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WEBTOON Entertainment Announces Unified International CANVAS Platform, Helping Creators Grow Their Audience and Earnings
WEBTOON Entertainment Inc. (Nasdaq: WBTN), a global entertainment company and home to some of the world’s largest storytelling platforms, today announced a u...
Reality TV thrives on messy people — but the Taylor Frankie Paul backlash reveals when audiences finally draw the line
Reality TV thrives on turning personal controversy into entertainment, but Taylor Frankie Paul’s backlash shows the line is crossed when audiences can no longer separate what they’re watching from rea...
Concern on campus as legal sports gambling grows during March Madness
Legal sports gambling is flooding broadcasts with ads during major sporting events like March Madness and reaching a younger audience.
Women’s Month Weekly: There’s never been a better time to be a girl in sports
With the influx of audiences now drawn to women's sports, younger girls are growing up in an environment that celebrates them.
‘The Price Is Right’ Contestant Loses Big After Listening to Audience
'You're not risking anything by going forward.'
‘The Price Is Right’ Contestant Loses Big After Listening to Audience
'You're not risking anything by going forward.'
Marathon has sold 1.2M copies across Steam, PS5, and Xbox
Alinea Analytics estimates show that Marathon has generated gross revenues of $55M via 1.2M copies sold on Steam, PS5, and Xbox: Looking at the split between Steam, PS5, and Xbox, Steam is clearly the main platform for Marathon, accounting for a little under 70% of the audience (800K copies sold). Meanwhile, PS5 takes about 19% (217K) and Xbox (including console, PC, and cloud) accounts for a bit over 11% or 133K. Marathon is technically a first-party Sony title, so seeing the home console struggle to break 20% of the volume is a notable data point for the ongoing platform-agnostic debate. PlayStation Studios online games will almost certainly continue being multiplatform (despite Sony reportedly pulling back on PC releases). Subscribe for free to get the most accurate games estimates in your inbox twice a week 🫶 Subscribe As for Marathon, the consensus among hardcore players who pushed through the awkward onboarding phase – myself included – is that it’s fantastic. The gunplay, aesthetic, and presentation are among the best in the shooter genre. A great game doesn’t always equal an immediate hit, though, as shown by our estimates. Things are looking lukewarm right now. But this might be one of those marathon-not-a-sprint situations. Had to, didn’t I? Why wasn’t Marathon a hit on the same level as Arc Raiders? One topic that came up in a lot of conversations at GDC this year was why Marathon hasn’t hit the same stratosphere as Arc Raiders. On paper, they’re both extraction shooters, and Marathon has the Bungie pedigree – the house that built the gold standard for gunplay in Halo and Destiny. Marathon’s neon-futuristic aesthetic also distinguishes itself from the gritty realism of Tarkov or the post-apocalyptic hope of ARC Raiders. But vibes can only get you so far for first impressions if the onboarding feels like a brick wall. Marathon is a sweaty PvP-focused experience with a first-time user experience and UI that I can only describe as dreadful. Players are dropped into a complex ecosystem where the UI, though visually striking, is functionally uninformative, forcing users to manually hover over nondescript, identical icons just to identify basic gear or weapon mods. This lack of clarity is compounded by punishing mechanics like a severe heat gauge for movement and a scarcity of vital resources, all without a clear tutorial or a low-stakes mode to learn the ropes. Most people – even top streamers and veteran shooter players – have no idea what’s going on in Marathon at first. Arc is on the complete other end of the spectrum. As we covered here and here, Arc Raiders offers a more collaborative, approachable loop where players often work together toward shared goals. And the objectives are instantly clear. To many players, this contrast only emphasised Marathon’s issues, especially during the testing period. Players understand the Arc Raiders loop within 30 minutes, while Marathon acts as a massive filter, chewing up newcomers and spitting them out before they can experience the depth of Bungie’s signature gunplay. What I’m getting at here is that the poor first-time user experience of Marathon’s Server Slam likely stifled launch sales, while the opposite was true for Arc. Let’s look at the pre-launch copies sold for each game during their respective Server Slams (launch-aligned) : Looking at the trajectory: Arc Raiders saw a massive 80% jump in copies sold during its three-day Server Slam (day -13 to -11). Players jumped in, realised the water was fine, and immediately opened their wallets. Marathon, meanwhile, saw a 49% increase in the four days following its Slam (Day -7 to -3). At the time of each game’s respective launch, Arc Raiders had nearly double the Steam footprint of Marathon – and word of mouth only continued to grow. Bungie could have had more time to fix the onboarding process had the beta happened earlier. But Marathon launched three days after the beta finished. These factors limited the launch sales quite a bit, I reckon. Marathon has found a niche audience, though Despite the friction-heavy start, the data suggests that those who survived Marathon’s onboarding are loving life. We’ve been tracking cross-platform DAUs, and while there’s the expected post-launch leakage, many players are sticking with it. After peaking at 478K total DAUs on its first Saturday, Marathon has settled into a respectable rhythm, holding 345K DAUs as of yesterday and averaging 380K DAUs across the weekend. Steam continues to do the heavy lifting here, consistently accounting for the lion’s share of the daily players. Players have been putting in the hours, too: On Steam, Marathon’s average playtime has climbed to 27.8 hours, significantly outpacing the console averages on PS5 (16.5h) and Xbox (17.3h). Even more telling than the averages: 22% of the Steam audience has surged past the 50-hour mark, and nearly 7% have already logged over 100 hours. Subscribe for free to get the most accurate games estimates in your inbox twice a week 🫶 Subscribe This data suggests that once the Bungie magic clicks, it hooks players deeper than the average extraction shooter. There’s also started to be a shift in the game’s discourse. Marathon launched as one of those games that’s cool to hate. But as Marathon’s 100-hour club grows, we’re seeing conversations around its mechanical merit outweigh the negativity. Several high-profile creators, who were initially vocal critics, have spent the last week coming around on the mechanical depth of the endgame. It’s a subtle but positive signal; the hate train is losing steam, and a new narrative about the game is emerging. Bungie faithfuls unite Another interesting metric in Marathon’s first few weeks is who, exactly, is playing. Bungie leans heavily on its prestige as the “makers of Halo and Destiny,” in its marketing, and that message has clearly hit the mark. On Steam, the gravity (hammer) of Bungie’s previous work is unavoidable. A