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Linkin Park documentary 'Unshatter' tracks band's emotional return to recording, touring
Linkin Park is revealing the uncertainty, grief and creative risk behind its return in the new documentary “Linkin Park: Unshatter.” | KCBS All News 106.9FM and 740AM
Why I Don’t Think Ride Or Die Should Have Been Cancelled (And What Company Should Save It...)
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) So…I recently came across a Reddit thread, talking about films on streaming, wondering why there are no reliable sources out there for streaming ratings data. Sigh. Honestly, as annoyed as I am that so many still don’t realize that we have streaming ratings, I somewhat get it. Until now, there was such a long delay between when a show or film came to streaming and when we got its viewership data; I understand why people were confused. (But, as you know, this just changed.) Also, even back in the day, how many people knew how well films did on television? Luckily, as a reader, you’re in the know. Okay, on to this week’s issue. I want to take a look at Prime Video cancelling Ride or Die and whether I agree with that decision. Overall, we didn’t have any breakout hits (no TV shows landed over 20 million hours according to Nielsen) but we have a lot of steady performers on the streaming charts. Plus, we’ll look at where $50 million in missing box office dollars went. (Spoiler: straight-to-streaming.) All that, plus new episodes of The Secret Lives of Mormon Wives, Supergirl heads to streaming, a new YA show does well on Netflix, the viewership for the Daily Wire’s $50 million fantasy show, what TV show hit-maker can’t make streaming hits, CD sales, all the flops, bombs and misses, and a whole lot more. Let’s dive right in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, JustWatch and Reelgood interest data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of September 7th to September 13th, 2026. You can find a link to my terminology here.) Subscribe Television - Ride or Die Is a Hit…But It Got Cancelled? What The Data “Says” I hate the phrase “here’s what the data says”, even though sometimes I find myself using it. If data just told us everything, we data folks would be out of a job! Data is often messy, complicated and nuanced. When it comes to strategy, many of the best decisions can’t actually use “data”, since it’s vastly too complicated to model. Anyways, I’ve been singing the praises of Prime Video’s Ride Or Die this summer, a show that did very well for them. And yet…it got cancelled. Now, usually when a show gets cancelled, a bunch of websites say “a hit show got cancelled”... Here’s the thing, though: in this case, they’re right! The data “says” that this show was a hit. Specifically, out of 522 first seasons to make a week on the Nielsen charts since 2020, it’s the 75th biggest. On Amazon, Ride or Die is eighth out of 41 first seasons: That’s top 15th percentile all time, almost exactly, which is my definition of a “hit”! I mean, outside of Reacher, Amazon needed a hit this summer! (Admittedly, Off Campus did well for Amazon in the spring, but Ride or Die performed even better.) So what happened? Why did Amazon cancel one of their rare 2026 bright spots? Well, Deadline reported a reason—which I’ll get to—but I’d break it down into three relevant questions: What is a given streamer’s reasoning? Is that reasoning sound? Could the stated reason not be the real reason? According to Deadline, Amazon felt the show “over-indexed” in middle-aged women. (This was based on leaks from within Amazon.) The logic is this: Amazon already reaches this demographic because of unlimited two-day shipping bundled with Prime, so they don’t really need more shows like this. Now, it’s my job to ask if that’s a good reason, and I’ll be honest, in this case, I don’t think it is. Sure, this show may “over-index” in middle-aged women—I’ll just assume that’s the case here—but I think folks often oversell how important over-indexing actually is. When a show is a “hit”, it isn’t a bit bigger than its rivals; it’s usually multiples bigger. For example, Elle only made the charts for two weeks at 8.3 million hours each. So Ride or Die was 80% bigger in its first two weeks, and likely had a much stronger hold, with its terrific 13 million hours in week three. Ride or Die was nearly three times bigger than Sterling Point through three weeks too. And that means that _Elle, Sterling Point a_nd other Amazon YA shows need to not just over-index a little with younger women (assuming that’s who Amazon prefers over middle-aged women), but massively over-index. Otherwise, more people in that demo (and a bunch more besides) likely watched Ride or Die. (I’ll try to explore this concept more in a future article.) And don’t get me started on how Ride or Die did compared to a certain (very, very popular, possibly the world’s most popular) YouTuber’s reality show…which didn’t make the charts after its first week and likely