SCROLL NEWS / DISCOVERY
Search headlines
Find the stories shaping the conversation.
Results for " romance " 164 found 🔀 AI-powered Shuffle
4 paranormal romances to read this Halloween season
For your reading this season, instead of bloodcurdling screams or scary stories, here's a roundup of heartwarming romances with a paranormal twist.
Movie review: 'Clayface' a doomed romance with body horror trappings
In order to find the best comparison to “Clayface” — the new Warner Bros. DC Universe installment — we have to go back to 1990, to Sam Raimi’s “Darkman,” starring
Toy Story 5, Backrooms and The Breadwinner Vie to Become the Second Biggest Film This Year...
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) Often, people blame “data” for ruining Hollywood, when I’d argue that hype (which can often be debunked by data) is often worse, as you can see in these two headlines. To use a common meme, here’s how it started: and how it’s going: Earlier this year, I read countless (and I mean countless) articles (in almost every mainstream media outlet) about how Heated Rivalry was a huge hit and that it “heated” interest in hockey. But Heated Rivalry wasn’t a huge viewership hit compared to the hype: [ ](https://entertainment.substack.com/p/you-cant-eat-buzzdid-heated-rivalrys) [ You Can’t Eat Buzz…Did Heated Rivalry’s Buzz Translate into Actual Viewership? ](https://entertainment.substack.com/p/you-cant-eat-buzzdid-heated-rivalrys) Entertainment Strategy Guy · Jan 22 [ Read full story ](https://entertainment.substack.com/p/you-cant-eat-buzzdid-heated-rivalrys) In this case, the hype (Heated Rivalry is really popular) belied the data (It didn’t make the top ten charts, meaning it wasn’t a huge hit.1) Even worse, every time I write about this, I get a lot of negative feedback, hence why I only sparingly mention the show these days or add lots of caveats when I write about it, but this just further cements the hype. But companies, and the executives leading them, have to determine strategy based on reality, not media coverage. The NHL committed real marketing dollars to a campaign that didn’t work. Sure enough, the latest NHL season opened to under a million viewers. At some point, you have to focus on what the data says, because real dollars are at stake. And that’s why we have the Streaming Ratings Report! To provide and analyze cold, hard data. Luckily, this week, I can be positive and take a look at a huge opening on streaming, along with a very buzzy horror film that customers kind of like, but don’t really love. And a comedy that tried to rebound on streaming. Today, I’m covering two weeks—21-Sep and 28-Sep—so we have a lot to discuss (nearly 5,000 words worth), including a series of film misses for Netflix, another argument for weekly-released TV shows on streaming, another sitcom tries to avoid the comedy curse, Netflix has two new game shows (one powered by AI), Reacher falling off the charts after a huge run, Prime Video tries its hands at the romcom game**,** a look at the WNBA’s big season, a big night for the VMAs on CBS and MTV, all the flops, bombs and misses, and a whole lot more. (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, JustWatch and Reelgood interest data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of September 14th to October 4th, 2026. You can find a link to my terminology here.) Subscribe Film - Two Hits and a Miss Come to Streaming… Three very interesting films came to streaming in one week, and I like comparing them since they show the range of theatrical films. One was a huge blockbuster, one was popular, and one was neither. One is a horror film, a buzzy genre; one is a comedy, a struggling genre; and one is an animated family film, the king of the box office. One went to a tiny streamer (HBO Max), one went to a second-tier streamer (Disney+), and one went to the biggest (Netflix). So… If you just went by box office, you’d expect Backrooms—the $197 million grosser, and partner of Obsession for “YouTube Horror Summer”—to dominate on streaming. If you read this report, though, you know that horror films don’t do great on streaming, and that’s the case again. Backrooms opened at 3.8 million hours according to Nielsen, and had 3.9 million hours in its second week. Here’s how that stacks up to other HBO Max films: We’re just getting started with this issue, but the rest is for paid subscribers of the Entertainment Strategy Guy, so if you’d like to find out… ...why I don’t buy Backrooms budget… …two new games shows arrive on streaming… …another sitcom struggles… ...another argument for putting out shows weekly on Netflix... ...and a whole lot more, nearly 5,000 words more... ...please subscribe! We can only keep doing this great work with your support. If you want an idea of just how much content you’d get in a full issue, check out this older issue. Coming Soon! Next week, I’ll be taking a look at the eighth season of Hulu’s The Kardashians, answering the question: will this show ever make the charts? If Mormon wives can make it, surely one of social media’s most popular families can as well. Also, Prime Video has a new horror show based on popular IP, Carrie, Netflix has a horror show starring Josh Hartnett, Below, and Apple TV has a UK import, Small Prophets. Plus a bunch of movies like Disclosure Day heading to Peacock, The Housemaid coming to HBO Max, Ben Affleck’s latest on Apple TV, Animals, and Matchbox the Movie on Apple TV, a John Cena action comedy inspired by Hasbro’s toy cars. The week after is even busier! I’ll look at another IP-based horror show, Crystal Lake, a new MCU show on Disney+, VisionQuest, season two of The Lowdown on FX/Hulu, the fourth seasons of The Diplomat on Netflix and Tulsa King on Paramount+, another season of Love is Blind, and four straight-to-streaming films: Netflix’s Sacrifice (starring Chris Evens, Anya-Taylor-Joy, Vincent Cassel, John Malkovich, Salma Hayek. Charlie XCX), Apple TV’s Tenzing (starring Tom Hiddleston and Willem Defoe), Prime Video’s Love of Your Life (Margaret Qualley) and Masterplan (Stanley Tucci) and a whole lot more, somehow. Long term, here’s some huge IP news: a Game of Thrones movie is coming to theaters, Game of Thrones: Aegon’s Conquest in 2029, while Jon Watts (who helmed three of the most recent Spider-Man movies) is directing the next Star Wars trilogy, to be written by Simon Kinberg. I’m cautiously optimistic for both. It feels obvious to say that making good movies matters, but for bets this big (Star Wars is on a swoon, Game of Thrones hasn’t been to theaters yet), the quality has to be there.
Is 'Wicker' worth watching? What reviews say about Olivia Colman and Alexander Skarsgård's R-rated love story
Olivia Colman's strange new romance lands in limited theaters this week before a nationwide release on Oct. 30.
