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What’s Next for Paramount
Hollywood watchers believe the studio prevailed over states seeking to block its deal for Warner Bros. Discovery. It’s now free to reshape the media industry.
How John Green reckoned with his own fame in ‘Hollywood, Ending’
When John Green began promoting his 2017 novel “Turtles All the Way Down,” he made an irreversible decision.
Letters: Disney isn’t only corporate offender | Donalds’ hollow tax claim | Data centers will harm society
Disney is making donations to political candidates who support Disney interests. Why is that surprising? This is what all corporations do.
How lip-syncing to AI let Forced Entertainment ‘play the game of theatre’
Today we have a fascinating piece by long-time Forced Entertainment fan Ben Kulvichit, speaking to Tim Etchells about their latest show Cold Sweat, how they are integrating lip-sync and AI voices into their work, the question of ‘authenticity’ on stage, and how lip-sync has even opened the door for them to make “something a little bit like drama”. This piece is a paid partnership with the Southbank Centre, where you can see Cold Sweat next month – we’re very grateful to the Southbank Centre for their ongoing support for Exeunt. Holly Williams ‘It was immediately interesting and uncanny’ **By Ben Kulvichit** “Is the microphone on?” So goes one of the opening lines of Signal to Noise, delivered by a human performer lip-syncing to an AI-generated voice. The voice is American, cheery but sluggish, slowed down into a gelatinous drawl. It repeats ad infinitum in a farce of stuckness; an answer never materialises. I find myself asking the same question as I hop on a Google Meet call with Tim Etchells, the artistic director of Forced Entertainment. We spend five or ten minutes frowning at each other, muting and unmuting, me gesticulating in semaphore into my webcam, checking if I am coming through now, restarting the laptop. To Etchells, I appear exaggeratedly mouthing words, my voice missing. In this gloopy purgatory of broken communication, life imitates art imitates life imitates art. We try a Zoom instead. Forced Entertainment, the pioneering British theatre company who have been at the avant-garde of performance since the 1980s, turned an interesting artistic corner with Signal to Noise, created on the occasion of their 40th anniversary. The whole performance employed this lip-sync technique to AI voices; on the face of it a left-field move from a company whose identity has long been grounded in the earthy, immediate presences of its performers and its unassuming, low-tech approach to theatricality. The technique, however, turned out to provide the company with a “rich new seam” of artistic enquiry, and has now spawned a trilogy of works. The second instalment, Cold Sweat, plays at Sheffield Theatres, Southbank Centre, and Lancaster Arts in October, while the third part, Everything Must Go, has been touring in Europe and is slated to come to the UK in 2027. As is often the case with Forced Entertainment shows, the main conceit for this work didn’t arrive until quite late. They were “four or five weeks into rehearsals for Signal to Noise,” Etchells recalls, and getting nowhere. Away from rehearsals, he had been playing around with feeding “weird texts” to AI voices to see how they would cope with them – “basically for my own amusement” – and was compelled by the uniformly “serviceable, benign, good-natured” tone they would read in, no matter how poetic, fractured or experimental the writing. On a hunch, he brought some examples into rehearsals and the performers gave lip-syncing a go. “It was immediately interesting and uncanny,” he recalls, with the performers having to deal in the moment with the problem of mapping themselves onto another artificial ‘performer,’ which itself was dealing with the problem of a very human text. “Almost all the writing for these projects would be useless to us unless it was done in this way,” says Etchells. “We wouldn’t know what to do with it. It’s too poetic. It’s too fictional. It’s too tangled.” But exploring lip-syncing along to the text has opened “an enormous reservoir of ways of thinking about writing and performing.” Subscribe to Exeunt, and get two in-depth pieces on theatre a week, direct to your inbox Subscribe Forced Entertainment have long been sifting through the detritus of popular culture, from daytime TV to end-of-the-pier vaudeville, magic acts and clown shows, to find frameworks for their own unusual entertainments. Lip-syncing, then, makes sense for them to experiment with. As a mode of performance, it’s wired into popular consciousness through pop stars trying to convince stadium audiences of their liveness, or those same voices as channeled through the made-up lips of contestants on RuPaul’s Drag Race, or movie dialogue spreading virally through the host bodies of TikTok users. For Etchells, lip-syncing is often about “approaching real voices and trying to take on their aura,” subsuming that original human presence into yours. “There’s a very basic, elemental sort of theatre magic to it, produced in this very easy way.” This broad approach resonates with instances of lip-syncing within contemporary performance, too. In works like Re-Member Me and