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TV and streaming viewing picks for July 26, 2026: How to watch Yankees-Phillies
All Times Eastern Baseball Banana Ball World Tour Game 3, Wrigley Field, Chicago, IL Savannah Bananas vs. Firefighters — ESPN/ESPN Unlimited/Disney+, 4 p.m. Basketball Big3 Week 6, Toyota Center, Houston, TX DMV Trilogy vs. Miami 305/Houston Rig Hands vs. Dallas Power — CBS, 1 p.m. The Basketball Tournament Quarterfinals Alumni Semifinal, Memorial Coliseum, University of…
Top Entertainment Stocks To Follow Now
Verizon Communications, Walt Disney, Warner Bros. Discovery, Autodesk, SEA, Take-Two Interactive Software, and Live Nation Entertainment are the seven Entertainment stocks to watch today, according to MarketBeat's stock screener tool. Entertainment stocks are shares of companies involved in produci
Theater producer’s Des Peres home filled with entertainment collectibles
Stepping into the Des Peres home of theater producer Jack Lane is like taking a trip through the history of Hollywood, Broadway and the wonderful world of Disney all in
How my family spent $8,600 on a 6-day trip to Disney World, Universal
On our family trip to Orlando, we spent the bulk of our money on flights, two hotel rooms, and park tickets. We saved money using crdit card points.
Inspiration for film ‘Safety’ is tourney’s special guest
VOLUNTEERS OF AMERICA COLORADO Denver News: Ray McElrathbey, a former Clemson University football player whose story of fighting to keep his brother out of foster care inspired the Disney+ movie “Safety,” will be the special guest when Volunteers of America Colorado hosts its 23rd Legends Golf Tournament. The Sept. 9 event will be held at Sanctuary, 7549 Daniels Park Road, […]
#paramount #streaming #entertainment
Paramount Skydance isn't waiting around for its planned merger with Warner Bros. Discovery to bolster its flagship streaming service. Paramount's streaming leaders have told employees that they're planning major upgrades to Paramount+ in the coming weeks. An internal presentation, which was unveiled during a streaming town hall this week and viewed by Business Insider, shows "Product Priority Highlights" for Paramount's streaming business this quarter. These initiatives are part of Paramount CEO David Ellison's plan to improve the tech of a 114-year-old media company that trails Netflix, Amazon Prime Video, and Disney in streaming subscribers. Buying WBD would help Paramount catch up quickly and give it over 200 million streaming customers, the company has said. Read more about Paramount’s streaming projects on Business Insider: https://lnkd.in/eKfn9wyH (Credit: Getty Images) #paramount #streaming #entertainment
Former Disney CEO Michael Eisner can't remember why he green-lit Kingdom Hearts
This comes after Eisner left a panel on new video game company Delphi Interactive.
Disney's Former CEO Seems To Have No Memory Of Approving Kingdom Hearts
A scattered dream that's like a far-off memory.
Ex-Disney CEO Says He Doesn't Remember Why He Greenlit Kingdom Hearts
The Disney and Final Fantasy crossover does sound like a hard sell
Fox Says AI Should ‘Support Human Creativity' as It Joins ARIAM
Fox Entertainment has joined Disney, the New York Times, Adobe and more as part of the Alliance for Responsible Innovation in the Arts & Media.
Panera founder and Cava chairman Ron Shaich bets $100 million on Level99, bringing his restaurant industry playbook to entertainment
Act III Holdings doubles its stake in Level99 after the Disney Springs opening, betting restaurant-industry category discipline can build a dominant player in entertainment.
Disney cuts several hundred jobs across entertainment divisions
The Walt Disney Company is eliminating several hundred positions across its entertainment businesses in its ... Read More
Pixar reportedly loses 150 jobs in new round of Disney layoffs
Pixar absorbed a large share of Disney’s latest studio layoffs, according to industry reports, even as “Toy Story 5” approaches another major box-office milestone.
Exclusive | Kraft Heinz Strikes Deal With Disney to Supply Resorts and Tap Characters
The multiyear partnership is part of the food conglomerate’s effort to reinvigorate its brands.
UFC Freedom 250 Fails to Knock Out The Ratings
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) If UFC fans wanted one image to say, “Hey, Paramount+ is crushing it with their UFC rights deal,” I could provide that image. Here it is: (Reminder: this is my creation of the Nielsen Top 30, since Nielsen doesn’t combine the lists or include sports. I take all three lists and combine them. Some streaming TV shows probably have higher ratings than many of the films on this list.) Look at that! UFC Freedom 250 is number one! It topped the Nielsen “Top 30” list for shows and films that made the top ten the week of 15-June. So if you’re a UFC fan or supporter of Paramount+, that’s the good news for you this week. This program topped the ratings charts for one week. Everything else is bad news, or at least a huge caveat to that story, which I’ll explain today in the first part of this week’s Streaming Ratings Report—for the weeks of 8-June and 15-June—which is a double issue since I’ve been writing on a bunch of topics recently. UFC Freedom 250 is one of the biggest streaming events of the year, and super relevant to Paramount+’s strategy, so it merited its own article. Let’s dive in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, JustWatch and Reelgood interest data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the weeks of June 8th to June 21st 2026. You can find a link to my terminology here.) Subscribe Check Out My Interview on UFC 250 at MMA Draw After you read this article, if you want even more thoughts on UFC and Paramount-Skydance/Paramount+, I did a written interview with MMA Draw. They asked me to answer some questions about UFC Freedom 250, and I was happy to chat with them. Find it here: [ The MMA Draw Newsletter Did Paramount really overpay for the UFC? What the data tells us so far If you know the history of American television, you also know that combat sports is often a leading indicator of the future… Read more a day ago · 10 likes · 1 comment · Nate Wilcox and Zach Arnold ](https://www.themmadraw.com/p/did-paramount-really-overpay-for?utm_source=substack&utm_campaign=post_embed&utm_medium=web) I never thought I’d need a combat sports newsletter in my life, but the good folks at MMA Draw publish an excellent one on UFC, MMA, pro wrestling, boxing and more, analyzing both the sports themselves and the politics, economics and antitrust issues that impact them. Check the article and their newsletter out! Paramount+ Has Its Best Sporting Event of All Time…But Was It Worth It? Before we look at the UFC Freedom 250 data in particular, let’s talk about what we can’t say. Namely, let’s start with the lack of comparisons. First off, I’d love to put a chart out comparing this fight to past UFC fights on Paramount+…but we don’t have the data. This is the first time we’ve gotten Nielsen data about a Paramount+ UFC fight. As far as I can tell, Paramount provided data for the first fight, but it was a proprietary datecdote (saying it had “an average minute audience” of 5 million “views”) and then, for two fights, we got the linear viewership numbers when they aired on CBS, but no streaming data. Everything else was crickets. We also can’t compare this fight to other fights/combat sports on