staggering 78.2% of Marathon players also played Destiny 2. The trend carries across other platforms, with 74.2% of PS5 players and 82.7% of Xbox players also having played Destiny 2. The Halo legacy lives on, it seems. More on that in a bit. While Destiny 2 went free to play, these numbers still represent a high-intent migration of a fanbase that trusts Bungie’s specific brand of kinetic gunplay and cryptic world-building. The Xbox data adds another layer of legacy. About 85.7% of Marathon players on Xbox have played Halo Infinite, while over half of the Steam audience has spent time in Halo Infinite and 36.1% in the Master Chief Collection (a paid collection of the old Bungie-made legacy games). Interestingly, we see a 55.9% overlap with ARC Raiders on Steam. Overlap is even higher there on PlayStation (60.5%) and Xbox (66.5%). And there’s also significant crossover with Helldivers 2 on all platforms, too. Subscribe for free to get the most accurate games estimates in your inbox twice a week 🫶 Subscribe Bungie has found some of its fans with Marathon, and the challenge now is keeping this engaged in a high-stakes PvP environment when they’ve spent the last decade primarily enjoying the power fantasies of PvE. On that note… Go the full 26 miles? Or cut and run? Time for some could’ve, should’ve, would’ve. These things would have improved Marathon’s performance at launch: A more robust onboarding process, perhaps in the form of a short single-player/PvE campaign. We know Bungie fans love this stuff. A traditional arena-based mode akin to Destiny’s Crucible could have been a bridge for the cautious players who’d have been otherwise deterred by the Server Slam. It’s also a great palate cleanser after getting merked. Introducing a dedicated PvE environment would have similarly diversified the conversation and lowered the barrier for the Bungie faithful who found the pure PvP extraction loop too abrasive. PvE is safer than PvP these days. There’s an argument that a thin PvE mode would have just felt like a budget Destiny, potentially hurting the brand more. But given how dire the FTUE is, I think it would have been a net positive. Any kind of tutorialised loop that demystifies the stakes, really. While there is merit in a studio sticking firmly to a singular creative vision, and going all in on the hardcore extraction loop. Less forgiving is the technical reality is that the user interface and first-time user experience (FTUE) were not at a commercial standard for launch. Subscribe for free to get the most accurate games estimates in your inbox twice a week 🫶 Subscribe In a landscape where player time is oversaturated and the most contested currency, a flawed FTUE is a critical failure point. But it’s not all doom and gloom, as Marathon has an incredible, unique gameplay loop, suggesting that financial success is still attainable if Bungie can pivot effectively. Bungie and PlayStation now face a difficult strategic crossroads, though – one within a challenging games market. They could: Double down on Marathon with a long-term Rainbow Six Siege- or No Man’s Sky-style recovery plan, which is something I heard Last Stand Media’s Chris Maldonado mention last week. While this could be a sunk-cost fallacy in action, it could eventually yield the audience the game’s mechanical depth deserves. Shift focus toward the inevitable Destiny 3 or another project, mitigating the escalating opportunity cost and cutting their losses, so to speak. Doing both is an expensive proposition, given the high overhead and burn rate of operating out of Bellevue, Washington. With Sony recently demonstrating a lower threshold for underperforming studios and projects, the margin for error has vanished. Whatever happens, the next six months will determine whether Marathon becomes a cornerstone of Sony’s live-service portfolio or a cautionary tale of vision exceeding accessibility. I’m hoping it’s the former, because Marathon rocks. As always, hit subscribe to get updates on Marathon and other relevant games. Subscribe Want to get your hands on our data for yourself – for free? We’re offering a free trial of our platform for games companies. Send us a message here, or reply to this email, and we’ll set you up. The last word Reply to this email – or reach out here – if you have any feedback for the newsletter – or want to request a game for us to cover. [Alinea Analytics boasts the most accurate PC and console estimates in the business. Game makers use our platform to understand their audience, keep an eye on the competition, monitor sales trends, and spot new opportunities. We equip game studios and financial institutions with accurate data and the confidence to make smarter, data-driven decisions. Want to talk about all things games market data? We’d love to chat!]
Pacers Sports & Entertainment Launches Fieldhouse Media Network, Delivering First-Of-Its-Kind Global Media Channel for Partners
Deloitte and Yieldmo help PS&E to grow market size through first-party fan data while producing convertible ROI INDIANAPOLIS, March 24, 2026 (GLOBE NEWSWIRE) -- Pacers Sports & Entertainment today launched the Fieldhouse Media Network, a first-of-its-kind global AI-powered media platform built on authenticated sports fandom, giving brands measurable access to one of the most engaged audiences – the fan. Developed in collaboration with Deloitte and Yieldmo, the network leverages Yieldmo’s YMax.ai
Pacers Sports & Entertainment Launches Fieldhouse Media Network, Delivering First-Of-Its-Kind Global Media Channel for Partners
Deloitte and Yieldmo help PS&E to grow market size through first-party fan data while producing convertible ROI INDIANAPOLIS (March 24, 2026) – Pacers Sports & Entertainment today launched the Fieldhouse Media Network, a first-of-its-kind global AI-powered media platform built on authenticated sports fandom, giving brands measurable access to one of the most engaged audiences – the fan. Developed in collaboration with Deloitte and Yieldmo, the network leverages Yieldmo’s Ymax.ai, an advertising platform with a dedicated sports vertical, and Converge™ by Deloitte for Sports fan data platform built on Deloitte Ascend™ to activate first-party, authenticated data from approximately 250 million sports and entertainment fans worldwide in a privacy-safe, cookieless […]
Pacers Sports & Entertainment Launches Fieldhouse Media Network, Delivering First-Of-Its-Kind Global Media Channel for Partners
Deloitte and Yieldmo help PS&E to grow market size through first-party fan data while producing convertible ROI INDIANAPOLIS (March 24, 2026) – Pacers Sports & Entertainment today launched the Fieldhouse Media Network, a first-of-its-kind global AI-powered media platform built on authenticated sports fandom, giving brands measurable access to one of the most engaged audiences – the fan. Developed in collaboration with Deloitte and Yieldmo, the network leverages Yieldmo’s Ymax.ai, an advertising platform with a dedicated sports vertical, and Converge™ by Deloitte for Sports fan data platform built on Deloitte Ascend™ to activate first-party, authenticated data from approximately 250 million sports and entertainment fans worldwide in a privacy-safe, cookieless […]
We disagreed on politics. We agreed on wine. That was enough.