IP Saves the Day On Streaming
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) Before we get started, I wanted to highlight a new idea I saw from Real Good AI, proposing a ratings system for AI use. (H/T to Anthony Kaufman’s article highlighting this.) It would look something like this: In general, I think that this is a solid, middle-ground solution that should appease both the pro-AI camp (who love AI) and the anti-AI camp (who wants to know if what they’re watching didn’t come from humans). Regardless of your feelings on AI/LLMs—I’ll never use it for my writing—transparency is often the best solution to many problems. In general, I think way more media outlets need to be using way more AI disclosures. My quick “Yes and...” to this idea: what about ads? In particular, I hate it when I see or hear ads that are obviously AI-generated, but a person or voice says, “I used this product”. AI doesn’t use products! Just today, I watched a YouTube ad where a “person” said they use some sort of rain wind chime...but that’s not a real person! They didn’t use this product. (Especially since the video of the wind chime itself also appeared to be AI-generated...) I believe most traditional advertising already has standards like this anyway.1 Okay, on to this week’s issue. We’re covering the week of 14-Sep, and then next issue, I’ll be fully caught up with Nielsen’s new release schedule. In the future, I plan to put out Streaming Ratings Reports each Monday after Nielsen’s Thursday releases. Overall, we had some big new shows this week, like Prime Video’s Reacher spinoff_, Neagley_, which is off to a big, big start, and Netflix’s latest in its Monster anthology, which is their largest opening since June and the second-largest since One Piece came out in March. All that, plus Slow Horses returns, the trio of returning shows (Lioness, Reacher and Ted Lasso) continue to dominate the top tens, Paramount+’s latest crime drama, a big whiff for a Netflix original film and a precipitous drop for Netflix film charts, all the flops, bombs and misses, and a whole lot more. Let’s dive right in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, JustWatch and Reelgood interest data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of September 14th to September 20th 2026. You can find a link to my terminology here.) Subscribe Television - IP For the TV Win Can I use the dirty word of entertainment journalism right now? IP. Shhh. Don’t tell anyone I said it. But IP works at the box office, and we’ve seen some evidence it works in TV too. Not as well, and not all the time—no absolutes here!—but often enough. And glancing at the Nielsen top ten…it worked this week! Take Prime Video, who has a monster hit in the crime drama Reacher. Would a spinoff work for that show? Yep! They binge-released Neagley, about a detective from the original Reacher series, and its eight episodes debuted to 29.6 million hours. Here’s how it stacks up to Reacher, one of Prime Video’s biggest shows: That’s great. Nearly as strong as Reacher’s opening! (Both shows started with eight, binge-released episodes, so this comparison is apples-to-apples.) Notably, Prime Video scheduled the debut of Neagley to overlap with Reacher’s most recent season, to help drive tune-in. Obviously, I love smart release strategies like that. And even though I wrote “obviously”, it’s not really that obvious, since streamers don’t often take advantage of natural overlaps like this_._2 Other data backs how well Neagley performed. It opened at second place on Samba TV for two weeks and got 51.7 million hours on Luminate. That’s the eleventh biggest opening on Luminate since May of 2024 and tied with Bridgerton’s third season opening. That’s a huge opening! Its IMDb is solid too, a 7.7 on 24K reviews. Netflix’s latest edition in the “Monster” series—which started with Jeffrey Dahmer and comes from Ryan Murphy—did well too, opening to 24.7 million hours. That’s the biggest opening for Netflix since I Will Find You in June, and second biggest since March. Unlike the Reacher series, this franchise is trending downward, though. The first Monster show—Dahmer - Monster—was giant. More than anything, I think this reflects that Netflix running out of extremely popular—if that’s the right word?—serial killers to feature. Still, the data says this is a very good opening. It made it to third place on Samba TV for two weeks. It also opened to 40.0 million hours on Luminate. That’s not quite as elite as Neagley, but still very, very strong. I’ll be honest: my priors coming into any given week are that IP works to help drive buzz for new shows, but TV shows need to stand on their own even more than movies, so they will succeed or fail based on their quality. But these two spinoffs definitely worked. Quick Notes on TV The top show, film or special this week? Football, again. Specifically, Prime Video’s season opener of Thursday Night Football. The games run long (three hours) but mainly a lot of people watch each game. That adds up to a lot of viewership. Paramount released the second season of MobLand on an unusual day for that service, a Friday! Often, they put their new shows out on a Sunday, as they did last year with a run of shows (Lioness, Tulsa King and Landman). MobLand didn’t make Nielsen in its first week, but on Samba TV it got to eighth and seventh place. Luminate had a smaller opening too, only 5.3 million hours. MobLand missed the Nielsen charts for its first eight weeks, so this season is off to a stronger start. (Bonus note: the first season streams on both Prime Video and The Roku Channel, but I only have it as Paramount+ on those charts.) I’ve mentioned a few times that foreign-language originals do lower numbers than English-language originals on Netflix most of the time. But I don’t usually emphasize what country those originals come from, and observationally, they tend to be from Western or Northern European countries, in general. So credit to Not a Stranger, a Turkish Netflix original, for breaking through on Luminate, getting to 7.9 million hours in its first full week on those charts. As I mentioned last issue, Crew Girl ended up making the Nielsen charts in its second week. That’s still a soft performance compared to many shows, but again this, one looks affordable. And if you’re curious, here’s how it stacks up to some other sports romance shows: We’re just getting started with this issue, but the rest is for paid subscribers of the Entertainment Strategy Guy, so if you’d like to find out… …about a new data source and how it drives streaming viewership… ...what reality show is struggling in its latest season…. ...what Netflix film bombed…. ...How Reacher, Ted Lasso, and Lioness are doing on the charts… ...what obscure sport put up great viewership numbers… …how far streaming films are falling… …all the flops, bombs and misses for the last week… …and more… ...please subscribe! We can only keep doing this great work with your support. If you want an idea of just how much content you’d get in a full issue, check out this older issue. Coming Soon! Next week, we’ve got a double issue, then we’ll be all caught up with Nielsen’s data. Yes! The goal is to have my report out on the Monday after I get Nielsen’s data. So next issue, I’m looking at East of Eden, The Great British Baking Show, a Willy Wonka game show (that people are upset uses AI, but viewers might not care), and a Cosby show spinoff reboot on Netflix, and Brothers on Apple TV (starring Woody Harrelson and Matthew McConaughey). That’s about it for TV, but who’s going to win the streaming week, The Breadwinner or Backrooms on streaming? Answer: Toy Story 5. Plus Netflix has a Unabomber film and a new Tyler Perry film, Teenage Sex and Death at Camp Miasma tries to repeat The Substance’s run on MUBI, and Paramount+ has Jackass: Best and Last. Long term, Netflix is remaking Lonesome Dove. I love this choice, but man, there are a lot of westerns on TV right now. And they’re making Sega TV shows, including a Crazy Taxi TV show and Sonic show with an “edge”.
