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Brian Schottenheimer Must Answer for More Than the Offense
Brian Schottenheimer faces scrutiny after the Cowboys’ loss to Tampa Bay exposed problems that extend beyond the offense and into his entire team.
Saturday Sports: MLB playoffs; remembering the late Chicago Bears coach, Mike Ditka
NPR's Scott Simon and sports reporter Michele Steele talk about the MLB playoffs and the late Chicago Bears coach, Mike Ditka.
Watch Motherwell v Celtic LIVE on CelticPlayer
The Celts are back after the international break! The Bhoys travel to North Lanarkshire to take on Motherwell in the Scottish Premiership tomorrow (October 11). The Hoops sit top of the table, and it�...
Abbott targets Hinojosa over whether she backs a state income tax
For weeks now he has been pointing to a 2019 vote as evidence that his opponent, Gina Hinojosa, wasn’t against income taxes and “is dangerous for Texas.”
Projected lineup for last-place Tottenham vs. Manchester United
Tottenham returns to the international break with a trip to face Manchester United on Saturday, Oct. 10.
Indiana vs Nebraska football live updates: Start time, TV, predictions for Week 6 game
Sergio Pérez Blames Bottoming Out for Singapore GP Qualifying Crash
The Mexican driver lost control of his Cadillac on turn 4 after a heavy compression into the asphalt. The impact damaged his front wing and caused the red flag. He finished twentieth but is confident he can improve his race pace.
Bridge winners
GOOD TIMERS BRIDGE CLUB: Friday, Oct. 2 — 1 Charlotte Allman, 2 Cheri Lindberg, 3 Brenda Phelps and Michael Karr
'Gaza is a moral tear in the universe' – Naomi Klein and Astra Taylor
Naomi Klein and Astra Taylor speak to Radical Thinking, a new series from the Guardian with Aditya Chakrabortty
Tottenham to fly to Marbella for team bonding
Tottenham manager Roberto De Zerbi to take his squad to Marbella for team-bonding training camp after clash against Manchester United
Michaelson shares take on Trump’s WH press secretary pick, a frequent guest on his panels
Deepfake ad of Colorado state senator prompts first-of-its-kind court case
Tottenham XI vs Manchester United – Predicted lineup and team news
Tottenham Hotspur go to Old Trafford on Saturday evening still waiting for a first Premier League win, with Roberto De Zerbi’s side bottom on two points.Spurs have won five and lost one of their las...
'We're just grateful:' Months after Painted Tree shut business owners out, Eleven101 Collective is providing a second chance
Gears of War: E-Day Sold 168,000 Copies on Steam but Xbox Game Pass Players Generated 130% More Revenue
We recently reported that Gears of War: E-Day wasn't having the best launch week over on Steam, but according to Alinea Analytics's Rhys Elliott, Steam doesn't even account for half of the game's revenue or owner base. The analytics firm estimates that Gears of War: E-Day sold around 230,00...