At the Virginia Governor’s Cup Gala in Richmond earlier this month, a very dapper gentleman approached me and introduced himself. In his light-colored suit and bowtie, he looked very Southern in a classical sense, the sort of Virginia Gentleman you used to see south of the Rappahannock as recently as my college days. “I’m a longtime reader and fan of your writing, if not your politics,” he said. His comment was the proverbial iron fist in a velvet glove, simultaneously conveying praise and disapproval while establishing boundaries. Man, I wish we still discoursed like this instead of shouting bromides and insults to try and “own” our opponents with a funny meme and a furrowed brow. Subscribe “Well, we’ll always have wine to share together,” I said, and thanked him for his kind words. We clinked glasses, exchanged pleasantries about the delicious gold medal-winning wines being poured that evening, and went our separate ways. Our exchange reminded me that more unites us than divides us. Wine brings people together to share a meal and a few hours of joy despite our differences.1 That’s why I refer to the wine community — including readers and consumers — rather than the wine industry. Together, we are so much more than production, distribution and sales statistics. A few minutes later the evening’s awards ceremony began. Applause grew as the 12 winemakers who made the top-scoring wines for the Governor’s Case took the stage, including a loud cheer for Jonathan Wheeler of Trump Winery and his 2018 Blanc de Noir sparkling wine. All the winemakers on stage had reason to be proud, Wheeler perhaps more so. Trump Winery was the only winery to win six gold medals in the competition this year. (Wineries are limited to six entries.) Two of Wheeler’s ciders also won gold medals in a separate competition. When you cover the labels and take the sour taste of politics off your palate, the wines are pretty darn good.2 Then Gov. Abigail Spanberger, newly elected Democrat and Virginia’s first female governor, was introduced to great applause to announce which of the 12 wines had won the Governor’s Cup. She spoke for a few minutes about the importance of wine to Virginia’s economy and tourism and the international acclaim Virginia wine has received. Just two weeks earlier, she gave the Democrats’ response to Trump’s State of the Union speech, but this night wasn’t about politics. That didn’t stop several people in the crowd from speculating on the irony should she have to present the trophy to Trump Winery. In the end, Valley Road Vineyards was displayed on the screen behind Spanberger as the winning winery. Blue Bee Cidery in Richmond took top honors for that category. The crowd cheered a female governor presenting the state’s highest trophy to a female winemaker and then resumed the evening’s festivities, united by their mutual love of wine. A whiff of politics couldn’t dim the cheer of celebration and a community united by its love of wine. In Memoriam: Michel Rolland The global wine community lost a giant March 20, with the passing of Michel Rolland. He was 78. Rolland was the original “flying winemaker,” a globe-trotting consultant who helped Bordeaux regain its mojo in the 1970s and then shaped the rise of Napa Valley cult Cabernet as consultant to Simi, Harlan, Newton, Screaming Eagle, Araujo, Dalle Valle and other wineries. He was instrumental in Argentina’s rise to prominence and even had his own winery, Clos de los Siete, in a partnership with other wine families. Rolland’s career arc paralleled that of Robert Parker, the world’s most influential critic. Parker championed many of the wines Rolland consulted on, helping build his reputation and demand for his services. It also made him a target for Parker’s critics. As W. Blake Gray wrote on Wine-Searcher in his excellent tribute to Rolland: Rolland created the type of wines Parker loved: rich body, plenty of fruit, soft tannins. He sometimes faced the accusation of creating a generic international style of red wine, where the great wines he made in Argentina were indistinguishable from the great wines he made in France. Rolland chafed at that critique, as did many of his fans. He was credited with championing green harvesting and leaf pulling, as well as careful selection of grapes in the winery, practices we nearly universally think of today for high-quality winemaking. “Michel was an incredible innovator who changed how wine was made and how grapes were grown,” Napa Valley winemaker Aaron Pott wrote on Facebook. “His work has transformed the wine trade. He created new ways of looking at wine, tasting wine, evaluating ripeness and quality. … This was not just a man with a ‘style’ that he imposed on vineyards but a man that understood how to make great wine from great sites.” Rolland started his consulting company in 1973 in Libourne, in Bordeaux, with his wife, Dany. Both had graduated the year before from Bordeaux’s Institute d’Oenologie. The couple sold their majority share in the business in 2020, according to Wine Spectator. Over his career, Rolland reportedly worked with more than 100 wineries in 20 countries. He even made it to Virginia, where he consulted for Kluge Estate in the mid-2000s. (Kluge Estate is now Trump Winery.) Reader feedback, please! Last week, I did my first WineLine Live! with Dr. Laura Catena of Catena Zapata winery in Argentina. We enjoyed a fascinating discussion about her efforts to preserve the genetic heritage of old vineyards in Mendoza. I conceived of WineLine Live! for paid subscribers, as a thank you for your financial support. And while only a few people joined live, the video now has more views than I have paid subscribers, so I guess that’s pretty good. Even so, I’m considering opening future installments to anyone on Substack to reach a broader audience. So my questions to you: Should these be public? And what format do you prefer? Live gives a chat feature with the potential for viewers to interact with me and the guest, while a video post would just be that. Another alternative is a podcast, which would just be audio, without video of my chins. Please let me know in the comments. Leave a comment In the Glass A few wines I’ve enjoyed recently: Bonny Doon Vineyard Take Me to Your Liter, Le Cigare Volant, Red Wine of the Earth. 2023, Central Coast, CA. Blend of Grenache, Syrah Cinsaut and Petite Sirah. Delightful wine with expressive red fruit flavors, casual drinking. Doon lovers of a certain age will remember Randall Grahm’s Big House Red; this is more in that style than his original Le Cigare Volant, modeled after Chateauneuf du Pape. The liter bottle makes it an even better value. I see this online at about $15. Great value. Albert Bichot Bourgogne Pinot Noir Origines 2023. 13% - Textbook pinot noir and an excellent, affordable entry (regional) Burgundy. Wine Enthusiast Top 100 Wines of 2025. $24 at Total Wine & More. Loma Larga Pinot Noir 2021 “Coastal Cool Climate Wine”, Valle de Casablanca, Chile. An older sample, showing beautifully. Spicy and fruit forward. I’m seeing widely varied pricing online, from $18-$32. At the lower end, it’s a terrific value. 13.5% Dr. Loosen Riesling Dry 2016, Mosel, Germany. Found this “in the stack.” And it stacked up well, shedding some of its youthful acidity for opulent Riesling character, including a hint of the mineral oil older Riesling often features. A great value, as I’m seeing it as low as $14 online. 12% abv. Red Tail Ridge Blau Franc Blend 2024, Sans Oak, Finger Lakes. 13.4% abv. The name is a neat portmanteau of Blaufrankisch and Cabernet Franc, thus Blau Franc. The blend is 50-50, no oak involved. The Blau dominates on the palate, with the spicy caraway seed (think New York deli rye bread). The Franc adds body. The result is juicy, energetic and joyful. Sokol Blosser Estate Rosé of Pinot Noir 2025, Dundee Hills, Willamette Valley, Oregon. This first rosé of 2025 was a welcome respite to our cold, snowy winter here in the Mid-Atlantic. Oh man, I needed this! Bright and energetic, exuberant even, it perks up the mood and goes down fast. 13%. Certified B Corp. Ingredient and nutrition labeling, and in a modest way that doesn’t occupy a lot of label space. (Since it’s not required, presumably there are no minimum font size requirements.) More wineries should follow this example. Dave McIntyre's WineLine is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. Subscribe Thanks for reading Dave McIntyre's WineLine! This post is public so feel free to share it. Share 1 Some restraint may be required. 2 Especially the bubblies.