cost much, much more than Ride or Die. All to say, Amazon-MGM Studios/Prime Video can tell reporters that this show didn’t reach the right audience, but that excuse feels weak to me. So this leads to the third question: could other reasons have come into play? Yes! Renewal or cancellation decisions rarely (I’m tempted to say “never”) boil down to one variable. At its simplest, it’s two things: budget versus viewership. But often factors like critical acclaim, ownership and, yes, personal opinion come into play. In this case, Amazon has a new executive running things, and this show isn’t owned by Amazon-MGM Studios (unlike Elle). And yes, it may not have indexed with the right target viewers, too. Likely all of those factors came into play.1 My guess is ownership ended up mattering most. Amazon doesn’t own Ride or Die. It’s actually produced by another major studio. Fortunately/allegedly, this show is being shopped around. I can think of one brand new CEO who should consider it for one of his two major streamers…especially if he wants to rebuild goodwill in Hollywood. His name is on this list of exec producers of Ride or Die… If David Ellison needs some goodwill—and he does—rescue this female-led show tomorrow and grab some good headlines for a day. The data justifies it. Quick Notes on TV We’re just getting started with this issue, but the rest is for paid subscribers of the Entertainment Strategy Guy, so if you’d like to find out… How The Secret Lives of Mormon Wives latest season did on Hulu, post-controversy... Whether Supergirl soared on HBO Max... Why the box office is losing money due to the streamers... The viewership for the Daily Wire’s $50 million fantasy show... Updates on The Gentlemen, Lanterns, Outer Banks, King of the Hill and more... What former hit-maker has three streaming flops in a row... Whether The Mandalorian and Grogu popped in week two... All the flops, bombs and misses... And a whole lot more... ...please subscribe! We can only keep doing this great work with your support. If you want an idea of just how much content you’d get in a full issue, check out this older issue. Coming Soon! Oh man, we’re almost caught up! We just have two more issues, then the streaming Ratings Report will be coming out just two weeks after a TV show premieres! Next issue, I’ll be looking at the first two weeks of the NFL Thursday night games on streaming, a huge new spinoff, Reacher’s Neagly on Prime Video, and the latest edition of Monster: The Lizzie Borden Story on Netflix, the return of Slow Horses on Apple and MobLand (quietly one of their biggest shows) on Paramount+, and Dancing with the Stars on both ABC and Disney+. Plus I’ll take a look at animation for adults in 2026. The week after, a ton of movies are coming to streaming: Toy Story 5 on Disney+, Backrooms on HBO Max, Jackass: Best and Last on Paramount+ and The Breadwinner on Netflix, plus a Unabomber film on Netflix and a romcom on Prime Video. Woody Harrelson and Matthew McConaughey have a show on Apple, along with a game show inspired by Willy Wonka that everyone seems to hate. Long term, some crazy (but hopefully crazy like a fox) IP news. FX ordered a new Sons of Anarchy show from Charlie Hunnam, but it’s not about the biker gang. No, it features the show’s cast playing themselves in a new “meta-thriller”. Huh. And a lot of the cast is coming back. Next, Ryan Gosling is producing a Flintstones movie about a “grown-up Bamm-Bamm Rubble”. Also, huh. This one is in “early development” so we’ll see what happens. Both projects are based on IP, but also seem to have crazy takes on the IP, which I like.
Why you should watch ‘Lanterns’ before the next Superman movie ‘Man of Tomorrow’
There are a few reasons why you should watch the HBO series ahead of the 2027 premiere of the film "Man of Tomorrow."
'Wildwood' premieres at the London Film Festival. Here's what to know
Stop-motion animation ‘Wildwood’ had its world premiere at the 70th London Film Festival Sunday, part of this year’s star-studded lineup. The festival runs from October 7 to 18 and features
Sylvester Stallone explains that shocking “Tulsa King” premiere twist: ‘I wanted people’s jaws to drop’
He believes that he went “as far as I could go” with the characters who met their end at the start of season 4.
Taylor Swift premieres music video for ‘Patient Zero’ at the VMAs
Dakota Johnson and Colin Farrell star in this track off the encore edition of Swift’s 12th album, “The Life of a Showgirl.”
Proud Boys Convicted Over Jan. 6 Go From Prosecutions to Pardons to Premiere
The gala screening of the documentary “American Martyrs” was the latest effort by Trump supporters to rewrite the history of the Capitol attack.
When does ‘Dexter: Resurrection’ season 2 premiere? Everything we know about the new killers
Michael C. Hall dodges old allies and faces new killer foes in ‘Dexter: Resurrection’ season 2, premiering on Paramount+ very soon. Here’s everything you need to know, including who’s joining the cast and who’s returning.
