SCROLL NEWS / DISCOVERY
Search headlines
Find the stories shaping the conversation.
Results for " producer " 625 found 🔀 AI-powered Shuffle
A veteran political reporter shares the lessons she learned hearing from swing voters
As a political correspondent, NPR's Ashley Lopez regularly speaks to voters about their worries, and their dreams. But finding swing voters in swing states — the people who can decide elections — can be a difficult assignment. For this week’s Reporter’s Notebook, Lopez talks about her larger takeaways from working on NPR’s Swing Voter Project. This episode was produced by Kai McNamee.It was edited by Ben Swasey and Adam Raney.Our interim executive producer is Courtney Dorning.Support public media with NPR+ and enjoy perks for over 25 podcasts like this one. This show’s perks include bonus episodes and sponsor-free listening. Learn more at plus.npr.org.
Jaafar Jackson says sequel will tell Michael Jackson's story from his point of view
Jaafar Jackson says a sequel to the biopic "Michael" will tell Michael Jackson's story from his point of view, as producers and the estate weigh how to address past controversies.
Apple TV's 'Acapulco,' Andy Garcia Lead Winners and Honorees at '41st Annual Imagen Awards' Celebrating Latino Entertainment
Andy Garcia recieving the Lifetime Achievement Award from the Imagen Foundation Acclaimed actor, filmmaker, producer, and musician Andy Garcia received the Imagen Foundation's Lifetime Achievement Award, recognizing his four-decade career, groundbreaking storytelling, and longstanding commitment to Latino representation. Actor Danny Pino presented him with his award. Following the presentation, Garcia and The CineSon All Stars took the stage for a special performance, joined by Grammy Award-winn
One:eight Entertainment Launches Publishing Division, Signs Producers Kyle Lee & Ryan Rich
Artist development company one:eight entertainment has launched a new publishing division led [...]
Scientists explore large-scale geoengineering to slow glacier melt
Learn how scientists are attempting to reverse glacial melt through intervention
Wood’s research advances fertility understanding
Wood's team studies embryo development, nutrition impacts and lab techniques to help producers achieve better reproductive outcomes.
After ‘Burlesque the Musical’ Cancels More Performances, ATG Entertainment Says Show Must Go On
Following four more canceled performances of the touring production of “Burlesque the Musical” this week, partner ATG Entertainment has said it is “working closely” with producers of the beleaguered m...
ATG Entertainment Says ‘Burlesque the Musical’ Will Continue After Canceled Performances
ATG Entertainment is 'working closely' with 'Burlesque the Musical' producers to ensure the show will go on.
Eva Longoria shares her daily routine and work-life balance
Actor, producer, and entrepreneur Eva Longoria balances her career with motherhood by managing a media company and engaging in film work.
COOL vs growing the business
Contrasting emails highlight the ongoing COOL controversy while beef industry experiences record demand and producer prosperity without mandates.
The Sidemen & NFTS Team To Train New Unscripted Producers In UK
Sidemen Entertainment has teamed with the National Film and Television School to find the next generation of unscripted producers in the UK.
Clifton producer of cookies, breads finds buyer. What it means
The Clifton-based bread and cookie wholesale producer Jimmy’s Gourmet Bakery is being bought by Rise Baking Co.
Locarno Winner ‘Forgotten Spaceman’ Adds Khan & Kumar Media, Prism Entertainment as Executive Producers Ahead of Toronto Bow (EXCLUSIVE)
“Forgotten Spaceman,” the documentary short by BAFTA-nominated filmmaker Elham Ehsas that won the Leopard of Tomorrow (International Competition) award at Locarno’s Junior Jury Awards, has added Khan ...
Locarno Winner 'Forgotten Spaceman' Adds EPs Ahead of Toronto Bow
Elham Ehsas documentary about Afghanistan's first astronaut adds Khan & Kumar Media, Prism Entertainment as executive producers.
Review: In ‘Lanterns,’ the superheroes soar through a grounded detective story
For all their vaunted power, superheroes are at the mercy of the people who write them, draw them, play them on the screen, and by extension the producers and executives
Octavia Spencer Talks Giving 'Visibility' to Missing Indigenous Women
The narrator and executive producer of the ID series talks about the "duty" she feels to amplify the stories of missing and murdered native women and the current efforts toward seeking justice.
WORLDWIDE WEDNESDAYS: The Rise of A.I. Entertainment
NewsChannel 7’s Alyssa Dutton and Emmett Rice sit down with Producer Evan Bendall to discuss the rise of A.I. entertainment
Scientists say U.S. will suffer if White House bars science with China
A proposed Office of Management and Budget rule will ban all research funding for U.S. science collaboration with China, which has surpassed the U.S. as the world’s top investor and producer of science and engineering research and development.
50 Cent to executive produce 'Payday' TV series
50 Cent is cashing in on Payday.The rapper/producer has boarded the TV adaptation of the popular first-person shooter video game series. He’ll executive produce under his G-Unit Film & Television prod...
Pork producer sees value in AgView health data tracking
Disease prevention remains a key focus for a Michigan pork producer. Joe Dykhuis says he utilizes AgView to make decisions that support herd health and reduce disease spread. “As a producer using AgView, I have already loaded into that system all the locations I have pigs on. We put in any time we move pigs […]
Positive outlook for cattle business as summer business meeting concludes
With optimism for the cattle business remaining strong, nearly 700 cattle producers from across the country gathered in Colorado, for the Cattle Industry Summer Business Meeting.
PA Pork names new inaugural Penn State Sports Nutrition Fellow
Chritz will work closely with Penn State Sports Nutrition while serving as a nutrition ambassador for Pennsylvania Pork Producers Council.
Chartbook 464 The"China squeeze" - the politics of development counterfactuals.