The Monday Outlook: Project Hail Mary and the Science Behind Blockbuster Sci-Fi
Project Hail Mary is the latest sci-fi blockbuster to stretch the bounds of audience imagination and stir the curiosity of real scientists. But the science driving films like Project Hail Mary, Interstellar and The Martian isn’t all fictional: at UChicago, researchers exploring the cosmos and decoding the origins of life are making discoveries that would feel right at home on the big screen. This week's Monday Outlook features scientists from UChicago and Argonne National Laborat
SP40 Restomod Is Built Around The One Ford That Edsel Actually Got Right
Carbon-bodied SP40 brings the style of Edsel Ford’s one-off speedster to a wider audience
How LuGus Studios Turned a Viral Prototype Into a Successful Business
LuGus Studios discusses building Liftoff, growing a niche drone sim audience, and sustaining a 15-year indie studio through community-driven development, iterative workflows, and a focus on impact over scale.
Drew Barrymore says talk show audience member once criticized her dating profile
Drew Barrymore is remembering the time an audience member on her talk show gave his honest thoughts about her dating profile: 'I would probably run away.'
Oscar-Winning Alumnus Returns to Pasadena’s ArtCenter for Entertainment Design Expo
One week after winning the Academy Award for Best Animated Feature, KPop Demon Hunters co-director Chris Appelhans returns today to ArtCenter College of Design, the Pasadena campus where he studied illustration, for the college’s third annual Entertainment Design Expo. The expo, known as ENTX, opens the Hillside Campus to the public for a full day of gallery exhibitions, game playtesting, animation screenings and interactive experiences featuring work from more than 200 ArtCenter students and alumni. General admission is free with advance registration. Two industry panels — including Appelhans’s talk — require $15 tickets. Appelhans, who graduated from ArtCenter with a bachelor of fine arts in 2002, co-directed KPop Demon Hunters with Maggie Kang. The animated film, produced by Sony Pictures Animation and released on Netflix, became the streaming platform’s most-watched film in history, according to Netflix, and swept awards season with wins at the Golden Globes, the Annie Awards and the Grammys before taking the Oscar on March 15. His talk and audience Q&A is scheduled from noon to 1 p.m. in the Ahmanson Auditorium. Doors open at 11:30 a.m. The film’s ArtCenter ties extend beyond its co-director. Art director Angela Sung, cinematographer Gary H. Lee, visual development artist Celine Kim and painter Simon Baek are all ArtCenter graduates who worked on the production, according to the college. The free portions of ENTX include a concept design showcase, a production design gallery, a model gallery, a stop motion studio preview, an alumni gallery and a KPop Demon Hunters fan art gallery. Visitors can also playtest games designed by ArtCenter students. An Animation Shorts Showcase runs from 2 to 3 p.m. and includes “Boy, I’m Scared,” a capstone short by ArtCenter graduate Lindsey Tenaglia that was named a semifinalist for the 2025 Student Academy Awards in the animation category. Also screening
'Peaky Blinders: The Immortal Man' writer says Tommy's ending was always the plan
Steven Knight has always known how Tommy Shelby's story would end, and with 'Peaky Blinders: The Immortal Man,' he's finally shared it with audiences.
Entrepreneurs pitch business ideas to investors during Utah filming of 'Meet the Drapers'
A group of entrepreneurs took turns giving pitches in front of venture capitalists and an audience during a live recording of
Why scientists can't get a laugh
Humor is hard to pull off in front of a cold audience, full stop.
“Loyal Slaves” and Campfire Entertainment in Frank Vizetelly’s Confederate Camp
Frank Vizetelly’s illustration titled “Night Amusements in the Confederate Camp” appeared in the Illustrated London News on January 10, 1863. It was one among a number of wartime scenes that Vizetelly captured for the newspaper. Subscribe Following the war, the illustration appeared in a number of books, including John O. Casler’s Four Years in the Stonewall Brigade (1893) and Campfires of the Confederacy (1898) by Ben La Bree. The scene depicts a Confederate camp at night with an enslaved man, most likely a camp servant, performing a dance around a fire with the music provided by a soldier playing a banjo. Another enslaved man looks on at the right. Vizetelly likely witnessed the scene—one that would have been common throughout the war. It’s a wonderful example of the way in which Confederates—slaveowners and nonslaveowners alike—experienced the presence of slave labor in the army. Vizetelly was deeply sympathetic to the Confederate cause. His depiction of the enslaved man as more than happy to entertain the very people who were fighting to keep him enslaved was precisely the kind of image designed to reassure a British audience that slavery was benign, and by implication, that Britain need not feel morally troubled about recognizing or supporting the Confederacy. Share Just as importantly, the sight of a dancing slave reassured Confederates themselves that the institution of slavery remained secure even after President Lincoln signed the Emancipation Proclamation. I’ve come across this illustration many times before and I plan on using it in my next book project on the role of enslaved labor in the Confederate army during the Gettysburg Campaign, but this is not the reason I am sharing it with you today. It has to do with where I recently found it, which came as a complete surprise and is incredibly revealing. Let’s take a look.
10 tried-and-true methods to stay off your phone, according to our readers
We asked our audience to share the creative ways they limit their own phone use. They range from the practical (keep your phone in another room) to the creative (pair your phone with a fun paperback).