streaming, in particular the MMA and boxing, because Netflix also didn’t use Nielsen to track those events, opting for TVision and VideoAmp, respectively. (This isn’t Paramount’s fault, but does still suck.) We also can’t compare to UFC’s fights that used to be on ESPN+, since we don’t have any data for that, plus Disney+ didn’t have marquee fights. The comparisons would not be apples-to-apples. Can we compare to past Pay-Per-View fights? Absolutely not. The comparisons would absolutely NOT be apples-to-apples. That didn’t stop Paramount+, though, who bragged that their UFC events have reached drastically more people than past PPV fights. Duh. Sorry, but I gotta make this point again. A basic tenet of economics is that the cheaper something becomes, the more people consume or buy it. That’s Econ 101. (Sometimes pundits call things “Econ 101” that are actually like Econ 210 or even PhD-level economics, but no, this is really like first or second class basic economics.) Yet I still see one analytics firm consistently say that more people watch films on streaming than PVOD proves streaming which means that the streaming window is more valuable than the PVOD window. No, it’s not! Same thing here. Pay-Per-View events back in the day could be really, really, really expensive! So whole groups of people pitched in to buy them. That increased the perceived value of, say, the Mike Tyson fight. Or a UFC numbered event. So yes, the fact that Paramount+ makes numbered UFC fights essentially “free” if you’re already a Paramount+ member means consumption will go up. Obviously. Same for Netflix and their boxing matches. They’re talking about fights that used to cost consumers, in some cases, $50 in 1996…which is over $100 in today’s dollars. Over 1.6 million people paid that to watch the Tyson-Holyfield fight! Again, streaming is essentially “free”. Or $10 to $20, depending on what streamer we’re talking about and what tier you’re on. No wonder more people are “watching”. (Plus, Nielsen’s out-of-home viewing also helps these numbers.) UFC Freedom 250 Did Well…But I Have A Lot of Worries So what can we compare the fights to? Well, the good news is Nielsen put out that the fight averaged 7.0 million viewers for UFC Freedom 250, which is a solid number for a fight. We also know the length, at roughly 4 and a half hours. (I saw different run times, but this seems to be the consensus considering it started at 8 pm, had a delay and then finished after midnight on the East Coast. If you assume a shorter run time, then yes, the total hours viewed would go down.) That means I have the two numbers needed to add this to my Nielsen database. And then…I can compare this viewership to the NFL: And, uh, not great. But also within striking distance, mainly because the runtime for this event was so long. I’d also add that this event had viewership equal to a regular season NFL game on streaming, but if anything, it was more comparable to an NFL playoff or Super Bowl-esque event. And you can compare viewership to the top football games on broadcast, cable and streaming, and it’s not impressive at all: We can also compare it to other sports that week, including the NBA Finals and start of the World Cup: Again, not great. The NBA generated roughly four times as many average viewers each game for its NBA Finals. The World Cup has similarly big numbers. Also, that’s just a tiny fraction of the 25 most watched sporting events each week. The NBA, NHL and FIFA World Cup had many, many more games racking up hours. We could also compare this to other streaming programs to get an idea of “is this a good investment?” and here is how it ranks compared to other top Paramount+ programs: The worry here? Well, unlike scripted programming, which has rewatchability, older fights/sporting events have very little library value. Very, very few people are rewatching these fights, especially years from now. Paramount has also released datecdotes bragging about their subscriber numbers. Earlier this year, they claimed that the first UFC fight on Paramount+ brought in 1 million subscribers. Then, in their quarterly earnings report, they only ended up with 700K subs. Not great! They claimed they dropped lower-value international subscribers, but that’s why I tend to discount subscriber additions when they’re leaked to the press.1 I expect we may see a bump again for UFC Freedom 250, but I’d caution using subscriber growth so soon after these events to judge the success, since new subs with high churn (see Peacock) aren’t great either. Also, analysts often want to attribute all subscriber growth to their favorite/pet show, and that just doesn’t make sense. The biggest caveat for UFC Freedom 250 and Paramount’s very first UFC marquee event is that these could be high watermarks for the sport. UFC Freedom 250 had an incredible amount of earned media coverage compared to most UFC fights. I mean, it had wall-to-wall national news coverage in the lead up to the event. (The first fight also had a lot of promotion from Paramount since it was first.) Other fights could reach this bar—say the Conor McGregor return to the Octagon—but they’ll be fewer and far between. Was This Deal Worth It? All to ask: is this Paramount deal worth it? In this case, I think the UFC Freedom 250 numbers are more distracting than helpful. This fight did well and compares well to other top sporting events. But we know that the first marquee event was at least a third smaller, if Paramount’s own data is to be believed. And it’s likely the other fights are much, much, much smaller. And then you get to the paycheck that Paramount-Skydance paid. FIFA’s World Cup cost about the same for Fox, but clearly generated multiples more total viewership. (Though it’s only every four years.) The NBA is much more expensive, but until the playoffs, they likely didn’t pay for itself. Even still, Disney, NBCUniversal and Amazon Prime Video likely overpaid. So, in that context, the NBA may be an overpay that makes the UFC look not so bad. But two overpays don’t make an underpay, to paraphrase the old cliché about wrongs and rights. And looking at UFC Freedom 250 as the likely ceiling of MMA on Paramount+, Paramount-Skydance likely paid too much. Share 1 I would love regular reports on subscriber additions by programs, but as is, it’s mostly leaked or rumored in haphazard ways.
Commentary: Hollywood's guaranteed paydays for stars are bad bets now
Rather than making a summer splash, Disney’s live-action "Moana" remake floundered at the box office. Opening with $43 million domestically against a $250 million production budget, the film is already
Commentary: Hollywood's guaranteed paydays for stars are bad bets now
Rather than making a summer splash, Disney’s live-action "Moana" remake floundered at the box office. Opening with $43 million domestically against a $250 million production budget, the film is already
Best Entertainment Stocks To Follow Now
Verizon Communications, Walt Disney, Warner Bros. Discovery, Autodesk, SEA, Take-Two Interactive Software, and FOX are the seven Entertainment stocks to watch today, according to MarketBeat's stock screener tool. Entertainment stocks are shares of companies involved in creating, distributing, or mo
World Cup final on Sunday; see where to watch 📲
Today’s Highlights 🔥World Cup16:00 – Spain vs Argentina – SporTV, Rede Globo, SBT, NSports, Globoplay, CazéTV, Disney+ Premium, Ge TV Veikkausliiga (Finnish Championship)12:30 – FF Jaro vs...