There are three types of China shock discourse. Each has a distinct temporal register. China shock 1.0 was a phrase coined by US academics in the 2010s to retrospectively summarize the impact on particular US labour markets, which they identified through painstaking empirical investigation. China shock 2.0 on everyone’s lips in Europe in the mid 2020s is an alarm raised by trans-Atlantic policy thinkers warning of a coming disaster which they project onto Europe’s ailing car industry. The third type of China shock discourse - commonly known as the “China squeeze” launched most recently by Indian economists Shoumitro Chatterjee and Arvind Subramanian in the pages of Foreign Affairs - mobilizes a different, more speculative temporal register: the counterfactual realm of alternate history. The China squeeze argument asks not what has happened, or what is going to happen, but what might have been. Specifically, what options for economic development might have been open to Global South economies like India or the economies of sub-Saharan Africa, had it not been for China’s spectacular industrialization since the late 1990s and the persistent competitiveness of China’s manufacture in low-skilled segments. Chatterjee and Subramanian’s argument is that whilst China has built a powerful position in electrical machinery and other high-skill manufacturing, which is now delivering China Shock 2.0, it also continues to run a trade surplus in low-skill, labour-intensive manufacturing. This surplus is large and has remained largely unchanged in fifteen years. Indeed, in the 2010s, in trade with low-income countries, China’s surplus rapidly increased. On their reading, this squeezes low-income producers in low-skill sectors in which they “should” be able to compete. Source: “China’s Mercantilist Squeeze on Developing Countries” Shoumitro Chatterjee and Arvind Subramanian. Peterson Institute for International Economics 26-7 May 2026 Chatterjee and Subramanian’s wording is telling: (emphasis mine) The canonical trajectory of economic development in the post-World War II period is for countries to transition from agriculture to manufacturing, first in low-skilled manufacturing and then later on to high-skill manufacturing (Herrendorf, Rogerson, and Valentinyi 2013). At the global level, this implies that high-income countries (HICs) that once specialized in low-skilled activities cede manufacturing export space to poorer countries that come along to occupy that space. In 1965, advanced economies accounted for about 60 percent of global value-added exports in four key low-skilled manufacturing sectors, i.e., apparel, leather, textiles, and footwear. Over time this share declined and began to be occupied first by the East Asian tigers and, beginning in the late 1990s, by China. Today China accounts for about 50 percent of the global market. The question is whether China, with its rising prosperity, is continuing to behave like its richer counterparts and ceding export space to poorer followers or to behave unlike them and continuing to occupy space. In terms of the conceptual maneuvers it performs, of the three China shock discourses, the “China squeeze” argument is by far the most ambitious. After all, it bases its critique of China on a counterfactual imagining of the world. Like any counterfactual argument, to construct this alternative reality it must rely on a heuristic model. To make their argument Chatterjee and Subramanian mobilize two key claims. The first reference point is the actual history of rich-country industrialization, what they refer to as the “canonical path”. The idea is that countries transition from agriculture to light industry and low-skilled manufacturing and from there up the value chain. To make this useful as a standard of comparison and a means to construct a normative standard, they adjust sectoral export shares for two factors: 1. the underlying level of economic development of the exporting country, as measured by national income and 2. the degree to which the sector in question is internationalized. The idea being that for a high income country to have a high export share in low-skill sectors is anomalous and even more so if that particular product is highly internationalized and thus suitable for being “conceded” to lower-income competitors. Where should this process end? Here Chatterjee and Subramanian introduce their second benchmark. Their normative idea of a global development path is one in which, in due course, low-skill manufacturing exports are distributed in proportion to a country’s share in the global labour force. They imagine, in other words, a world of proportional, polycentric global development without much national specialization in low-skill manufacturing. A useful benchmark is that, in labor-intensive manufacturing sectors, a country’s share of world exports should be broadly commensurate with its share of the world’s low-skilled labor endowment. … In the Heckscher-Ohlin model, this would be true if value added per worker and export propensities, i.e., fraction of output that is exported, are the same across countries. It is this pleasant liberal vista of orderly global development, progressing towards a general distribution of low-skilled manufacturing against which they judge reality and conclude that the low-income countries are suffering a “China squeeze”. China is not exiting low-skill sectors fast enough Allowing for its gdp level and the degree of globalization, China’s share of low-skill manufacturing exports is far higher than it “should” be. Relative to population, its low-skill share of exports is far too high. That in turn yields the conclusion that huge numbers of jobs - the authors suggest tens of millions - are being hoarded by China. For the four sectors captured in figure 4, this excess in value-added exports is $110 billion in 2022. For all low-skilled sectors overall captured in appendix figure D.1, excess value-added exports amount to $365 billion. The crowding out of LMIC exports by China is therefore substantial. Both these claims have in common that they are strong structuralisms. The first is that development paths ought to resemble each other. The second is that broadly speaking as far as low-skilled manufacturing is concerned, all countries are alike. If the world currently diverges from the distribution of trade implied by these assumptions, if China is not following the advanced economy path and has huge exports, this must be the result of “policy”, which the authors then put in question as illegitimate or unfair. Thus the naturalistic construction of a canonical path leading to a “level” distribution of low-skilled manufacturing reveals itself to be a polemical tool. From the point of view of China shock polemics, this discourse is no doubt welcome. But as an account of economic history, it must surely be regarded as nothing short of bamboozling. Development paths do not follow a regular, natural sequence. As David Fishman put it aptly, “development is not a queue”. They are always and everywhere, through and through political. Development is not so much a process, as a project. Each such project is more or less well adjusted to its context. As Gerschenkron taught uneven and combined development implies differentiation rather than simple imitation on a single parth. It may be true that Europe and the US exited relatively early from low-skill work. But clearly technology has changed. As C&S themselves point out, China no longer enjoys a low wage environment. Do they really believe that such huge differences can be accounted for either by industrial policy, which as they