'As highly trusted as anyone': Spokane Valley business reacts after former employee gets prison time for stealing $1 million
Browns coach Todd Monken discusses mental process of getting rejected by Jets for Adam Gase in 2019
White Hall senior named Miss Arkansas’ Teen 2026, advocates for student mental health
Bedford Co. students launch business, plan to introduce products at Fall Foliage Festival
Arsenal eye deal for teenager Mora
Arsenal eye deal for Mexico teenager Gilberto Mora, AC Milan in pole position for Endrick, Nottingham Forest braced for Murillo interest
Netflix’s Summer of Bummer
(Welcome to the Entertainment Strategy Guy, a newsletter on the entertainment industry and business strategy. I write a weekly Streaming Ratings Report and a bi-weekly strategy column, along with occasional deep dives into other topics, like today’s article. Please subscribe.) Today, I’ve got a guest post from longtime friend of the newsletter, Brandon Katz. I’ve been trying to find time all summer to look at Netflix’s straight-to-streaming film slate, but between a pre-planned trip and Nielsen moving up their streaming data timeline, I’ve been swamped. So I reached out to Brandon, one of my favorite fellow analysts, to write about it. And I feel like he captured the tone and data focus of the newsletter perfectly. You can connect with Brandon on LinkedIn and Twitter. Enjoy! Don’t worry, folks. You’re in safe hands with me. To ease any anxieties about an interloper in ESG’s domain, I’ll start by stealing one of his best framing devices: headlines. Box office flops are covered in the same way the Teenage Mutant Ninja Turtles eye pizza: with cartoonish insatiability. I would know. I’m a former reporter who wrote nearly identical headlines: Yet, intentionally or not, streaming misses get treated with kids gloves, filtered through a rosy lens: In the last six years, U.S. streaming viewership has become nearly as transparent as the box office, but the data often arrives weeks later, in a number of less intuitive metrics, and with nary an official budget to be found. This plays into the Wall Street-whispering narratives major streamers have been cultivating for years. They get a pass in a way that theatrical studios simply don’t. Subscribe Netflix’s Summer Slate Not a single Netflix original film released between May and August this year opened above 20 million U.S. TV hours, per Nielsen. That benchmark usually serves as the EntStrategyGuy’s floor for a streaming hit on Netflix. None of these films enjoyed a hit-cementing single week of 20-plus million hours during their runs. Netflix’s two best films were true crime docs, Maternal Instinct (16.5 million hours) and The Crash (19.7 million), the best overall week for a film this summer. Great for most other streamers, but not necessarily what we’re used to seeing from Netflix. For an overly-dramatic comparison, Happy Gilmore 2 opened last summer to around 47 million hours (celebrity cameos, baby!). Zooming out, the picture looks even worse. In 2026, Netflix’s five biggest scripted summer films posted the lowest average (28.6 million hours) and median (28.8 million hours) eight-week viewership totals of the past four years. Now, it’s unrealistic and unfair to expect Netflix to deliver a _KPop Demon Hunters-_sized hit every year. But it’s also not ideal to see the size of their hits shrinking over the last few summers. Let’s quickly run through some of the notable summer misses. Jennifer Lopez and Brett Goldstein’s perfectly fine romcom, Office Romance, fell off the charts after 20 million hours in its first two weeks. Top films usually last for four-plus weeks. Starry titles ideally don’t decay that fast either. Homegrown star Millie Bobby Brown couldn’t prevent the snappy Enola Holmes franchise from diminishing returns. At 14.3 million U.S. hours, the third film posted roughly half of what the first two films did in their first two weeks. What’s on Netflix calculated that per-day global views were down nearly 60% from the second movie. The Whisper Man did okay with more than 36 million hours over its first four weeks. But I expected a little more juice from a film featuring Robert De Niro, Michelle Monaghan, and Adam Scott. Kevin Hart’s Ladies First collected just 11.2 million hours total across two weeks. That’s a big miss for one of Netflix’s go-to stars. Plopping into the same bucket are Sunny Sandler’s Don’t Say Good Luck (10.3 million in two weeks) and John Cena’s Little Brother (17.5 million). Meanwhile, English-language originals Color Book (June 19), In the Hand of Dante (June 24) and Heartstopper Forever (July 17) never sniffed Nielsen’s Top 10 at all, despite needing only 2 to 5 million hours to land in the top ten most weeks. (By my count, eleven English-language scripted original films released between May and August did chart). It’s only fair to mention that Swapped (1-May) posted nearly 42 million U.S. hours over five weeks (the longest Netflix original run this summer) and is currently their eighth most-watched English-language film ever worldwide. Remarkably Bright Creatures (37 million, 4 weeks) and Voicemails for Isabelle (27 million, 4 weeks) weren’t bombs either. Still, overall, I think it’s fair to say this was a quieter summer season than we’re used to seeing from the market-leader. You might not realize that given the language commonly used in public analysis. The Twist Despite the starkly black-and-white tone of the coverage, here’s the twist: when many box office bombs arrive on streaming, their viewership looks a whole lot like many of Netflix’s supposedly successful summer releases. Hmm, where have we heard that one before? Masters of the Universe topped out at $65 