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D23 2026: Every movie and series announced and shown at this year's fan event
From 'X-Men' bombshells to Pixar sequels, here's what you need to know.
Box Office: ‘Spider-Man’ stays on top while two dino movies battle for third
Two dinosaur movies made a modest impact at the North American box office this weekend. “Paw Patrol: The Dino Movie” and “The End of Oak Street” battled for third place,
Box Office: ‘Spider-Man’ stays on top while two dino movies battle for third
Two dinosaur movies made a modest impact at the North American box office this weekend.
Box Office: ‘Spider-Man’ stays on top while two dino movies battle for third
Two dinosaur movies made a modest impact at the North American box office this weekend.
This Serial Killer Thriller Is My Favorite New Show Right Now
There are a ton of great shows and movies to watch right now, but my current favorite series is a serial killer thriller on Hulu, 'Furious'. The must-watch show stars Emmy Rossum as an FBI agent out to stop a killer. Here's my 'Furious' review.
Sunday Movie: Seattle Difference & Density Politics
Seattle is the opposite of every other US city. (Safety First) Is urbanism inherently left wing? (Oh the Urbanity!) (Warning: The end contains a Canadian rant on US policies.) The Alto high-speed r…
‘The New Simpsons Movie’ gets a sketchy 1st look from Disney
The Mouse House showed a rough sequence from the upcoming film during the studio's D23 showcase. Watch it now.
The Bluey Movie teaser shows Keepy Uppy in Disneyfied CG.
The good news: The beloved children’s series is coming to the big screen! The bad news: The charming 2D animation has been replaced with some bland 3D computer animation. And knowing Disney, we’ll probably get a soulless “live action” remake in about a decade. [Media: https://youtu.be/zZqTUZGMzpw]
I Can't Tell if I Hate or Love-Hate the #1 Movie on Netflix
It's not often that I watch a film and think 'what the hell am I watching,' especially if it stars powerhouse actors like Greta Lee and Wagner Moura. But 'The Last House' on Netflix was bonkers and confusing, even if it is the number one movie on Netflix. Here, my review.
Fans mourn 4 beloved TV & movie figures who died this week
Jon Cypher, Ben Jones, Tedde Moore and Gloria Kamen are among the beloved entertainment figures and familiar faces fans mourned this week.
Fans mourn 4 beloved TV & movie figures who died this week
Jon Cypher, Ben Jones, Tedde Moore and Gloria Kamen are among the beloved entertainment figures and familiar faces fans mourned this week.
D23 live updates: Exclusive trailers shown for new movies, shows
Meet Clay and Mooshy from Disney's "Clay," starring Kieran Culkin. This concept art shows the new film, hitting theaters November 2028.
‘X-Men’ movie cast confirmed: Sadie Sink, Kit Connor, and more announced
‘X-Men’ movie cast officially confirmed: Marvel reveals the new mutants coming to the MCU.
First-look ‘Tangled’ footage shows off Rapunzel costume and Mother Gothel’s grin
Disney revealed at D23 first-look footage for its live-action ‘Tangled’ movie, including costumes worn by Rapunzel, Flynn Rider, and Kathryn Hahn’s Mother Gothel.
The Incredibles 3 Confirmed as Disney Kicks Off D23 Entertainment Showcase
Violet, Dash and Jack-Jack will be the stars of the third Incredibles movie.
The Incredibles 3 Confirmed as Disney Kicks Off D23 Entertainment Showcase
Violet, Dash and Jack-Jack will be the stars of the third Incredibles movie.
Disney's D23: All the movies, TV series and more announced so far
This year's event, which is being held at the Anaheim Convention Center from Friday to Sunday, is bigger than ever.
Destination D23 2026: Movies news from Disney
Follow live updates from the D23 Disney Entertainment Showcase, with news from Marvel, Star Wars, Pixar, Disney television and more.
What to Watch: 7 best movies and TV shows to stream this week
Read our weekly round-up of the best movies and TV shows streaming across platforms.
'X-Men' movie recruits Adam Driver as Marvel's archvillain Mr. Sinister
ANAHEIM, Calif. — The X-Men are finally assembling in the Marvel Cinematic Universe.
Marvel's 'X-Men' movie recruits Adam Driver as archvillain Mr. Sinister
ANAHEIM, Calif. — The X-Men are finally assembling in the Marvel Cinematic Universe.
Matthew McConaughey Says This 2003 Movie Still Brings Him The Best ‘Mailbox Money’
He added that it’s “probably my favorite rom-com that I’ve ever done.”
The X-Files creator Chris Carter wanted to make a more horrific movie
He also believes Ryan Coogler is bringing something original to the franchise.
D23 Expo 2026 Entertainment Showcase: Every Disney Movie & TV Show Announcement (Live Updates)
Disney's D23 Expo is happening in Anaheim, California, and we have all the movie and TV show details from the Disney Entertainment Showcase, updated live.
D23 live updates: Here's every major announcement from Disney's ultimate fan event
From newly announced movies to rides coming to a Disney park near you soon, we have all the live updates from D23: The Ultimate Disney Fan Event.
D23 live updates: Here's every major announcement from Disney's ultimate fan event
From newly announced movies to rides coming to a Disney park near you soon, we have all the live updates from D23: The Ultimate Disney Fan Event.
Jeremy Strong reveals this about Mark Zuckerberg movie 'Social Reckoning'
Jeremy Strong has revealed he reached out to Mark Zuckerberg, and received a response back, before playing the Facebook entrepreneur in the upcoming movie "The Social Reckoning."
‘Spider-Man: Brand New Day’ villain Tramell Tillman reveals what was ‘frustrating’ about his role
‘Spider-Man: Brand New Day’ villain Tramell Tillman says this one thing about the Marvel movie was ‘frustrating.’