admit does not operate powerfully in low-skill sectors, or by exchange rate manipulation? What is overwhelmingly dominant in explaining the persistence of “low-skill” manufacturing in China are surely the network effects of complex supply chains. Indeed the label of “low-skill” may miss the point. The degree of globalization which Chatterjee and Subramanian decide to conjure away in their model of the development path - to allow for the fact that Europe and American textiles exporters did not enjoy just-in-time logistics in the 1950s - obscures the point that the networks through which Chinese factories supply the world are themselves key parts of the low-skill industrialization project. China isn’t knocking out 1970s style “cheap”. It has redefined the entire product cycle. C&S’s casual reference to “T-shirts” is telling. In today’s “fast fashion”, there is weight on both terms. Fashion and fast. China’s success in delivering on both at unprecedentedly high speed and at unprecedentedly low cost, isn’t a low-skill operation at all. If we see development trajectories not as the serial repetition of the same, but as distinctive, crafted projects that cumulate in complex agglomerations of skill, technology and labor, then this explains why the assumption that low-skilled manufacturing should follow the distribution of population flies in the face of all experience. As countless cases attest, low-wage, low-income developed economies are not by themselves the makings of a competitive production base. As Leon Liao puts it quite fairly: “International trade has never been allocated according to population. A country’s population gives it no natural claim to an equivalent share of global exports." And the remarkable fact is that Subramanian alone and with co-authors has long been making this point, not to pillory China, as is the case of the tendentious _Foreign Affair_s and Peterson pieces, but to highlight the great counterpart to China’s industrial success, namely India’s relative failure. The much-quoted Foreign Affairs piece showed low-skill export shares only for China, not for India. If you put both countries in the picture as Chaterjee and Subramanian have done on other occasions, the picture looks like this. China is far above the line, but India, almost as large in terms of population, is no less anomalous, just in the opposite direction. As far as global populations are concerned, and the imagining of tens of millions of “squeezed” jobs, it is this Sino-Indian pair that account for a huge share of the action. What this graph reveals is not China’s cheating, but India’s “greatest development failure”, at least this is the argument made Arvind Subramanian, this time in co-authorship with Devesh Kapur, in their major book, A Sixth of Humanity. Independent India’s Development Odyssey which appeared with Oxford University Press earlier this year. In this highly critical work on India’s development, China is repeatedly evoked, not to criticize but as a benchmark against which to illuminate what India’s political economy has not delivered i.e. large-scale formal employment for hundreds of millions of citizens. Kapur and Subramanian leave no doubt, if you want to understand why China, not India was the main driver of manufacturing globalization from the 1980s, don’t look to slots opening up in the division of labour thanks to the liberal mindedness of advanced economies, look to the contrasting political economy of the Maoist PRC and India’s post-independence political economy. As Kapur and Subramian note: The great divergence between China and India did not begin in 1978 with the Deng reforms—it was well underway by then. In one of the great ironies of modern history, the conditions created by Maoism turned out to be a great launching pad for industrial globalization. As the comparison of India and China in 1980 makes clear, to imagine manufacturing would be equally distributed when populations are so differently endowed in terms of educational and nutritional is fanciful. Here is the data from Kapur and Subramanian, data which I explored back at the very beginning of Chartbook. As Kapur and Subramanian insist, the striking fact is that even as India’s growth accelerated from the 1980s, structural change has not. Formal employment in India lags woefully behind. Why? As Kapur and Subramanian note, the path-dependent impact of India’s poor early start was devastating. The list of factors they mention is long and weighty: We argue for a new five-fold explanation applicable at different stages of Indian history: in the initial stages, the legacy of two key pre-1980s policies, the neglect of agriculture and the strangling of the domestic private sector, were critical. The failure of broad-based agricultural growth militated against rural industrialization, which would have been devoted to satisfying local needs that would have necessarily been labour intensive. Then, when the boom came after 1980, the thicket of regulation and broader labour protections that were legislated prematurely in a nascent democracy, underpinned by a deep ideological aversion to private capital in general and big capital specifically, became a barrier to attaining the size that would be necessary to compete globally. Similarly, the reforms after 1991, while wide-ranging, did not quite encompass non-tradeable inputs critical to manufacturing, namely, land, logistics infrastructure and power. A combination of low investment (logistics infrastructure), regulation (land) and the continued monopoly supply by state governments (power), combined with residual socialism, kept costs at 75–100 per cent above efficient supply. These factors were compounded on the supply side by the government, which dominated the formal labour market and established exorbitantly high wages at the lower end of the skill spectrum. This made their employment in the labour-intensive sector by the private sector less attractive. Finally, when the services sector and its exports boomed, wages soared even further via a Dutch Disease effect: one successful tradeable sector killed and cannibalized another less-skilled tradable sector, namely, manufacturing. Thus, scarcity-inducing policies of the planning era, precocious democracy and a Gandhian aversion to size; inefficient, monopolistic supply of critical non-tradable inputs; the behemoth of government; and super-successful skill-intensive services successively undermined India’s unskilled labour employment opportunities. The employment failure seems to have been over-determined. … Less quantifiable but no less important are some of the sociological factors that have undermined manufacturing and factory jobs. Take the impact of the success of the IT sector—located in urban areas with better working conditions, such as air-conditioned offices, good schools for children and attractive entertainment options. It became a more attractive place for engineering and management graduates to flock to. … Consider manufacturing and female employment. Indian society makes it difficult for women to work, reflected in India’s unusually low female labour force participation (elaborated in Chapter XIII). Indian society, in particular the routine harassment of women in public spaces, makes it even more difficult for them to travel long distances to take up work.37 Combined with onerous regulations on creating hostels and dormitories for women—which, in turn, prevents multiple shifts of operation—factories need to be located in areas with a large female labour pool. While firms can take apparel plants to female labour or bring them to the plants by building large-scale