Showmanism, performance artist Dickie Beau acts as a kind of spirit medium for archival recordings (this process of re-membering – as in, giving corporeal form to voices – relies on his masterfully precise actor’s technique), while Frankie Thompson is similarly possessed by a host of characters ranging from a nine-year-old Jacob Rees-Mogg to Cliff Richards, all of whom she finds compellingly nauseating, in the exorcism ritual that is her latest show, Horrible Things. What’s different about Forced Entertainment’s use of lip-syncing is that here, there is no original presence to be channeled. The performers are instead taking on what Etchells describes as “the voices of nobody,” or rather the “phantasmic, aggregated echoes” of the many many voices on whose data the AI has been trained, and which are now conjuring into existence words they never actually said. There is a sort of mournful, empty quality to these voices, having “washed up” far away from the people they originally belonged to, to find themselves in stranger’s mouths listing objects, wondering if anyone can hear them and glitching in interminable loops. There is a cold, sad anonymity to it all. Etchells remarks that occasionally the software company he used has notified him that particular people are withdrawing their voices from the platform, instructing him to cease use of those voices. Using these technologies in performance certainly brings up ethical questions around digital rights, consent, identity and ownership, although in the grand scheme of things, Etchells is fairly blasé about it: of all the purposes someone’s voice might be put to without their knowledge, “an avant-garde performance is probably the least of their worries.” [ ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) [ Frankie Thompson: How I manage my own ‘horrible things’ at the Edinburgh Fringe ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) Exeunt · Aug 25 [ Read full story ](https://exeuntmagazine.substack.com/p/frankie-thompson-horrible-things-essay-mental-health-compulsive-behaviours-pleasance-courtyard-soho-theatre) For the performers, though, lip-syncing to these strange, artificial voices is an odd task, requiring them to bend their live, human presence into the shapes produced by machines. Politically, it mirrors processes that are already at play in the continued computational automation of human life. Etchells brings up James Bridle’s writings on new technologies as a reference point: one example Bridle gives is of “chaotic storage”, a logistics technique employed by Amazon fulfilment centres whereby items are stored not according to traditional methods of categorisation or alphabetisation, but in a way that an algorithm determines to produce the most efficient routes for ‘picking’ based on customer purchase patterns. This appears completely random and incomprehensible to humans, with paddling pools sitting next to USB sticks sitting next to blowtorches, and so for the warehouse workers, the process of picking items becomes completely reliant on technology which tells them where to go. Our world is increasingly being designed not with humans in mind, but rather machines. As Etchells puts it, “technology malforms the space, and then you end up having to live in it.” Initially, Forced Entertainment tried their best to live in the world of machines: “I was in the it’s-got-to-be-perfect school of lip-sync,” says Etchells. But with their aesthetic being so tied to the failing act, the slipping mask, the shoddy costume, “it’s no surprise really that that didn’t last.” Instead, the performers got to enjoy being late for a line, or playing games with each other, “stealing” each other’s voices. Etchells compares it to the principles of ventriloquism, in which a free-floating voice unattached to a body is fundamentally discomforting and “sort of traumatic”. That discomfort is equally as alluring to Forced Entertainment as the satisfaction of precision, the pretence of authenticity only interesting if shown to be a pretence. Lip-sync has also opened up new avenues for the company. Having been allergic all their lives to Plays-with-a-capital-P, with Cold Sweat Forced Entertainment find themselves approaching something a little bit like drama. Rather than the presentational arena of Signal to Noise’s open white stage, Cold Sweat places us more decisively in a “fictional locale”: what appears to be “the aftermath of some disastrous party or backyard drinking binge” where three figures – family members, or neighbours, perhaps – are the last ones standing. “It’s all quite acrimonious and accusatory, everyone’s talking over each other.” For Etchells, this more fictional mode is “a door that we’ve never been able to open. We’ve just never really gone there.” Perhaps it is the technique of lip-syncing, an extra buffer of mediation, that allows them to venture away from the here-and-now without feeling that they have to commit to the “psychological claptrap” that comes along with acting; to be able to “play the game of theatre, without getting one’s hands too dirty.” As I wonder how else the impulses behind Forced Entertainment’s work have changed over time, it occurs to me that over the last ten years of new creations, with the exception of If All Else Fails, the company’s performers haven’t