Matthew McConaughey's got buzz with 'The Rivals of Amziah King'
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BREAKING: Netflix to shut down two more game studios
Netflix is sticking with video games but once again reducing the number of studios it owns making games. The streaming giant is closing Los Angeles-based Night School studio, which it acquired in 2021 and plans to close Helsinki-based Moonloot, which was founded in 2022. Just six weeks ago, Night School had released Unhinged, a novel 30-minute first-person horror game, streamable on TVs to Netflix users. The game was hailed by Netflix co-CEO Greg Peters in a call with investors. Six weeks later, Night School is closing. Prior to its Netflix tenure, Night School had developed the award-winning supernatural thriller Oxenfree. A second Oxenfree game followed after the purchase, as well as a mobile game designed to tie in to an episode of the Netflix show Black Mirror. Netflix attributed the studio closures to a prioritization around kids gaming, party games, story-driven fare and games with mainstream hooks, such as a recently released FIFA game. “We see an opportunity to be more focused in our execution, so we are making organizational changes to the business to match those priorities,” a Netflix spokesperson told Game File. Netflix is also cutting jobs from its internal games team. A rep declined to say how many jobs were being lost by these cutbacks. “We are incredibly grateful to the talented colleagues we’re saying goodbye to today. We thank them for all their contributions to Netflix, and wish them the best,” the rep said. Netflix started releasing video games, initially on mobile as a free bonus to subscribers, in 2021. By 2023, Mike Verdu, then the head of Netflix’s game operations, was telling me that the company was committed to growing carefully, as it offered more games and built up internal game studios. At the time, it hadn’t made any gaming job cuts. Since then, Netflix has altered its approach. In 2024, it shut down Team Blue, a start-up studio led by ex-Call of Duty and Halo developers that was exploring making a high-end first-person game for the service. Last October, Netflix shut down another studio, Boss Fight, shortly after Peters praised the team’s Squid Game game to investors. (One of Boss Fight’s main developers now works on the Netflix FIFA game for outside studio Delphi.) And in December, Netflix sold cozy game studio Spry Fox back to its founders. Amid all of this, Netflix has shifted from emphasizing mobile games to offering games through TVs and PCs, via streamed connections, with phones used as controllers. That’s how Night School’s Unhinged worked, along with games such as Boggle and Party Crashers that have collectively helped the Netflix game controller app chart well on mobile app stores. The studio cuts leave Netflix with a central gaming team that works with external developers, and a dedicated first party studio in, Helsinki-based Next Games, which produced many of the company’s couch-centric party games. The move away from having a roster of internal game studios aligns with Netflix’s own approach to shows and movies, which are largely produced externally. The company owns few TV/film production studios of its own. The gaming industry overall is seeing large holders of multiple studios cut back, with Sony, Ubisoft, Embracer, Microsoft and other giants closing or selling off studios. Cuts in California-based studios, where costs often run relatively high, have been particularly acute. Netflix has faced skepticism about its gaming plans for years. The moves today are likely to fuel them, and the company has few upcoming projects to counter the narrative. Among the few hinted, acclaimed independent studio Don’t Nod said last year it was working on a game tied to a major Netflix franchise.
I looked inside an AI generated movie, and the best parts were all human
A deep dive into Higgsfield’s new AI-generated movie.
'Coyote vs. Acme' review: The movie Warner Bros. didn't want you to see is Looney Tunes at its very best
Starring Will Forte, John Cena and Lana Condor, "Coyote vs. Acme" was fated to be a tax write-off. Then fans spoke out.
Apple TV Just Added These 'Classic' Movies to Its Catalog for Free
Apple just added 19 classic movies to its Apple TV platform for free, including E.T., Titanic, and Arrival.
Apple TV Just Added These 'Classic' Movies to Its Catalog for Free
Apple just added 19 classic movies to its Apple TV platform for free, including E.T., Titanic, and Arrival.
Apple TV Gains Classic Movies Collection
Apple has again added a collection of classic movies to Apple TV that subscribers can now stream at no extra cost. The films are located in a new "Great Movies Available Now on Apple TV" carousel inside the Apple TV app. So far, free titles are showing up for subscribers in the United States, Canada, and the United Kingdom, with the exact selection differing by country.
You Can Now Watch Classic Movies Like The Martian, E.T. And Zodiac On Apple TV
Apple just made around 20 classic movies available for subscribers to stream.
Ranking the best sports movies of all-time ahead of Field of Dreams game
The Field of Dreams game has been one of the most beloved traditions in MLB since it started. In honor, we're ranking the best sports movies of all-time.
Apple TV just added a bunch of classic movies to stream for free
Marketed as a streaming service of originals, the Apple TV streaming service has been slowly growing its catalog of exclusive...
ArtBeat: Arts & Entertainment Showcase
Your weekly guide to East Tennessee arts, music, theater and entertainment. Aug. 13-19, 2026 On Stage Taylor Made (A Tribute to Taylor Swift) – Bijou Theatre, 7 p.m. Aug. 15. Tickets start at $25. Summer Movie Magic: “Disney’s The Parent Trap” – Tennessee Theatre, 2 p.m. Aug. 16. Summer Movie Magic: “Legally Blonde” – Tennessee […]
Top Horror Movies Streaming This Week
August is getting down to business with the top horror movies streaming this week. New films on the list include the streaming premiere of The Last House on Netflix, which came with the spectacle of a...
Beloved 'Romeo Theatre' to close as business failed to bounce back after pandemic
After 40 years, the Romeo Theatre is announcing its closing its doors in mid-September. The family-owned theater has delighted moviegoers for decades who are sad to see it go.
John Cena shares his unique take on WB shelving ‘Coyote vs. Acme’: ‘My answer’s not the common one’
‘Coyote vs. Acme’ star John Cena looks back on the live-action and animated comedy’s bumpy road to the big screen, telling EW he has no hard feelings about the movie initially being shelved as a tax write-off.
Excel Entertainment and Universal Music’s sub-label Excel Music is here
In January, the Universal Music Group announced that it had acquired a 30% stake in Excel Entertainment, the Indian production house behind such hit Bollywood movies and soundtracks as Dil […]
Google TV just got 10,000 free movies and shows to binge
Google TV Freeplay now offers more than 10,000 free movies and TV shows on demand, with no subscription required.
Crunchyroll, Sony Pictures Entertainment to Release Makoto Shinkai's Next Movie
Crunchyroll is announcing today that it has acquired the worldwide distribution rights (excluding Asia, but including India) for Makoto Shinkai's next feature film, with Crunchyroll and Sony Pictures Entertainment to co-distribute.
Google’s free streaming service now lets you pick shows and movies to watch
More free stuff to watch.