million stateside against a $170 million budget_._ I’ll admit, Skeletor ripping sleeveless curls as a gym bro and bodyslamming Adam’s co-workers was funny. But, much to the chagrin of my bank account, my laughter doesn’t launch franchises. Yet the He-Man reboot opened to 19.6 million hours (from a Wednesday five-day opening instead of just one weekend), on par with Hoppers on Disney+ (19.4 million). It put up nearly 47 million hours over its first six weeks, bigger than all of Netflix’s summer releases. Pretty darn healthy and likely to land among the 25 most-watched movies on streaming this year. Sticking with Amazon, The Sheep Detectives just barely broke even at the box office with $133 million worldwide (and only $66 million domestic). I never expected cloven-hooved, cud-chewing mammals to be able to bring me to tears. Yet that’s exactly how I found myself at the end of this surprisingly affecting movie (#NoShame). It was likely the unexpected quality in a family-friendly film that powered its streaming over-performance. Sheep Detectives delivered a solid run for Prime video netting 26.2 million hours! How about franchise IP? Star Wars: The Mandalorian & Grogu had the lowest opening ($81 million) and lowest-grossing Disney-era live-action Star Wars film ($178 million domestic). One day before release, its Heat score (19.8%)—audiences who list their interest as a 7/7—fell behind blockbusters Wicked (21%), Superman (23%), Fantastic Four: First Steps (23%), Michael (23%), Toy Story 5 (26%) and Avatar: Fire and Ash (27%), according to Greenlight Analytics. The urgent enthusiasm just wasn’t there. On streaming, Mando opened to weeks of 12.1 million, 6.1 million and 2.7 million hours (21 million total) over its first three frames. Not the numbers Lucasfilm was hoping for nor the numbers of a streaming hit. But they’re in the same vicinity as some Netflix summer releases with $345 million at the global box office to offset a smidgen of the pain. Final Thoughts So why oh why does this nuance gap exist? Four key reasons: Data Literacy: A “$100 million opening” just makes sense. After decades of box office reporting, even casual movie fans are well-versed in the benchmarks of hits and home runs. There’s an immediate shorthand. But “16.5 million” hours doesn’t land nearly as cleanly. Despite leaps of progress, the streaming ratings era is still in its infancy compared to theatrical. The EntStrategyGuy and I met thanks to a late 2010s group chat of data nerds hungry to find a shred of certainty in nebulous streaming performance. I’m not surprised to see “No. 1 on Netflix” still getting misconstrued out in the wild. Timing: By Friday morning, we have the box office’s Thursday night previews totaled, allowing us to better project the weekend’s expectations. From there, ticket sales are reported daily. By Sunday, the film’s fate is usually finalized, at least in terms of public perception. In streaming, Nielsen recently improved its delay to…two weeks. The medium isn’t forced to contend with instant gratification as harshly. Financials: Theatrical film budgets are a mere Google away. Profit and loss is calculated in the cold and unforgiving naked light of day for all to see. But finding the vast majority of streaming exclusive movie budgets requires the forensic investigation skills of a Criminal Minds detective. Also, it’s very difficult to calculate how much revenue/value a straight-to-streaming films provides a streamer. This is why there are so few stories about streaming original movies “losing X amount of money”. On top of that, marketing budgets are far greater for theatrical movies than streaming exclusive movies, which leads to earlier and better awareness. This then translates to a wider pool of potential interest. Narrative Control: Netflix is the only major streaming service to publish weekly first-hand viewership data and annual engagement reports. Naturally, some headlines borrow their first-hand framing**.** Other streamers benefit from their comparative lack of transparency. They may occasionally announce vague performance platitudes such as Apple TV’s Mayday becoming its “biggest film debut on the platform to date over its first 18 days,” and that it ranked No. 1 with left-handed viewers in its first weekend. (Fine, I made up that second one). But, for the most part, they keep first-hand viewership shrouded in mystery to avoid bad press. Especially for outlets that demand multiple articles per day from their writers, it’s an easy (and understandable) way for some reporters to hit their daily article quota by just repeating what the streamers have told them. TL:DR version: Streaming-exclusive movies are asked to do different things than theatrical movies, but that doesn’t mean they should escape judgment. Both still need to draw enough eyeballs to justify their cost within the proper performance contexts. The more cleanly we can inject a little nuance into streaming analysis, the better we’ll understand the audience and content trends that drive this industry. And that’s what all of this is really about: knowing what audiences actually want! Brandon Katz is the Director of Insights & Content Strategy at Greenlight Analytics where he focuses on evaluating the ever-fluid media landscape to unearth understanding, opportunity and value. Greenlight Analytics is the entertainment intelligence consulting company redefining how Hollywood finds, understands, and activates audiences. Prior to joining Greenlight Analytics, he served as the senior entertainment industry strategist at Parrot Analytics, and as a full-time entertainment industry reporter covering the Xs and Os of Hollywood, most notably with TheWrap and the Observer.