Student-produced film captures Ireland sports experience | UNC Hussman School of Journalism and Media
The documentary created by a UNC Hussman School of Journalism and Media team premieres on campus Oct. 22 and Oct. 23. — This story, written by UNC Hussman alumnus Michael Lananna ’14, was originally published at unc.edu. — Carolina senior Anna Laible came up with the idea about a year ago. At the annual UNC Sports and Entertainment Summit, the journalism student walked up to then-athletic director Bubba Cunningham and took a chance. “Hi, Bubba, I’m not sure if you remember me, but I’m part of the student broadcast team from the Olympics,” Laible told him. “I have this idea to do an Ireland documentary on the football team.” Encouraged by the enthusiastic response to the proposal, Laible and a team of students from the UNC Hussman School of Journalism and Media worked diligently to turn that vision into reality. In August, Laible and seven peers traveled to Dublin, Ireland, with the Carolina football team and women’s soccer team. Equipped with video cameras, the student journalists covered both teams during their international games — both wins — and filmed scenes throughout Dublin, interviewing Irish locals, Tar Heel fans and key Carolina figures who helped make the trip possible. Back home, Laible’s team put the finishing touches on the documentary, with its first screening at 6:30 p.m. Oct. 22-23 in Carroll Hall room 111. The project is the latest in a long line of sports documentaries produced under the guidance of C.A. Tuggle, John H. Stembler Jr. Distinguished Professor. Since the 2008 Beijing Olympics, Tuggle and the Hussman school have sent journalism students to cover each of the Summer Games, and Tuggle’s students have also produced documentaries on Carolina teams that win national championships. But this Ireland excursion presented a new kind of opportunity. “This trip is really unique,” Tuggle said. “Bubba liked the idea, so we started working on it, and it’s all because Anna was forward-thinking and assertive.” Laible’s team worked to create a holistic depiction of the Dublin trip, billed as “Much More Than a Game.” The documentary’s 12 chapters cover Irish culture, music, trips to the Guiness Storehouse and the myriad connections between Tar Heels and Ireland. “Our main focus was to make sure we gave a whole encompassing idea of what this experience was like,” Laible said. “We wanted to show not just the student-athletes, but other students, other Carolina fans, Carolina alumni, the music and really incorporate that all in the documentary.” Joining Laible in Dublin were juniors Emily Brietz, Cooper Hall, Eliza Jennings and Katherine McCullough and seniors Molly Malek, May Proctor and Merrily Tew. Those students also traveled to Milan for the 2026 Olympic Winter Games in February. Those kinds of opportunities wouldn’t be possible without the support of UNC Hussman and, in the case of the Ireland trip, the Carolina athletic department. UNC Hussman students create Ireland trip documentary. (Submitted photo) “Never in a million years did I think I would have the opportunity to go to the Olympics or to the Aer Lingus College Football Classic, and now I’m even being presented with potential opportunities go to the Super Bowl,” said Malek, who served in a leadership role with Laible in Dublin. “I think that Carolina does a terrific job of connecting us to these opportunities that almost no other university does. This is a university where you have the opportunity to have an interdisciplinary education and to learn and experience a lot of things all at once.” With the support of UNC Hussman, Tuggle and fellow students like Malek, Laible turned a spur-of-the-moment idea into a documentary. When the film screens, Laible said she’s not quite sure what emotions to expect. “I’m a little worried that I might cry — not that crying is a bad thing,” Laible said, laughing. “But I’m really grateful for so many people helping, and I’m excited for everyone to see it.”
Newsom announces latest films awarded California tax credits
Thirty-five films were awarded credits
Simu Liu’s Underrated Underwater Thriller & More Hulu Releases This Week
Hulu‘s lineup this week features Simu Liu’s gripping deep-sea thriller, plus more fresh releases. Set to premiere on October 25, Last Breath is a survival thriller from director Alex Parkinson. It rev...
'Gold Rush': Rick Ness Reveals Dangerous Health Issue in Dramatic Season 17 Premiere
Plus, Parker Schnabel finds himself on Tony Beets' property line while a new face joins the treasure hunt.
No longer a secret, Nathan Fielder's Elizabeth Holmes doc 'You Can See Everything' lands in New York
No longer a secret, “You Can See Everything,” Nathan Fielder and Lance Oppenheim’s Elizabeth Holmes documentary, has premiered at the New York Film Festival
'Wives' review: A play that's more manifesto than comedy
East West Players presents, in a co-production with Hypokrit Live Arts, the Southern California premiere of Jacklyn Backhaus' "Wives," directed by Arpita Mukherjee.
You complete me: Tom Cruise to receive AFI Life Achievement Award
Tom Cruise attends the "Digger" Japan premiere on Oct. 6, 2026, in Tokyo, Japan. (Tomohiro Ohsumi/Getty Images)
Samuel L. Jackson's 'Tulsa King' spinoff 'Frisco King' gets premiere date — and Sylvester Stallone is back
Taylor Sheridan's new Paramount+ crime drama premieres Dec. 18, with Jackson reprising his role as hitman Russell Lee Washington Jr.
How to Watch Tracker Season 4 Premiere
Watch Tracker live with TV channel, start time and streaming info. Stream Season 4 Premiere on Fubo — no cable required, free trial available.