Promising Entertainment Stocks To Watch Today
Verizon Communications, Walt Disney, Warner Bros. Discovery, Autodesk, and SEA are the five Entertainment stocks to watch today, according to MarketBeat's stock screener tool. Entertainment stocks are shares of companies that create, produce, distribute, or monetize leisure and media experiences, s
Entertainment company bucks exodus narrative with move to California
Disney bought the company in 2009.
Disney Jr., Animaj Quietly Launch ‘Ozzy Fox’ On Youtube
Created by Jennifer Oxley and developed by 'Pocoyo' creator Guillermo García-Carsí, the preschool series has drawn nearly 800,000 views in its first two days.
Disney, Champion, NFL, and Fanatics Debut New Collection at Fanatics Fest NYC
Disney, Champion, the NFL, and Fanatics debuted the Disney | Champion NFL Collection at Fanatics Fest NYC, pairing teams with Disney characters through the Disney Fan Draft.
How a teen turned a candy hobby into business sold at Disney World
An 18-year-old has transformed her COVID-era hobby into a thriving business, with her freeze-dried candy now sold at Disney World and other prominent locations.
The States Try to Topple WarnerMount…Thus Begins the Local Antitrust Era
(Welcome to the “Most Important Story of the Week”, my bi-weekly strategy column analyzing the most important (but often not buzziest) news story of the last two weeks. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. Please subscribe.) Well, it looks like it’s time for another strategy column. Can I finally avoid writing about M&A? No, it seems I cannot. Admittedly, I’m a week early with this column, since I usually put it out every other week. But this news couldn’t wait. This will make three “Most Important Stories” in a row with a merger or acquisition as its centerpiece. First, Roku-Fox (an acquisition), then Comcast-NBCUniversal (a divestment!), and now the State AGs and the WGA’s lawsuits against Paramount’s pursuit of Warner Bros. Discovery (antitrust). M&A is usually the “most important” topic any given week, simply because a giant company merging or breaking up (or preventing those outcomes) can have the biggest impact on the streaming board. If you think about these companies as players in a game, changing the number of players is one of the biggest changes you can make. I shouldn’t really complain, either, since this lawsuit is very good news for customers and suppliers (econ speak for talent, workers and indie studios in Hollywood). So let me answer some questions about this potential trial, along with (shudder) making some heavily caveated predictions. I’ll also look at whether Hollywood must consolidate, whether or not the states can win, trouble at X-Box, Netflix’s YouTube binge, and more. Plus, I have five images that visualize this merger and the harm, including three brand new data looks you’ve never seen before. Subscribe Most Important Story of the Week - Can The States and the WGA Stop Hollywood’s Consolidation (Crisis)? If every other newsletter and news outlet is writing about the same story, I try to avoid writing about it as well, but I can’t ignore a story this consequential. The story of the last year was the fate of Warner Bros. Discovery, and this development potentially extends that saga into 2027. As I tried to figure out my angle, I realized, like my last column, I’m again faced with a series of questions. These questions, though, are much more forward-looking. Will the states win? Will the WGA win? If so, what happens to Warner Bros. Discovery? Either way, will this chill the market for future mergers? So you know what that means: predictions. About the future, no less, the hardest thing to predict.1 Just remember: nothing here comes with a guarantee. And the more confident someone is in their predictions, the less you should trust them. This situation is incredibly fluid, nuanced, uncertain and tenuous. So let’s try to explain what may happen. Question: Why File this Lawsuit? I’ll admit, a few months back, I was fairly pessimistic about the fate of this lawsuit. Rumors had started bubbling up that the state Attorneys General (in particular California) wanted to settle with either some minor divestments (usually CNN) or behavioral remedies. And that tracked for me: the states usually settle lawsuits, like the recent John Deere right-to-repair suit. Yet, they plan to fight this. (As they did the LiveNation-Ticketmaster monopolization trial and the Nexstar-Tegna merger.) Honestly, that also makes a ton of sense. Frankly, this move is just good politics for these State AGs. Most are still running for higher and higher office in blue states—some folks have emphasized that only Democratic AGs joined this suit, but given the Ellison/Trump ties, and fears of retribution, that tracks—and a high profile case like this will help them move up the electoral ladder, especially since Paramount and its leadership (the Ellisons, father and heir) have sided with the other side of the political aisle. That makes them unsympathetic to Democratic voters and Hollywood workers in particular. Why did this lawsuit happen? In addition to the very real concerns about industry consolidation, this is why. That said, I don’t think we would have seen this lawsuit for Netflix and Warner Bros., simply because they’re more sympathetic and aligned with Democrats. But those consolidation concerns are real. The “town”—meaning Hollywood and such—really is seeing the damage of mergers on this industry. That’s why the WGA also filed its own lawsuit in defense of workers as well. (Wildcard: What about Europe? Will they try to stop the deal, too? There have been some rumors out of the UK they may try to fight the deal, and UK enforcers just stopped a Getty Images-Shutterstock tie up, so there is precedence. This argument could go either way, though. On one hand, the EU doesn’t need to step in, cause they states are handling it. On the other hand, this could make the EU’s case easier. Just imagine if both sides coordinated. I’ll simply say, “We’ll see!”) Question: Will The State AGs or the WGA Win? Can the state AGs play David to Paramount-Skydance’s Goliath here? That’s really the whole thing, isn’t it? If you know this result, you could make a lot of money. When things are uncertain, it’s tempting to shrug and say, “Eh” meaning it’s a 50/50 proposition. I wouldn’t, though. When in doubt, you should expect that the merging parties succeed. AT&T did successfully buy Warner Bros., after all, and Disney bought Fox without any challenges. Many judges are extremely sympathetic to mergers, and I’d bet the state AGs get a judge who will allow the merger. (Even Obama-appointed judges often allow mergers.) As I understand it, we’ll see two main attacks. First, theatrical films. The AGs are arguing that, when it comes to share of box office and the number of both “wide releases” and blockbuster (or “tentpole”) films, the merging parties will have over 27% market share. Now, the Supreme Court once ruled from on high that any merger that exceeds 30% is presumptively