeville' review: Samuel D. Hunter play grapples with fraught past
The Idaho-set play has its West Coast premiere at Ruskin Group Theatre in a production directed by John Perrin Flynn and starring Tim Cummings and Jeff LeBeau.
Kratos is Out, Faye is In: God of War Laufey Creators Explain Why Kratos' Wife is the New Star
The biggest news to come out of PlayStation's State of Play wasn't just that there was a new God of War game, but that Kratos was sitting this one out and his wife, Faye, was taking the starring role.
God Of War Prequel Starring Faye Announced At State Of Play
The prequel game follows Kratos’ wife, whose death spurred on the events of the 2018 reboot
Exploring the Science Behind Pressure
The feature film Pressure, starring Andrew Scott as James Stagg and Brendan Fraser as General Dwight D. Eisenhower, opens today. It tells the story of Stagg, the UK Met Office meteorologist who served…
Shark Week Staple Anomaly Entertainment Acquired by Wheelhouse
Anomaly is currently producing 'KPop Shark Heroes' starring Ken Jeong and 'KPop Demon Hunters' star Rei Ami.
'The Super Mario Galaxy Movie' Leaps Atop Weekly U.K. Home Entertainment Sales Chart Through May 27
Universal/Illumination’s The Super Mario Galaxy Movie, the top-grossing box office release ($983.7 million) thus far in 2026, jumped atop the Official Film Chart, the weekly U.K. home entertainment sales chart, through May 27. Amazon MGM Studios’ sci-fi adventure Project Hail Mary, starring Ryan Gosling, dropped to No. 2 in its second week on the chart, followed … Continue reading "‘The Super Mario Galaxy Movie’ Leaps Atop Weekly U.K. Home Entertainment Sales Chart Through May 27"
'The Super Mario Galaxy Movie' Leaps Atop Weekly U.K. Home Entertainment Sales Chart Through May 27
Universal/Illumination’s The Super Mario Galaxy Movie, the top-grossing box office release ($983.7 million) thus far in 2026, jumped atop the Official Film Chart, the weekly U.K. home entertainment sales chart, through May 27. Amazon MGM Studios’ sci-fi adventure Project Hail Mary, starring Ryan Gosling, dropped to No. 2 in its second week on the chart, followed … Continue reading "‘The Super Mario Galaxy Movie’ Leaps Atop Weekly U.K. Home Entertainment Sales Chart Through May 27"
Netflix Removing Drama Series Starring Jason Segel, Andre 3000
Only one season of the show was created.
Chase Travel plays a starring role when entertainment clients seek VIP treatment
Chase Travel Entertainment Solutions specializes in high-stakes, customized and discreet travel arrangements for A-list celebrities and entertainment clients, leveraging its scale and focus for growth in the entertainment sector.
Iko Uwais, Joe Taslim Head K-Movie Entertainment’s Indonesian Action Slate at Cannes Market (EXCLUSIVE)
K-Movie Entertainment is at the Cannes Film Market with a focused Indonesian action slate, led by “Pendekar: Warrior” starring Iko Uwais and an Indonesian-language remake of the Korean hit “The Man Fr...
Jane Schoenbrun's queer slasher movie 'Teenage Sex and Death at Camp Miasma' jolts Cannes
A bold, bloody queer slasher film starring Hannah Einbinder and Gillian Anderson gave the Cannes Film Festival a gonzo jolt | Talk 1370
Chartbook 449: Voldemort on Threadneedle street. The Bank of England and the "haunted house" of English politics.