Markiplier to Microdramas: The Ankler x NAB Show’s Future of Entertainment
Share Subscribe Vegas, baby! The Ankler is heading back to NAB Show for a second year in a row — and doubling down on conversations with the smartest people in the industry. From April 18–22, we’re partnering again with the industry’s biggest media and tech gathering to break down the Business of Media and Entertainment as it’s actually evolving: faster, riskier and increasingly driven by new formats, new audiences and new power players. This curated series will bring together top creators, executives and innovators to tackle the forces reshaping the industry — from the AI disruption of Hollywood’s creative ecosystem to the rise of the creator economy, shifting audience behavior and the changing economics of production. We’ll be rolling out more programming in the coming weeks — including top speakers from leading AI studios, prediction markets and beyond — so keep an eye on the Business of Media and Entertainment hub. But first up, we’re announcing two panels about what’s actually working in Hollywood: The Scary-Smart Business of Horror A good scare has become one of the entertainment economy’s most reliable engines. With disciplined budgets, built-in fandoms and global box office upside, horror consistently outperforms. From theatrical releases to streaming-first originals and creator-driven IP, the genre is artistically flexible and financially durable — and one of the last truly communal experiences for Gen Z and Gen Alpha audiences. Join YouTube creator Mark Fischbach, aka Markiplier, whose independent feature Iron Lung earned more than $50 million at the global box office, Atomic Monster president Michael Clear and screenwriter Akela Cooper (M3GAN, Malignant) for a conversation moderated by Like & Subscribe’s Natalie Jarvey about why horror travels so effectively across platforms and borders, how studios and independents are building sustainable genre pipelines and why the next wave of breakout franchises may emerge from unexpected sources. Inside the Microdrama Boom Short-form serialized storytelling is having a major moment. Microdramas, social-native series and creator-led narratives are capturing massive audiences with low-cost, rapid production cycles and direct-to-fan distribution. What was once dismissed as niche or experimental is now attracting major platform investment. Moderated by Jarvey, this panel of microdrama creators and executives — including one of the format’s top stars and producers, Kasey Esser, and Dhar Mann Studios’ head of vertical content, Erin McFarlane — examines how format innovation, fandom dynamics and algorithmic discovery are reshaping the economics of scripted storytelling and what traditional studios can learn from these agile models. For sponsorship opportunities, contact Lynne@theankler.com Share
'View' stars grill guest cohost who said economy is 'in pretty good shape'
'The View' cohosts grilled guest star Sara Eisen after she said the U.S. economy is 'in pretty good shape,' a claim that made the studio audience laugh.
How YouTuber Caleb Hammer built a big business on debt call-outs
Caleb Hammer, who built a large audience by blending personal drama with money advice, has parlayed that into a lucrative subscription business.
What Business Leaders Can Learn From A Symphony Orchestra
How Montreal Symphony Orchestra leaders balance artistic excellence and business strategy, offering lessons in leadership, innovation and audience growth.
Entertainment Industry Foundation Launches EIF Studios for Social Impact-Focused Content
“EIF Studios will allow us to shepherd important stories from around the world to reach an audience that can make a real impact on the outcome,” said EIF president and CEO Nicole Sexton.
Entertainment Industry Foundation Launches EIF Studios
“EIF Studios will allow us to shepherd important stories from around the world to reach an audience that can make a real impact on the outcome,” said EIF president and CEO Nicole Sexton.
PWHL reaches TV deal with Scripps Sports to air Walter Cup Finals to national U.S. audience in May
“Fans shouldn’t have to wait another four years to experience this level of passion, skill and drama. So we’re keeping the momentum going.”
PWHL reaches TV deal with Scripps Sports to air Walter Cup Finals to national U.S. audience in May
“Fans shouldn’t have to wait another four years to experience this level of passion, skill and drama. So we’re keeping the momentum going.”
FreeWheel Integrates Tunnl Audiences to Accelerate Political and Public Affairs Targeting Across CTV for 2026 Campaigns
NEW YORK, March 18, 2026--FreeWheel Integrates Tunnl Audiences to Accelerate Political and Public Affairs Targeting Across CTV for 2026 Campaigns
Oscars 2026: Viewership figures in decline as audiences drop by nine per cent
Compared to 10 years ago, this year's Oscars ceremony has lost 16 million viewers... What's behind the drop?View on euronews
Trump's war rhetoric is coarse. It's also heard differently, depending on the audience
President Trump and other administration officials have projected confidence and power in Iran in a coarse tone that is unprecedented, according to experts in wartime rhetoric.
NBC's 'Access Hollywood' is canceled as daytime TV audiences shrink
Talk programs "The Steve Wilko Show" and "Karamo" will also end, reflecting the shift to streaming and the decline in daytime TV viewing.
PWHL to reach national U.S. TV audience with Scripps Sports to broadcast neutral site game in Detroit
The Professional Women’s Hockey League is coming to a TV set near you in the United States. The league announced its neutral-site game at Detroit on March 28 between the New York Sirens and Montreal Victoire will be the first accessible to a national U.S. television audience.
PWHL to reach national U.S. TV audience with Scripps Sports
The Professional Women's Hockey League is coming to a TV set near you in the United States.
CERN Science Gateway celebrates its 1000th science show
CERN Science Gateway has reached another milestone: the delivery of its 1000th science show! Since opening its doors in October 2023, Science Gateway has welcomed nearly 900 000 visitors of all ages to explore the fundamental questions of the Universe. Among its most popular activities are the science shows – dynamic, interactive demonstrations led by CERN guides and tailored to a broad audience of different age levels, including school groups, families and the general public. Designed to make complex scientific concepts accessible and entertaining, these live shows combine spectacular experiments, multimedia elements and audience participation. From the physics of particle collisions to the properties of superconductivity, electromagnetism and cryogenics, the science shows translate the research carried out at CERN into engaging visual experiences. Visitors might see superconductors levitate, follow particles through different detector layers or discover the beauty in phase transitions. Each demonstration is carefully crafted to spark curiosity while maintaining scientific accuracy. Members of the CERN community are of course warmly invited to visit CERN Science Gateway with their family or friends and attend one of the science shows. To register, please visit this page, and don’t forget to check the programme for the coming days. Become a CERN guide and run your own super-cool science show (and more)! To become a CERN guide, you can join the introduction course held every 3–4 weeks, which will give you an overview of what being a CERN guide entails. From there, further courses are available depending on what type of guide you would like to be. Because, of course, CERN guides are needed everywhere at CERN. If you imagine yourself as a more ‘traditional’ guide, you should know that there are currently more than ten exciting visit points in CERN’s visits portfolio, such as the Antimatter Factory, the ALICE experiment (surface), the Alpha Magnetic Spectrometer (AMS) control room, the ATLAS experiment (surface), the CERN Control Centre (CCC), the Data Centre, the LHCb experiment (surface), the Synchrocyclotron (SC), the SM18 test facility and the newly inaugurated Linac2 visit point. Indeed, CERN’s Visits Service and Visual Impact and Exhibitions Section recently collaborated on redesigning the Linac2 visit tour, which has just reopened to the public after several months of renovation work. The new tour offers visitors and guides alike an enriched, more immersive experience, designed to highlight the history and scientific significance of this major facility. So, fancy becoming one of the insiders? Join the introduction course, check the guides website or contact guides.manager@cern.ch. And remember, becoming a guide can benefit you, too.