illegal, but that’s guidance, not an ironclad bar. Still, the states will have to argue that this is close to having too much power, and with that power, this will likely further worsen the theater/studio splits in particular. Indeed, as Matthew Stoller pointed out, “just five studios are responsible for 95% of all blockbusters; if this merger goes through, then Paramount and Disney will control 60% of that.” So yes, movie studios will be very concentrated after this merger. Want me to visualize some of that? Well, here’s the share of films that grossed over $200 million at the domestic box office since 2022. (Note: this isn’t all films released in over 3,000 screens, but it is a good look at market power.) First, here are the 43 films by studio: Notice all the blue (Disney), orange (Universal), and purple (Warner Bros)? Yeah, those studios are powerful, and this combines Paramount with one of them. Here’s the look by studio and share of the films that grossed over $200 million: Now, if you look at that and also think, “Huh, should we break up Disney?” I’m with you. I’ve seen some folks poo-poo this idea that this is a real category, but it is! For an upcoming article, I’ve been pulling data on the share of top 100 films at the box office as a share of total box office, and it’s massive. Here’s the chart: (This analysis looks at The-Number’s top 100 films and total domestic box office each year.) To be clear, tentpoles make up 80.7% of the box office each year, so I do think it’s a genuine market. (To be clear, films grossing over $50 million make up 80% of the domestic box office, and films grossing over $100 million make up 64.1%.) I mean, the top 100 films at the box office make up 95% of each year’s grosses. Worse, the combined studios will likely cut output to flex that market power. Everyone can just look at what happened to Disney and Fox to see the precedent. (With fewer films, the remaining theaters have to give more for those few films that remain.) Here’s an image I’ve used a lot, the share of wide-release films from Disney and Fox over time: The AGs will also argue that this consolidation will also impact the cable industry. In this case, the consolidation is actually worse, but that environment is…complicated. Paramount will argue that the cable industry is shrinking. That said, predictions that cable will “go to zero” also don’t look very well supported by the data, as the declines are shrinking, meaning “cable” or “vMVPDs” will likely stabilize at some point. Can the state Attorneys General win on those two main arguments? I honestly don’t know. Again, I’d bet no, since history in general supports that, but it depends on the judge/jury and how they interpret the arguments. Notably, Paramount won’t face accusations about monopoly power in other areas, like streaming, news, sports rights, or vertical integration. I tend to disagree with leaving out sports rights, but I also see the appeal for a simpler case. The states also aren’t really pushing novel theories about labor harm either, which should help. (By the way, Sean McNulty at The Ankler wrote a great run through of potential options, and Capitol Forum also wrote a great paper on theatrical consolidation. Both these pieces predated the lawsuit. Matthew Stoller is also out with his analysis of the pros and cons of the case too.) In some ways, the WGA’s case is even stronger. Quoting Sean McNulty’s summary: “The WGA is citing WARNAMOUNT as crossing a 30% market share in multiple sectors, a number that the Supreme Court has precedent for deeming “presumptively anticompetitive” in a market. According to the WGA numbers, WARNAMOUNT would have represented: - 35% of film writing jobs between 2021 and 2024 - 36% of TV writing projects between 2022 and 2025 - 38% of overall deals between 2021 and 2024” Notably, antitrust enforcers did win recently in the Penguin-Simon & Schuster merger by focusing on labor impact, so don’t count this thinking out. (Wildcard: Will the states try to get a jury trial? Most likely no, they’ll let a judge handle it. If I’m them, though, I’d try to put this in front of a jury. Juries tend to understand monopoly power in a more realistic way than judges faced with legions of economists.) Question: What if They Win? What if They Lose?
How Mickey Mouse reshaped American entertainment
Mickey Mouse helped transform animation, launch the Disney empire and become one of the most recognizable icons in American entertainment.
Entertainment venue Level99 now open at Disney Springs
Level99, a new, hands-on, interactive entertainment venue for teens and adults now is open at Disney Springs.
Amy Poehler and Will Ferrell unpacking his first jobs is a fun time
Will Ferrell's reason for leaving a Disneyland job? "Tryout with the Dallas Cowboys."
How a northern Kentucky teen turned a candy hobby into business sold at Disney World
An 18-year-old from Northern Kentucky has transformed her COVID-era hobby into a thriving business, with her freeze-dried candy now sold at Disney World and other prominent locations.
Donald Warren "Don" Iwerks
Donald Warren “Don” Iwerks, the Oscar ®winning film pioneer, Disney Legend, and son of Mickey Mouse co-creator Ub Iwerks, whose
Kingdom Hearts Fans On High Alert As Disney Reveals D23 Panel
Disney's fan event is celebrating Kingdom Hearts' anniversary
‘Deep Dive Into Kingdom Hearts’ event set for D23 2026
Disney will host a “Deep Dive Into Kingdom Hearts” event at D23 2026, which will run from April 14 to 16 at Anaheim Convention Center, the company announced.
Should Disney Get Out of Streaming Business? One Analyst Says Yes
Wells Fargo analyst Steven Cahall argues in a new research note that focusing on IP and experiences could raise Disney's stock price by 40 percent.
Disney+ could soon add a free plan
After years of unrelenting subscription price hikes that have pushed viewers toward zero-cost platforms, Disney+ may be preparing its biggest strategy shift yet. Internal reports reveal that Disney le...
“Moana” capsizes with bumpy $43 million U.S. debut, while “Michael” breaks record with $1 billion at global box office
Disney’s live-action remake of the 2016 blockbuster failed to launch, marking a severe downturn after the success of “Toy Story 5.”
Disney spotlights American businesses powering its magic in nation’s 250th year
From Alaska cruise tours to parade floats, Disney is spotlighting the American companies helping power its guest experiences nationwide.
'Moana' loses its way at the box office with a $43-million domestic opening
Walt Disney Co.'s "Moana" lost its way at the box office this weekend as the company's latest live-action remake opened to a sluggish $43 million in the U.S. and Canada.
Don Iwerks, special effects pioneer, dies at 96
The Academy Award-winner created special effects used in Disney films and attractions around the world.
'Moana' loses its way at the box office with a $43-million domestic opening
Disney's live-action remake of 'Moana' came in first at the box office this weekend, but underperformed expectations.