Imagine the scene: In some Harry Potter version of 21st-century London, a group of deathless UK Treasury officials gathered from across the last century huddle over warm pints and glasses of Chardonnay. Around the table there are officials from the 1920s, the 1930s, the 1970s, 2022 and today. Inevitably, in May 2026, the subject of conversation is the disintegration of the current Labour government. Despite its huge majority in parliament, it has been reduced to tatters by catastrophic local election result. These exposed the fact that rather than having a government with a clear popular majority, the UK is like most other modern societies divided into 5 segments each of which commands between 26 and 16 percent of the vote. Perhaps unsurprisingly, the leadership at Nos 10 and 11 Downing Street - where the Prime Minister and the Chancellor (Treasury Secretary) work - seem paralyzed. They are caught between mounting discontent over unfairness and the cost of living, and tough fiscal strictures that push them into making unpopular spending decisions. In the London pub, the Treasury officials from across the ages, can barely hide their satisfaction at the latest display of democratic politics caught in the vice-grip of financial logic. “Remember the mur d’argent and the banker’s ramp?” “Just like yesterday!” There are smirks around the table. Then the representative of 2026 pipes up: “One thing you have to say about the current lot (referring to the latest hapless Labour government), you don’t have to teach them about the bond market!” There is a murmur of ascent from the Treasury Mandarins. The trauma of the fiscal crisis of September-October 2022 sits deep. Back then, in the final stages of Tory decay, a ‘mini budget’ that challenged fiscal orthodoxy led to a brief but fierce panic in one of the oldest government bond markets in the world (aka gilt market). Now all you have to do is to mention the “bond market” to hush debate. [ Paul Mason@paulmasonnews In the name of public service, and as ex-economics editor of BBC Newsnight, I offer to do a zoom call, tonight, with any Labour MP who wants to understand why bond markets do not "fall into line" with governments. 1/ 3:57 PM · May 12, 2026 · 466K Views 224 Replies · 674 Reposts · 3.93K Likes ](https://x.com/paulmasonnews/status/2054229532404519082?s=20) “And the funny thing is”, the young man in the huddle continues, “they don’t even want to talk about … ”. There is a sudden hush. Significant looks are exchanged around the table. About? One of the senior figures puts down his glass with a decisive “clink”. He-Who-Must-Not-Be-Named has entered their thoughts. Meanwhile, a few miles away in a grubby pub in Bloomsbury, two conspirators from the camp of Critical Macrofinance huddle over cans of low-alcohol IPA. They look at each other and blurt out loud: “The Bank!” “Everyone in the bloody Labour party is talking about the bond market. But why aren’t they even mentioning … the Bank of England!?” “Why is no one talking about Voldemort?” In Paul Mason’s blogpost, after much chest-thumping about basic fiscal logic, the basic point about the Bank of England is buried in the fine print at #3 in his list of suggestions as to what a radical Labour government might actually be able to do! [ Conflict & Democracy Down with the bond market! Down with gravity! It may seem unfair to focus on Labour MP Paula Barker for her off-the-cuff assertion that the bond market would have to “fall in line” with Andy Burnham, should he replace Keir Starmer as prime minister. But Burnham himself told the New Statesman that Labour had to “get beyond this thing of being in hock to the bond markets… Read more 2 days ago · 100 likes · 3 comments · Paul Mason ](https://htsf.substack.com/p/down-with-the-bond-market-down-with?utm_source=substack&utm_campaign=post_embed&utm_medium=web) Back in Bloomsbury they shake their heads and ask: “Didn’t we learn anything from the Eurozone crisis?” Meanwhile, as if summoned to the conversation by some higher force, the “pink pages” announce: “The days of ultra-cheap government borrowing have come to an end” and Martin “Whizzard” Wolf publishes the graph of the season Look at the UK in 2026, perilously positioned on the upper edge of the pack. No wonder no one in London needs any lessons about the “bond market”. But, look again. Imagine how they feel in Rome. What is London’s nightmare in 2026? The nightmare is that you end up like Italy in the early 2010s during the Eurozone crisis. Once comfortably situated in the middle of the pack, watching with horror as your ten-year yields explode to 7 percent and “spreads” become a national nightmare. One of the largest economies in Europe, a founding member of the euro, stigmatized. But the message of the Italian experience is ambiguous. After all, the stigma didn’t last. In 2026, Italy borrows at rates lower not only than the UK but the US. The US, which, as everyone knows, enjoys the “exorbitant privilege” of being the issuer of reserve, safe asets. What kind of magic is this? How did Italy, in the space of fifteen years, go from being good, to bad and back again? Which brings us back to our dissident friends in their Bloombury boozer and their memories of the Eurozone crisis. Italy never was Britain - with its ongoing fiscal deficits. Without interest payments, on primary balance, from 2000 to 2020 Italy ran a tight fiscal ship. Even in 2008 it barely went into