Romance and business: Wildfire Bookshop sparks joy
For nearly a year, Stacey Fish has operated Wildfire Bookshop, a romance bookstore located on the east end of College Road. She said she went into business for herself because,
8 Best Science Fantasy Books of the 21st Century
Break genre barriers with spacefaring necromancers and aliens employing goblins
T.J. Holmes and Amy Robach marry 4 years after their shocking ‘GMA3’ office romance went public
Former ‘Good Morning America’ anchors T.J. Holmes and Amy Robach got married in Arkansas on TK date, nearly four years after their scandalous office romance was revealed.
ABS-CBN News
Mikhail Schemm, founder and CEO of a Philippine-based entertainment group, was seen together with actress Sarah Lahbati, further fueling the romance rumors. Full story link in the comments section.
Netflix’s Summer of Bummer
(Welcome to the Entertainment Strategy Guy, a newsletter on the entertainment industry and business strategy. I write a weekly Streaming Ratings Report and a bi-weekly strategy column, along with occasional deep dives into other topics, like today’s article. Please subscribe.) Today, I’ve got a guest post from longtime friend of the newsletter, Brandon Katz. I’ve been trying to find time all summer to look at Netflix’s straight-to-streaming film slate, but between a pre-planned trip and Nielsen moving up their streaming data timeline, I’ve been swamped. So I reached out to Brandon, one of my favorite fellow analysts, to write about it. And I feel like he captured the tone and data focus of the newsletter perfectly. You can connect with Brandon on LinkedIn and Twitter. Enjoy! Don’t worry, folks. You’re in safe hands with me. To ease any anxieties about an interloper in ESG’s domain, I’ll start by stealing one of his best framing devices: headlines. Box office flops are covered in the same way the Teenage Mutant Ninja Turtles eye pizza: with cartoonish insatiability. I would know. I’m a former reporter who wrote nearly identical headlines: Yet, intentionally or not, streaming misses get treated with kids gloves, filtered through a rosy lens: In the last six years, U.S. streaming viewership has become nearly as transparent as the box office, but the data often arrives weeks later, in a number of less intuitive metrics, and with nary an official budget to be found. This plays into the Wall Street-whispering narratives major streamers have been cultivating for years. They get a pass in a way that theatrical studios simply don’t. Subscribe Netflix’s Summer Slate Not a single Netflix original film released between May and August this year opened above 20 million U.S. TV hours, per Nielsen. That benchmark usually serves as the EntStrategyGuy’s floor for a streaming hit on Netflix. None of these films enjoyed a hit-cementing single week of 20-plus million hours during their runs. Netflix’s two best films were true crime docs, Maternal Instinct (16.5 million hours) and The Crash (19.7 million), the best overall week for a film this summer. Great for most other streamers, but not necessarily what we’re used to seeing from Netflix. For an overly-dramatic comparison, Happy Gilmore 2 opened last summer to around 47 million hours (celebrity cameos, baby!). Zooming out, the picture looks even worse. In 2026, Netflix’s five biggest scripted summer films posted the lowest average (28.6 million hours) and median (28.8 million hours) eight-week viewership totals of the past four years. Now, it’s unrealistic and unfair to expect Netflix to deliver a _KPop Demon Hunters-_sized hit every year. But it’s also not ideal to see the size of their hits shrinking over the last few summers. Let’s quickly run through some of the notable summer misses. Jennifer Lopez and Brett Goldstein’s perfectly fine romcom, Office Romance, fell off the charts after 20 million hours in its first two weeks. Top films usually last for four-plus weeks. Starry titles ideally don’t decay that fast either. Homegrown star Millie Bobby Brown couldn’t prevent the snappy Enola Holmes franchise from diminishing returns. At 14.3 million U.S. hours, the third film posted roughly half of what the first two films did in their first two weeks. What’s on Netflix calculated that per-day global views were down nearly 60% from the second movie. The Whisper Man did okay with more than 36 million hours over its first four weeks. But I expected a little more juice from a film featuring Robert De Niro, Michelle Monaghan, and Adam Scott. Kevin Hart’s Ladies First collected just 11.2 million hours total across two weeks. That’s a big miss for one of Netflix’s go-to stars. Plopping into the same bucket are Sunny Sandler’s Don’t Say Good Luck (10.3 million in two weeks) and John Cena’s Little Brother (17.5 million). Meanwhile, English-language originals Color Book (June 19), In the Hand of Dante (June 24) and Heartstopper Forever (July 17) never sniffed Nielsen’s Top 10 at all, despite needing only 2 to 5 million hours to land in the top ten most weeks. (By my count, eleven English-language scripted original films released between May and August did chart). It’s only fair to mention that Swapped (1-May) posted nearly 42 million U.S. hours over five weeks (the longest Netflix original run this summer) and is currently their eighth most-watched English-language film ever worldwide. Remarkably Bright Creatures (37 million, 4 weeks) and Voicemails for Isabelle (27 million, 4 weeks) weren’t bombs either. Still, overall, I think it’s fair to say this was a quieter summer season than we’re used to seeing from the market-leader. You might not realize that given the language commonly used in public analysis. The Twist Despite the starkly black-and-white tone of the coverage, here’s the twist: when many box office bombs arrive on streaming, their viewership looks a whole lot like many of Netflix’s supposedly successful summer releases. Hmm, where have we heard that one before? Masters of the Universe topped out at $65 million stateside against a $170 million budget_._ I’ll admit, Skeletor ripping sleeveless curls as a gym bro and bodyslamming Adam’s co-workers was funny. But, much to the chagrin of my bank account, my laughter doesn’t launch franchises. Yet the He-Man reboot opened to 19.6 million hours (from a Wednesday five-day opening instead of just one weekend), on par with Hoppers on Disney+ (19.4 million). It put up nearly 47 million hours over its first six weeks, bigger than all of Netflix’s summer releases. Pretty darn healthy and likely to land among the 25 most-watched movies on streaming this year. Sticking with Amazon, The Sheep Detectives just barely broke even at the box office with $133 million worldwide (and only $66 million domestic). I never expected