Anne Hathaway and Dakota Johnson were ’gnawing’ on wood for ‘Verity’ sex scene
The ‘Verity’ cast and crew broke down for Entertainment Weekly how they brought the ‘kinky’ bed frame bite marks to life for the film.
‘SNL’ pokes fun at Trump and Mamdani’s relationship
New York Knicks star guard Jalen Brunson hosted the Season 52 premiere of “SNL.” He talked about proving his “biggest doubters” wrong by leading his team to win the NBA championship. The episode also poked fun at President Donald Trump and New York City Mayor Zohran Mamdani’s political relationship.
Tony Gilroy Says Paramount-Warner Bros. Merger Will ‘Destroy’ a ‘Healthy and Beautiful Business’ in ‘The Name of Venture Capital’: ‘It’s Tragic’
Tony Gilroy blasted the “tragic” nature of the Paramount-Warner Bros. merger at the world premiere of his new film, “Behemoth!” Produced on a $36 million budget, “Behemoth!” is representative of the m...
Extended Interview: Ava Bunn on "Scrubs"
Actress Ava Bunn talks with ABC12 Entertainment Producer Darren Garrett about season 2 of "Scrubs". New episodes premiere September 30th at 8pm on ABC12.
Disney Unveils Oasis Doc Premiere Date
Disney has unveiled premiere date for Steven Knight’s Oasis documentary on Disney+ and Hulu. The feature will land on October 9, just two weeks after tickets to Oasis’ next round of tour dates were sn...
'Breaking Bad' star RJ Mitte dies at 34
RJ Mitte attends the ‘Animals In War’ premiere during the 2025 Tribeca Festival on June 8, 2025, in New York City. (Dia Dipasupil/Getty Images for Tribeca Festival)
TikTok star Bryce Hall arrested on domestic violence charges in Nevada
TikTok influencer Bryce Hall was arrested on a domestic violence charge in Nevada. The alleged victim is listed in court records as his ex Maria Lafuente Palafox, better known online as Mika Lafuente.
No longer a secret, Nathan Fielder's Elizabeth Holmes doc 'You Can See Everything' lands in New York
No longer a secret, “You Can See Everything,” Nathan Fielder and Lance Oppenheim’s Elizabeth Holmes documentary, has premiered at the New York Film Festival | KCBS All News 106.9FM and 740AM
Hugh Hefner’s widow asks Jessica Biel to rethink playing Playboy founder’s wife in new movie
Hugh Hefner’s widow, Crystal Harris, has asked actress Jessica Biel to rethink playing the Playboy founder’s wife in the upcoming movie ‘Playmates.’
No longer a secret, Nathan Fielder's Elizabeth Holmes doc 'You Can See Everything' lands in New York
No longer a secret, “You Can See Everything,” Nathan Fielder and Lance Oppenheim’s Elizabeth Holmes documentary, has premiered at the New York Film Festival | WWL
Prague Science Film Fest brings world premieres and fresh perspectives
The free Prague festival returns Oct. 19-22 with science documentary premieres, filmmaker discussions, outdoor cinema and an unusual conference.
'Chicago Fire' Season 15 cast – Who's back, exiting amid premiere
Prepare to see some changes when "Chicago Fire" returns this week. The NBC series will see multiple exits amid its 15th season, set to premiere Oct. 7.
Chuck Lorre responds to White House telling him to ‘seek psychiatric help’ on season 3 premiere of ‘Georgie & Mandy’
A White House spokesperson told Chuck Lorre to ‘seek psychiatric help’ after the ‘Big Bang Theory’ creator criticized President Trump in a speech — and now, the producer is responding in a new ep of ‘Georgie & Mandy’s First Marriage.’
On cusp of merger, 'Digger bombs for Warner Bros., 'Verity' takes No. 1 at box office
On the cusp of the studio’s merger with Paramount, Warner Bros | NewsRadio 1080 KRLD
‘Marva to a T:’ Craft prepares for final show at WYO Theater
The upcoming Fall Premiere production, “Anything Goes” will be Marva Craft’s last before she retires from directing the WYO Theater stage.
How to Watch Law & Order Toronto: Criminal Intent Season 2 Premiere
Watch Law & Order Toronto: Criminal Intent live with TV channel, start time and streaming info. Stream Season 2 Premiere on Fubo — no cable required.
On cusp of merger, 'Digger bombs for Warner Bros., 'Verity' takes No. 1 at box office
On the cusp of the studio’s merger with Paramount, Warner Bros | 830 WCCO
Sylvester Stallone discusses his role in ‘Frisco King’
FORT WORTH, Texas — At least one friendly face from “Tulsa King” will appear on “Frisco King.” The Taylor Sheridan-created and Samuel L. Jackson-led series premieres Dec. 18 on Paramount+.