dormitories, this raises costs. If there was a case for subsidies to encourage labour-intensive manufacturing, housing subsidies to build dormitories for women workers would be a good place to start. All of this meant, that when opportunities did open up, in part thanks to adjustments in China, India was in no position to take advantage. Here is the account of the 2020s from Kapur and Subramanian. It stands in dizzying contrast to the one-sided, “China squeeze” argument delivered in the Peterson and Foreign Affairs pieces: In 2022, for example, India’s share of global exports in clothing (the canonical labour-intensive sector) was 3.1 per cent compared to 32 per cent for China. This is extremely disappointing because China started vacating export space in this sector after the Global Financial Crisis as its wages started rising; it then vacated further space in the aftermath of geopolitical developments that led investors to seek alternative investment locations. Between its peak and today, China lost about 7.5 percentage points of global export share (worth about $43 billion in 2022); over this period, India’s export share remained stagnant at 3 per cent, while that of Vietnam and Bangladesh rose by 3.5 to 4 percentage points. China’s loss did not translate into any gain for India in terms of low-skill exports and employment. Put differently, when the conditions for dynamism and prosperity were established after 1991, and even more tantalizingly when the global export opportunities opened up, it was as if India was a high-wage economy and only skilled labour could benefit from the dynamism. It had converted its physically abundant unskilled workforce into an economically expensive resource, penalizing its use. It is not my mission here to argue for or against Kapur and Subramanian’s interpretation of India’s development trajectory. The point in this context is simply that the “China squeeze” such as it is can only be understood, in relation to the heavy burden of domestic constraints that Kapur and Subramanian so unsparingly enumerate. I am concentrating here on India because it is the great counterpart to China and the unspoken reference point of the “China squeeze” discourse. But the point is more general. Can anyone with a straight face suggest that the main problems afflicting the development of South Africa or Nigeria, the great centers of mass underemployment in sub-saharan Africa, are cheap competition from China driven by Beijing’s industrial policy and an undervalued RMB? Likewise, is the main problem of the American working-class the threat of Chinese competition or the manifest crisis of social reproduction in the United States itself? The point here, as in the discourse around China shock 2.0 in Europe, is to insist that we should not normalize the world and pathologize China, without actually investigating what is going on in America’s industrial wastelands, the German car industry, or India’s lopsided labour market. One-sided pathologization should be understood for what it is, a polemical gesture. Concepts like China shock and China squeeze are, what Reinhart Koselleck, following Carl Schmitt, would have described as “asymmetrische Kampfbegriffe”, or “asymmetrical counter-concepts” or “asymmetrical combat concepts”. If the function of arguments like the “China squeeze” is to alert elites in the rest of the world of the need to rejuvenate and energize their development projects, so be it. But let us see the resulting discourses as the mobilizing interventions that they are. Interestingly, a significant slice of China’s public sphere - the so-called industrial party - have been obsessed for the last twenty years with precisely these questions of counterfactual economic history. Since the mid 2000s, a massive online discourse developed around an alternative history in which Chinese techno-patriots were asked to imagine how they would proceed if they had the possibility of traveling back in time to transport modern technology into the Ming dynasty (1368-1644) thus averting the “great divergence” of the 18th and 19th centuries. It is a fantasy of course, but also a goad. The point was not directed at Westerners. The alternate history is dramatically nationalist, but few n the West had even heard of it until recently. The adherents of the industrial party are not liberal moralists. They don’t project natural ladders of international development and ask why others don’t cede space. They take the Realpolitik of global economic development for granted. Their pointe was directed against fellow Chinese. The rallying cry of the alternative narrative was this: Now that we are beginning to gain steam and push forward on our national development path, now that we are breaking out of the inferior position assigned to us even in the early years following WTO accession, do not lose yourself in humanistic imaginings about better futures. In the spirit of Deng, they called on China to embrace the hard truth of development. Perhaps one might of the Industrial Party as a cultural trend born out of desire for symbolic revenge against those who had inflicted the century of humiliation. In terms of the various temporalities of the “China shock” - retrospective, prospective and counterfactual - one might think of the Industrial Policy discourse as truly speculative, conjuring up the China shock that never was. Or perhaps one might better think of it as imagining a world in which a powerful China was no shock at all, but simply a defining fact of modern history. I love putting out Chartbook. I am particularly pleased that it goes out for free to thousands of subscribers around the world. But, writing this newsletter takes a lot of work. If you are enjoying it and would like to support the project, sign up for one of the subscription options here. It is the equivalent of a fancy cup of coffee per month! Subscribe
4 questions about the high-stakes Michigan Democratic primary
For two days last week, I lived inside the hottest political race in the country — the Michigan U.S. Senate Democratic primary between the more centrist congresswoman Haley Stevens and progressive former public health director Abdul El-Sayed. Producer Sam Weber and I flew into Detroit with some questions. How do these candidates stack up in real life? What actually matters to Michigan? Will this divide be a problem for Democrats in November? Does this race
Geno Segers will no longer join Broadway’s ‘Hadestown’ after online backlash
The actor and producers say they mutually agreed to part ways following criticism over past comments about transgender people. “Hadestown”
Ariana Grande withdraws from London musical, will take a break from the public
Ariana Grande has pulled out of an upcoming stage musical in London, producers said, and plans to withdraw from the public eye for a break from the intense scrutiny she faces.
Hades, King Herod and the Politics of Theater. A Starry August. Stageworthy News of the Week.
The producers of “Hadestown” on Broadway rescinded the casting of Geno Segers as Hades, after OnStageBlog reposted Segers’ (now deleted) videos on social media that belittled transgender people. Th…
Yoshi and the Mysterious Book devs talk about how they benefited from Nintendo Switch 2's hardware power
The developers behind Yoshi and the Mysterious Book have spoken about how they were able to take advantage of Nintendo Switch 2’s power while making the game. As we previously reported, the game actually started out as a Nintendo Switch 1 title. However, later on, it shifted over to the latest console. Senior producer Etsunobu Ebisu, director Masahiro Yamamoto, and...