cloven-hooved, cud-chewing mammals to be able to bring me to tears. Yet that’s exactly how I found myself at the end of this surprisingly affecting movie (#NoShame). It was likely the unexpected quality in a family-friendly film that powered its streaming over-performance. Sheep Detectives delivered a solid run for Prime video netting 26.2 million hours! How about franchise IP? Star Wars: The Mandalorian & Grogu had the lowest opening ($81 million) and lowest-grossing Disney-era live-action Star Wars film ($178 million domestic). One day before release, its Heat score (19.8%)—audiences who list their interest as a 7/7—fell behind blockbusters Wicked (21%), Superman (23%), Fantastic Four: First Steps (23%), Michael (23%), Toy Story 5 (26%) and Avatar: Fire and Ash (27%), according to Greenlight Analytics. The urgent enthusiasm just wasn’t there. On streaming, Mando opened to weeks of 12.1 million, 6.1 million and 2.7 million hours (21 million total) over its first three frames. Not the numbers Lucasfilm was hoping for nor the numbers of a streaming hit. But they’re in the same vicinity as some Netflix summer releases with $345 million at the global box office to offset a smidgen of the pain. Final Thoughts So why oh why does this nuance gap exist? Four key reasons: Data Literacy: A “$100 million opening” just makes sense. After decades of box office reporting, even casual movie fans are well-versed in the benchmarks of hits and home runs. There’s an immediate shorthand. But “16.5 million” hours doesn’t land nearly as cleanly. Despite leaps of progress, the streaming ratings era is still in its infancy compared to theatrical. The EntStrategyGuy and I met thanks to a late 2010s group chat of data nerds hungry to find a shred of certainty in nebulous streaming performance. I’m not surprised to see “No. 1 on Netflix” still getting misconstrued out in the wild. Timing: By Friday morning, we have the box office’s Thursday night previews totaled, allowing us to better project the weekend’s expectations. From there, ticket sales are reported daily. By Sunday, the film’s fate is usually finalized, at least in terms of public perception. In streaming, Nielsen recently improved its delay to…two weeks. The medium isn’t forced to contend with instant gratification as harshly. Financials: Theatrical film budgets are a mere Google away. Profit and loss is calculated in the cold and unforgiving naked light of day for all to see. But finding the vast majority of streaming exclusive movie budgets requires the forensic investigation skills of a Criminal Minds detective. Also, it’s very difficult to calculate how much revenue/value a straight-to-streaming films provides a streamer. This is why there are so few stories about streaming original movies “losing X amount of money”. On top of that, marketing budgets are far greater for theatrical movies than streaming exclusive movies, which leads to earlier and better awareness. This then translates to a wider pool of potential interest. Narrative Control: Netflix is the only major streaming service to publish weekly first-hand viewership data and annual engagement reports. Naturally, some headlines borrow their first-hand framing**.** Other streamers benefit from their comparative lack of transparency. They may occasionally announce vague performance platitudes such as Apple TV’s Mayday becoming its “biggest film debut on the platform to date over its first 18 days,” and that it ranked No. 1 with left-handed viewers in its first weekend. (Fine, I made up that second one). But, for the most part, they keep first-hand viewership shrouded in mystery to avoid bad press. Especially for outlets that demand multiple articles per day from their writers, it’s an easy (and understandable) way for some reporters to hit their daily article quota by just repeating what the streamers have told them. TL:DR version: Streaming-exclusive movies are asked to do different things than theatrical movies, but that doesn’t mean they should escape judgment. Both still need to draw enough eyeballs to justify their cost within the proper performance contexts. The more cleanly we can inject a little nuance into streaming analysis, the better we’ll understand the audience and content trends that drive this industry. And that’s what all of this is really about: knowing what audiences actually want! Brandon Katz is the Director of Insights & Content Strategy at Greenlight Analytics where he focuses on evaluating the ever-fluid media landscape to unearth understanding, opportunity and value. Greenlight Analytics is the entertainment intelligence consulting company redefining how Hollywood finds, understands, and activates audiences. Prior to joining Greenlight Analytics, he served as the senior entertainment industry strategist at Parrot Analytics, and as a full-time entertainment industry reporter covering the Xs and Os of Hollywood, most notably with TheWrap and the Observer.
Matthew McConaughey, Woody Harrelson celebrate bromance with new drink
Matthew McConaughey is taking his bromance with Woody Harrelson to the bar and raising a glass to it.
GTA 6 devs tried "not to jump on the bandwagon" of passing trends and instead created their "own slanted, overblown versions"
Grand Theft Auto 6 developers knew development would take "years and years," so avoiding trends was important in making the game "feel vital" come launch.
GraceArts Live sets sail with ‘The Pirates of Penzance’
Pirates, romance and a particularly inconvenient birthday will take the stage in Lake Havasu City this month as GraceArts Live opens Gilbert and Sullivan’s comic operetta “The Pirates of Penzance.”
‘Tinder Swindler’ romance fraudster promises ‘safe’ dating app – using intel from con man playbook
Shimon Hayut, the notorious 'Tinder Swindler' also known as Simon Leviev, says his new Safe Love dating app will use identity verification to prevent the fraud he once committed.
Michael Douglas reveals secret Kathleen Turner romance after lying for 40 years
Michael Douglas reveals in his new memoir that he and ‘Romancing the Stone’ costar Kathleen Turner had a romantic relationship but lied about it for 40 years.
New GTA 6 Age Rating Confirms Game Will Feature Sex Scenes
GTA 6 will have sex scenes, according to a new listing from international ratings boards.
NHL Says Players In ‘Hot For Hockey’ Campaign Approved Content
The romance novel–inspired marketing effort has received mixed reviews.
New ‘DWTS’ pro shocks fans by announcing relationship with fellow ‘DWTS: The Next Pro’ contestant
Babe, wake up: a new ‘DWTS’ super-couple just dropped. New pro Adele Zaikman and her ‘The Next Pro’ spinoff competitor, Allen Genkin, have confirmed all the rumors of their romance.