ever spoken on stage: there were two shows without any language at all, Out of Order and Under Bright Light, and then this trilogy of lip-sync works. Etchells agrees it’s a shift away from earlier productions, that were so often about “the actual voices of the performers and their actual presences. We had a lot of money, in some ways, on an authentic approach to what it might mean to speak on the stage.” But this sense of authentic presence itself had a fakeness to it; these days, Etchells can’t stand that mode of being onstage where performers “are here to be cheeky and witty versions of themselves. I don’t want to be charmed.” Pulling back into a more anonymous space has resulted in works that feel slightly sharper-edged, more brutal in a way. “All of these shows are post-Brexit, post-Trump, post-truth, post-everything,” Etchells notes. Speech, charisma, authenticity – these things feel politically loaded, and perhaps warmth and openness just don’t feel like the right tools to reflect the world we’re living in. “It feels like the space is closing down, and we’re trying to deal with the fact that the system, the structure that you’re in, is more oppressive and more powerful. It probably always was, but I think we’re just more tuned to it now.” Yet even without their voices, the performers’ distinctive presences – ones that many audiences have followed around for years, if not decades – still, inevitably, shine through as they physically navigate whatever unending task the system of the piece has set for them. They’re still trying to keep up with the onslaught of text, still running about, changing costumes, moving stuff around. The human is always stuck in the teeth of the machine, jamming the smooth, frictionless cheeriness of the not-real, gesticulating silently, trying desperately to communicate. Cold Sweat is at Sheffield Theatres, 2 to 3 October; Southbank Centre, London, 9 to 10 October; Lancaster Arts, 14 October [ ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) [ Exeunt recommends... the best autumn theatre ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) Exeunt · Sep 16 [ Read full story ](https://exeuntmagazine.substack.com/p/exeunt-recommends-the-best-autumn-theatre-2026-lives-of-others-standard-of-living-our-friends-in-the-north-lanny-) This piece was paid for by the Southbank Centre. Such support helps Exeunt to keep publishing the most interesting writing, about the most exciting theatre. Interested in partnering with Exeunt? Visit our Advertise with Exeunt page, where you can get more information, download an advertising pack, and find our contact details.
Sylvester Stallone reveals what he said to Trump after surprise Hollywood ambassador appointment
Northern California high school's football season is over amid investigation
Days after forfeiting a game, Hollister High's football season was canceled after officials said there weren't enough players to "safely" compete.
David Ellison: Me, Move? I Love L.A.
After telling top lieutenants he was serious about relocating Paramount from its century-old home if the states' lawsuit proceed, the mogul has now changed tune.
Hayden Panettiere remembered at Malibu memorial service
Hayden Panettiere attends the Los Angeles premiere of Netflix's new film 'Blonde' at TCL Chinese Theatre on Sept. 13, 2022, in Hollywood, California. (Jon Kopaloff/Getty Images)Hayden Panettiere was celebrated over the weekend at a memorial service held in California, her representative confirmed to ABC News.Around 80 friends of the late Nashville star, who died on Aug. 16 at the age of 36, gathered in Malibu on Saturday to share "an evening of music, memories, laughter and tears."“We wanted to honor Hayden in the best way we knew how—with as much love as possible," Panettiere's representative, Kasey Kitchen, said in a statement with a group of the actress's friends, who jointly organized the memorial.The statement continued, "It was a beautiful and intimate ceremony where friends came together to celebrate her life and honor the beautiful, magnetic light and love she infused into the world.”Panettiere's Nashville co-star Connie Britton and other celebrities, including Evan Ross and Ruby Rose, were photographed attending the memorial.Panettiere died after she was found unresponsive and in cardiac arrest at a Greenville, South Carolina, apartment.The actress's official cause and manner of death have not yet been announced.An investigation into her death has expanded from South Carolina to Los Angeles, and investigators are focusing on the role drugs may have played in her death, sources told ABC News last week.Kitchen, Panettiere's representative, said in a statement on Sept. 15 that her death "remains under investigation pending toxicology results.""As we await the answers we are all seeking, may we also remember Hayden for the incredible legacy she leaves behind — the light she shined on mental health and postpartum depression, and the voice she gave to those who felt unseen and unheard," Kitchen said. "The answers we are all seeking will come."Copyright © 2026, ABC Audio. All rights reserved.
Deal Terms Revealed: Paramount, 12 States Unveil Warner Bros. Settlement Plan
The settlement clears the way for Paramount and Warners to merge, creating an entertainment colossus.