deficit and when it was being put on the rack in the early 20210s its primary surplus matched that of austere Germany. So, what happened? How did it end up stigmatized? Of course Italian politics didn’t help. Berlusconi was at the helm and he had legal issues. But amongst friends in the Bloomsbury pub, Berlusconi is a sideshow, the name we whisper to each other is “Trichet”. From 2004 to 2011 the ECB was headed by Jean-Claude Trichet, ex of the French Treasury, more German than the Germans. After 2009 as the news of the Greek fiscal disaster broke, the European bond markets wento into panic mode and Trichet began a brutal game of cat and mouse. Between 2009 and 2011, Trichet intervened in the bond market to help, only when he thought he had compliance with austerity. When he thought they were uncooperative, he withdrew. In the summer of 2011, he even made direct suggestions to his Italian counterparts in Rome, as to how Italy should be governed. It was this cat and mouse game that drove the bond markets crazy and exposed Italy to a violent squeeze. When Mario Draghi took over the ECB at the end of 2011 and declared “whatever it takes”, the pressure on Italy, gradually eased. It is that starring role that has made Draghi into the towering figure in European politics that he remains today. So now you see why voices in London hush when it comes to the Bank of England. “The bond market” isn’t an irresistible objective force like the weather or an avalanche. It can appear like that. But that depends on the way it is being handled, or not handled by the central bank. Which is why the silence about the Bank of England in London right now is so significant. If you think this all sounds a bit fishy, coming from a left-liberal Keynesian like myself, well, let me introduce you to Robin Brooks, who, to put it mildly, plays on a different quidditch team to me. Here, from the position of a fiscal hawk is Robin’s celebratory account of the Bank of England’s role since 2022; In October 2022, at the height of the bond market blow-up in the UK, something incredible happened. Governor Andrew Bailey told British pension funds the Bank of England would end its support program for the country’s fragile gilt market, drawing a line under how much help the central bank was willing to give to exposed pension funds and - implicitly - the government. By the end of that week, Kwasi Kwarteng - the finance minister - had resigned. Prime Minister Liz Truss would soon follow. This episode is so incredible because it contrasts with what happened in the Euro zone earlier that year. Bond markets in Spain and Italy were under pressure amid high inflation and rising interest rates. In the middle of this, Mario Draghi - Italy’s Prime Minister - resigned, compounding pressure on bond markets of high-debt countries on the Euro periphery. Unlike the Bank of England, the ECB caved. It bought Italian and Spanish government bonds in an effort to cap yields and introduced a new tool that signaled to markets it might do such caps more frequently going forward. Faced with pressure on bond markets, the ECB capitulated to political pressure from high-debt countries like Italy and Spain. The Bank of England stood its ground and toppled the Truss government. This kind of thing has long-lasting consequences. It means markets price a higher probability of yield caps in the Euro zone, which keeps Italian and Spanish yields artificially low, while markets feel free to push up UK yields without fear of central bank intervention. As I flagged in yesterday’s post, this means you really can’t compare UK yields to those of other high-debt countries. The UK looks worse, but only because its central bank isn’t interfering with markets. There’s more to this than just that 2022 episode. The Bank of England has also been much more aggressive in its quantitative tightening (QT) than other central banks. If one motivation for quantitative easing (QE) is to lower bond yields - especially longer-dated ones - then it stands to reason QT pushes yields up. The left chart above shows a four-quarter moving average of UK government debt issuance (black line) in percent of GDP and which sectors absorb this issuance, including the Bank of England (blue bars). The right chart above compares the Bank of England’s accumulation or run-off of government bonds (blue line) with that of other central banks, where this blue line is the same as the blue bars in the left chart. The Bank of England was quicker and more aggressive than other central banks in downsizing its bond holdings, so UK yields will have risen more than elsewhere also for this reason, not just because of Governor Andrew Bailey’s remarks in October 2022. Back in October 2025, after a conversation in New York with friends in British politics, my sense of dysphoria was such that I raised the issue of the Bank of England openly in the FT Since 2008, the UK has slid into a deep economic and political predicament. Growth has stagnated to a degree far worse even than in the 1970s. The Tory leadership’s wager on the Brexit referendum spectacularly backfired, leaving the UK isolated from Europe and at the mercy of its special relationship with the US, many of whose political class regard the UK as a basket case. After years of austerity, the Labour party lurched to the left and then back to the centre. The Tory party has been eclipsed by the populist nationalism of Reform. Any British