Saber's newest game trailer takes a shot at Gearbox's CEO, if you look closely
The first hint that something might be up with the recent debut trailer for Saber Interactive’s Rideshare Stimulator is an unusual choice of words—aside from that second one in the game’s title. “Don’t take your passengers too seriously,” the trailer’s narrator says, as he describes this upcoming game. It a car game about the gig work of driving eccentric people to their destinations, a riff on Crazy Taxi. And then, he says: “When I think I’ve met the randiest of passengers, someone even stranger gets in.” “Randiest”? That suggests “randy,” which usually means having strong sexual desire. Yet none of the oddball backseat occupants featured in the trailer seem particularly lustful. One is an old man who considers his grandson a failure, another shares the theory that birds might control traffic lights, another says he’s banned from an aquarium. A little later, there’s a license plate, shown 63 seconds into the trailer, on the front of an SUV: USB DRV It’s a Texas plate. The symbol between those letters is a cog wheel. If you know, you know. That’s a reference to Texas-based Borderlands game development studio Gearbox Software (their logo features a cog wheel). More specifically, it’s a reference to Gearbox’s CEO Randy Pitchford, who in 2018 found himself explaining the nature of video he’d saved on a USB drive that was found at a Medieval Times restaurant before being returned to the studio: “It was ‘barely legal’ porn. This girl’s handle was ‘Only 18.’” The “girl” in the video had committed a solo sex act that Pitchford, an avid practitioner of magic, found remarkable. “I realized, this is not a sex worker…This is a fucking magician.” Back then, the USB drive was central to competing lawsuits against Gearbox by the studio’s former lawyer and by Gearbox against him. A settlement in late 2019 “exonerated” Pitchford, per the Hollywood Reporter. The USB story has resurfaced at times, now in a trailer from a company that not long ago was corporate brethren with Gearbox. Saber vs. Gearbox The head of Saber told Game File that the reference is payback. “The dig is because Randy took shots at Embracer in Borderlands 4,” Saber CEO Matt Karch told me when I asked him about the license plate. “Without Embracer, Randy is performing magic tricks at birthday parties for a living.” Having interviewed Karch during a cross-country flight in late 2024, I can confirm that Karch was unimpressed with Pitchford during their time both working in the Embracer group. I’d approached him not out of surprise that there was animosity but that it was manifesting publicly now. Gearbox was founded in 1999, worked on a port of Halo early on, and developed hit series such as the loot-based sci-fi shooter Borderlands before it was purchased by The Embracer Group in early 2021 for $363 million (with a possible earn-out of over $1 billion, if certain targets were hit by 2027). Saber was founded in 2001, worked on a remaster of Halo early on, had a big hit with zombie shooter World War Z and was purchased by Embracer in early 2020 for $150 million, with a potential earn-out of up to $375 million. For a few years, the Embracer group was a voracious acquirer of game studios. Then, as investment dried up, it choked. In March 2024, Embracer sold Saber to an investment company controlled by Saber CEO Matt Karch, and it sold Gearbox in an all-stock deal to long-time Borderlands publisher Take Two Interactive. Other studios were shut down. Hundreds of developers were laid off. Gearbox didn’t say much about their Embracer experience, nothing too direct, at least. In the summer 2024, Pitchford told reporter and occasional Game File contributor Nicole Carpenter that Borderlands 4’s story was in some way thematically connected to Gearbox’s experience at Embracer: “There’s this cultural and emotional shift in me, personally, and at the studio. What does it mean to trade some autonomy for organization?” When Borderlands 4 came out, there was something stranger: the matter of “Embracer’s Bluff,” a location in the game featuring an AI-powered toilet and a large trash dump, according to a detailed Kotaku account of the place. Gearbox never commented on it; Take Two never got back to me about it when I asked them last year. By contrast, since Saber exited Embracer, Karch has been one of Embracer’s biggest defenders, casting their management as well-meaning and supportive despite the layoffs and studio closures that resulted from their excessive expansion. Like others, Saber’s Karch saw Embracer’s as a shot. With Rideshare Stimulator’s trailer, he’s returned fire. “It’s amazing to me how fast people forget those who went above and beyond for them,” Karch told Game File. A rep for Gearbox did not comment by press time. Game File is a reader-supported publication. Your backing makes my reporting—including any coverage of trailer-based beefs—possible. Good news! I’m currently running Game File’s first big sale of 2026. You can get a one-year subscription for 23% off. Click here to take advantage of the limited-time offer. And thank you for your support! Item 2: In brief… 🚫 Wal-Mart has laid off the staff of Restart, a games media outlet launched in 2024, Aftermath reports. 🟥 A GTA VI preview is on the way, at last, via an “extended look” that will premiere, unusually, on Netflix at 3pm ET on August 27, then officially go live elsewhere six hours later. Last week, Game File noted that Take Two label Rockstar Games is overdue for showing off GTA VI, based on the timing of the initial hands-off previews of GTA V and Red Dead Redemption 2. During a call with investors, Take Two CEO Strauss Zelnick said pre-orders for GTA VI were “unprecedented and astonishing,” but added the company can’t predict how many of those pre-orders represent bonus sales vs. sales that otherwise would have been made at launch. During the same call, Zelnick was noticeably bullish on the future of playing games over streaming cloud connections (predicting wider adoption in three or so years). He sounded unbothered by Sony’s plans to stop making discs for new games (he said the business is 90% digital already and predicted that there could still be limited edition physical editions of games “in the same way there’s still vinyl in the recorded music business.”) 👀 Take Two wrote off $43 million in their spring quarter after deciding “not to proceed with further development of an unannounced title in its pipeline from a third-party developer.” 🤔 Some rare age-demographics from a big publisher: Capcom recently told investors that “users in their 20s account for approximately half of the users of both Pragamata and Resident Evil Requiem.” Item 3: The week ahead Tuesday, August 11 Game releases: The Elder Scrolls IV: Oblivion Remastered (Switch 2; already out for PC, PS5, Xbox) continues the Bethesda strategy of putting Elder Scrolls games on everything; Royalty Free-For-All is a Smash Bros.-style fighting game featuring public domain characters such as Mother Goose brawling with Oliver Twist in a stage based on the original Little Shop of Horrors movie. Wednesday, August 12 Game release: Pro Jank Footy (PC, console) is an arcade-style Australian Rules Football game with increasingly ridiculous rules, the more you play (I enjoyed the Steam demo) Thursday, August 13 Game release: Super Mario Sunshine (Switch 2, originally released in 2002 on the GameCube) is released for Switch 2’s Nintendo Switch Online service. This game is the black sheep of 3D Mario games. It’s the successor to the breakthrough Super Mario 64 and the rare Mario game built around a single (vacation resort) theme. Mario’s got a water-spraying backpack, a Yoshi pal and a lot of blue coins to collect.
Someone Made a Terrific Deal in the Peacock/YouTube Premium Partnership…But Who?
(Welcome to the “Most Important Story of the Week”, my bi-weekly strategy column analyzing the most important (but often not buzziest) news story of the last two weeks. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. Please subscribe.) I hope everyone around the world suffering from record heat waves is doing okay. The temperature is already up in Southern California, but obviously not nearly as bad as parts of Europe. With a super El Nińo coming this year, I worry it will get even worse. Yes, we know what’s causing this heat—it’s the carbon, duh—but we really aren’t making enough progress. I’m not “environmental strategy guy”, but if I were, I’d have some ideas of what I’d try. Honestly, for years I’ve been intrigued by the work of the folks at MEER—whose plan, super simply, is to put up mirrors to reflect heat (while continuing the important work of decarbonization)—but I’m frustrated this idea hasn’t made more progress. (Other geo-engineering groups seem to get better press.) With heat like this—cancelling events, hurting economies and, most importantly, killing people—it seems like the time to push solutions! The “mirrors on the ground” solution has barely been tried.1 While entertainment companies may not “feel the heat”, lots of outdoors/experiential industries—concerts, theme parks and so on—will. Even movie theaters could benefit, since mirrors could help lower AC costs, which I imagine is not an insignificant expense, especially in the hotter areas of the country. So I do think the entertainment industry should prioritize this issue. Anyways, let’s get back into the entertainment strategy. I was about to write, “Hey, this week we don’t have any mergers and entertainment news to dive into,” but that’s not really true, since we had more updates on Paramount-Skydance and Warner Bros. Discovery. But the big story of the week involves a streamer and a Big Tech platform bundling their respective streamers. So I’ll write about the updates on Paramount buying Warner Bros., Versant making some moves, and a whole lot more. But we start with a surprising deal: Peacock licensing their content to YouTube Premium. Let’s dive in! Subscribe Most Important Story of the Week - Peacock’s Pricey Premium Partnership The story of the week is Comcast’s2 NBC-Universal’s Peacock making a deal with Google’s YouTube’s YouTube Premium subscription product to embed their content. And I’ll say this up front: Someone made a terrific deal. The question is who. And I’ll be honest: I don’t know. Let me explain why, including why this deal exists, the pros and cons for each side, the biggest unknown, and what that says about the streaming wars. Customers Love Bundles (But YouTube Has Its Own Issues) We’re just getting started with this issue, but the rest is for paid subscribers of the Entertainment Strategy Guy, so if you’d like to find out… Why customers love bundles… But why I’m worried about YouTube’s integration... How Peacock is trading scale for control… And the reason they likely made this deal... The odd budget math for this deal... Whether or not I think the Paramount-Skydance/WBD deal is more likely after the latest settlement... Versant making moves and why that’s good for Hollywood… Another distributor going out of business… ...and a whole lot more! ...please subscribe! We can only keep doing this great work with your support.