Hayden Panettiere memorialized in Malibu celebration of life
Friends, family and close Hollywood colleagues honored Hayden Panettiere during a poignant celebration of life at a Malibu church this weekend, a month after the actress’s death from a possible
Memorial Healthcare System Names Shane Strum President & CEO
Board of Commissioners confirms permanent leadership following a two-year interim tenure marked by record growth and expanded access to care HOLLYWOOD, Fla., September 3, 2026 — The South Broward Hospital District Board of Commissioners has voted to name Shane Strum President and Chief Executive Officer of Memorial Healthcare System, confirming a role he has held on […]
MSG Entertainment's New President Is Josephine Vaccarello
The exec is a nearly thirty year veteran of the company, which oversees Madison Square Garden, Radio City Music Hall, and the Radio City Rockettes.
50 Women to Watch in the Digital Entertainment Business 2026
Women have never wielded more influence over the direction of the entertainment business than they do now. Across Hollywood and the broader media landscape, women are making critical decisions about what gets made, how it is marketed and distributed, where consumers watch it, and, increasingly, the technology and business models that determine how entertainment companies … Continue reading "50 Women to Watch in the Digital Entertainment Business 2026"
Jason Statham, The Making of Hollywood's Ultimate Bad Boy
Jason Statham rose from a sportsman and fashion model to become one of Hollywood's biggest action stars. His breakthrough came through Guy Ritchie's films, followed by iconic roles in The Transporter,...
John Oliver Takes Jab at “Soon-to-Be Business Daddy” David Ellison on ‘Last Week Tonight’
During a segment on UnitedHealthCare's history of denying claims, Oliver said: "Having access to wealthy parents just cannot be the system to get badly needed healthcare, even if it is apparently the ...
John Oliver Takes Jab at David Ellison on 'Last Week Tonight'
During a segment on UnitedHealthCare's history of denying claims, Oliver said: "Having access to wealthy parents just cannot be the system to get badly needed healthcare, even if it is apparently the system that lets you be in charge of HBO."
Sylvester Stallone blindsided by President Trump's move to make him Hollywood ambassador
Sylvester Stallone has claimed he told President Trump that the concept "wouldn't work".
Sound of Music museum opens where the von Trapp story met Hollywood
SALZBURG, Austria (AP) — An Austrian museum is alive with “The Sound of Music,” a first-ever venue devoted to the classic 1965 singalong movie starring Julie Andrews. The Sound of Music Salzburg museum, situated in an Austrian city famed for music and perhaps best known as the home of Wolfgang Amadeus Mozart, opened Sunday. The
Sound of Music museum opens where the von Trapp story met Hollywood
An Austrian museum is now alive with “The Sound of Music.”.
Hope College tops out new $65 million economics and business building in downtown Holland
Hope College marked a major construction milestone Thursday with a topping out ceremony for its new $65 million Department of Economics and Business building in downtown Holland.
Ke Huy Quan on Receiving “Generous” $100K Residuals Check for ‘Indiana Jones and the Temple of Doom’
The Oscar winner admitted he "didn’t understand how more money could suddenly appear" after already being compensated for his work on Steven Spielberg's 1984 film.
Opposition grows to Paramount-Warner Bros. merger settlement as the Hollywood deal enters a critical week
Paramount-Warner Bros. merger deal faces a critical week ahead
Kate Beckinsale Shares Cryptic “I Give Up” Message on Instagram, Leaving Fans Concerned
The posts came weeks after the actress opened up about her experience with post-traumatic stress disorder.
Quentin Tarantino’s Blockbuster Comedy & More Prime Video Releases This Week
Amazon Prime Video’s new TV and movie releases for the week of September 21-27, 2026, include Once Upon a Time…in Hollywood. Written and directed by Quentin Tarantino, Once Upon a Time…in Hollywood is...
Tom Holland's Annoying Stretching On Set Led To An A+ Brand New Day Scene
This is 30, Spider-Man.
Sustained Youthful Energy: Science-Backed Strategies for Active Lifespan The Hype Magazine: Unveiling the Pulse of Urban Culture - From Hip Hop to Hollywood! Explore a Diverse Tapestry of Stories, Interviews, and Impactful Editorials Spanning Fashion, Gaming, Movies, MMA, EDM, Rock, and Beyond! www.thehypemagazine.com - The Hype Magazine The Hype Magazine - News From Hip Hop To Hollywood!