Pete Davidson gives update on relationship with ex Ariana Grande after breakup anthem ‘Thank U, Next’
Davidson and Grande were engaged during their whirlwind romance in 2018.
Blizzard Survey Suggests New Classes Coming To WoW: Forever
Warden, Necromancer, and what sounds a lot like a vampire are also on the list
'SNL' spoofs Trump and Mamdani bromance, skewers Natalie Harp
"Saturday Night Live" is back! The NBC sketch show returned on Sept. 26 with the premiere of Season 52, hosted by New York Knicks star Jalen Brunson and with musical
How Ben Affleck’s Kids Have Turned His Hollywood Dating History Into Family Entertainment
Ben Affleck‘s kids are having good laughs from his past romances. The three children, Violet, Seraphina, and Samuel, whom the […]
Ella Langley choosin' Tucker Wetmore: 'Choosin' Texas' breakout dating fellow singer
LOS ANGELES — Ella Langley has more than a record-breaking hit on her hands. The "Choosin' Texas" country music breakout is now reportedly in a budding romance with Tucker Wetmore,
Ella Langley, Tucker Wetmore dating amid ‘Choosin’ Texas’ record
Ella Langley has more than a record-breaking hit on her hands. The "Choosin' Texas" country music breakout is now reportedly in a budding romance with Tucker Wetmore, also a musician.
Is 'The Love Hypothesis' worth watching? Lili Reinhart's new rom-com divides critics.
The "Riverdale" star appears opposite Tom Bateman in Prime Video's adaptation of Ali Hazelwood's bestselling romance novel.
Banijay Entertainment Heats Up Dating Slate with Temptations Under the Sun
Media and entertainment group, Banijay Entertainment, today announces it has acquired the global rights to French-Canadian dating format, Temptations Under the Sun. Expanding the group’s strategy-led reality-dating portfolio, the title is a spin-off of Canada’s longest-running reality romance show Occupation Double, which has aired for more than 20 years. Created by Productions J, the French […]
Banijay Entertainment Brings Back Romance with Nordisk Film TV’s Date Knight
Media and entertainment group, Banijay Entertainment, today unveils a brand-new dating reality format Date Knight. Produced by Nordisk Film TV, part of Banijay Nordic, for Danish public broadcaster DR, the format will join the group’s portfolio of new IP heading to MIPCOM. Date Knight invites singles to step into a spectacular romantasy world where epic […]
Bromance Breakup? ‘Definitely Cut Jon Jones’
That wasn’t supposed to happen. UFC 331 featured one of the biggest upsets of all time, as Sean Sharaf scored the first win of his UFC career by starching Olympic gold medalist and Jon Jones’ protege Gable Steveson (watch here). In the literal first exchange of the fight, Sharaf caught Steveson pulling backwards with a […]
'The Love Hypothesis' review: Does BookTok's beloved STEM romance get the adaptation it deserves?
Lili Reinhart and Tom Bateman have chemistry (literal and figurative) in "The Love Hypothesis."
Periwinkle and Prose brings romance readers together
By 8 or 9 a.m., a line had formed on Market Street.
Taylor Swift's Ex Joe Alwyn Sparks Romance Rumors With 2 Famous Women in the Span of Days
Who Joe Alwyn has been spotted with lately has people talking.
Taylor Swift's Ex Joe Alwyn Sparks Romance Rumors With 2 Famous Women in the Span of Days
Who Joe Alwyn has been spotted with lately has people talking.
Elizabeth Hurley, 61, Poses in Peach Bikini and Shares Sunset Kiss With Billy Ray Cyrus in New Update
Fans were in awe of her ageless beauty as she flaunted her ongoing romance.
Elizabeth Hurley, 61, Poses in Peach Bikini and Shares Sunset Kiss With Billy Ray Cyrus in New Update
Fans were in awe of her ageless beauty as she flaunted her ongoing romance.
Elizabeth Hurley, 61, Poses in Peach Bikini and Shares Sunset Kiss With Billy Ray Cyrus in New Update
Fans were in awe of her ageless beauty as she flaunted her ongoing romance.
EXCLUSIVE: Justin Trudeau's Katy Perry Romance 'Worries Political Pals'
Justin Trudeau's romance with Katy Perry reportedly sparks concern among his political pals.
'Trespasses' review: Come for the romance, stay for the historical drama
This adaptation of Louise Kennedy's 2022 debut novel on PBS follows a clandestine affair between a young Catholic schoolteacher and a Protestant barrister during the Troubles in Ireland.
Cosell: Jaguars WR Washington is New 'Bromance'
As the Jacksonville Jaguars continue to ascend, so does young wide receiver Parker Washington. Will he be able to replicate his success against the Denver Broncos in Week 2?
4 The Weekend: Entertainment getting cooler in Tucson
TUCSON, Ariz. (KVOA) — WAR is never great unless they are taking the stage, romance is in the air with a Latin flair and the Wildcats back in their den
Author Emily St. John Mandel discusses new book ‘Exit Party’
Ahead of an event with Seattle Arts & Lectures, the Times sat down with the author to discuss American fragility, post-apocalyptic romance and her ongoing career.
Beloved ‘Buffy’ stars reunite 23 years after hit series ended
Sarah Michelle Gellar and David Boreanaz reunited at the Emmys and revisited their characters’ romance on “Buffy the Vampire Slayer.”
Will Netflix’s Latest Horror Film Save Its Summer? And Introducing a New Data Source...