Disney+ Will Be Adding a Live TV Streaming Service From Hulu
So what’s happening to Hulu+ Live TV after the Hulu app shuts down? Disney has announced it will integrate Hulu with Live TV directly into the Disney+ application later this year. This development signals a significant shift in how the company delivers content to millions of subscribers across the United States. The move comes amid […]
Entertainment Stocks To Watch Today
Verizon Communications, Walt Disney, SEA, Take-Two Interactive Software, Roblox, Warner Bros. Discovery, and TKO Group are the seven Entertainment stocks to watch today, according to MarketBeat's stock screener tool. Entertainment stocks are shares of publicly traded companies that make money from
From Moana to Suki Waterhouse: your complete entertainment guide to the week ahead
Dwayne Johnson and Catherine Laga’aia star in the latest Disney animation to get the live-action treatment, and the model-actor-singer proffers more of her signature lush soft rock
Donald Iwerks Dead: Disney Camera Technician and Iwerks Co-Founder Was 96
Donald Iwerks, the Disney camera technician and co-founder of Iwerks entertainment, died July 9. He was 96.
'Moana' is Disney's latest reminder that nostalgia isn't enough
Disney remaking its animated classics as live-action movies has become as much a certainty as death and taxes. It’s a big blue Will Smith genie we just can’t put back
Disney reveals 'Percy Jackson,' 'American Horror Story' and Hulu experiences for San Diego Comic-Con
See what's in store at Disney's San Diego Comic-Con activations, including immersive experiences, major panels and more.
Disney reveals 'Percy Jackson,' 'American Horror Story' and Hulu experiences for San Diego Comic-Con
See what's in store at Disney's San Diego Comic-Con activations, including immersive experiences, major panels and more.
Disney+ explores a free tier as YouTube draws TV viewers
Disney is discussing a free tier for Disney+ as US TV viewers embrace no-cost streamers like YouTube.
Disney Entertainment Television Announces Panels, "Percy Jackson" Offsite, Hulu Animayhem, More
It’s the moment (at least some of us) have been waiting for. As revealed by Deadline this morning, Disney Entertainment Television is heading back to San Diego Comic-Con with a panel and activation schedule that includes Percy Jackson, Futurama, King of the Hill, and more. Up first, they’re bringing back Percy Jackson and the Olympians for another mythological adventure that begins […]
Disney Entertainment Television Sets Comic-Con 2026 Panels, Activities
Disney Entertainment Television will have 'Percy Jackson,' 'American Horror Story' and Animayhem activations with returning shows at panels.
Disney's Debra OConnell on Emmy Noms, 'Dancing With the Stars,' FX/Hulu
New Disney Entertainment TV Chairman Debra OConnell discusses Emmy noms, recognition for 'Dancing With the Stars' and the new FX/Hulu setup.
Will the new 'Moana' live up to the original? What past Disney remakes tell us, in 4 charts.
Live-action remakes have been box office gold, but audiences and critics say most fail to recapture the magic of the animated classics that inspired them.
‘The Cheetah Girls: Next Gen’ gets Disney+ green light, Raven-Symoné and Adrienne Bailon reprising their roles
The Cheetah Girls will be back to usher the next generation: Disney Channel has greenlit a fourth ‘Cheetah Girls’ movie, with Raven-Symoné and Adrienne Bailon reprising their roles.
Taylor Swift receives Emmy nomination days after getting married
The newlywed singer has been recognized for her Disney+ concert film “Taylor Swift: The Eras Tour: The Final Show.”
Fathom Entertainment Names Disney And Imax Alum Jason Brenek CEO
Specialty distributor Fathom Entertainment has named former Disney and Imax executive Jason Brenek as CEO.
Fathom Entertainment Names Disney And Imax Alum Jason Brenek CEO
Specialty distributor Fathom Entertainment has named former Disney and Imax executive Jason Brenek as CEO. He will take over the top job after the previously announced retirement of Ray Nutt. Fathom’s...
Fathom Entertainment Appoints Jason Brenek As New CEO
The former Disney and IMAX executive takes over as the specialty distributor expands from event cinema into wide theatrical releases.
O2 Strengthens Its TV Entertainment Offering with the Addition of Disney+
O2 Strengthens Its TV Entertainment Offering with the Addition of Disney+
Parents, here's how ESPN and Disney Jr. can help your kids access sports
ESPN's Take Back Sports and Disney Jr. Let's Play are teaming up with Every Kid Sports to cover sports registration fees for families with young kids.
Explaining The Comcast and NBCUniversal Divorce
(Welcome to the “Most Important Story of the Week”, my bi-weekly strategy column analyzing the most important (but often not buzziest) news story of the last two weeks. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. Please subscribe.) I hope everyone had a happy Fourth of July in America, celebrating the country’s 250th birthday. Frankly, I am bummed the 250th wasn’t a bigger celebration, but that’s a different topic for a different Substack. While it was generally a quiet week on the entertainment/streaming/media business fronts, we still had some interesting news stories. Actually, that kinda undersells one of the stories, a huge, huge, huge divestment that could upend the entertainment landscape... So let’s get right to it. In today’s column, I’ll cover Comcast spinning off the rest of NBCUniversal, an entertainment company investing in an LLM company and an LLM-owner investing in a movie studio, the latest round of threats of digital tariffs, and more. Let’s dive in. Subscribe Most Important Story of the Week - Most: Comcast/NBCU Breakup!!!! If I had to describe my reaction to Comcast spinning out NBCUniversal, it feels like a relationship ending, either breaking up or divorcing. Comcast’s decision to spin off the rest of NBCUniversal, after spinning off some of its cable assets into Versant last year, really does feel like a family breaking up under “irreconcilable differences”. Of my stereotypes of the entertainment moguls, my go-to for Comcast CEO Brian Roberts—heir to the Comcast fortune, but a man who’s been at the helm for 24 years now, and president for twelve years before that—is that he likes building empires. He cut his teeth acquiring cable rivals in the 1990s and tried to buy Disney repeatedly, then settled for NBCUniversal after a long court battle. (Contrast this with Rupert Murdoch, a man who also loved to buy, but would also sell when the price is right. Murdoch made Fox out of nothing, but then sold 20th Century Fox to Disney, arguably at the top of the market. So I understood why he sold.) But I don’t understand Roberts’ motivation to sell now. I have some explanations but no single, super-satisfying explanation. Strategically, it would just make more sense to have kept NBCUniversal in-house, especially for a one-time empire builder like Comcast. Yet one powerful force—arguably the decider in modern capitalism—likely overwhelmed all other considerations. At first, I thought I’d arrange my thoughts as a “Five Why” analysis, digging through each layer of the puzzle. But instead, I found myself asking, “But…why?” (And I only ended up with four sections.) So let’s look at Comcast from that angle. Then, at the end, I’ll give my biggest strategic recommendation for every company in Hollywood. It’s obvious, but sometimes, the obvious strategy is the most ignored. But…Why? The Stock Market, Conglomerations, and Sum of the Parts Analysis We’re just getting started with this issue, but the rest is for paid subscribers of the Entertainment Strategy Guy, so if you’d like to find out… Why Comcast could never get a “tech company” valuation The not-so-secret motivation for Comcast What Versant has to do with all of this The key strategic advice I think every entertainment exec should follow (though it’s really obvious) Some big AI investment news… Whether we’ll see digital tariffs… And more… ...please subscribe! We can only keep doing this great work with your support.