Discover the heartbeat of urban culture with The Hype Magazine! From Hip Hop to Hollywood, delve into a rich tapestry of diverse stories, interviews, and impactful editorials. We go beyond music, catering to fashion enthusiasts, gamers, movie buffs, MMA followers, EDM and rock fans, and more. If it's newsworthy, we cover it passionately. Join us for a journey through the pulse of entertainment and lifestyle!
Hollywood thinks this is all a game
Video game adaptations are big business, and the entertainment and gaming industries are fully in co-op mode.
Cardinal Health Targets 13%-15% EPS Growth as Specialty Momentum Builds
Cardinal Health (NYSE:CAH) CEO Jason Hollar said the company expects fiscal 2027 to extend the broad operating momentum it generated in fiscal 2026, with all five operating segments positioned for what he described as a “constructive” period. Speaking at the Morgan Stanley Global Healthcare Confere
Cardinal Health Sees Growth Normalize as Specialty, At-Home Investments Expand
Cardinal Health (NYSE:CAH) CEO Jason Hollar said the company’s fiscal 2026 performance was supported by double-digit earnings growth across each of its five operating segments, while fiscal 2027 guidance reflects continued growth from a more normalized base. Speaking at a Baird event, Hollar said t
Patriots underrated WR viewed as Week 2 fantasy football sleeper
Patriots wide receiver Mack Hollins could be in line for a large workload in Week 2 with A.J. Brown sidelined.
The U.S. Founders Warned Against Political Parties. They Were Right.
George Washington, John Adams and James Madison all warned that party loyalty could hollow out the republic.
EAST TEXAS POLITICS: Smith County judge and commissioner discuss new budget, tax rate increase
Smith County Judge Neal Franklin and Pct. 1 Commissioner Christina Drewry join Blake Holland on this week’s edition of East Texas Politics on East Texas Now.
Paramount and California AG Bonta Reportedly Closing in on a Settlement
Per the Wall Street Journal, the two sides are in "advanced talks" to resolve the case.
Sally Field says Paul Newman complained about not being offered roles
The Hollywood legend “always talked about being dissatisfied with it,” recalls Field, his costar in “Absence of Malice.”
Former Broward Health security officer reunites with Memorial Rehab caregivers
Former Broward Health security officer Catherlen Moore and more than two dozen former patients reunited with doctors, therapists, and caregivers at Memorial Regional Hospital South in Hollywood, Florida.
Fox News Entertainment newsletter: King Charles draws ‘line in the sand'; Harry and Meghan's school-run issues
The Fox News Entertainment Newsletter brings you the latest Hollywood headlines, celebrity interviews and stories from Los Angeles and beyond.
Beyond Hollywood: Atlanta's New Entertainment Economy
Local media leaders explore how Atlanta is evolving from a production destination into a sustainable creative powerhouse.
'The Betrayers' Director on Navigating Political Treachery in Crimea Thriller
Director David Bezmozgis' drama about two Soviet Union-era Jews facing off is set for a world premiere at the Toronto Film Festival.
MGA Entertainment Debuts New Music Video for Mirror Mi Doll Line
Additional projects in the works for the line include stop-motion films and an animated short-form series launching later in 2026.
The Kardashians Season 8: Kim's Health Scare, Kendall on Cara Delevingne
With the famous family being on TV for nearly two decades, Khloé Kardashian tells The Hollywood Reporter that they want to "keep doing" the Hulu reality series as long as audiences want to watch: "I don't have a real end date in my head."
New Disney streaming Chairman is Adam Smith, Joe Earley Moves to TV
Adam Smith has been promoted while Joe Earley, who had been president of direct-to-consumer, will shift to a new role as president of Disney Entertainment Television franchise and content strategy.
Baltimore Orioles Lose Jackson Holliday During AL Wild Card Push
Baltimore Orioles infielder Jackson Holliday has landed on the 10-day IL.
Like Nastya Coming to Disney in Content Deal with Entertainment Giant
An animated series for Disney Jr. and Disney+ and new live-action content are in the works.
Wrexham's Ryan Reynolds and Rob Mac spoof Southampton's 'Spygate'
Wrexham's Hollywood co-owners Ryan Reynolds and Rob Mac have taken a light-hearted jab at this weekend’s opponents Southampton by referencing the ‘Spygate’ saga in a cheeky social media post. Southampton visit their second-division rivals on Saturday and the famous pair did not miss their chance to make light of last season’s play-off drama.
Mack Hollins’ chemistry with Drake Maye set for bigger test
Hollins led the team in receiving in Week 1.