government should be worrying first and foremost about how to restart growth. Instead, Keir Starmer is beset by shades of the gilt market panic triggered by the Liz Truss government in 2022. The debt level is higher than in recent years, but there is no cause for panic. UK debt is at far from critical levels and of long duration. Whether you want to “take back control” or launch progressive economic policy, a democracy dogged by fear of bond market vigilantes is unhealthy. In a country that is a monetary sovereign, this climate points to one thing: a disconnect between the government and the central bank. Since 1997, the independence of the Bank of England has become a sacred cow. But independence is what you make of it. And in the wake of the gilt market crisis of September 2022, relations between the Bank of England and the UK government need a reset. In normal times, there is no doubt that an inflation-targeting independent central bank can serve a country well. But since 2008, the UK and other advanced economies have not had the luxury of such simple problems. To their credit, central bankers around the world have not stood on orthodoxy. After 2008, the US Federal Reserve rescued the global banking system and, through quantitative easing, it stabilised the Treasury market in the face of huge deficits. In Europe, things were trickier. Both the Bank of England under Mervyn King and Jean-Claude Trichet’s European Central Bank played cat and mouse with national governments. This was a high stakes wager that between 2010 and 2012 escalated bond market tension and triggered a disastrous turn to austerity. Shaken by the impact of those shocks, their successors, Mark Carney and Mario Draghi adopted a more protective stance (assuming you were not the government of Greece). Recall that Draghi’s legendary slogan, “Whatever it takes”, was uttered to face down the City of London’s bond vigilantes. In 2015, Draghi launched QE — financial repression by another name. In 2016, Carney used the authority of the Bank of England to stabilise markets following the vote for Brexit, an exemplary demonstration of how central banks can underpin democratic choice, even when those choices are wrong headed. All these were independent central bankers steeped in the best practice of the 1990s, who recognised that historic crises demanded radical action. It was the price surge of 2021-2023 that poisoned the atmosphere. Though the shock came mainly from the supply side, central banks ended up in the dock. Nowhere more so than in the UK. The Bank of England reacted with aggressive normalisation. Faced with a cost of living crisis, the governor called for workers to accept real wage cuts. In early 2022, as gas prices were at record levels and Russia’s army was poised to invade Ukraine, the Bank adopted a stringent programme of quantitative tightening, elevating interest rates. When the Truss government got itself in trouble, the Bank took almost a week to come to the rescue. Rather than enacting a charade of normality, it is time to recognise that in 2025 the UK faces a period of historic transition. To meet this challenge, what is needed is a new concordat with the Bank. This should not ignore inflationary pressures or the long-run trajectory of debt, but should affirm the priority of reviving investment-led growth. One could follow Donald Trump in demanding interest rate cuts. The Bank could shadow the ECB in its commitment to capping Eurozone yields. But the top priority should be to lay the ghost of September 2022. The Bank’s slowing of QT last month was a concession. An immediate and complete end would send the right signal. Such a concordat will not by itself restore sanity to politics, solve the housing problem or rebuild the NHS. But it would help to lift the fear of bond market crisis, which is paralysing the effort by democratic politicians to answer the fundamental questions facing the nation. Now, that call for a new concordat between government and Bank of Englands seems more urgent than ever. The problem is that in October 2025, Starmer still had some authority. Today the government is in tatters. And when you are the “under the harrow” - to echo a phrase of Montagu Norman’s from the 1920s - it is the worst possible time to consider institutional change. To make general arguments at a time of crisis can only seem like special pleading rather than a general argument for long-term change. The same, unfortunately, is also true for the other basic institutional reform that Britain urgently needs i.e. the abolition of the out-dated first past the post electoral system and its replacement by a moderated form of proportional representation. And thirdly - whilst we are saying the quiet parts out loud - Britain needs to reopen the question of EU membership. What the local election results of 2026 show is that this remains a key issue. And what they also show is that there is a clear majority that would favor a return. Until these basic features of Britain’s political economy are addressed the country will carry on its politics as though in a haunted house, governed by governments that lack actual majorities, conjuring up false constraints whilst ignoring the real ones. This one is for DG and MI. I love writing the newsletter. If you enjoy it too and fancy buying me a coffee once a month, you know what to do. Click below! Subscribe
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