Canada's Enbridge postpones plans for second phase of Mainline oil pipeline expansion
Canadian pipeline operator Enbridge said on Friday it was postponing the 250,000-barrel-per-day second phase of its Mainline crude pipeline network, partly due to Canadian oil producers not committing to significant output increases.
HRW report says oil production in DRC poses severe environmental health risks
Human Rights Watch (HRW) on Monday reported that Perenco, the sole oil producer in the Democratic Republic of Congo (DRC), is actively participating in production tactics that pose grave health and en...
Business In Filmmaking lecture held in Richmond with Mad Skillz
GRAMMY Award-winning musician Mad Skillz and Tony Award-winning producer B.K. Fulton held a Q&A session for the arts.
Silent Hill: Townfall promises to "massively subvert" your expectations, and it's left me painfully excited
Our hands-on impressions of Silent Hill: Townfall, plus producer Motoi Okamoto and director Jon McKellan's thoughts on evolving the series.
What happens when AI chatbots handle a mental health crisis?
Artificial intelligence is transforming how we gather information and communicate with one another.It’s also changing how some people seek out mental health care. But what happens when this sophisticated technology is used to deal with serious mental health issues?For sponsor-free episodes of Consider This, sign up for Consider This+ via Apple Podcasts or at plus.npr.org. Email us at considerthis@npr.org.This episode was produced by Jason Fuller, with audio engineering by Ted Mebane and Valentina Rodriguez Sanchez. Our director is Jonas Adams.It was edited by Diane Webber and Tinbete Ermyas.Our interim executive producer is Courtney Dorning.
Dana White decries UFC broadcast production again: ‘Brutal’
UFC CEO Dana White continues to publicly criticize the production quality of his promotion’s broadcasts. Earlier this month, following UFC 329, White took aim at his producers after another high-profile incident of misidentifying a celebrity attending the event. While showing an image of Shakur Stevenson, a boxer who was recently signed to the boxing promotion…
Natural gas producer Expand Energy to acquire Twin Eagle for $1.25 billion
Expand Energy said on Monday it would buy privately held natural gas marketer Twin Eagle Holdings from Five Point Infrastructure for $1.25 billion.
The unexpected cost of tariffs for some small business owners
When President Trump invokes tariffs - he promises they’ll benefit Americans. But the experience of some small business owners tells a different story. For this week's Reporter's Notebook, Host Debbie Elliott speaks with NPR Business Correspondent Alina Selyukh about what she learned about the unexpected costs small businesses are shouldering.For sponsor-free episodes of Consider This, sign up for Consider This+ via Apple Podcasts or at plus.npr.org. Email us at considerthis@npr.org.This episode was produced by Gabriel Sanchez. Our director is Erika Ryan.It was edited by Emily Kopp and Adam Raney.Our interim executive producer is Courtney Dorning.
Theater producer’s Des Peres home filled with entertainment collectibles
Stepping into the Des Peres home of theater producer Jack Lane is like taking a trip through the history of Hollywood, Broadway and the wonderful world of Disney all in
Entertainment headlines with TMZ
Bender talks with TMZ producer Eric Wilson about entertainment headlines and celebrity news.
How U.S. Audiences Feel About Gen AI in Entertainment Content
A central question facing all media industries has been what role generative AI should have in content creation. Yet business decisions about AI use aren’t insulated from public opinion. As generative AI begins to enter aspects of content creation, media industry leaders, producers and creatives increasingly need to understand how audiences will respond to its […]
S.F.’s Pier 70 lands its first music festival
The festival, headlined by DJ and producer BLOND:ISH, will take place in September.
Former ‘Bachelor’ producer relearned how to walk after near-fatal brain aneurysm
Former ‘Bachelor’ producer Desiree Duckett relearned how to walk after the near-fatal brain aneurysm she suffered while filming Joan Vassos’ season of ‘The Golden Bachelorette.’
Walker Scobell and ‘Percy Jackson’ EP warn season 3 is ‘darkest’ yet: ‘People are dying’ (exclusive)
‘Percy Jackson and the Olympians’ star Walker Scobell and executive producer Craig Silverstein talk about adapting ‘The Titan’s Curse’ for season 3 — and why it’s their ‘darkest’ one yet.
Nintendo explains why it's coming out with Splatoon Raiders instead of Splatoon 4
Rather than releasing Splatoon 4, the next entry in the series is Splatoon Raiders. Nintendo recently explained why it chose to release that title now. After more than a decade or core Splatoon gameplay, producer Seita Inoue explained in a new interview that the team “thought it might be interesting to create something with a slightly different approach to gameplay,...
The health risks of wildfire smoke across the Midwest and Mid-Atlantic
Learn about the dangerous wildfire smoke blanketing wide regions of the U.S.
To IMAX or not to IMAX, entertainment producer Tyra Martin on where to watch "The Odyssey"
Chicago's Very Own source for breaking news, weather, sports and entertainment.