Universal Pictures Appears to Be Getting Cold Feet on Elon Musk Movie
The Comcast-owned studio is not yet committing to rolling out Alex Gibney's movie that it paid millions to acquire for non-North American release before the political winds shifted.
Lawmakers, industry leaders continue push for federal film tax incentive
Hollywood is looking for Washington lawmakers to save domestic film and television production
Aura Entertainment on Life After Distributing Obsession
A year after the biggest Toronto sale in history, the founders of the indie distributor open up about staying disciplined, choosing "the movie no one else sees," and why the market gap is still original content.
Your Entertainment Escape Ep. 50 "Grinchmas" At Universal Studios Hollywood
Fresno and Central Valley news, weather and sports
Ed Sheeran wants to stay out of politics. By quitting his tour, his support acts have exposed the hollowness of neutrality
By standing behind support act Macklemore, who was removed from the tour for his vocal support of Palestine, these artists are demonstrating the self-sacrifice necessary to stand against those crushing free speech
Original ‘The Voice’ winner found dead in lake
Ben Saunders, the first winner of “The Voice of Holland,” has died at age 43 after being found in a lake in the Netherlands.
Lewis Hamilton’s Dawn Apollo Studios Inks First-Look Deal With Skydance Sports (Exclusive)
The Formula 1 driver previously produced the Apple film 'F1.'
Hollywood Gets New Bipartisan Caucus on Capitol Hill
A bipartisan group of House lawmakers is launching a new congressional caucus focused on Hollywood, music, sports and the creator economy.
Jalen Brunson New Company is Brand Management Firm Thirty Third
Thirty Third Management will work with athletes, entrepreneurs and executives, including Brunson's own off-court business.
Holly Poultry opens production plant
The company also displayed two recent chicken branded products.
Squeeze is back and bigger than ever with a headlining Hollywood Bowl gig
For more than 50 years, with a few breaks in between, Squeeze has been making memorable tunes by marrying infectious pop melodies with sophisticated and literate lyrics, often about the complexity of relationships.
UW Health nutritionist says enjoy sweet fall treats in moderation
From Pumpkin Spice to everything fall and nice, autumnal drinks have rolled out before the season has even begun.
We're not about to awaken an evil digital god — AI is far more likely to end in a great disappointment
AI is unlikely to launch a Hollywood-style war against us. Rather, the biggest danger of AI is that it will disappoint us.
ABC’s ‘American Idol,’ is leaving Los Angeles, in another blow to the industry
LOS ANGELES — “American Idol,” is packing up its stars after 25 years in Hollywood. In the latest blow to Los Angeles film production, ABC’s long-running program will move production
Cook Political Report shifts New Hampshire toward Republican Sununu
Cook Political Report, an election handicapper, shifted its rating for the New Hampshire Senate race to “toss-up,” a significant move in Republicans’ favor, since Democrats need to keep that seat. …
Blade Runner 2049 Auction: Ryan Gosling's Coat Among 300 Sequel Items
The blaster used by Harrison Ford's Rick Deckard in Denis Villeneuve's 2017 feature is also heading to the block from Propstore and Alcon Entertainment.
Hollywood Prayer Network celebrates 25 years of praying for entertainment professionals
Founder Karen Covell says Christian community gathers together to encourage each other to use God-given talents in a difficult industry.
John Mulaney's Emmys speech draws attention to Hollywood's history of excluding men
"Finally, something for the fellas."
Paramount's possible Hollywood exit puts Los Angeles on edge
LOS ANGELES — Paramount Skydance Chief Executive David Ellison faces a pivotal decision: Should he uproot his Hollywood studio — the birthplace of such film classics as "Sunset Boulevard," "The
'Widow's Bay' won big, Mariska nailed it and Taylor Swift spoofed 'SVU': The 2026 Emmys, from every angle
From Mariska Hargitay's many outfit changes to Zendaya and Tom Holland's charm offensive, the Emmys delivered all around.
Zendaya and Tom Holland's wedding gets bombshell update from Law Roach
It wouldn't be an awards show red carpet without Law Roach causing confusion about Tom Holland and Zendaya's wedding.
Will Netflix’s Latest Horror Film Save Its Summer? And Introducing a New Data Source...