Georgia Independent Wrestling’s Empire of Entertainment
“I remember just standing there that night, and I could feel this connection between the fans and the performers in a way that I hadn’t really ever felt before, which makes sense now that I know more about wrestling, because fans really have agency over the action in the ring. The louder they cheer, the more the wrestler is going to labor to his feet. Wrestling doesn’t really work without an audience,” says Athens journalist Alison Lyn Miller, who published the nonfiction book Rough House: A Father, a Son, and the Pursuit of Pro Wrestling Glory earlier this year. Miller wasn’t a wrestling fan when she attended the now-defunct Southern Violence And Wrestling match back in 2019, but her passion […]
Get to know Aaron Parnas – the liberal social media star making waves
At 26, Aaron Parnas has built a 7.5‑million‑follower audience delivering news with his catchphrase, “We have some news right now.”
Former Obama adviser warns of uncertain path in Iran during annual Samuel C. Waters Lecture in Political Science at Presbyterian College
With tensions escalating in the Middle East following recent U.S. attacks on Iran, former White House deputy national security adviser Ben Rhodes told a Presbyterian College audience that the long-term […]
A Sports Frenzy for the Most Valuable Influencers
To reach young audiences raised on social media, leagues are giving content creators access to marquee moments.
\'\'Little Women,\' Carousel,\' \'Oklahoma!\" among theater stage openings in March in Lancaster County
As we head toward the beginning of spring near the end of next month, Lancaster County stages are offering audiences a bouquet of plays, musicals, cabarets and more throughout March.
Public opinion is the strongest political force, Pelosi tells UVA audience
The UVA Center for Politics also presented U.S. Rep. Nancy Pelosi with its Defender of Democracy award.
Trump’s State of the Union left some viewers unconvinced that he’ll lower cost of living, CNN poll finds
President Donald Trump’s State of the Union address drew largely positive marks from a heavily Republican audience, according to a CNN poll conducted by SSRS.
Buckle up. Trump's combative State of the Union signals storms ahead
The split-in-half audience − one side standing and cheering, the other sitting on their hands − was a portrait of the nation’s political divide.
“The View” nixes studio audience for second day in a row amid dramatic conditions
Whoopi Goldberg welcomed herself back to the show after a storm prevented her from entering the studio.
The State of the Union brings a big audience for Trump. But does it matter?
The carefully crafted speeches are more likely than ever to be drowned out by memes and partisan fireworks.
Hotmail Founder Sabeer Bhatia Slams Dhurandhar: 'Watching Senseless Killings Is Not Entertainment'
Sabeer Bhatia expressed particular concern about the film's impact on younger audiences
The State of the Union brings a big audience for Trump. But does it matter?
In the age of algorithm-driven social media feeds, the audience for the speech is increasingly fragmented and entrenched in their political positions.
Uniting to respond to mental health impacts of digital violence
Technology-facilitated gender-based violence (TFGBV), from doxxing and cyberstalking to cyberbullying and online harassment, is reshaping how women and girls navigate digital spaces. Globally, an estimated 23% of women have experienced digital violence. In Indonesia, reported cases of TFGBV reached 1,791 in 2024, a 40.8% increase from the previous year. Yet very few survivors seek help, leaving lasting effects on their mental health and wellbeing. As part of the multi-UN agencies UNiTE campaign for the 16 Days of Activism against Gender-Based Violence, the World Health Organization (WHO) and the Ministry of Health (MoH) co-hosted a talk show on 6 December 2025 to spotlight this urgent issue. The event brought together voices from Meta, the Indonesian Clinical Psychologist Association and Dr Vivi Syarif, a WHO Fides content creator, creating a cross-sectoral dialogue on the magnitude and mental health impact of digital violence. The talk show introduced psychological first aid as a vital initial intervention that communities can provide to survivors. This intervention aligns with the Psychological First Aid: Guide for Field Workers, a framework that has been standardized for over a decade. The "look, listen, link" approach focuses on ensuring safety and urgent needs, reassuring survivors and connecting them to appropriate services. In addition to this public health approach, Meta also outlined mechanisms to respond to digital violence and reaffirmed its commitment to building safer digital spaces by continuously updating community guidelines based on user feedback. Such collaborative discussions help connect community engagement initiatives with daily digital life. They empower audiences not only to understand how the health sector and industry are responding, but also to educate others, promote first-line support and encourage referrals to appropriate help. By fostering awareness and engagement, these dialogues strengthen collective resilience against digital violence. Written by Jessie O. Yunus, National Professional Officer (Gender, Equity, Rights and Disability Inclusion), WHO Indonesia
Post-MLB, ESPN rebooting its Sunday night with ‘Women’s Sports Sundays’
ESPN replaces its longstanding Sunday night MLB game with WNBA and NWSL, both surging in popularity with TV audiences.
Creator franchise profile From social channels to entertainment ecosystems
The creator economy is moving into a new phase where audience ownership, rather than audience reach alone, is the primary driver of growth. Social platforms remain critical for discovery and scale, but their revenue-share models and control over audience relationships limit how much value creators can capture.
Getting hands-on with LEDs and logic to make science tangible in the classroom
How do you make the complex reality of chips and electronics accessible to a broad audience? TU/e researcher Elles Raaijmakers believes an educational game can do just that. In the game I.C. Tycoon (working ...
$2,600 per month health insurance premium: ‘The math isn’t math-ing’
Insurance premiums are exploding across Florida — and for one retired math teacher in The Villages, the numbers are staggering. After nearly 30 years in the classroom, Michael Fell medically retired and moved to The Villages with his wife, Dawn. Instead of enjoying retirement, he’s trying to solve what may be the most baffling equation of his life. “The math isn’t math-ing for us,” Fell said. Last year, Fell paid $723 a month for coverage through Florida Blue. In January, after enhanced federal health care subsidies expired, the bill jumped to more than $2,600 a month. “Which caused our premium to go up by about 259%. I’ll throw some math out there for the audience as a former math teacher,” Fell said.