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) All month, I’ve been polling you, my readers, on how we think the summer’s biggest blockbusters will do when they eventually land on streaming, and I wanted to share the results. First up, how readers think The Odyssey will perform when it comes to Peacock... People are pretty bullish that The Odyssey will smash it for Peacock. I don’t know that it will have as much rewatchability as Wicked did for kids, but we’ll see. It is now Universal’s highest-grossing film of all time. One note: almost half of Christopher Nolan’s films weren’t available for streaming the week The Odyssey came to theaters, including some of his biggest films like Inception, Dunkirk, Tenet, Oppenheimer and Insomnia. If you did want to watch the others, Prime Video had Memento and The Dark Knight trilogy, HBO Max only had The Dark Knight trilogy (even though Warner Bros. produced most of Nolan’s films), Hulu had The Prestige and Interstellar, and Paramount+ had Interstellar. So you needed at least two streaming subscriptions to catch the rest. Warner Bros. whiffed right here. I know they have long term licensing deals, but they should have tried to get as many Nolan films on HBO Max for launch as possible. Here are the results for Spider-Man: Brand New Day: The audience is a bit more mixed on this one, with everyone agreeing Spider-Man will swing to a big opening, but not necessarily elite or best all time. On to this week’s issue. Netflix continues searching for a hit straight-to-streaming summer film and Lioness and Ted Lasso allow me to look at the difference between a “hit” and a ‘hit for them”. All that, plus new YA/teen melodramas on Prime Video and Netflix, the House of the Dragon finale, USA Network claims a big opening, more big NFL ratings, all the flops, bombs and misses, and a whole lot more. But we start with a fun new data announcement. Let’s dive right in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, JustWatch and Reelgood interest data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of August 3rd to August 9th, 2026. You can find a link to my terminology here.) Subscribe A New Data Source: Reelgood’s Data on Content Libraries Here’s a fun new treat for you. Reelgood—an online service and app that lets users track where shows or films are streaming—is providing data every month for the Streaming Ratings Report on the size of each streamer’s catalogue, along with the new shows and films for each streamer. Yay! Previously, I had pulled “new shows on streamers premiering on the first of the month”: While I liked that data cut, it was a big wonky since it didn’t show all of the new shows or movies that came to a streamer each month. Instead, I would have preferred something like this from Reelgood’s annual report: And now we have it! I’m going to feature Reelgood’s data monthly, showing both total catalogue size and new shows and films appearing on the charts. That’s going to make these two cool new charts. First, here’s the size of various streamers’ film catalogues… (By the way, Reelgood offered to make the charts for me, but I like doing that task by hand to understand the data better.) They also provided data back to last year. Here’s the number of films timeline: And here are the new films on each streamer for the month prior to Aug: As I get used to this data, I plan to keep tinkering with how I display it, but I’m excited to feature it monthly. Today, I’m sharing the film charts; next issue, I’m going to feature TV shows by streamer. Now, in full disclosure, Reelgood is a sponsor of this little-newsletter-that-could. But in my constant quest to figure out what streamer various shows and films are on, I was already a Reelgood user before this sponsorship. I go to their website all the time, and their data is very accurate on where shows are (or have been). Plus, I’ve been sharing their weekly top ten lists for years now, pre-sponsorship. For me, this is a great win-win, since I get to amplify a service I love, and I get a cool new data source to play with. Now, normally folks don’t usually mention their sponsors directly, but as I wrote before, as I start featuring ads in my newsletter, I plan to be extremely open about who is sponsoring my writing so you can trust what I write. Television - Two Big Returning Shows Look Set to Take Over The Charts One key question when it comes to judging streaming shows is whether a show is a “hit” or a “hit for them”. To be clear, the former means a show that’s one of the top shows on streaming, no questions asked. The latter means a show is one of the biggest, for a given streamer. That distinction makes a big difference! It’s really good to be one of the biggest shows on a streamer; it’s much better to be the biggest on streaming, despite the size of a streamer. Because, as we’ve seen now, nearly every streamer—while lacking the number of subscribers or usage of Netflix—can make hit TV shows: Paramount released Landman, whose first and second seasons were among the top two TV shows the year they came out. HBO Max’s The Pitt’s second season is the biggest show of the year so far. Love Island USA was the top show in 2025 for Peacock. And, crucially for today’s discussion: Wayyyyyyyyyyyyyyyyyyyyyyyyyy back in 2023, Ted Lasso was actually the top streaming show of the year according to Nielsen! So even Apple TV (formerly +) can make hit shows. It just doesn’t make them that often. And looking at the Nielsen charts this week, we have two prime candidates for this discussion: That’s right: Ted Lasso returned to Apple TV for its fourth season. Did it return in all its expected glory? Sure, though right now it’s still just a “hit for Apple TV”, but we’ll see how long it lasts on the charts. Its ten episodes are coming out weekly. (Smart choice, Apple!) Ted Lasso started out strong, actually making the Nielsen charts the week before new episodes dropped, which is a rare feat. (Shows like Stranger Things or Bridgerton have pulled that off. That’s terrific company to join!) On Nielsen, it opened to 14.4 million hours in its first week, and 16.6 million the week of 10-Aug. Here’s how that compares to previous seasons: Apple put out that this is their biggest TV launch through two days ever, and looking at the chart and Apple TV’s viewership history, I’d believe it. Here’s Apple’s top shows for season two and beyond: Other data tells a (mostly) similar story. Ted Lasso made Samba TV and it has elite IMDb scores, an insane 8.7 on 465K reviews. The only outlier is Luminate, where the latest season only had 7.4 million hours, and no other seasons made the top ten. As you’ll see below, that’s well below some other solid, but not spectacular shows like Sterling Point, Ride or Die or Furious. I’d be surprised if Ted Lasso isn’t bigger than those other shows, but it’s fine for different data sources to occasionally disagree. And while it’s sucky to bring this up, given that Warner Bros. produced this show, I do wonder how the streaming wars may have been different if Ted Lasso landed on HBO Max initially instead of Apple. I don’t think one show can make or break a streamer, but given HBO’s brand, it could have helped bring people to that streamer much earlier in its lifespan. (Though yeah, I don’t love calling out executives for passing on hit shows, since that’s just the nature of the job. Even the absolute best execs will pass on lots of successful shows. The key is not