ZeniMax Online Studios leadership to exit as part of Xbox cuts
There are major changes happening atop Maryland-based ZeniMax Online Studios, developer of the Elder Scrolls Online, Game File has learned. Joe Burba, a 14-year veteran of the studio who was appointed to run it last July, is departing, along with ESO executive producer Susan Kath, studio game director Rich Lambert and production director Ala Diaz. Their roles were listed among hundreds of others cut last week from the Maryland offices of ZeniMax, in a WARN letter sent to the state by ZeniMax and obtained today by Game File. Tonight, BUrbam Kath, Lambert and Diaz notified Zenimax Online Studios workers of plans to “transition” to a new leadership team consisting of promoted ZOS veterans. That transition will occur “over the next few months,” they told workers, according to a copy of the notice reviewed by Game File. “We will remain in place during the transition period to help ensure a smooth handoff.” Last week, Microsoft laid off of 1,600 workers across its vast gaming teams in locations around the U.S. and abroad. Just who has been impacted and how hard various studios have been hit has been emerging day by day. Game File reported last week that Microsoft/ZeniMax notified officials in Maryland that 379 gaming jobs were being cut across the state. They tallied cuts in two locations: one for ZeniMax Media Inc. (covering Elder Scrolls/Starfield/Fallout-maker Bethesda Game Studios and central Bethesda game publishing) and one for ZeniMax Online Studios (Elder Scrolls Online). More than 200 jobs were cut at the latter. Last week’s totals did not reveal job titles, nor did Microsoft announce any leadership changes in the ZeniMax group. That has now happened. Earlier today, Game File obtained from Maryland officials a breakdown of the 379 impacted roles, which, extraordinarily, included “studio head.” Microsoft later confirmed to Game File which studio head that referred to: ZeniMax Online Studios’. Microsoft has since has notified studio employees and internally announced new leadership. ZOS will now be run by Josh Henderson, previously head of business operations at the studio, and Nick Giacomini, who was promoted to game director for ESO last August. Game File is a reader-supported publication. To receive new posts and support my journalism, please consider becoming a free or paid subscriber. Subscribe Last week’s news of 200+ cuts at ZeniMax Online Studios generated public sympathy for those workers and questions about the long-term viability of the Elder Scrolls Online. ESO is a massively multiplayer online game that inherently persists on the strength of new content being developed for it. Earlier today, fans and workers in Maryland protested the cuts at the ZeniMax teams in a rally organized by the Communication Workers of America, the union that represents many of the impacted employees. Regarding concerns around the game, a community manager stated on Saturday: “The plan is still to deliver great content, and we will hopefully have an update soon.” In their note to the studio today, the outgoing leaders of ZeniMax Online Studios predicted “growth” for the game: We have tremendous confidence in Josh and Nick, the future of this studio, and the continued growth of ESO. With exciting experiences still ahead for our players as we wrap up work for Update 51 and beyond, we believe that your passion, creativity, and commitment to each other and the community will continue serving as the heartbeat of ESO. The list of jobs cut in the ZeniMax WARN notice in Maryland includes several very senior roles, including: Studio Head Studio Operations Director Studio Game Director Studio Audio Director Studio Art Manager Vice President and Controller VP, Global Sales & Business Development While some of those job descriptions match the exiting ZOS leadership team, Game File couldn’t verify if all were from that studio. The full list of cut roles shared by Maryland officials also covers workers at Bethesda Game Studios and its central publishing office. The following is an excerpt: The list of 379 eliminated ZeniMax jobs in Maryland also includes: four animators three bilingual CS (community service) leads for Chinese, Italian, and Japanese a creative director for the Elder Scrolls Online Player Life Cycle two food service workers seven producers more than 60 senior QA testers. and many others The WARN notice states that almost all of the 379 workers were notified of their layoff on July 6. In fine print, it states: “Approximately 9 employees were notified of the elimination of their position prior to July 6, 2026.” A 2021 mega-merger scaled back Microsoft announced in 2020 that it intended to buy ZeniMax and its network of game studios in 2020, and closed the $7.5 billion deal in March 2021. The purchase, which preceded Microsoft’s acquisition of Activision Blizzard, added several award-winning studios to Microsoft’s portfolio, including Bethesda (Elder Scrolls, Fallout), Arkane (Dishonored), and id Software (Doom). The studios’ output since then included a 2024 Game of the Year contented from MachineGames in the form of Indiana Jones and the Great Circle along with Starfield from Bethesda and the poorly-received Redfall from Arkane Austin. In recent years, a Microsoft repeatedly in cutback mode closed ZeniMax’s Tango Gameworks (which was reconstituted by Krafton) and closed Arkane Austin. The Xbox cuts last week have hit the ZeniMax group hard, with 158 jobs eliminated in Texas, many of them at id, and 379 from the ZeniMax teams in Maryland. Xbox also said last week that it would be entering a consultation process around Arkane Lyon, a process expected to end in a sale, shutdown or other form of divestment. The Lyon team has been working on a game tied to Marvel’s Blade vampire-hunting super-hero.
FTO designation exposes compliance gaps in Brazil’s entertainment sector
Following a domestic money-laundering probe that linked funk artists to Brazilian criminal groups and the subsequent US designation of two cartels as terrorist organisations, Brazilian legal practitioners tell Latin Lawyer they are updating sanctions-screening systems for entertainment-industry clients, reassessing their own onboarding processes for artists and producers and reaching out to Mexican peers for guidance on managing the fallout.
Lindsey Graham's career and influence on American politics
Learn about the life and legacy of Senator Lindsey Graham
Wall Of Entertainment Partners With AI Platform For Tubi’s ‘Substitute Teacher’ & ‘House Rules’
EXCLUSIVE: UK producer Wall of Entertainment has struck a deal with an AI platform to help grow audiences for Tubi shows Substitute Teacher and House Rules. Chronicle Media’s platform will simulate te...
Dragon's Dogma 2 devs on the big fast travel U-turn, and wanting to "win back the trust" of RPG fans with the Dark Arisen DLC
A chat with producer Naoto Oyama and director Kenta Kinoshita about Capcom's lofty plans for a huge Dark Arisen update.
Potter Center Announces 2026-27 Entertainment Lineup
[vc_row][vc_column][vc_column_text css=””] The Boulevards: 50’s Rock and Roll Band. Courtesy photo. (July 13, 2026 9:19 AM ET) Jackson College’s Potter Center has announced its 2026-‘27 entertainment season. Tickets will go on sale to the public on July 20. This year’s schedule includes: Chris Janson, 7 p.m. Sunday, Oct. 4, 2026 Award-winning artist, producer and songwriter…
‘Big Brother’ producers go inside casting of ‘Survivor’ players Devens and Dee (exclusive)
‘Big Brother’ producers Allison Grodner and Rich Meehan go inside the casting of ‘Survivor’ players Devens and Dee, and reveal that Dee could be interested in another showmance.