A Monday with Brad Pitt
The 62-year-old has lived a singular life. He resides in the top 1 percent of the top 1 percent of all movie stars, not only today but ever, as measured by any metric you like, including intrigue. What does he have to say about all of it?
How Hyundai Is Turning Content Marketing Into Cultural Entertainment
Discover how Hyundai is redefining brand storytelling through films, animation, gaming, and creative collaborations that connect with audiences worldwide.
'Harry Potter' star Jessie Cave says joining OnlyFans 'saved' her life
Jessie Cave has revealed she has already made more money on OnlyFans than she did in her nearly two-decade career as an actress, which includes several "Harry Potter" movies.
St. George free entertainment on tap with Dick Earl’s Electric Witness in concert, movie in the park
Students may be heading back to the classroom this month, but the city of St. George still has plenty of summer fun lined up.
Review: In new 'Spider-Man' flick, the web slinger's stuck in a superhero plot retread
Movie reviewer Joshua Hill says 'xxxxxxx' xxxxxxxxx.
Scientists turn to sharks to improve hurricane predictions
From the killer shark of Jaws to the tornado-tossed predators of the Sharknado movies, films long have portrayed sharks as objects of summer fear. But when a shark cuts through the waters off the U.S. East Coast, it now may be doing more than hunting. It may also be gathering data that helps scientists understand the potential intensity of a hurricane before it makes landfall.
Column: Back to blockbusting
At least part of the magic of the movies comes from community — the communal experience of gathering in one place together with others and letting the story wash over
Rob Riggle Movie 'Nickels' Sets Fall and PVOD Release
Briarcliff Entertainment has set a fall theatrical release date for the Rob Riggle movie 'Nickels'.
U.S. Lost 23,000 Jobs In July, But Entertainment Industry Saw An Uptick
The U.S. economy lost 23,000 in July, while the unemployment rate fell slightly to 4.1%. The figures showed declines in local government education and retail trade, according to the figures from the Bureau of Labor Statistics. The job loss was unexpected, with analysts estimating a gain of as much as 100,000. Jobs in movies and …
U.S. Lost 23,000 Jobs In July, But Entertainment Industry Saw An Uptick
The U.S. economy lost 23,000 in July, while the unemployment rate fell slightly to 4.1%. The figures showed declines in local government education and retail trade, according to the figures from the Bureau of Labor Statistics. The job loss was unexpected, with analysts estimating a gain of as much as 100,000. Jobs in movies and […]
The best classic slasher movie you’ll never watch
From the director of I Saw the TV Glow.
A new romcom captures the very horny spirit of 2026
Entertainment can often be a way for us to switch off. This year what’s on our screens has frequently been aimed at turning us on. A new movie, “One Night Only,” encapsulates the trend for titilation.
Netflix stuck a guy in a billboard to promote a new movie
The stunt is meant to hype “The Last House,” a sci-fi thriller about a family trapped inside their residence with dwindling resources.
Netflix stuck a guy in a billboard to promote a new movie
Thirty feet above Sunset Boulevard, Netflix put a guy inside a billboard made up like a living room to promote the new sci-fi thriller ‘The Last House.’
Kit Connor eyed for Cyclops role in 'X-Men' movie, joins 'Heartstopper' costar in the MCU
Everything to know about ‘Madden,’ a new movie coming to Prime Video November 18
Science|Business summer reads of 2026
As most people in the European research and innovation policy bubble are going on a well-deserved summer break, we have come up with a list of our favourite books, podcasts and essays from the past year that ask deeper questions about science, technology and politics.BooksPasteur’s Quadrant: Basic Science and Technological Innovation, by Donald StokesIf you haven’t read Pasteur’s Quadrant yet, now is the time. In the EU and elsewhere, we’re living through a period of dwindling faith that curiosity-driven research automatically leads to economic growth and technological progress. Pasteur’s Quadrant, published in 1997 by the Princeton academic Donald Stokes, is the most influential critique of the standard “linear model” of R&D: the idea that new discoveries made in ivory-tower labs get neatly passed on for commercialisation by start-ups. In reality, Stokes argues, practical applications often inspire more theorical lines of inquiry. Of course, we have long known that things are more complex than the linear model, but even today, it’s still often assumed in Brussels discourse. The book is a useful corrective, and is being used now to argue for new types of scientific institutions. David MatthewsThe Weaponization of Expertise: How Elites Fuel Populism, by Jacob Hale Russel and Dennis PattersonAre society’s problems solvable by technical expertise alone? “If only the benighted would listen,” say Jacob Hale Russel and Dennis Patterson, two professors at Rutgers Law School who got frustrated with how scientists and politicians handled public health communication during the Covid-19 pandemic. In the book, they argue that clichéd mantras about scientific evidence and expertise perpetrated by academics, journalists and politicians have harmed public trust in the very institutions they were trying to defend. Paradoxically, slogans such as “we believe in science,” “follow the science” and “defer to the experts” can fuel mistrust in science, experts and democratic institutions. The authors criticise “condescension” and “technocratic paternalism” in the public discourse and make the case for a more nuanced approach to scientific and expert policy advice that rests on humility, doubt, scepticism and open dialogue. “Most complex social questions in fact revolve around values, not the recitation of unambiguous facts,” they say. Florin ZubascuBreakneck: China's Quest to Engineer the Future, by Dan WangIn this book, Dan Wang compares the structural differences between the US and Chinese industrial policies, but raises a very timely question for innovation policy wonks: how can advanced manufacturing know-how contribute to technology-intensive economic growth? Wang says technology has three components: the tools, the blueprints and patents, and the process knowledge. The third component represents the “proficiency gained from practical experience, which isn’t easily communicated and requires years of implementation.” According to Wang, rather than seeing tools and blueprints as the ultimate ends of technological progress, policymakers should see them as milestones in the training of better scientists and manufacturers. Over the past decades, China has amassed “process knowledge” because capital flowed to complex fabrication facilities, while investors in the West have parked their money in capital-light businesses such as digital platforms or chip companies that focus on design. As it turns out, thanks to its oversized focus on manufacturing, China has gained remarkable advantages in the global technology race. Florin ZubascuBaltic: The Future of Europe, by Oliver MoodyWhat can Europe learn from the nine countries surrounding the Baltic Sea? Alongside the familiar stories about Estonia's digital transformation, the book examines how the region has used technology, resilience, education, governance and long-term thinking to respond to geopolitical, economic and security challenges. Innovation policy wonks might find fresh perspectives on how innovation can strengthen defence, societal resilience and Europe's capacity to adapt in an uncertain world. Whether or not you agree with all of Oliver Moody's conclusions, the book is a useful