greenlighting the under-performers/misses.) The other show I’m thinking about in the “hit or hit for them” category is Lioness from Paramount+. Like Ted Lasso, its first season missed the charts, but it’s grown its audience since then. Here’s how season three opened: We’re just getting started with this issue, but the rest is for paid subscribers of the Entertainment Strategy Guy, so if you’d like to find out… How Lioness did on streaming... Two new melodramas for Netflix and Prime Video... Whether Netflix’s latest horror film saved its summer... Hulu’s Furious and Prime Video’s Ride or Die continuing their strong runs... The latest high profile showrunner to flop on streaming... All the flops, bombs and misses... And a whole lot more... ...please subscribe! We can only keep doing this great work with your support. Next week, we’ve got a double issue—since the week of 17-Aug had very few notable new shows or films—so I’ll look at HBO’s Lanterns, Prime Video’s Reacher, Netflix’s Tires, Outer Banks (which posted up huge numbers four years ago), an Aussie romance, and another baseball event (that didn’t resonate). And a bunch of movies like the latest dramedy from an Adam Sandler daughter, Don’t Say Good Luck, Camp Rock 3 on Disney Channel and Disney+, Michael on Starz, and more. Later this month, we’ve got a ton of shows and films to analyze! Movies will be the big story, featuring a box office bomb (Supergirl on HBO Max) and an “underperformer” (The Mandalorian and Grogu on Disney+) contending with a bunch of star-studded straight-to-streaming films like Netflix’s The Whisper Man (Adam Scott, Michelle Monaghan and De Niro!), Mayday on Apple TV+ (Ryan Reynolds and Kenneth Branagh!), The Runner (Gal Gadot) and The Last Sunrise (Eva Longoria and Maia Reficco) on Prime Video. Plus, a ton of TV shows have sophomore seasons coming out. Will The Gentleman put up big numbers on Netflix or suffer from a sophomore slump? Leanne and Beauty in Black on Netflix seem small, but they both might be bigger than you think. Hulu has a bunch of shows: a new season of The Secret Lives of Mormon Wives (the first after all the controversy last year) and the second season of Chad Powers (from Peyton Manning’s production company and starring Glen Powell). This one flopped last year; can it score a touchdown this year? Same goes for FX’s Adults, which I didn’t track last year; will it hit this year? Peacock’s The Office spinoff, The Paper and Apple TV’s Dark Matter also return for second seasons. And Netflix has more Untold specials featuring Vince Young, Raygun (that horrible breakdancer) and Mr. T. Long term, Paramount+ is rebooting yet another franchise, Clueless, and I’m somewhat bullish on this new show. The talent attached (Alicia Silverstone) and creative Josh Schwartz and Stephanie Savage (of The O.C. and Gossip Girl) also feel solid...if they make it funny like the original.
'Stuffed' review: Jodie Comer and Harry Melling shine in a macabre musical romance
This one's for the weirdos who love a grisly musical.
In Gen Z Romance Shows Like Crew Girl, Sports Are the New Sex
A new generation of hit romance shows set among sweaty athletes suggests that for younger viewers, getting physical is no longer just about sex
My Chemical Romance hint at first new album in over 15 years: ‘You guys deserve another record’
Killjoys, make some noise!
The ‘Off Campus’ fandom is under fire for invasive shipping. This behavior isn’t new.
Some viewers are treating the show’s fictional romance like reality — fueling feud rumors and dragging the cast’s real-life partners into the drama.
‘Marshals’ star Luke Grimes talks ‘slowly and cautiously’ introducing romance for Kayce in season 2 (exclusive)
Luke Grimes previews season 2 of ‘Marshals,’ including potential romance for Kayce: ‘How we do that in the way that the audience allows it and doesn’t get upset by it?’
Ralph Lauren delivers modern take on romance with sensual silhouettes
Ralph Lauren's New York Fashion Week show featured a starry guestlist with actors from Meghann Fahy, Cynthia Erivo, Viola Davis and Elizabeth Debicki in attendance. The designer's Spring 2027 show
Grand Theft Auto VI: can playing a video game count as cheating on your partner?
Historically a new Grand Theft Auto game inspired controversy around violence – but this time people are getting exercised about its romance
Jake Gyllenhaal sees a spooky Phoebe Dynevor in first look at M. Night Shyamalan and Nicholas Sparks’ ‘Remain’
Jake Gyllenhaal and Phoebe Dynevor star in the trailer for ‘Remain,’ based on the supernatural romance co-written by M. Night Shyamalan and Nicholas Sparks.
\'Twilight\' film concert experience coming to Hershey; here\'s when tickets are on sale
Fans of the "Twilight" movies can experience the romance of Edward Cullen and Bella Swan all over again when the "Twilight in Concert" tour stops in Hershey in February 2027.
Campaigning for love: Romance, politics collide in highly anticipated novel
The novelist-screenwriter-political strategist is dropping her highly anticipated third novel, “See You Next Tuesday,” on Sept. 8.
Swipe MAGA right or liberal left? Dealbreaker in today's dating world
Political alignment is now at the forefront for those looking for romance in today's world of dating and finding a partner.
Sexy Grand Theft Auto romance triggers in-real-life 'cheating' scandals: 'No way is my fiancé playing this'
Exodus Won't Let You Bang the Octopus
Narrative director Drew Karpyshyn details how the game's romance works
The 15 best witch movies, from “The Wizard of Oz” to “Weapons”
From horror to comedy to romance, witches have taken many forms throughout film history.
Exodus Narrative Director Explains Romance, Relationships, and Mass Effect Comparisons in New Sci-fi RPG
The upcoming space opera RPG Exodus has drawn a lot Mass Effect comparisons, and its narrative director worked on both. He explains their differences and more.
The Young Gloria Steinem on Politics, Ambition, Romance and Fashion
In a 1966 WWD interview, a 28-year-old Gloria Steinem reflects on politics, writing, fashion, romance and the ambitions that would shaped her legacy.
Swiping MAGA right or liberal left dealbreakers in today's dating world
Smoking? Kids? Finances? Political alignment is now at the forefront for those looking for romance in today's world of dating and finding a partner.
Tamron Hall teases ‘big celebrities,’ beloved segments will return in season 8 of her talk show
Tamron Hall teases season 8 of her talk show will focus on ‘romance.’
Opinion | The Political Power of Christian Kitsch
Precious Moments figurines and Christian romance novels aren’t overtly political, but they shape how Christian women see themselves and the world.
Brinkley, Guttenberg revel in retro joy of ‘American Summer’
Sweetly nostalgic as it looks back at one teenager’s “best summer ever,” “American Summer” is also a nod to the friendships and romances that unfold as adulthood beckons.
Owen Thiele and Jack Innanen on their slow-burn romance in 'Adults' Season 2
The actors spoke about their characters' big moment in the Season 2 finale of the comedy, the alternate ending they taped and where their relationship might go in Season 3.
Iowa author’s debut book ‘Hacked By You’ a romance-thriller
Shellsburg author Emily Scheer combined high-stakes cybercrime and suspense in her debut novel, “Hacked by You.” Learn how she brought Natasha and Zade's story to life and check out her upcoming events.