Imagine Entertainment's Brian Grazer: To fear AI would be a big waste of time
With media consolidation & AI taking center stage at Allen & Co’s annual conference in Sun Valley, Julia Boorstin sits down with legendary film producer Brian Grazer to discuss his outlook for the industry.
John Stamos told 'Dancing with the Stars' producers to never ask him to join the show again
John Stamos told Bobby Bones on "The Bobbycast" podcast that he demanded producers never ask him again to compete on the reality show stage.
CNN Original Series “Decades in Sports” Premieres Sunday, August 2
Decades in Sports from executive producer Tom Hanks explores the milestones that transformed sports and helped shape America.
Seth Green Joins Global Gaming League as GGL Primes Launches
Actor and producer Seth Green has joined the advisory board for rising esports entertainment company, Global Gaming League (GGL).
Persona 4 Revival Producer Confirms Some Noteworthy Character Changes Are Coming
Or: Yosuke's less of a jerk now, probably
John Stamos says he told “DWTS” producers to stop asking him to join show: ‘I’m never gonna do that’
Stamos insists he’s been asked “every single season” to compete on the reality series.
John Stamos says he told ‘DWTS’ producers to stop asking him to join show: ‘I’m never gonna do that’
John Stamos says ‘Dancing With the Stars’ producers try to get him on the show ‘every single season,’ but he insists he never will: ‘Don’t ever ask me again.’
2026 Emmy nominations – See the full list of nominees
The doctor – we mean Emmy nominations – are in. HBO Max’s medical drama “The Pitt,” helmed by star and executive producer Noah Wyle, proved to be just what the
Persona 4 Revival Producer Confirms Changes to Yosuke to Fit Today's Era
In a recent interview with Anime Corner during Anime Expo 2026, Persona Team General Producer Kazuhisa Wada spoke about different changes made to Persona
Microdrama filming starts in Baton Rouge and producer Tommy Harper talks his new adventure
Action!
Former Bachelor Peter Weber hooked up with his producer, new book reveals
‘The Bachelor’ season 24 star Peter Weber reportedly got intimate with his producer and his ex Hannah Brown while the season was airing.
FIFA's red card reversal: Fair play or political interference?
FIFA's Disciplinary Committee suspended US striker Folarin Balogun's one-game red card ban in exchange for a probationary period of one year.The decision was announced after President Donald Trump called FIFA President Gianni Infantino and asked him to review the red card.The suspended red card means Balogun can play in Monday night's win-or-go-home match in Seattle versus Belgium.But the decision has faced harsh criticism from fans and The Union of European Football Associations, which said the red card suspension "crossed a red line."What does the red card debacle tell us about political interference in elite soccer?For sponsor-free episodes of Consider This, sign up for Consider This+ via Apple Podcasts or at plus.npr.org. Email us at considerthis@npr.org.This episode was produced by Jeffrey Pierre and Karen Zamora, with audio engineering by Ted Mebane and Tiffany Vera Castro. Our director is Kai McNamee.It was edited by William Troop and Tinbete Ermyas.Or interim executive producer is Courtney Dorning.
3 ‘View’ cohosts miss broadcast amid struggles, producer ‘begged’ Joy Behar to fill in
‘The View’ producer ‘begged’ Joy Behar to come in on her day off to fill in as three cohosts missed a new episode due to various struggles: ‘Begged me on his knees where he belongs.’
Texas oil tycoon buys $28M Mercer Island residential property
Rodney R. Lewis, the fourth-biggest gas producer in Texas, purchased a $28 million Mercer Island residential property with two homes last week.
Oil slips after OPEC+ agrees to raise output targets
Oil prices inched lower on Monday after OPEC+ agreed to further increase its output targets from August while exports from key producers via the Strait of Hormuz are recovering, potentially adding to global supplies.
For the 2014 film Interstellar, director Christopher Nolan hired Caltech physicist Kip Thorne as his science consultant — and the visual simulations Thorne helped design for the film's black hole were so mathematically accurate that they generated two peer-reviewed scientific papers and became the model for how astrophysicists visualize black holes today
In late 2012, when the American film director Christopher Nolan formally took over the production of a Warner Brothers science-fiction project that had been drifting through Hollywood development since approximately 2005 (originally intended for Steven Spielberg, based on a screenplay concept the film producer Lynda Obst had developed jointly with the Caltech theoretical physicist Kip […]
Mindy Kaling recalls her unexpected transition from 'The Office' writer to Kelly Kapoor: 'One of the funniest episodes ever'
Actress and producer Mindy Kaling loved playing 'delusional' character Kelly Kapoor on 'The Office.' She was originally only supposed to write for the show.
How the FIFA World Cup is providing a boost for L.A. businesses
The FIFA World Cup has given L.A. businesses a lot of opportunities to find new customers, win contracts and grow their capacity.
SBA, USDA Sign MOU to Combat Lawfare Against Farmers, Ranchers, and Small Businesses
New Partnership Gives Producers a Direct Line to Report Costly Regulations and Advance Lasting ReformWASHINGTON, July 02, 2026 (GLOBE NEWSWIRE) -- Today, the U.S. Small Business Administration (SBA) and the U.S. Department of Agriculture (USDA) signed a Memorandum of Understanding (MOU) to combat lawfare targeting farmers, ranchers, rural communities, and small businesses. The agreement gives America’s producers a direct line to report the regulations and rules driving up costs and impacting pro
'The Gunfighter' Indie to Be Directed by Patrick Perez Vidauri
The new vigilante indie film 'The Gunfighter' to be directed by Patrick Perez Vidauri. 'East Los High' actress Vanessa Vasquez consulting producer.
Settlement serves up a million eggs for Hawaii
Three major producers were found to have conspired to artificially drive up egg prices
'60 Minutes' shake-up continues with departure of longtime producer
The newsroom at "60 Minutes" is facing another goodbye. Henry Schuster, a longtime producer on the CBS program, revealed his departure in a LinkedIn post Monday, June 29.