Taylor Swift Receives Inaugural Artist Director Honors at 2026 MTV VMAs as She Thanks Fans for Making Directing ‘So Rewarding’
Swift went on to premiere her new music video for “Patient Zero”
Someone Rebuilt Free, Open-Source Versions of Photoshop, Premiere, and Lightroom Using AI
People are excited for open-source Adobe alternatives.
Tyra Banks teases ‘Life-Size 3’ update with ‘massive idea’ for sequel (exclusive)
Tyra Banks teased a ‘Life-Size 3’ update, telling EW about a ‘massive idea’ for a ‘bananas’ sequel after she reunited with Lindsay Lohan at the ‘Freakier Friday’ premiere.
LAIKA and Fathom Entertainment Announce Nationwide WILDWOOD Fan First Premium Screenings
Following its acclaimed world premiere at the BFI London Film Festival, LAIKA and Fathom Entertainment have announced nationwide fan first premium-format screenings of Wildwood, director Travis Knight’s ambitious new stop-motion fantasy adventure. The film will be presented in more than 100 participating theatrical locations on Monday, October 19, offering audiences an exclusive early opportunity to […]
NYFF Turns Up The Heat As ‘Godzilla’, ‘Artificial’, ‘NAZA’, ‘You Can See Everything’ Spark Festival Buzz
The New York Film Festival opens Friday night with a lineup featuring great films of 2026 along with heavy-hitting world premieres. Artistic director Dennis Lim insists the global bows are not “the be...
Liev Schreiber scolds interviewer at red carpet premiere: ‘Talk to people like they’re humans’
The actor was promoting his new Apple TV crime drama, “Nocturne,” at its New York premiere.
Josh Hartnett and Dakota Johnson react to ‘insane’ conspiracy theory about ‘Verity’
Josh Hartnett and Dakota Johnson spoke with EW about the conspiracy theory surrounding the opening scene of ‘Verity,’ which sees their characters meet for the first time.
“9-1-1: Nashville” pays tribute to Chad Lowe’s daughter after her death at 13
Lowe is an executive producer and director on the show, which honored his late daughter, Fiona, following the season 2 premiere.
Linkin Park documentary 'Unshatter' tracks band's emotional return to recording, touring
Linkin Park is revealing the uncertainty, grief and creative risk behind its return in the new documentary “Linkin Park: Unshatter.” | WBBM Newsradio 780 AM & 105.9 FM
The McGraw sisters bring double the trouble
The cast and crew celebrate the film’s Los Angeles premiere at the Warner Bros. Studios lot
RHOSLC Season 7 Kicks Off With a Record-Breaking Win
RHOSLC Season 7 is already delivering strong ratings for Bravo. The latest season of The Real Housewives of Salt Lake City scored the show’s biggest premiere audience to date across multiple platforms...
‘Topdog/Underdog’ revival opens Steppenwolf's 51st season
When I reviewed the Chicago premiere of “Topdog/Underdog” at Steppenwolf Theater in 2003, I suggested that Suzan-Lori Parks' play about the rivalry between two Black brothers didn't deserve its 2002
Jalen Brunson hosts ‘Saturday Night Live’ Season 52 premiere tonight
The New York Knicks star makes his hosting debut as NBC’s long-running comedy series returns for a new season.
On cusp of merger, ‘Digger bombs for Warner Bros., ‘Verity’ takes No. 1 at box office
On the cusp of the studio’s merger with Paramount, Warner Bros.
'Newlyweds' co-creator Gail Lerner fired as showrunner ahead of premiere
The showrunner and co-creator of "Newlyweds" has been fired two weeks before its premiere.
Matthew McConaughey and Woody Harrelson were worried about this person’s reaction to ‘Brothers’
Woody Harrelson tells EW that he was most ‘worried’ about Matthew McConaughey’s mom watching their new show ‘Brothers.’
TV Tinsel: 'NCIS' franchise explores new territory in Big Apple
The long arm of naval law is stretching into the Big Apple as the new “NCIS: New York” premieres on CBS Tuesday and streams on Paramount+ Wednesday. The omnipresent “NCIS”
Disney Villains Boo Buckets, VisionQuest, and Banana Ball Returns: This Week at TMSM
McDonald’s confirms Disney Villains Boo Buckets, VisionQuest premieres, Six Ravens opens at Disney Springs, and Banana Ball heads back to Disney World. Here’s everything you missed.
‘Newlyweds’ showrunner fired before series premiere, calls series ‘the most joyous TV experience of my life’
The co-creator of the new comedy ‘Newlyweds,’ which stars Téa Leoni, Tim Daly, and Jamie Lee Curtis, says she’s been fired ahead of its premiere.