ABC says FCC pushing Trump politics by targeting 'The View'
Disney-owned ABC on Tuesday urged the Federal Communications Commission to reject a proposal to declare its "The View" subject to federal equal time rules for political candidates.
ABC says Trump agency unfairly targets 'The View'
Disney-owned ABC on Tuesday urged the Federal Communications Commission to reject a proposal to declare its daytime talk show "The View" subject to federal equal time rules for political candidates while ignoring conservative talk radio shows.
Disney Dreamlight Valley is getting some overdue fixes for free alongside paid DLC
Developer Gameloft has revealed the content and fixes you can expect to get for free when the paid Winnie the Pooh Adventure Pack drops tomorrow.
How Disney Cruise Line Entertainment Has Evolved And Continues To Push Boundaries
Disney Cruise Line is pushing the limits of entertainment across its ships, but no where is this more obvious than the Wish class.
Long Reads for the Long Weekend
(Welcome to the Entertainment Strategy Guy, a newsletter on the entertainment industry and business strategy. I write a weekly Streaming Ratings Report and a bi-weekly strategy column, along with occasional deep dives into other topics, like today’s article. Please subscribe.) Happy Fourth of July weekend! As has been a tradition of mine going back to the beginning of the EntStrategyGuy website, I’m sharing my favorite long reads of the last year, like I did in 2019, 2020, 2021, 2024, and 2025. Let’s dive right in! Subscribe “Different Prices for the Same Ride: How Uber and Lyft Use AI to Get More Money Out of You“ by Derek Kravitz in Consumer Reports I don’t think surveillance pricing, like the kind described in this brilliant Consumer Reports article, is long for the world—it’s toxically unpopular—but we’ll see if either party takes on this issue. If I ran a political party focused on affordability, I would focus on a few pro-consumer and pro-market policies: Banning non-compete agreements. Ending surveillance pricing Eliminating junk fees (read more here...) Ensuring “right to repair” for consumer (and military!) products Capping excessive app store fees Stopping digital/algorithmic price-fixing tools. Preventing automatic subscription price increases. And more. If you want to fight inflation, there are a lot of great ways to do it quickly. Speaking of higher prices... “Secret Documents Show Pepsi and Walmart Colluded to Raise Food Prices Across the Economy“ by Matt Stoller in BIG Again, I think a political party should focus on lowering prices for consumers. And deals like this—Walmart making a deal/forcing Pepsi to offer the lowest prices at its stores and nowhere else—hypothetically lower prices at Walmart...but raise them everywhere else. “15 DUIs, still driving: California’s failure to take repeat drunk drivers off the road“ by Robert Lewis and Lauren Hepler in CalMatters CalMatters does terrific reporting in California, something the Golden State desperately needs more of, and this article is a great example of that. “PugLips: The next insanely popular thing you’ve never heard of…” by Simon Carless in Game Discover Co I thought that this parody article (and yes, it’s a parody, but I was definitely unsure at first) was hilarious and totally nailed how much tech/business journalism feels these days. Actually, three of my favorite articles this year were on hype in the video game industry, including Georg Zoller’s “The Video Game Industries Very Dark Night”—which I linked to recently and wrote a follow-up here—and Owen Mahoney’s “Derek Zoolander, Videogame Exec”. In particular, I like Mahoney’s focus on user experience as a guide to what trends will actually grab hold of customers. “The Matrix Lies“ by Evan Shapiro in Media War & Peace Evan Shapiro’s first person account of his experience with AI was hilarious. I think LLMs capabilities have significantly grown from last summer, and yet...my editor/researcher just had an abysmal experience using an LLM to do a quite basic task (which our LLM normally does each week) and the LLM made a mistake on every single data entry...along with seven different mistakes affecting twelve of the twenty or so entries, including mistakes that are explicitly spelled out in the prompt. That’s a brutal failure rate. Again, if you use AI/LLM for data collection, you need to take a lot of extra steps to verify and check the data. “Ghosts in the Balcony: A Cross-Country Trip to 58 Theaters Fighting to Survive“ by Matthew Frank in The Ankler I thought Matthew Frank’s pitch to head across America to visit theaters sounded insane aggressive at the time—at least it felt that way to someone a decade older than him; man, to be in your twenties again, am I right?—but I knew the result would be great. And it was, a terrific feature by a great young writer. Also, I loved Matthew’s recent article on who’s getting the precious few entry level jobs in Hollywood. (Hint: nepotism.) “Disney erased FiveThirtyEight“ and “Did Las Vegas get too greedy?” by Nate Silver in Silver Bulletin I love media history and analysis, and there’s no one better to get the history of FiveThirtyEight than from Nate Silver, who wrote about his personal experience in one of my favorite pieces from this year. I also loved Nate’s breakdown of what’s causing Vegas’ woes, but I’ll offer one criticism, summarized as “Might I suggest antitrust?” Many centrists/center-right/libertarian thinkers (Nate is self-described as the latter) often don’t consider consolidation or antitrust as factors in policy issues like housing, America’s military readiness, or, in this case, Las Vegas. Even if libertarians want to debunk antitrust/consolidation concerns, I’d love to read that debunking. In this case, Vegas is incredibly consolidated (though it also has been for a long time) and I’d have loved to read Nate at least contending with this factor, since he addresses almost every other potential factor for Vegas’ decline. “Why Microsoft’s Carbon Removal Pullback Is Such a Big Deal“ by Robinson Meyer in Heatmap News I’m a big supporter of carbon removal efforts, but this nascent industry faces a lot of headwinds, including this big move most recently. I think it’s clear that solar panels and batteries should be able to get the world to its carbon footprint goals, but effective carbon renewal remains necessary to prevent the worst impacts of global warming. “AI is killing the cheap smartphone“ by David Oks LLMs and AI will impact the world in ways we’re not ready for, and already, third world countries are seeing the prices of cheap cellphones skyrocket due to the cost of chips skyrocketing. This article by David Oks is a terrific breakdown. “100 Days of Madness: Netflix, Paramount, Warner and the Future of Hollywood“ by Wade Major at Hollywood Heretic Wade Major dove deep into Hollywood/streaming’s financials in this must read piece. Not that I agree with everything in this article (read my take on Warner Bros./Paramount here) but the analysis is top notch. I think many people discount how quality thinking, regardless of the argument/conclusion, will make you a better thinker. “Erased by the UFC: Frank Shamrock, The MMA GOAT of the 20th Century“ by Nate Wilcox in The MMA Draw Newsletter Growing up playing the UFC fighting game on the Dreamcast, Frank Shamrock was my favorite MMA fighter, and this history/tribute to him was great. Other Fun Reads “The Hardest Part Of History To Tell Is How It Felt“ by Craig Fehrman at Defector “Unmasking the Sea Star Killer“ by Craig Welch at bioGraphic “What Could Save the Industry? Fin-Syn“ by Richard Rushfield in The Ankler Alex Rollins Berg in Underexposed on movie bumpers, pillow shots, Disney trash cinema, cult films, and Casablanca. David H. Montgomery in YouGov’s The Surveyor on punctuation marks, condiments, dinosaurs, and comic strips and kids media. “How Medium finally pivoted its way to profitability“ and “Why the best journalists on YouTube are all former Vox employees“ by Simon Owens in Simon Owens’s Media Newsletter “It’s Not Just You, Netflix Shows Have Gotten Slightly Shorter: Here’s What the Data Says“ by Kasey Moore at What’s on Netflix “Numlock Awards: How Diane Warren became the biggest loser in Oscar history“ by Nathaniel Rakich and “Numlock Awards: The Oscar Bait era is over. The Oscar Chum era is here.” by Walt Hickey & Michael Domanico at Numlock Awards
Entertainment agency marks 25 years with Disney
UK recruitment agency Excellent Entertainment celebrates 25-year partnership with Disney Cruise Line, sourcing thousands of entertainment professionals.