How eggs became the latest campaign issue in Texas' Senate race
Republican Ken Paxton says his settlement holds producers accountable. Democrat James Talarico says Republicans still haven't lowered grocery bills.
‘Paris & Pups’ Producer HappyNest Entertainment Expands Slate With New R.L. Stine Series, ‘Louie and Bear’ Adaptation and Space Camp Franchise (EXCLUSIVE)
HappyNest Entertainment, the producer behind Paris Hilton’s “Paris & Pups” YouTube show, is in early development on several new projects, including a series with “Goosebumps” author R.L. Stine, an ada...
'Paris & Pups' Producer HappyNest Entertainment Sets R.L. Stine Series
HappyNest Entertainment, the producer behind Paris Hilton's "Paris & Pups" YouTube show, is in early development on several new projects
Hormel Foods sells Brazil business
Domestic food producer Zanchetta Alimentos is acquiring the business operating under the Ceratti brand.
'Clarkson's Farm' Producer Expectation Hires Katrina Grant
'Clarkson's Farm' maker Expectation has hired Katina Grant as Director of Development, Entertainment.
America @ 250: Alex Wysocki asks, ‘Are short-term political gains worth giving up the big picture?’
Alex Wysocki is a television producer, filmmaker, husband and father of three. He and his wife Abigail moved to Champaign during the COVID-19 pandemic and are raising their family here.
Former ‘Meet the Press’ Executive Producer Betsy Fischer Martin to Lead Harvard IOP | News
Former ‘Meet the Press’ Executive Producer Betsy Fischer Martin to Lead Harvard IOP | News | The Harvard Crimson
We almost had a smartphone in the 90s. Why did it fail?
In the early 90’s, a company called General Magic began working on a portable device that would allow people to check email, make phone calls, even play games. It was basically a smartphone. But it never caught on.On today’s show, a theory about why this device failed. General Magic had generous investors, world-class talent and creative freedom. But is it possible what they needed was constraints?Support:Planet Money+Read: Our book: Planet Money: A Guide to the Economic Forces That Shape Your Life Our weekly longform Planet Money newsletterOur weekly Indicator round-up newsletterFollow: InstagramTikTokYouTubeFacebookThis episode was hosted by Erika Beras and Emma Peaslee. It was produced by Emma Peaslee with help from Sam Yellowhorse Kesler and James Sneed. It was edited by Marianne McCune and fact-checked by Charlotte Isidore. It was engineered by Jimmy Keeley with help from Cena Loffredo. Alex Goldmark is Planet Money’s executive producer.
Andy Cohen cries as he mourns 28-year-old 'WWHL' producer who died of brain cancer
Andy Cohen became emotional mourning 'Watch What Happens Live' production manager Kyra Samson, 28, who died of brain cancer earlier this week.
Weather drives cowherd size, not broken markets
Data shows weather, not broken markets, drives cowherd decisions. Producers cite grazing concerns and drought as top barriers to expansion.
JioStar Exec Joins 'Subedaar' Studio Abundantia Entertainment
JioStar exec Ramesh Mundhra is leaving the Indian content giant for Subedaar producer Abundantia Entertainment.
The push to hold plastics producers accountable in North Carolina
Despite repeated setbacks in the General Assembly, momentum for plastics producer accountability is building in North Carolina.
I'm a lifelong friend of Clive Davis. His advice helped my career.
A lifelong friend of Clive Davis and co-producer of his documentary says the late record producer had a prolific work ethic and attention to detail.
Peter Asher says Beatles fan blamed him for John Lennon and Yoko Ono's relationship
Musician and record producer Peter Asher reveals in his new documentary 'Everywhere Man' that a Beatles fan once blamed him for John Lennon and Yoko Ono's relationship: ‘You broke up the Beatles!’
Clive Davis, monumental music producer and record industry titan, has died
Clive Davis, the legendary music producer of industry icons from Janis Joplin and Whitney Houston to Billy Joel and Santana, has died.
Clive Davis, monumental music producer and record industry titan, has died
(CNN) — Clive Davis, the legendary music producer of industry icons from Janis Joplin and Whitney Houston to Billy Joel and Santana, has died.
Founding Xbox Staff Says Original Skepticisms Are Coming True
Gears of War producer Laura Fryer is concerned that Microsoft is not properly disciplined to weather long term supply chain pains
Coles awards more than $3.5 million to help turn producers’ ideas into reality
June 21, 2026 -- More than $3.5 million in grants has been awarded to eight small and medium-sized businesses across Australia through the lates...
Drake expresses 'eternal gratitude' to collaborator Tay Keith after his death
Drake has paid tribute to the late music producer Tay Keith, who was found dead in Nashville on June 18 at age 29.
Appreciation: Sitcom mastermind James Burrows made TV feel like family
LOS ANGELES — Unlike the movies, where directors get the glory, TV directors sit lower in the hierarchy, below creators, producers and actors. In most series, which might employ several
Egg Prices Are Way Down, but That’s Hurting Farmers
An oversupply of hens has lowered wholesale egg prices. But consumers may not reap the full benefits because of producer contracts and higher costs.
Hip-hop producer Tay Keith found dead in apartment at 29
The Grammy nominee worked with Travis Scott, Beyoncé, and more.
Ansel Elgort, Halle Bailey, Ludacris and Alan Ritchson Among Voice Cast for Animated Movie ‘Groove Tails’ (EXCLUSIVE)
“Groove Tails,” the upcoming animated feature from “Twilight” producers Imprint Entertainment and “The Lego Ninjago Movie” writer/director Bob Logan, has attracted a starry voice cast. Leading the ens...
Producers United Boosts Legal Muscle With Entertainment Litigator Bonnie Eskenazi, Labor Pro Allyson L. Belovin (EXCLUSIVE)
Producers United, the advocacy group dedicated to protecting and advancing the rights of “career producers” in film and television, has added some significant legal muscle to its bench. Entertainment ...