guide to a region that is increasingly shaping European debates on security, competitiveness and technology. Goda NaujokaityteThe Invention of Nature, by Andrea Wulf This book chronicles the wild and adventurous life of natural science pioneer Alexander von Humboldt who at some point in the 19th century seems to have been just about the most famous person in the world. Through scientific expeditions to the Andes Mountains and to the depths of Siberia, von Humboldt contributed a host of discoveries and concepts. During his life he met and formed relationships with historical figures as different as Johann Wolfgang von Goethe, Simon Bolivar, Thomas Jefferson, Napoleon Bonaparte and Charles Darwin. He is also claimed to be the person in the world with most things named after him, a list that includes an ocean current, a penguin and a region of the Moon. Still venerated in Germany, with numerous scientific institutions named after him, von Humboldt has slipped out of public consciousness in most of the rest of the world. For anyone not familiar with him, this book does a good job of describing his fascinating life. Ole EllekrogCareless People, by Sarah Wynn-WilliamsYou may have heard this referred to as the book Meta doesn’t want you to read. The 2025 memoir from Sarah Wynn-Williams, former director of global public policy at Meta, then just called Facebook, includes explosive claims about everything from a toxic workplace culture to how the company worked with advertisers to target vulnerable teens, and the lengths it was prepared to go to in order to break into China. It’s a fascinating insight into how and why the tech company gradually shifted its approach to policy, whether in the US, Europe or Asia. Meta has denied the allegations in the book, and last year won an emergency ruling to prevent Wynn-Williams from promoting it. In response, the author is now suing her former employer. If that doesn’t make you want to read it. Martin GreenacrePodcastsThe Europeans: Europe’s anti-ElonThis podcast is a great choice for a light-hearted dose of European policy and culture news. Most of it has little to do with research, innovation and technology, but this particular podcast features an interview with Mastadon’s founder Eugen Rochko. He talks about his experience running an open-source, federated, European-made social media platform, and leaving it all behind. The conversation, which starts 14 minutes in, gently encourages us to reflect on what kind of technology we, as Europeans, want to make. Goda NaujokaityteSolarpunk and how we escape dystopiaNew technologies are very often taken from science fiction. Alberto Santos-Dumont, inventor the airship, was inspired as a child by the adventure stories of Jules Verne. OpenAI’s attempt to build a personal assistant with the voice of Scarlett Johansson was lifted from the 2013 film Her, completely ignoring the movie’s cautionary message. So if we want better tech, we need to imagine it first. Unfortunately, the state of current sci-fi is relentlessly dystopian, giving inventors precious few ideas or hope. However, a new genre, Solarpunk, which envisages a technologically advanced but ecologically harmonious future, is now taking off. The actual tech the genre imagines, such as permaculture, renewable energy or community repair workshops, while nice, isn’t all that inspiring or ambitious. But it’s a first step towards rescuing sci-fi from its pessimistic Blade Runner rut. David MatthewsEveryday AbundanceLaunched in June, Everyday Abundance is a podcast that tells the stories of the inventions we now take so for granted that we barely given them a second thought. For example, the washing machine, which liberated women from a lifetime “bent over washtubs and washboards.” Or modern dentistry, which ended the reality that “tooth pain was simply part of human life.” Historians of technology, Virginia Postrel and Charles C Mann are very much on the optimistic end of the spectrum when it comes to the capacity of invention to improve human life. Here, they set out their case: if it wasn’t for progress, you might be hunched over a washtub with toothache rather than reading these words. David Matthews‘We will not know what we lost’: Conservation fallout a year after USAID shutdownSince his return to the White House, Donald Trump has been on a mission to undermine science. He slashed jobs at federal agencies, terminated grants in some research areas, took unprecedented control over university affairs and, within hours of his inauguration, suspended the US Agency for International Development. While its initial focus was to administer health and food aid around the world, it had since expanded to conservation projects. The result? Some of these projects were stopped abruptly. In this Mongabay podcast, environmental reporter Michelle Nijhuis tells the story of the EcoGuard conservation programme in Liberia, whose local patrols had helped protect rainforests, monitor endangered wildlife and track illegal threats. From one day to the next, these were left without salaries. Luckily, she notes, the initiative was able to get emergency funding from international NGOs, but its future remains “incredibly uncertain.” Juliette PortalaEssaysThe Mars Delusion, by Henry WismayerWhy is humankind so fixated on establishing a colony on Mars? asks London-based writer Henry Wismayer. From space evangelists promoting Martian settlement as an insurance policy, to billionaire Jeff Bezos, who said humans should settle on Mars “because it’s cool,” the mission is not running short of advocates. However, in this essay, Wismayer reminds us that some critics expect any future Mars pioneer to end up “irradiated, sick, mad and dead.” Scientists have already looked into the possible effects of prolonged exposure to Martian gravity, and it’s not pretty: muscle shrinking, bones weakening, changes to the central nervous system and other biological modifications to make us all reconsider the journey. “Some researchers have forecast that the future settler, after generations of evolutionary conditioning, will look less like an Übermensch and more like ET,” Wismayer writes. Juliette Portala
Movies to help understand the politics of immigration
Explore powerful films that illuminate the challenges of immigration, examining policy impacts and sociopolitical drivers for migration.
The Ocarina of Time and Star Fox Remakes Feel Like Overly Safe Bets From a Typically Bold Company – Has Nintendo Lost Its Creative Spark?
The Switch 2 is an iterative update console. The Zelda: Ocarina of Time and Star Fox remakes are safe bets with generic art styles. The Mario movies are by-the-numbers. Is Nintendo losing its soul?
Researchers make movie of the first steps in a chemical reaction
Using ultra-fast X-ray flashes, SLAC scientists have captured the split-second movements that kick off the making and breaking of chemical bonds.
Disney's strong quarter driven by 'Toy Story 5' and the draw of its US theme parks
Disney managed a solid showing in its third quarter, bolstered by movies like “Toy Story 5” and ongoing strength from its U.S. theme parks that made up for continued weakness from international tourism.
Disney's strong quarter driven by 'Toy Story 5' and the draw of its US theme parks
Disney managed a solid showing in its third quarter, bolstered by movies like “Toy Story 5” and ongoing strength from its U.S. theme parks that made up for continued weakness from international tourism.
New DC Studios Show 'Lanterns' Is Out This August on HBO Max, Plus New 'Hard Knocks,' Conan and More
These shows and tons of great new movies arrive to HBO Max this month.
15 Movies We're So Excited To Close Out The Summer With
MrBeast Sales Slow, Angel Stock Falls, MUBI and Neon Look for Hits, and Will an NBA Franchise Set a Sales Record?