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) All month, I’ve been polling you, my readers, on how we think the summer’s biggest blockbusters will do when they eventually land on streaming, and I wanted to share the results. First up, how readers think The Odyssey will perform when it comes to Peacock... People are pretty bullish that The Odyssey will smash it for Peacock. I don’t know that it will have as much rewatchability as Wicked did for kids, but we’ll see. It is now Universal’s highest-grossing film of all time. One note: almost half of Christopher Nolan’s films weren’t available for streaming the week The Odyssey came to theaters, including some of his biggest films like Inception, Dunkirk, Tenet, Oppenheimer and Insomnia. If you did want to watch the others, Prime Video had Memento and The Dark Knight trilogy, HBO Max only had The Dark Knight trilogy (even though Warner Bros. produced most of Nolan’s films), Hulu had The Prestige and Interstellar, and Paramount+ had Interstellar. So you needed at least two streaming subscriptions to catch the rest. Warner Bros. whiffed right here. I know they have long term licensing deals, but they should have tried to get as many Nolan films on HBO Max for launch as possible. Here are the results for Spider-Man: Brand New Day: The audience is a bit more mixed on this one, with everyone agreeing Spider-Man will swing to a big opening, but not necessarily elite or best all time. On to this week’s issue. Netflix continues searching for a hit straight-to-streaming summer film and Lioness and Ted Lasso allow me to look at the difference between a “hit” and a ‘hit for them”. All that, plus new YA/teen melodramas on Prime Video and Netflix, the House of the Dragon finale, USA Network claims a big opening, more big NFL ratings, all the flops, bombs and misses, and a whole lot more. But we start with a fun new data announcement. Let’s dive right in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, JustWatch and Reelgood interest data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of August 3rd to August 9th, 2026. You can find a link to my terminology here.) Subscribe A New Data Source: Reelgood’s Data on Content Libraries Here’s a fun new treat for you. Reelgood—an online service and app that lets users track where shows or films are streaming—is providing data every month for the Streaming Ratings Report on the size of each streamer’s catalogue, along with the new shows and films for each streamer. Yay! Previously, I had pulled “new shows on streamers premiering on the first of the month”: While I liked that data cut, it was a big wonky since it didn’t show all of the new shows or movies that came to a streamer each month. Instead, I would have preferred something like this from Reelgood’s annual report: And now we have it! I’m going to feature Reelgood’s data monthly, showing both total catalogue size and new shows and films appearing on the charts. That’s going to make these two cool new charts. First, here’s the size of various streamers’ film catalogues… (By the way, Reelgood offered to make the charts for me, but I like doing that task by hand to understand the data better.) They also provided data back to last year. Here’s the number of films timeline: And here are the new films on each streamer for the month prior to Aug: As I get used to this data, I plan to keep tinkering with how I display it, but I’m excited to feature it monthly. Today, I’m sharing the film charts; next issue, I’m going to feature TV shows by streamer. Now, in full disclosure, Reelgood is a sponsor of this little-newsletter-that-could. But in my constant quest to figure out what streamer various shows and films are on, I was already a Reelgood user before this sponsorship. I go to their website all the time, and their data is very accurate on where shows are (or have been). Plus, I’ve been sharing their weekly top ten lists for years now, pre-sponsorship. For me, this is a great win-win, since I get to amplify a service I love, and I get a cool new data source to play with. Now, normally folks don’t usually mention their sponsors directly, but as I wrote before, as I start featuring ads in my newsletter, I plan to be extremely open about who is sponsoring my writing so you can trust what I write. Television - Two Big Returning Shows Look Set to Take Over The Charts One key question when it comes to judging streaming shows is whether a show is a “hit” or a “hit for them”. To be clear, the former means a show that’s one of the top shows on streaming, no questions asked. The latter means a show is one of the biggest, for a given streamer. That distinction makes a big difference! It’s really good to be one of the biggest shows on a streamer; it’s much better to be the biggest on streaming, despite the size of a streamer. Because, as we’ve seen now, nearly every streamer—while lacking the number of subscribers or usage of Netflix—can make hit TV shows: Paramount released Landman, whose first and second seasons were among the top two TV shows the year they came out. HBO Max’s The Pitt’s second season is the biggest show of the year so far. Love Island USA was the top show in 2025 for Peacock. And, crucially for today’s discussion: Wayyyyyyyyyyyyyyyyyyyyyyyyyy back in 2023, Ted Lasso was actually