Ashley Tisdale putting her real-life drama to work in comedy series “Toxic Moms”
The Disney Channel alum wrote a personal essay about her mom group drama for "The Cut" earlier this year.
I got laid off after 31 years at Disney
Chris Bess says a social media post about losing his Disney job reached millions and expanded his professional network.
How YouTube TV and DirecTV Stream subscribers can get a payout from Disney's $50M antitrust settlement
Disney's $50 million class action settlement pays YouTube TV and DirecTV Stream subscribers who had plans between April 2019 and March 2026.
11 Entertainment Brands Owned And Streamed By Disney
Disney is an entertainment behemoth that has been making its mark on pop culture for decades. Today, its wings spread wide to cover a range of streamers.
NEW Pirates Entertainment CONFIRMED for Mickey's Not-So-Scary Hallowee...
There's a new offering coming to Mickey's Not-So-Scary Halloween Party this year!
New Captain Jack Sparrow Entertainment Coming to 2026 Mickey's Not So Scary Halloween Party
Halfway to the Holidays is over, which can only mean one thing: Halloween is almost here at Walt Disney World!!! Don't roll your eyes or laugh. This isn't a joke. At least, not a funny
Former Disney CEO Bob Iger defends ABC pulling Jimmy Kimmel over Charlie Kirk remark
Bob Iger, who presided over ABC's parent company when Jimmy Kimmel was pulled from the air in 2025, denies that the decision was politically motivated, arguing that Kimmel's comments about Charlie Kirk's murder were 'in bad taste.'
ESPN, Disney Jr. team up with Every Kid Sports to get preschoolers moving
Families can now register for preschool sports grants through "Disney Jr. Let's Play!," a global campaign to encourage young children to get laughing, moving and, of course, playing.
ESPN and Disney Jr. team up to help preschoolers discover the joy of sports!
Disney and ESPN are bringing back grants, sports clinics and Mickey-themed programming to help preschoolers stay active.
ESPN and Disney Jr. team up to help preschoolers discover the joy of sports!
Disney and ESPN are bringing back grants, sports clinics and Mickey-themed programming to help preschoolers stay active.
ESPN, Disney Jr. Expand Youth Sports Access for Preschoolers
ESPN and Disney Jr. are again teaming up with Every Kid Sports to expand access to youth sports for income-restricted families. Get the details here.
The best Prime Day Lego deals include 'Star Wars' ships, Disney villain cars, and more — top finds start at $28
Lego fans can save big during Amazon Prime Day, with deals on “Harry Potter,” “Star Wars,” Lego Technic, and Ninjago sets, plus builds inspired by Marvel, Disney, “Jurassic World,” Minecraft, Formula 1 racing, and more. We've rounded up Prime Day’s 17 best Lego deals, including several at their lowest prices ever
ESPN Fan House Opening As Engagement Hub For College Sports Fanatics
ESPN is bringing the fans home. The Disney-owned sports network has launched ESPN Fan House, a “fan-centric engagement hub” that will “connect fans more deeply with ESPN’s coverage of college sports, brands and moments” ahead of the 2026 season. The hub, powered by Flowcode, is being framed as an interactive space existing across live and …
Disney Opens ESPN Fan House to Help Advertisers Reach Sports Fans
Disney Plans to Open ESPN Fan House to Help Advertisers Reach Sports Fans in New Ways
Young performers to bring 'The Jungle Book' to life in Temple
The jungle will come alive on stage next Saturday as dozens of young performers present Disney's "The Jungle Book KIDS" at the Cultural Activities Center, showcasing a week of intensive
Tom Hanks admits he'll 'get up and leave the room' if this 'painful' scene of his comes on
Tom Hanks admitted that he will 'get up and leave the room' if this 'painful' scene from one of his most beloved movies comes on: 'I do this gesture that I just think is false.'
From Toy Story 5 to The Bear: your complete entertainment guide to the week ahead
Pixar’s enduring animated favourites battle a rogue tablet, and Disney’s anxiety-inducing kitchen drama returns for a final series
Catch Up on the Disney Dreamlight Valley 2026 Summer Showcase Stream!
Disney Dreamlight Valley
Psst! Grab these early Amazon Prime Day Lego deals on collectible sets before the crowds discover them
We found record-low Lego deals at Amazon ahead of Prime Day, including collectible sets from “Harry Potter,” “Star Wars,” Disney, Marvel, Pixar, and “The Lord of the Rings.” Shop favorites like Diagon Alley, a Balrog book nook, and a “101 Dalmatians” puppy while they're at their lowest prices ever
ESPN unveils star-studded summer lineup for Women's Sports Sundays presented by TJ Maxx
ESPN today announced the full schedule for Women's Sports Sundays presented by TJ Maxx, a first-of-its-kind weekly primetime franchise that will place women's sports at the center of the summer sports calendar. Debuting Sunday, June 21, the new franchise will deliver nine consecutive weeks of marquee women's sports programming across ESPN, ESPN2, the ESPN App, Disney+ and ESPN Deportes, featuring the WNBA and NWSL's biggest stars in premium national windows.