Jimmy Kimmel’s wife Molly McNearney recalls the moment she knew he wanted ‘to f---‘
Jimmy Kimmel and his wife Molly McNearney opened up about their ‘bad idea’ romance and when they knew their office friendship had turned into something more.
The Blood of Dawnwalker Won’t Run at 60fps on Console, and Fans Aren’t Happy
The Blood of Dawnwalker console footage has shown off the game's graphical modes available at launch, but none will hit 60fps.
‘Heated Rivalry’ actor says he got ‘in trouble’ after seemingly leaking info about upcoming episodes
Dylan Walsh, who plays David Hollander on ‘Heated Rivalry,’ paused his Cameo account after a video where he talked about season 2 of the hit hockey romance went viral.
APT’s Two ‘Gentlemen’ of Verona plays like a teen drama
Playwright and director Aaron Posner spins “Two ‘Gentlemen’ of Verona” into a heartsick teen romance with a folk music score.
Jack Haven’s Little Death Is the Bloody, Beating Heart of ‘Camp Miasma’
The actor’s silent performance is the glue that binds Jane Schoenbrun’s meta slasher romance together.
Debut time-travel romance is light on science, heavy on pining
“All We Have is Time” by Amy Tordoff is a love story between an immortal and a time traveler. Our immortal, Beatrix, has been cursed never to die.
Test your pop culture: From Hollywood to the Heartland
Test your knowledge of entertainment with this quiz on celebrities, trends and headline-making moments. Featured this week: bikini-clad vacations, an unbelievable survival story, a post-divorce splurge and a romance decades in the making.
Trailer for Michael B. Jordan’s ‘The Thomas Crown Affair’ teases slick heists and steamy Adria Arjona romance
Check out the first teaser for Michael B. Jordan’s upcoming reimagining of the iconic art thief previously made infamous by Steve McQueen and Pierce Brosnan.
‘Pippin’ Has ‘Magic To Do, Just For You’
This week at Highfield Theatre, College Light Opera Company brings “Pippin” to life with all its enjoyable intrigue, humor, romance, illusion and battles.
Rebelle Media & Magic Hour Entertainment Execs On Romance - Comic-Con
Rebelle Media Magic Hour Entertainment founders weighed in on romance on the big screen with authors Christina Lauren & more at Comic-Con 2026.
Long-lost love story by Alan Turing rediscovered in archive
'Pryce's Buoy' is an unfinished romance tale between two men.
“Heartstopper” stars still haven’t seen “Heated Rivalry”: ‘We probably have very similar experiences’
Kit Connor and Joe Locke know it’s “terrible” that they haven’t seen the spicy hockey romance.
After ‘Heated Rivalry’ mania, a very adult ‘Heartstopper’ is here
(CNN) — It takes less than 10 minutes of watching the new “Heartstopper Forever” movie on Netflix to realize this is not the same tenderhearted romance to which audiences were
Lionel Messi is the ultimate summer romance: Why he's so beloved
I knew Lionel Messi would be the headliner of this World Cup, but I didn't expect to fall so hopelessly in love with him.
After four hours playing The Blood of Dawnwalker, I've seen combat, romance, intrigue - it's got the makings of being 2026's breakout RPG
I've played four hours of the hugely promising The Blood of Dawnwalker now which, if you don't know yet, is the new vam…
Test your pop culture: From Hollywood to the Heartland
Test your Taylor Swift knowledge with this quiz celebrating the pop superstar's headline-making romance with Travis Kelce. Featured this week: wedding details, memorable moments from their love story ...
Love, science and resurrection collide in Christina Lauren’s ‘The Romance Revival’
Under the Radar speak with New York Times best-selling authors Christina Hobbs and Lauren Billings about their latest novel
Love and Deepspace dev cancels new love interest amid fan backlash
A little over a week of intense fan backlash has resulted in the romance gacha game rolling back the announcement of Valko
How to use AI in your dating life responsibly and effectively
Whether you love or loathe generative AI chatbots, they’re becoming increasingly involved in the business of romance.
FF7 Revelation Director Says Queer Romances Help The World Feel Real
Naoki Hamaguchi said that the presence of queer people and relationships in the remake trilogy 'enhances the world’s realism'
Nicole Kidman Linked to Mystery Entertainment Executive Months After Keith Urban Divorce
Nicole Kidman is back in the romance-rumor cycle months after finalizing her divorce from Keith Urban, and the latest claim has sent fans looking for ... Read More
Olivia Wilde reveals moment she realized Jason Sudeikis romance was over
Olivia Wilde can pinpoint the precise day she realized her relationship with Jason Sudeikis was over.
Andrew Rannells reveals brief romance with Anderson Cooper inspired 'Girls' storyline
Andrew Rannells says he briefly dated Anderson Cooper when he was 25, and told 'Girls' showrunners Lena Dunham and Jenni Konner about the fling.
Jennifer Lopez admits she 'would've had sex' with entire star-studded 90s movie cast
Jennifer Lopez made a NSFW confession about the 1993 movie "True Romance" cast during a podcast interview with "Office Romance" co-star Brett Goldstein.
Test your pop culture: From Hollywood to the Heartland
Test your knowledge of entertainment with this quiz on celebrities, trends and headline-making moments. Featured this week: a country music comeback, a surprising celebrity romance, standout red carpe...
The 5 best Jennifer Lopez rom-coms to watch after “Office Romance”
Jennifer Lopez and Brett Goldstein's new Netflix rom-com will leave you swooning for more.
Scientists stunned by two-headed worms—now they’re multiplying without limits - Futura-Sciences
The Unusual Reproduction of Stenostomum brevipharyngium Meet Stenostomum brevipharyngium, a microscopic flatworm that has no need for romance or even a partner when it comes to making more of its kind. This species reproduces by paratomy, an asexual process in which a new worm forms from the middle section of...
Her boyfriend is handsome, attentive and always emotionally available. The catch? He's made of pixels.
Romance role-playing otome games, like "Love and Deepspace," have exploded in popularity in recent years and offer a reprieve from the bleak dating scene for many of their female fans.
Test your pop culture: From Hollywood to the Heartland
Test your knowledge of entertainment with this quiz on celebrities, trends and headline-making moments. Featured this week: a red-hot new romance, runway-worthy bikini moments, candid Hollywood reflec...