the top streaming show of the year according to Nielsen! So even Apple TV (formerly +) can make hit shows. It just doesn’t make them that often. And looking at the Nielsen charts this week, we have two prime candidates for this discussion: That’s right: Ted Lasso returned to Apple TV for its fourth season. Did it return in all its expected glory? Sure, though right now it’s still just a “hit for Apple TV”, but we’ll see how long it lasts on the charts. Its ten episodes are coming out weekly. (Smart choice, Apple!) Ted Lasso started out strong, actually making the Nielsen charts the week before new episodes dropped, which is a rare feat. (Shows like Stranger Things or Bridgerton have pulled that off. That’s terrific company to join!) On Nielsen, it opened to 14.4 million hours in its first week, and 16.6 million the week of 10-Aug. Here’s how that compares to previous seasons: Apple put out that this is their biggest TV launch through two days ever, and looking at the chart and Apple TV’s viewership history, I’d believe it. Here’s Apple’s top shows for season two and beyond: Other data tells a (mostly) similar story. Ted Lasso made Samba TV and it has elite IMDb scores, an insane 8.7 on 465K reviews. The only outlier is Luminate, where the latest season only had 7.4 million hours, and no other seasons made the top ten. As you’ll see below, that’s well below some other solid, but not spectacular shows like Sterling Point, Ride or Die or Furious. I’d be surprised if Ted Lasso isn’t bigger than those other shows, but it’s fine for different data sources to occasionally disagree. And while it’s sucky to bring this up, given that Warner Bros. produced this show, I do wonder how the streaming wars may have been different if Ted Lasso landed on HBO Max initially instead of Apple. I don’t think one show can make or break a streamer, but given HBO’s brand, it could have helped bring people to that streamer much earlier in its lifespan. (Though yeah, I don’t love calling out executives for passing on hit shows, since that’s just the nature of the job. Even the absolute best execs will pass on lots of successful shows. The key is not greenlighting the under-performers/misses.) The other show I’m thinking about in the “hit or hit for them” category is Lioness from Paramount+. Like Ted Lasso, its first season missed the charts, but it’s grown its audience since then. Here’s how season three opened: We’re just getting started with this issue, but the rest is for paid subscribers of the Entertainment Strategy Guy, so if you’d like to find out… How Lioness did on streaming... Two new melodramas for Netflix and Prime Video... Whether Netflix’s latest horror film saved its summer... Hulu’s Furious and Prime Video’s Ride or Die continuing their strong runs... The latest high profile showrunner to flop on streaming... All the flops, bombs and misses... And a whole lot more... ...please subscribe! We can only keep doing this great work with your support. Next week, we’ve got a double issue—since the week of 17-Aug had very few notable new shows or films—so I’ll look at HBO’s Lanterns, Prime Video’s Reacher, Netflix’s Tires, Outer Banks (which posted up huge numbers four years ago), an Aussie romance, and another baseball event (that didn’t resonate). And a bunch of movies like the latest dramedy from an Adam Sandler daughter, Don’t Say Good Luck, Camp Rock 3 on Disney Channel and Disney+, Michael on Starz, and more. Later this month, we’ve got a ton of shows and films to analyze! Movies will be the big story, featuring a box office bomb (Supergirl on HBO Max) and an “underperformer” (The Mandalorian and Grogu on Disney+) contending with a bunch of star-studded straight-to-streaming films like Netflix’s The Whisper Man (Adam Scott, Michelle Monaghan and De Niro!), Mayday on Apple TV+ (Ryan Reynolds and Kenneth Branagh!), The Runner (Gal Gadot) and The Last Sunrise (Eva Longoria and Maia Reficco) on Prime Video. Plus, a ton of TV shows have sophomore seasons coming out. Will The Gentleman put up big numbers on Netflix or suffer from a sophomore slump? Leanne and Beauty in Black on Netflix seem small, but they both might be bigger than you think. Hulu has a bunch of shows: a new season of The Secret Lives of Mormon Wives (the first after all the controversy last year) and the second season of Chad Powers (from Peyton Manning’s production company and starring Glen Powell). This one flopped last year; can it score a touchdown this year? Same goes for FX’s Adults, which I didn’t track last year; will it hit this year? Peacock’s The Office spinoff, The Paper and Apple TV’s Dark Matter also return for second seasons. And Netflix has more Untold specials featuring Vince Young, Raygun (that horrible breakdancer) and Mr. T. Long term, Paramount+ is rebooting yet another franchise, Clueless, and I’m somewhat bullish on this new show. The talent attached (Alicia Silverstone) and creative Josh Schwartz and Stephanie Savage (of The O.C. and Gossip Girl) also feel solid...if they make it funny like the original.
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The Fox News Entertainment Newsletter brings you the latest Hollywood headlines, celebrity interviews and stories from Los Angeles and beyond.
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