COME ON DOWN! Greg Abbott Offering Access to Texas Governor’s Mansion in Exchange for Political Support
DALLAS, TX – Come on down!Career politician Greg Abbott would love to have you over to the Texas Governor’s Mansion, but only if you help him get reelected first.Through his Abbott Impact app, users earn points for completing various political activities for the Abbott campaign, like getting people out to vote for him, knocking on doors, and making phone calls. And just in time for the holidays, the app also lets you find out which political party your contacts belong to and how they’ve voted in
Layne Riggs Tops NASCAR Truck Series Practice at Charlotte
Layne Riggs, who finds himself behind the eight ball, err, the No. 11 truck of Kaden Honeycutt — in the NASCAR Craftsman Truck Series championship standings, began his quest to reclaim the point lead by pacing practice for Friday night’s Ecosave 200 at Charlotte Motor Speedway. With a lap time of 30.132 seconds (179.211 mph), […] The post Layne Riggs Tops NASCAR Truck Series Practice at Charlotte appeared first on TobyChristie.com.
Ohio State alumnus David Jacobs’ interest in investing yields high return for students
David C. Jacobs began plotting his career path early in high school. It would begin at The Ohio State University with a bachelor’s degree in finance and marketing before continuing on Wall Street as a stockbroker. “It didn’t quite work out as planned,” he said. “But my time at Ohio State afforded me the opportunity to pivot quickly int...
Lamar Jackson (ankle) ruled out by Ravens for Week 5 matchup vs. Falcons
CANUCKS SPORTS & ENTERTAINMENT WELCOMES COKE CANADA BOTTLING AS NEW OFFICIAL BEVERAGE PARTNER
New multi-year partnership expands beverage options at Rogers Arena and Rogers Forum with locally made favourites, including Canada Dry
Trump, the Supreme Court & Texas’ Midterm Power Struggle
Co-hosts Brandon Rottinghaus and Jeronimo Cortina delve into the latest news in politics
Scientists Have Developed a Breakthrough Energy Source to Fuel the First Humans on Mars
A NASA-backed experiment shows how engineered microbes can convert discarded water bottles into edible protein.
Did the Zionism row lose it for Zack Polanski?
Peter Walker and Lexy Topping discuss Zack Polanski’s leadership after he lost the Holborn and St Pancras byelection
Knicks suspend contract extension talks for Karl-Anthony Towns, Josh Hart 'until later in the season'
Charlotte Motor Speedway to host celebration of life for Kyle Busch
The event after the Trucks Series race will include Kyle Busch’s widow, Samantha, team owner Joe Gibbs and several Cup Series drivers.
Oliver Glasner Issues Injury Warning for Nottingham Forest
Nottingham Forest have been dealt a major injury blow ahead of their trip to Crystal Palace on Sunday.
Twin Cities Allina hospice nurses reach tentative deal on first-ever contract
UConn Huskies: Men's Basketball Suffers Shocking Exhibition Loss
The Huskies took on Charlotte on Thursday and will now ready for Syracuse on Tuesday.
Artist opens downtown Walla Walla gallery to the public
Photographs and found-object constructions will be on display Saturdays through Nov. 28 at The Noodle Grotto Studio Gallery.
Mental Health, the Church's Commitment: "It is not a marginal issue; it belongs to the heart of the mission" - Dicastery for Promoting Integral Human Development
On the occasion of World Mental Health Day, the Dicastery for Promoting Integral Human Development has, for the first time, issued a message signed by ...