Disney's 'Hexed' teaser trailer promises a witchy coming-of-age adventure
Hailee Steinfeld and Rashida Jones lend their voices to Disney's big holiday release.
Secretary Collins: Veterans are a business advantage
VA Secretary Doug Collins told employers at the Disney Veterans Institute Summit to put Veterans at the center of how they think, hire and operate.
Disney wants tech staffers to move fast with AI without 'tokenmaxxing'
Disney is leans into AI under CEO Josh D'Amaro but wants tech staffers to avoid "tokenmaxxing," or wasting tokens.
What Genres and Streamers Won 2025? And Who Lost? Plus Six Strategy Thoughts
(Welcome to the Entertainment Strategy Guy, a newsletter on the entertainment industry and business strategy. I write a weekly Streaming Ratings Report and a bi-weekly strategy column, along with occasional deep dives into other topics, like today’s article. Please subscribe.) Okay, time for the tenth and final article in my ten-part series recapping 2025. As I wrote two articles ago, my barometer for whether these articles are worth writing/publishing is whether they yield strategic insights, and once again, every subsection in this article has a strategic takeaway (or two). Honestly, these are the most important takeaways, since I step back and look holistically at the streaming wars in 2025. After I declare which streamers won and lost the year and which genres won and lost the year, I have six bonus thoughts. If you’d like to review the whole series... You can find the film flops here and here. You can find the TV shows flops here and here. You can find the top films here. You can find the top TV shows here, here and here. Then I declared my winners and losers in various categories here. You can find my 2024 recaps here. You can find the 2023 recaps here and here. And my 2022, 2021 and 2020 are all stored here. Yeah, it’s halfway through the year, and I’m just finishing this series up now. This year, I tried to space things out to not clog up my writing calendar, plus I had to wait for Fallout to (finally) drop off the charts. Well, that ended up pushing this series wayyyyy too far back on the calendar. Oh well. Next year, the goal will be to finish this series in March, but frankly, I just need more staff to make that happen. So please subscribe. Or, if you’re an advertiser (movie studio, FYC firm, or other), please reach out. Subscribe Streamer of the Year: Netflix Honorable Mention: Paramount (and CBS) So, just last week, I wrote about how Netflix has lost seven of its top twelve scripted shows in the last year. And I shared two very dour looks at Netflix’s potential slowdown this year and last. Guess what? They’re still the number one streamer in America. In 2025, they dominated new streaming shows (even if most of those new hit shows aren’t coming back for future seasons), they had the two biggest films, and they had the top returning TV show by a mile. The world is complicated, nuanced and messy. There may be warning signs of a future Netflix slowdown, but in 2025, Netflix was still the number one streamer. Note what I didn’t say? That Netflix has “won” the streaming wars, because obviously the streaming wars are still ongoing and, more importantly, YouTube is still growing—so now YouTube has “won” the streaming wars?—while Netflix’s share of TV consumption has stalled out. Avoid simplistic talking points, especially if they’re constantly repeated and could fit on a bumper sticker. I had trouble picking the second-place streamer this year, because all of the candidates for second place—Prime Video, HBO Max, and Paramount+—had some hits, but no one stood out. Then I saw this update from Nielsen on the top shows on TV in the 2025-206 season. Sure enough, Netflix had five of the top ten shows! And they had ten of the top 31 shows and fifteen of the top fifty. But CBS/Paramount+ actually had more shows in the top thirty and the top fifty. Paramount+/CBS had twelve of the top thirty shows and nineteen of the top fifty. Let me emphasize that: CBS/Paramount+ had more top shows in the 2025-2026 season than Netflix. And this look was just for TV shows, not live sports, an arena Netflix barely plays in. Meanwhile, Paramount-Skydance’s market cap is a fraction of Netflix’s. That’s weird, right? Streaming Loser of the Year, TV… We’re just getting started with this issue, but the rest is for paid subscribers of the Entertainment Strategy Guy, so if you’d like to find out… ...what streamer lost the year in TV... …whether Netflix could win the title for “film” streamer too… …who won the Disney vs Warner Bros. battle for theaters… ...what TV genres won and lost the year... ...what film genres won and lost the year... ...what film genre people think is thriving on streaming but isn’t… …why F-BOSSS TV shows don’t hold the same sway in the 2020s… …what it means to “flop” as a film on streaming… …UK shows underperforming on streaming… And a lot more... ...please subscribe! We can only keep doing this great work with your support. If you’d like to read more about why you should subscribe, please read this article about the Streaming Ratings Report, why it matters, why you need it, and why we cover streaming ratings best.
Talking Central Florida: DeSantis vs. Disney
On a recent episode of Talking Central Florida, Gabrielle Russon from Florida Politics discusses her recent piece, “The Untold Story of Ron DeSantis vs. Disney.”
From YouTube to Disney+: Preschool hit 'Gracie's Corner' lands streaming and development deal
The educational series “Gracie’s Corner” is joining Disney+.
From YouTube to Disney+: Preschool hit 'Gracie's Corner' lands streaming and development deal
The educational series “Gracie’s Corner” is joining Disney+.
Planting Magic at Disney World
Alumna Neva Grace Brescia, who majored in agroecology and sustainable food systems, has spent the last six months sowing a bit of wonder as a plant science intern at Walt Disney World.
Confirmed Entertainment Showtimes for Mickey's Not So Scary Halloween Party
Disney has confirmed the entertainment showtimes for Mickey's Not So Scary Halloween Party, the special ticketed event that takes place on select nights at Magic Kingdom this fall.
Aaliyah Auginash places in top three overall at Native American Youth Science and Engineering Fair in Pine Point, MN
Red Lake Tribal Council: Congratulations to Aaliyah Auginash, enjoy DisneyWorld!! Aaliyah placed in the top three overall in the Native American Youth Science and Engineering Fair (NAISEF) in Pine Point, MN and earned herself a free trip this summer with her "Dancing Roots" experiment. Native American Youth Science and Engineering Fair Bemidji Midd...
Race to Erase MS Gala Honors Disney's Naomi Bulochnikov
Ty Dolla $ign, Richie Sambora and Rachel Platten performed at the 33rd Race to Erase MS Gala, which raised more than $1.8 million.