In brief: 'Reacher' spinoff gets a second season and more
We’ve got an official trailer for NBC’s Newlyweds, the new sitcom starring real-life married couple Tim Daly and Téa Leoni. The show, co-created by Jamie Lee Curtis, follows a later-in-life love story between a free-spirited woman and a professor who marry after a quick courtship. It premieres on Oct. 23 …The Reacher spinoff Neagley is getting a second season, just two weeks after the first season debuted on Prime Video. Maria Sten stars as the fan-favorite character Frances Neagley, a private investigator from Chicago and the former protégé of Jack Reacher, in the action series. The original Reacher series, starring Alan Ritchson, was picked up for a sixth season earlier this week … TNCMS.AdManager.render({region: 'fixed-big-ad-top-asset', slot: 1, fold: "above"}); Bradley Cooper is gearing up to star in Paramount’s new G.I. Joe film. He’ll be playing Duke, the leader of the Joes. Danny McBride is on board to direct. Further details on the project have not yet been revealed …Copyright © 2026, ABC Audio. All rights reserved. Thank you for reading kmaland.comAt KMA, we attempt to be accurate in our reporting. If you see a typo or mistake in a story, please contact us by emailing kmaradio@kmaland.com.
'Office Space' star Richard Riehle dies at 78
Actor Richard Riehle arrives at the premiere of New Line Cinema's 'A Very Harold & Kumar 3D Christmas' at Grauman's Chinese Theatre on November 2, 2011 in Hollywood, California. (Jason Merritt/Getty Images)Richard Riehle, known for his role in the 1999 film Office Space, has died. He was 78.A statement shared by Artists & Representatives and Wright Entertainment, Inc. announced Riehle's passing on Monday, writing, "Our industry has lost an exceptional talent, and our community has lost a truly wonderful man.""We are deeply saddened to confirm the passing of our beloved client, Richard Riehle, this past weekend," the statement said. "A remarkable actor whose career in theater, film, and television spanned nearly five decades and more than 400 projects, Richard leaves behind an extraordinary legacy."The statement continued, "Beyond his immense talent, he will be remembered for his genuine goodness, boundless kindness, and unwavering generosity, particularly toward emerging actors and filmmakers, whom he encouraged and supported at every opportunity."Born on May 12, 1948, Riehle starred in many television series and films over the years.Notable projects include Casino, The Man from Earth and Deuce Bigalow: Male Gigolo.He got his start as an actor at the University of Notre Dame, where he was involved in the University Theatre and starred in several stage productions. He went on to earn a Master of Fine Arts in acting and directing from the University of Minnesota.While he's played characters that have an "average Joe" presence, he always made the most of his brief screen time.Some roles that he is remembered for include The Quartermaster in Glory, the train guard in The Fugitive, Reverend Scroggins in Fried Green Tomatoes and Bill Cozbi in Bridesmaids.On television, he starred as Principal Ed Rooney in the 1990 series Ferris Bueller and as grandfather Walt Finnerty in the early 2000s sitcom, Grounded For Life.In 2023, he also played Warden Reynolds in Barry.Riehle is survived by his wife, Jane Latham, and their four children.Copyright © 2026, ABC Audio. All rights reserved.
Taylor Swift's 'Patient Zero' video premieres during historic VMAs
Taylor Swift debuted her video for 'Patient Zero' at a historic MTV VMAs for the pop superstar, who broke a Beyoncé record. The video featured Swift's 'good friend' Dakota Johnson, who also presented Swift with an award during the event.
'Other Mommy' tops the box office with $27.5M; 'The Social Reckoning' opens to $5.5M
The Jessica Chastain horror film “Other Mommy” tops the North American box office in its first weekend in theaters | WBBM Newsradio 780 AM & 105.9 FM
Sam Heughan to star opposite Viola Davis in new thriller 'Ascent'
Sam Heughan attends the premiere of “Outlander: The Final Season” on March 2, 2026, in New York City. (Jamie McCarthy/Getty Images for STARZ)
Ben Affleck recreates iconic “Good Will Hunting” scene, swaps out Matt Damon for Kerry Washington
Affleck’s new thriller, “Animals,” premieres on Netflix on Oct. 9.
Andrew Garfield says OpenAI film 'Artificial' turns lens on creators of 'new world'
LONDON, Oct 11 (Reuters) - Curiosity and fear powered actor Andrew Garfield's performance in Luca Guadagnino's OpenAI movie "Artificial", which premiered at the London Film Festival on Sunday.
How to Watch Marshals Season 2 Premiere
Watch Marshals live with TV channel, start time and streaming info. Stream Season 2 Premiere on Fubo — no cable required, free trial available.
“Newlyweds” showrunner fired before series premiere, calls series ‘the most joyous TV experience of my life’
Gail Lerner co-created the NBC sitcom, which stars Téa Leoni and Tim Daly, with Jamie Lee Curtis.