SEC’s Atkins praises Texas, Business Court as defections threaten corporate ‘Dexit’
“If Texas builds it, companies will come,” Wall Street’s top cop told an audience in Dallas.
Behind the numbers: BRIT Awards 2026 nominees
Viberate Analytics reports on the 2026 BRIT Awards nominees, analyzing audience engagement through streaming and radio metrics. Olivia Dean and "Man I Need" emerge as standout performers.
Northland seen as paradigm of film industry development
A panel at Explore Minnesota's annual tourism conference highlighted the successes Duluth and the Iron Range have had attracting filmmakers and audiences.
Call of Duty: Warzone Mobile servers to shut down in April 2026
Game "did not meet expectations with mobile-first players like it has with PC and console audiences," says Activision
Rubio tries to reassure skeptical European allies but follows Trump's vision for a reshaped alliance
Rubio addressed the conference a year after Vice President JD Vance stunned the same audience with a harsh critique of European values.
Ego Nwodim draws gasps from 'Jimmy Kimmel Live' audience after admitting she's never seen this classic film
Ego Nwodim faced the wrath of Jimmy Kimmel's live studio audience after admitting that she's never seen a certain classic film: 'I thought this was a safe space!'
Pam Bondi Crashed Out for a Bizarre Reason. She’s Not Alone.
Pam Bondi is a captive to the “audience of one.” The nation is too.
Jimmy Kimmel shocked by audience member on vacation with just his mother-in-law: 'Where's your daughter?'
Jimmy Kimmel was shocked to learn that one of his audience members was on vacation with just his mother-in-law: 'Where's your daughter?'
India Digital Ad Spend Business Report 2026: A $20.46 Billion Market by 2029 - Google and Meta Retain Budget Share, ShareChat, Dailyhunt, and InMobi Scale Through Regional Content
Key market opportunities in India's digital ad market include regional content targeting non-metro audiences, growth in influencer-led social commerce, increased CTV investments, and advancing adtech for AI and compliance. Retail media is emerging as a vital channel, with strategic partnerships enhancing ecosystem expansion. Indian Digital Ad Spend Market Indian Digital Ad Spend Market Dublin, Feb. 10, 2026 (GLOBE NEWSWIRE) -- The "India Digital Ad Spend Market Size & Forecast by Spend Value Acr
'Melania' falls steeply and 'Send Help' holds steady at No. 1
Studios instead put their focus on advertising movies for the massive television audience
'Melania' falls steeply and 'Send Help' holds steady at No. 1
Studios instead put their focus on advertising movies for the massive television audience
Olympics Opening Ceremony Scores Record Audience for NBCUniversal
And NBC will likely get big numbers again on Sunday as the network airs both Super Bowl LX and its Olympics coverage.
Olympics Opening Ceremony Scores Record Audience for NBCUniversal
And NBC will likely get big numbers again on Sunday as the network airs both Super Bowl LX and its Olympics coverage.
Super Bowl commercials break with traditional male audience to target Gen Z and women viewers
Company executives are broadening their upcoming Super Bowl advertisements to appeal to more female and Gen Z viewers ahead of the Big Game Sunday night.
WPP Media beefs up its sports insights prowess with new partnership with Genius Sports
WPP Media's partnership with Genius Sports brings first-party audience data to the game, which may help lead to better outcomes for clients.
See how this Louisiana business became the largest outdoor advertising company in America
"Our audience is the driving public. As long as people get stuck in traffic, we’re in good shape."
Aluminium: Why Google’s Android for PC launch may be messy and controversial
The Verge is about technology and how it makes us feel. Founded in 2011, we offer our audience everything from breaking news to reviews to award-winning features and investigations, on our site, in video, and in podcasts.
PGA Innovation Showcase Immerses Audiences In Entertainment’s Future
The Producers Guild showcased five immersive experiences vying for this year's Innovation Award, led by Sphere's immersive Wizard of Oz, showing where entertainment is headed.
'Melania' documentary earns $7 million opening weekend
"Melania," which debuted in theaters on January 30, offers audiences a glimpse into first lady's life leading up to the 2025 inauguration.
E is for Entertainment
Want to hear from the biggest stars in Hollywood? You're in the right place! This week, Paul Milliken catches up with Emmy-winning actress Claire Foy, director Philippa Lowthorpe, and author Helen Macdonald for a first look at the soaring drama "H is for Hawk." Next up, we celebrate recent Oscar nominee Elle Fanning with a look back at last year's critical and commercial hit "Predator: Badlands." And finally, we're backstage at Lawrenceville's Aurora Theatre, where "The Play That Goes Wrong" is sending audiences into hysterics.
ENTERTAINMENT: Singer pays tribute to ‘Divas’; conductor comes ‘home’
Singer CeCe Teneal takes audiences on a musical journey through 50 years of chart-topping hits, “from the powerhouse anthems of Aretha Franklin and Tina Turner to the disco grooves of Donna Summer and the pop perfection of Whitney Houston,” in “Divas of Soul,” 7:30 p.m. Tuesday at the Center for Humanities and Arts Theatre, University of Arkansas-Pulaski Technical College.
Magic use big 4th quarter to flip script vs. Raptors
ORLANDO, Fla. — When the Magic lost to the Raptors by one point on the road on Dec. 29, Orlando squandered a 21-point first-half lead at Toronto. On Friday night inside Kia Center, it was Toronto that gave up a 14-point lead on the road playing in front of a national TV audience on ESPN. During a contest that featured 12 lead changes, coach Jamahl Mosley‘s squad fought back-and-forth with the ...
CIO says academia has some lessons to teach health IT pros
"A significant portion of any leadership role is explaining the 'why' and 'how' of a change to diverse audiences," says Bruce Barnes of Brooke Army Medical Center, ahead of his HIMSS26 presentation on the value of higher education.
Science Politics communicates science, tech and policy to a broad audience | School of Foreign Service
Science Politics, a new STIA publication, blends academic rigor with journalistic storytelling to reach scholars, policymakers and the general public.
Science Politics communicates science, tech and policy to a broad audience | School of Foreign Service
Science Politics, a new STIA publication, blends academic rigor with journalistic storytelling to reach scholars, policymakers and the general public.
Beyond Entertainment: When Theatre Makes You Think
Three plays performed as stage readings February 6-8, features an audience talk back afterwards, with complimentary desert and coffee. A fundraiser as well for the Bear Theatre ($25 tickets, $50 for all three shows), located inside Community High...
Chia Pet Film and TV Rights Acquired by Rakia Media and Crystal City Entertainment: ‘We Can’t Wait for Audiences to Check Out the World of Chia in Theaters’ (EXCLUSIVE)
A Chia Pet movie or TV show could be on the horizon, as the media rights to the classic gift brand have been sold.