(Welcome to the Entertainment Strategy Guy, a newsletter on the entertainment industry and business strategy. I write a weekly Streaming Ratings Report and a bi-weekly strategy column, along with occasional deep dives into other topics, like today’s article. Please subscribe.) You probably remember egg prices spiking a few years ago. This led to a lot of debate between the pro-market/pro-competition/antitrust/Neo-Brandesian crowd and the center/center-right/center-left/abundance/libertarian crowd over the cause, whether it was the avian flu outbreak or whether industry consolidation led to price fixing, using avian flu as a convenient cover. Basel Musharbash wrote a whole investigation at BIG looking at it. Well, two years later, we have our answer: it was price fixing. The Justice Department found proof, via emails, of price fixing. Indeed, just the threat of an investigation brought prices down two years ago: I bring this up because at least half a dozen of my favorite political writers and pundits, who were skeptical about price fixing at the time, haven’t written any mea culpas on this issue. It’s really dispiriting and makes it much, much harder to trust their work on other issues. If you take a hard stand on an issue, then you get it wrong, you need to explain how and why you got it wrong. Or update your priors. This is how epistemological bubbles are formed! All of which is to say, it’s time for another installment of “What I Got Right, What I Got Wrong”. Last issue, I mostly focused on the “wrong” side of the equation, so today’s is a bit more balanced, but with one big mea culpa (though I still stand by my original concerns). Let’s dive right in! Subscribe CORRECTION: UFC Didn’t Release Subscriber Data (But Seems to Have Bragged About It Internally) In my analysis of the viewership of UFC Freedom 250, I wrote... “Paramount has also released datecdotes bragging about their subscriber numbers. Earlier this year, they claimed that the first UFC fight on Paramount+ brought in 1 million subscribers.” Well, that datecdote did not come from a PR rep, but from great reporting from James Faris at Business Insider. The actual quote was this: “Paramount’s flagship streaming service generated about a million new subscribers on the day of its first-ever UFC event, Paramount product chief Dane Glasgow told employees in a town hall on Tuesday morning, three staffers who attended the meeting told Business Insider.“ This wasn’t the biggest goof in the world; even Faris emphasized to me that this is more a “clarification” than a correction. Still, it sounds like, internally, the folks at Paramount were very happy about this result—and I’m guessing they were happy with this news getting out—even though the gains didn’t last through the quarter, dropping to 700K adds. RIGHT: MrBeast’s Struggles Continue... I’m very skeptical about MrBeast’s burgeoning media “empire” and, in particular, its $5 billion valuation, as I wrote earlier this year and last year. Sure enough, according to Business Insider, regarding its “booming” consumer products division_:_ “US sales volume grew 13% year-over-year in 2025, following a 33% leap the previous year, according to a presentation deck dated May 2026....A February 2025 investor deck viewed by Business Insider showed Feastables’ net revenue more than doubled in 2024 from 2023, to $215 million, and was forecast to grow 74% in 2025, to $375 million.” [Emphasis mine.] If you told investors that you projected 74% growth but delivered 13%,1 that’s not ideal. But it’s not just MrBeast. Logan Paul and KSI’s Prime had sales drop in half for their energy drinks. It’s one thing to build a successful entertainment company and an entirely different thing to succeed in the heavily-consolidated-but-also-very-competitive consumer packaged goods space! CPGs are dominated by a few firms with very wide moats compared to YouTube, which has few barriers to entry. These businesses require different skill sets and have completely different business environments. WRONG: Does the NBA Have an $8 Billion Bidder? Almost as soon as I published my article about the NBA’s finances, casting skepticism on NBA expansion, I saw this Front Office Sports headline: One group “claims to have already raised $8 billion” for the Vegas expansion team. I mean, wow. That’s just $2 billion less than what the Los Angeles Lakers were valued at when they were sold just last year. And they’re arguably the most popular team in the NBA. (Side note: the new owner is now under an investigation for fraud in how he went about financing the Lakers and the Dodgers purchases.) So much for the “dried up” language I used in that article. (This is why I usually stick to my “Entertainment Nuance Guy” tone in articles...) I went off old information—from April, when I read/heard about the NBA downplaying expansion efforts—instead of doing a quick double-check for new news. That said...if you read the article, the market for Seattle is “slow”, with just one reported bidder. So I wasn’t entirely off. This goof has annoyed me since I first published it, mainly because it undercut that article’s real point, which I stand by: NBA franchises are really overvalued right now. Now, I get why NBA teams are overvalued. When it comes to owning sports teams, it’s basically never wrong to assume that some rich person somewhere will care more about owning a team (or just being part of a group since they’re so expensive) than the actual financials. There are only so many teams to own, and opportunities to buy in preferred markets don’t come along very often. This explains why the teams sell for such high multiples (usually above a 10 to 12.5 revenue multiple, which is very high). You only need one person to overpay! Beyond the ultra-wealthy luxury good explanation, I worry NBA teams are becoming speculative assets. More and more private equity investors are buying into NBA teams. But the value, in owning a team, comes from selling it later, not any meaningful relationship to revenue or profit growth. In other words, the newer NBA owners are increasingly expecting someone later to buy their inflated asset. That’s not sound economics; that’s the “greater fool” theory at work.2 At some point, actually making money has to matter. Especially since revenue growth is now below the growth of the stock market. (And this matters because the NBA doesn’t have easy levers to pull to drastically lower their costs—half of their revenue has to go to players and then you actually have to run a team, including coaching, training, travel, media expenses, and more—or raise revenues aside from one-off expansions in America and overseas.) I just don’t see how investors make their money back buying NBA teams, except for selling at a higher price later on down the line. But if revenue/profit growth continues to slow, at some point, someone will be left holding the bag. RIGHT: Baseball and Basketball are about equally popular. Related to the above, I wanted to cite two quick pieces of evidence for one of my other theories: that the NBA and MLB are about as popular as each other, but the NBA gets much, much better media coverage. One YouGov survey has that fans prefer basketball to baseball by 52% to 48%, which I’m guessing is within the margin of error for that poll. That’s virtually even, meaning they’re about the same popularity. Over on NBC, a recent Red Sox-Yankees game averaged 4 million viewers, higher than Sunday Night Basketball’s average of 3.4 million on the same network. A Yankees-Dodgers game averaged 3.9 million two weeks ago. Not every game averages this much, but it shows you that baseball isn’t far off from basketball, depending on the matchup. Altogether, the NBA is just slightly more popular than baseball, but NBC is paying MLB a fraction of what they pay the NBA, a point I’ve made before. RIGHT: Angel, MUBI and Neon