'The Outsiders' review: A dynamic staging at the Hollywood Pantages
'The Outsiders,' winner of the 2024 Tony for best musical and based on the classic S.E. Hinton novel, has its L.A. premiere at the Hollywood Pantages Theatre.
How to Watch Fire Country Season 5 Premiere
Fire Country is back for a fifth season and the first episode of the season premieres Friday night at 9 p.m. ET on CBS CBS debuts the fifth season of Fire
Streaming’s Biggest Show Returns…and a Buzzy Genre Struggles
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) Obviously, the big news of the week (if not month) is Netflix letting go of executive Bela Bajaria, their chief content officer. I’m going to cover this in my next “Most Important Story of the Week”, but I also have a data angle that I might publish before then. (Too much news this month, am I right?) But first, I have a bonus Streaming Ratings Report issue for you. Today’s article is a bit of a grab bag of topics I’ve wanted to write about, but couldn’t squeeze into the (already very long) Streaming Ratings Report issues. The NFL drives huge viewership numbers, so I’ve got a look at that. A whole bunch of TV shows returned to the traditional broadcast channels, and I have thoughts. And I have a quick look at adult animated shows, since a couple flopped earlier this month. Plus, the Emmys aired earlier this month, and we got some fun data bout how popular those nominated shows are and why I’m not optimistic about the show’s future. That’s a lot, so let’s dive right in. Subscribe Sports - Football Remains the King of Streaming Over the last two Streaming Ratings Reports, I sorta ignored the biggest “show” each week. (I was tempted to say “piece of content” but I know that word bugs folks.) In my database, I call these “specials”, and they sure are special. I speak of the king of American TV: football!!! Streaming football is back and, unlike some other sports, it routinely dominates all viewership. Probably the best way to show this is to update one of my favorite graphics, the “40 Million Hour Club”1 since football games have joined that club each week they’ve premiered: (Yep, that’s the data through 28-Sep, the first four weeks of the season. As a reminder, I take the average minute audience provided by Nielsen, factor out a percentage of linear TV viewers in home markets, and multiply the run time by the three-hour runtime.) Again, the numbers are huge. Let’s start with Netflix. They grabbed the rights to the bonus opening week NFL Kickoff game (which was on YouTube last year) and it put up 18.5 million viewers on average. That nets out to 47.4 million hours of estimated streaming hours. That’s good! Though, notably, it’s well below Christmas Day games from previous years. Compared to other streamers/broadcasters, that’s a bit of a mixed result. On one hand, Netflix’s 18.5 million average is about what YouTube claimed last year, though Nielsen used a bespoke methodology at that time, so I trust this viewership figure more. So that’s good. (The game also shifted from a Friday to a Thursday and that could have helped the viewership as well.) And Netflix continues to best Prime Video in total viewership—as you’ll see next—though Netflix has had much higher-profile (opening week and Christmas Day) games. NBC/Peacock’s opening game the night before averaged 25.1 million average viewers, which is just much bigger than Netflix (or Prime Video). That’s the big caveat to all streaming viewership records: even in success, they can’t compete with traditional linear TV. Previously, I called this my “hierarchy of viewership”, and the data keeps supporting that thesis. The downside for NBC is that this game’s viewership was down compared to previous years, though it may be a counting issue. Here’s a great chart from Sports Media Watch: Indeed, looking at all the opening week games across all windows, Netflix still lags the other primetime windows, but does well compared to the afternoon games: I saw a few folks make the case that streamers still lag traditional broadcasters in reach, and I’d add they really lag compared to “broadcast plus streaming” options like NBC/Peacock, ESPN/Disney+ and CBS/Paramount+. The best data I saw for this came from Samba TV, who charted reach through the 2025 season, and, wow. (Samba TV’s numbers are historically lower than Nielsen’s, so don’t compare their household figures to Nielsen’s hours, but use them as a proxy for the relative reach of the streamers.) The good news is Prime Video is NOT having a down year. Their opening Thursday Night Football game reached 18.6 million viewers (about what Netflix got), but that’s a high for Prime Video on Thursdays and the biggest Thursday night game since 2015. The TNF games the weeks of 21-Sep and 28-Sep continued this streak, getting 43.1 (16.8 million average viewers) and 42.5 total hours (16.6 million average viewers), which were both up from last year. Still, that continues the (typical) season slide: (For those new-to-streaming-football-numbers folks, the viewership declines for Thursday Night Football as the year goes along.) Overall, it appears as if Prime Video is now part of the “football habit”, be it for customers at home or out at places like bars and restaurants. And its viewership is slowly catching up to broadcast. One last