Caitlin Clark joining NBC Sports for its new Sunday night NBA pregame show
Clark's crossover appeal will be on display for a national NBA audience.
UFC Makes Paramount+ Debut Averaging 4.96M Live Streaming Views
The UFC’s heavily promoted debut on Paramount+ delivered an average minute audience of 4.96M viewers on Saturday night, per data from parent company Paramount Global on Monday. The company says that UFC 324, which saw Justin Gaethje defeat a bloody Paddy Pimblett in the main event, marked the biggest exclusive live event on Paramount+ to-date. According …
Gap’s New Chief Entertainment Officer Role Could Be A Game Changer For Gap (GAP)
Gap Inc. recently appointed Pam Kaufman as Executive Vice President, Chief Entertainment Officer, and is opening a new entertainment-focused office on Sunset Boulevard in Los Angeles to expand its content, licensing, and pop culture collaborations across music, film, sports, gaming, and more. This move signals Gap Inc.’s push to reposition its brands at the center of “fashiontainment,” using entertainment partnerships and cultural storytelling to broaden audience engagement while core brand...
Ranked Red Rocks spoil home opener for Iowa State
Iowa State’s gymnastics team fell to No. 12 Utah Sunday in their home opener for the season. The Red Rocks won the meet with a score of 195.725-192.300. The meet was broadcast to a national audience on ESPN, the first ever meet to originate from Hilton Coliseum on the network. The loss put the Cyclones […]
Screening highlights legacy of Utica’s Old Main
A new documentary explores the history of Utica’s Old Main asylum, with a local screening drawing a full audience at the Oneida County History Center.
Whole Hog Politics: Democrats find ‘reform’ a better rejoinder than ‘democracy’
[Watch Whole Hog Politics live: Join our live online audience on Jan. 30 and ask your questions to Chris Stirewalt and host Bill Sammon. Click here to join u…
WATCH: Trump brags about making CEOs 'very rich' at World Economic Forum reception
The president spoke to a wealthy audience at the Davos economic forum in Switzerland as Republicans back home press him to focus on affordability, a top concern for Americans getting squeezed by higher prices ahead of the midterm elections.
Rob Schneider critiques Hollywood's political shift and audience attention spans
Rob Schneider critiques Hollywood's political shift and audience attention spans
Laika’s New Distribution Partner? Fathom Entertainment, Which Isn’t Just for One-Off Events Anymore
After previously working with Focus Features, Annapurna Pictures, and United Artists Releasing, the stop-motion studio has picked a new partner to bring its film to audiences.
Laika’s New Distribution Partner? Fathom Entertainment, Which Isn’t Just for One-Off Events Anymore
After previously working with Focus Features and more, stop-motion studio Laika has picked a new partner to bring 'Wildwood' to audiences.
OpenAI ads could be $25B business by 2030, top tech analyst estimates
ChatGPT could provide advertisers with a valuable "high-intent" engaged audience, siphoning marketing budgets away from Google, Mahaney says
Suds & Science
Ever thought that learning would be more fun with a cold drink in hand? We've got you covered! Suds & Science brings scientists face-to-face with the public at local neighborhood bars for a night of learning, drinking, and community that you won't want to miss! Highlights: - Fun and informative lectures from STEM professionals - Lively discussions between scientists and audiences - Connection with your community in a laid-back environment "Tentacle Tinder: How Cephalopods Decide When to Swipe Right" Cephalopods (the class of mollusks that includes octopuses, squids, cuttlefishes, and nautiluses) are renowned for their complex cognitive abilities and for their remarkable capacities to rapidly alter their body patterns for camouflage and communication. But behind the scenes, things get even stranger. Nearly all cephalopod females mate with multiple males and can store sperm for weeks to months. That means each female carries a tiny archive of potential fathers. So the big question becomes: when everyone is competing for a spot in that archive, how do cephalopod females decide who to mate with, and can they control whose sperm ultimately fertilizes their eggs? About the Speaker Theodora is a PhD student in Marine Biology at Scripps Institution of Oceanography, UC San Diego. Prior to starting at SIO, Theodora researched chronic reproductive pain conditions in New York, created marine science multimedia as a science communication intern at Point Reyes National Seashore, and studied cephalopod neuroethology as a research intern at Okinawa Institute of Science and Technology. Theodora currently studies the evolutionary and behavioral dynamics of female choice in cephalopods, with a focus on local California market squid. When she’s not doing research or underwater, Theodora can usually be found listening to or singing classical music. Fleet Science Center on Facebook / Instagram
Legendary Sells $150 Million Stake to Japanese Broadcast Giant TBS in Strategic Tie-Up
The broadcaster and 'Alice in Borderland' producer has ambitions to adapt Japanese IP for global audiences.
Has Joe Rogan fully soured on Trump’s presidency?
With a huge audience and serving as an avatar for millions of centrist Americans, Rogan compares ICE raids to Gestapo
How Prediction-Based Apps Are Blending Entertainment and Technology
Entertainment habits continue to evolve as audiences look for experiences that feel more interactive and connected. Prediction-based apps sit at the center of that shift, combining live entertainment with responsive technology to keep users involved in real time rather than on the sidelines. These platforms fit naturally into everyday media routines. They blend live events, […]
Stephen Colbert Audience Goes Wild For ICE 'Goon' Caught In Truly Embarrassing Moment
The "Late Show" host highlighted a small "bright side," and his studio audience loved it.
Audience for Golden Globe Awards telecast drops 7% from last year
The 83rd awards telecast, emceed by Nikki Glaser, averaged 8.66 million viewers across TV and streaming.
STARTO ENTERTAINMENT RINGS IN 2026 WITH 'COUNTDOWN CONCERT' GLOBAL STREAMING ON NETFLIX
Following a spectacular sold-out performance at Tokyo Dome, STARTO ENTERTAINMENT’s annual New Year’s Eve extravaganza, 'COUNTDOWN CONCERT 2025–2026 STARTO to MOVE,' is now available for global audiences to stream on Netflix. Featuring a powerhouse lineup of J-pop’s most influential artists, the showcase serves as a vibrant celebration of the agency's rich musical legacy and its promising future on the world stage.
Comment | In worrying times for politics and the environment, art can still provide hope
And the audience matters just as much as the artwork
How Meteorologists Make Science Personal When Reporting
Meteorologists learn that reporting on the weather means losing the jargon and focusing on impact for their audiences.