Updates... I’ve long been skeptical about many of Hollywood’s buzziest startups/smaller indie studios. It’s not that they don’t make great movies—films like Anora and Everything Everywhere All at Once are amazing—or that they’re not (rightfully) pushing the majors to make better films, but...they get a ton of hype, and that hype often doesn’t live up to the reality or difficulty in scaling up. Starting with MUBI, well, The Wall Street Journal wrote a feature on MUBI’s struggles last April, best summarized by the subheader “After Sequoia valued Mubi at $1 billion, a left-wing revolt sent the indie film company into a tailspin”. MUBI lost $7.3 million on $200 million in revenue in Q4 2025, but reportedly hit a record 1.7 million subscribers at the end of Q1. As for Neon, Department M purchased a “significant stake” in the company earlier this year. How much is that “stake” worth? According to Deadline, “No financial figures for the Neon-Department M deal were disclosed.” So...that’s not great! If it was a big valuation, we’d hear about. Also, I found this curious: “Both Neon and Department M already have separate partnerships with Qatar. The Qatar Film Committee has a slate deal in place with the former, and a biopic production pact with the latter.” Color me skeptical about much Middle Eastern investment dollars. See: LIV Golf. Finally, as for Angel (formerly Angel Studios), their stock very, very slightly popped last month after Young Washington ($20 million budget) which made $45 million in the US, but their stock is still way down from its opening. Smaller Updates RIGHT: The WGA should focus on antitrust concerns! I’ve been on this for years. Post-WGA/AMTPT deal in 2023, I wrote an article for the Ankler calling on the WGA to focus and organize against industry consolidation. Sure enough, the WGA filed a lawsuit against the Paramount-WBD merger, and people are organizing around this issue now. I wish this energy had coalesced earlier (specifically to lobby Washington much earlier), but better late than never! WRONG: Actually, the chip shortage might be due to market manipulation. In my last “Long Reads for the Long Summer” article, I shared an article about how LLMs are causing memory chip prices to spike, which will make all electronics more expensive. Well, turns out, three RAM manufacturers control 90% of the market, and now a private lawsuit accuses them of price-fixing. So yeah. WRONG/UPDATE: The Odyssey will hold! Two weeks ago, I wrote, “As of this moment, we haven’t had a super-blockbuster, though The Odyssey, Spider-Man: Brand New Day and Avengers: Doomsday could all cross the $500 million mark. (At this point, The Odyssey would need a very strong hold to get there.)” Well, it’s safe to say it’s going to have that hold! It only dropped 30% in weekend two and IMAX screenings are sold out all month. Spider-Man: Brand New Day is also off to a great start. RIGHT: People are rushing to get shows out yearly. I’ve long been bullish on yearly, weekly-released shows, and Leslie Goldberg at The Ankler wrote about how many people in town are now listening. WRONG: Mark Carney reverses Canada’s stance on homegrown production. After writing about Canada installing domestic production quotas, Canada has backed off. WRONG: I don’t trust Spider-Man: Brand New Day’s online “views”. When I originally wrote about the latest Spider-Man film’s record-breaking trailer, I thought this was just YouTube views, but after watching this Corridor Crew video and doing more research, well, it’s all social views of the trailer globally. Really? That stat includes TikTok, Reels and YouTube Shorts views. Basically, I don’t trust it anymore. (This film will probably set record, but I trust the pre-sales data more.) RIGHT: Celebrity Production companies are still struggling. I’ve written about this for years, but the company that I didn’t track was Kevin Hart’s HartBeat, which was valued at $650 million but is struggling now and might just end soon, especially after Kevin Hart pulled his endorsement deals. And Bad Robot is moving to NYC. CORRECTION: SpongeBob is a “second run” title. In my 2025 recap article, I had _SpongeBob SquarePants_labelled as a “library” title, when it is still a “second run” show, with new episodes still coming out on Nickelodeon. CORRECTION: In my last “What I Got Right, What I Got Wrong” update, I offered a correction from Doug Creutz and misspelled TD Cowen. Thanks, Grammarly! 1 Though he could have increased prices to make up for the gap, he couldn’t have increased them that much. 2 There’s a theory, which I think that Daryl Morey created and Bill Simmons popularized, that, to be successful building your team, you only need a handful of bad GMs in the league to take advantage of. To be clear, Daryl Morey’s theory was also for signing bad contracts, that you could always get out of bad contracts. Basically, there’s always someone who will make a bad trade. It’s not the same exact thing, but similar enough to the Greater Fool Theory that I really like it.
Our favorite memories at the movies
As the box office heats up this summer, The Verge reflects on the magic of theaters
Scott Eastwood explains what dad Clint Eastwood’s infamous clash with Kevin Costner on set taught him
Scott Eastwood learned something from the way dad Clint handled Kevin Costner not being on set on time while making their 1993 movie ‘A Perfect World.’
Director Vincent Ward denies thinking Samantha Morton was Emily Watson on movie shoot: ‘Impossible’
Vincent Ward, the Kiwi director of 2005’s ‘River Queen,’ tells EW that it’s ‘impossible’ he could have confused his star, Samantha Morton, for Emily Watson on set, as Morton recently claimed.
'Spider-Man: Brand New Day' snags biggest box office opening ever
Spider-Man is swinging to brand-new heights at the box office. "Spider-Man: Brand New Day," Tom Holland's fourth solo movie as the Marvel web-slinger, just snagged a stunningly large opening weekend.
Scott Eastwood reveals what he said to Shia LaBeouf during onset fight
Scott Eastwood detailed a tense ‘incident’ that occurred with Shia LaBeouf while filming the 2014 World War II movie ‘Fury.’
AMC Entertainment Shatters Weekend Revenue Records – Sets the Highest Weekend Revenue Mark in the Company’s 106-Year History
More than 10.2 million moviegoers attended AMC Theatres in the United States and ODEON Cinemas internationally from Wednesday through Sunday…...
Juliette Lewis apologized to audience after ‘Cape Fear’ screening: ‘It was so disturbing’
Juliette Lewis is reflecting on acting in the 1991 ‘Cape Fear’ movie and making a surprise appearance on Apple TV’s new series of the same name: ‘It was a real trip trying to keep this type of secret.’
Bars, bowling alleys and movie theaters cost too much to run and visit. Americans have run out of places to hang out and we’re paying with our health
Chronic isolation has the same health impact as smoking 15 cigarettes a day.
WPBL looking for longevity as players take the field amid rising popularity for women's sports
SPRINGFIELD, Ill. (AP) — When Alli Schroder first saw “A League of Their Own” — a 1992 movie based on the All-American Girls Professional Baseball League — she saw herself in the story on the screen.
Long-closed former West LA mall has nearby business dying
What was once a thriving West Los Angeles mall featured in hit movies and music videos has been closed since 2019, crushing numerous nearby businesses, and leaving neighbors frustrated. “The...
'The End of Oak Street: Could JJ Abrams' new 'Twilight Zone meets Jurassic Park' movie be the sleeper hit of the summer?
"I think our house, our neighborhood, our whole street, has moved."
Jonesboro man charged with forgery after using movie prop money at business
A Jonesboro man was held on a $10,000 cash or surety bond before being released after police say he used motion picture money at a business.