chart shows this. Last season, Nielsen started adding out-of-home viewership to the charts, so I try not to do season-to-season comparisons as I did for the first few years. And while Nielsen added Big Data viewing this year, I’m going to compare the last two seasons. Here’s that chart, which shows the season-over-season gains: When it comes to streaming football, we have to keep a few seemingly contradictory thoughts in our head… First, streaming doesn’t come close to matching broadcast’s reach and, thus, viewership. Second, even with that gap, football is still the biggest “thing” on streaming. It’s very, very popular. Third, while some methodology changes have likely helped Prime Video’s numbers, their viewership does appear to be growing. Lastly, yeah, the NFL started the season off poorly, with week one dragging down the numbers in year-over-year comparisons. However—and again, methodology changes may have helped this—the viewership grew compared to previous seasons over the next couple of weeks. So football is still king. On streaming and off. Television - Adult Animation Continues to NOT Make the Streaming Charts In the last two reports, two adult-animated shows whiffed: Netflix’s animated comedy, Dang! Paramount+’s Sega-video-game-inspired fantasy/comedy, Golden Axe. Neither made the charts, but that’s usually the case for animated shows. I mean, here’s literally every animated show that’s made the Nielsen Original charts since the start of 2025: And one of those shows is G_abby’s Dollhouse_! A kids show! The problem with charts like this is that they don’t give you a sense of how many shows miss the charts. Netflix had at least eleven animated flops, including comedies like Big Mouth (a show everyone assumed was popular in the pre-Streaming Ratings Era), Long Story Short, Haunted Hotel, Mating Season, Strip Law, and Alley Cats, and action shows like Blood of Zeus, Castlevania: Nocturne, Devil May Cry, Splinter Cell: Deathwatch, and Tomb Raider: The Legend of Lara Croft. Prime Video had at least six animated misses, two in the same universe (Hazbin Hotel, Helluva Boss), three more comedies (#1 Happy Family USA, The Second Best Hospital in the Galaxy and Kevin) and an action show (The Mighty Nein). Disney+ had MCU and Star Wars animated misses (Eyes of Wakanda, Marvel Zombies, Star Wars: Visions, Star Wars: Maul – Shadow Lord, and Star Wars: Tales of the Underworld) but I can’t tell how many of those shows were geared towards adults. HBO Max had Harley Quinn and Hulu had Solar Opposites. None of these shows made the charts! That’s a lot of misses! If I remade the chart with all those misses, here’s how it would look: Listen, I know the counter arguments. First, it’s cheaper to produce animated shows than live action. Fair enough, but with viewership this low, even that cheaper price point starts to not matter. Second, just look at the acquired charts. Hit animated comedies can generate viewership for years! Shows like The Simpsons, South Park, Family Guy, and Bob’s Burgers do really, really well. Fair enough, but streaming has failed to recreate the dynamic that Fox has mastered so well. That’s a problem for streaming still. Television - Emmys! The annual Emmys broadcast was a few weeks ago, and I’ve got data on how the nominees performed on streaming, plus hot takes on this year’s viewership (and the big news about the broadcast’s, er, streamcast’s future). We’re just getting started with this issue, but the rest is for paid subscribers of the Entertainment Strategy Guy, so if you’d like to find out… The top Emmy-nominated shows… ...why I’m worried about the future of the Emmys telecast... ...the pros of broadcast television ...and the cons... ...please subscribe! We can only keep doing this great work with your support. Coming Soon! Next week, we’ve got a double issue (since the weeks of 21-Sep and 28-Sep were so light), but then I’ll be all caught up after a deluge of streaming ratings data from Nielsen in September. In the meantime, I’m going to try to take a look at Netflix’s stats to explain why Bela Bajaria is out. But even light weeks give me plenty to talk about. The Great British Baking Show returns to Netflix and Apple TV has a buzzy new star-studded comedy. And Netflix has a controversial-but-appears-to-be-popular new game show. Plus big films like Toy Story 5, Backrooms and The Breadwinner head to streaming. And is East of Eden a hit? After that, The Kardashians return to Hulu, Prime Video has a reboot of Carrie, and Netflix has a horror show, Below. Disclosure Day heads to Peacock, The Housemaid heads to HBO Max_,_ a new Ben Affleck film, Animals, lands on Netflix, and Apple TV has a new John Cena action film based on, checks notes, Hasbro’s Matchbox toys. Okay. Longterm, some interesting TV production news. HBO Max ordered How to Survive Without Me, starring Kaley Cuoco, Joshua Jackson, Ray Romano and Rita Wilson, for fifteen episodes! I love that some streamers (or, at least, HBO Max) are finally ordering TV shows with more than eight episodes. In less wise production news, Landman does not appear to be coming back this year, since it just started production. Frankly, I don’t love this (get your shows out on time) but Landman is so popular, I doubt it matters.
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