The Streaming Bubble Keeps Popping
(Welcome to the Entertainment Strategy Guy, a newsletter on the entertainment industry and business strategy. I write a weekly Streaming Ratings Report and a bi-weekly strategy column, along with occasional deep dives into other topics, like today’s article. Please subscribe.) One of my rules is “never bet against PE [private equity]”. This isn’t to say that I agree with their methods or tactics or strategies or financial innovations (aka shenanigans). Just that in the long arc of financial history, they’ve tended to return very good returns to their shareholders. That said, their forays into entertainment have left me...skeptical. I’ve written before about PE’s production company/celebrity production company roll ups, and those haven’t really worked out. Some PE groups tried to “roll up” an industry that isn’t “roll-up-able” for lack of a better term—since the barrier to entry for starting a production company is very low—often paying top dollar for celebrity production companies at the height of streaming valuations. So yeah maybe we can bet against PE when they venture into filmed entertainment. I’ve also noted that studio lots seemed to be a bubble back in 2022. Sure enough… Yikes! That sure sounds like some private equity guys lost some money. The only caveat being that holding a lot of land in Los Angeles is always valuable. But that wasn’t the pitch and likely real estate investment companies overpaid for said land. I mean, Goldman Sachs had to repossess it after all. (Technically, I’m not sure these buyers were traditional private equity, but PE was buying LA studio lots earlier this decade.) All to say: I call out bubbles when I see them, and they often pop. Anywho, my most famous bubble call was the “streaming bubble”, specifically that the major streamers were making too many shows and films. And that it could all come crashing down. Notably, I made this call before the strikes of 2023, but those strikes potentially accelerated the popping. And now it has indeed popped. One of my most popular articles of last year made that exact case. A year later, it’s time to update that analysis. The bottom line is that the streaming contraction continues. Credit where credit is due, Luminate—an analytics company whose data I use weekly in my streaming ratings report—called this out in a recent report I saw highlighted in both Bloomberg and The Hollywood Reporter. But I’m adding my data to their look, including streaming films and kids TV shows. I’ll also provide some other data that all tells the same picture. Let’s dive in! Subscribe The Number of Streaming TV Shows, Films and Specials Is Declining AGAIN in 2026 Let’s get right to the data, starting with my dataset. Specifically, each week I track every “notable” title to come out on streaming. I try to grab every title on every major streamer, meaning if it’s a first run or original or exclusive, I track it. This helps me call out the “dogs not barking” and the misses/flops each week. So that will be our first series of charts, my weekly collection data. Let’s start with the raw TV show, film and special data, by week. Note: As the years have gone by, I have actually added more sources (going from just one source to five sources) to find new titles, meaning that this data collection is, likely, more accurate now than in the past. Which means my team and I are more likely to have undercounted titles in the past rather than today. I like to cut the data several different ways. Here’s that same look, by quarter, to more sharply show the trends: And here’s the data just looking at the first half of each year. That’s the same data, just cut three different ways with three different time periods. Note that films, TV shows, and specials are all down by 25%, 42% and 17%, respectively, from 2022. The good news is that the number of films and specials actually increased year-over-year from 2025 to 2026, but not enough to offset the 25% decline in TV shows. Now, I also look at kids shows, and here they are pulled out on their own: And here’s that by quarter: This really seems to be a notable area of pullback by the streamers. Kids shows are down 80% from 2022. This reflects some formerly Disney+ shows going to cable TV first, but also pullbacks from HBO Max, Prime Video and Netflix. I also categorize the TV shows by English language and non-English language, and that also reveals a lot of where the drop comes from: And here is by the half-year: In this look, the good news is the drop for English language shows seems to have stabilized in the last year. But the bad news is the long term decline from the 2022 peak. Other Data So I wasn’t the only person to notice this decline in the number of shows. I have a few other data sources for this, though most only go through the end of 2025. As I said, Luminate beat me to the punch, so let’s look at their data. We’re just getting started with this issue, but the rest is for paid subscribers of the Entertainment Strategy Guy, so if you’d like to find out… What TV loss streaming didn’t make up for... How Netflix has changed their programming slate over time… Ten more images charting the decline of production... What type of films aren’t being made anymore... The good news (for movie theaters)… And more... ...please subscribe! We can only keep doing this great work with your support.
If You Loved 'Gilmore Girls,' There's One Movie You Need to Watch Next
If you’re looking for more warm-hearted banter and quirky, complex mom-daughter comedy vibes, “Mermaids” is your movie.
Sailing on inflated ticket prices: Entertainment expert on 'The Odyssey' & other box office hits
Entertainment Expert Rick Bentley is here to give us a breakdown why the big box office numbers are reflecting higher ticket prices and not more people coming back to the movies. Bentley explains that economic hardships are likely making going to the movies something people choose to skip out on. 17 News at Sunrise
‘Project Hail Mary’ and More Science Fiction Movies to Stream Now
From the Ryan Gosling hit “Project Hail Mary” to the psychosexual alien rom-com “Touch Me,” explore this month’s eclectic picks.
New movies to watch this weekend: See 'Spider-Man: Brand New Day' in theaters, rent 'Supergirl,' stream 'The Devil Wears Prada 2' on Disney+
"Spider-Man: Brand New Day," "I Want Your Sex" and "The Devil's Mouth" are out now. Are they worth watching?
Octavia Spencer confirms speculation that this classic ‘80s sitcom star inspired ‘Ma’ wig
Octavia Spencer has revealed an update on ‘Ma 2,’ and confirmed speculation that a classic ‘80s sitcom character inspired her heavily meme’d wig in the movie.
Sony Up Quarterly Home Entertainment Revenue 4% to $110 Million
Sony Pictures Entertainment July 31 reported $110 million in home entertainment revenue for the first quarter ended June 30, up 4% from revenue of $106 million during the previous year period. Top-selling titles in the quarter included Avatar: Fire and Ash, Hoppers, Ready of Not 2: Here I Come, Avatar: 3 Movie Collection, 28 Years … Continue reading "Sony Up Quarterly Home Entertainment Revenue 4% to $110 Million"
Makers of unreleased Nicolas Cage movie sue Netflix for $105 million after theft of film
The filmmakers behind an unreleased Nicolas Cage movie have sued streaming giant Netflix for $105 million, after a copy the company had been given to screen was stolen.
Netflix Sued For $105 Million After Hard Drive of Unreleased Nicolas Cage Movie Was Stolen From Its Office
The lawsuit faults Netflix for losing a drive that contained a copy of World War II thriller 'Fortitude.' The company maintains it's not responsible for the loss of the movie, which it says was delive...
Cosm Detroit sets opening date, will show NFL games, movies
The 70,000-square-foot, three-level venue will show the Detroit Lions game on Sept. 17.
See first photos of Jacob Tremblay's teen 'Unabomber' in Netflix movie
Jacob Tremblay might not be the first guy you think of to play the Unabomber, a disheveled, middle-aged killer who baffled authorities for years before being caught.
Open Thread, July 30, 2026: What’s your favorite sports movie?
Your daily source for off topic chatter with the MMA Mania faithful.
See Alexander Skarsgård’s ‘nipples made out of wicker’ in steamy first trailer for ‘Wicker’ (exclusive)
Alexander Skarsgård and Olivia Colman star in Alex Huston Fischer and Eleanor Wilson’s new movie, and EW can exclusively reveal the first trailer.
'Children of Blood and Bone' film drama continues with a new claim
After the 'Children of Blood and Bone' trailer dropped, author Tomi Adeyemi claimed a behind-the-scenes ordeal was so painful she can never see the movie.
Movies that made $2 billion at the box office
James Cameron and the Marvel Cinematic Universe are the two consistent factors when it comes to earning billions at the box office.