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‘Fastest entertainment property in history’: GTA VI arrives to test a thin November box office
A24’s You Can See Everything took No. 1 with $11.4 million as studios sat out Halloween. November brings Hunger Games, Focker In-Law, and Rockstar’s 13-years-in-the-making sequel.
Developers, Creators, And Fans Remember BioWare: ‘I’ve Been Trying To Replicate That Feeling For Almost My Whole Life’
The Mass Effect and Dragon Age studio may be gone, but its legacy and impact remain
From 'Dune' to 'Avengers: Doomsday,' see collectibles coming to theaters
Popcorn at the movies continues to have a pop culture moment. Studios are outdoing themselves with ever-extravagant popcorn buckets to accompany upcoming blockbuster films.
Utopai Names Former Disney AI Leader Hans Ku as Chief Product Officer
Utopai Studios, the AI-focused entertainment studio, has hired former Disney AI leader Hans Ku as its chief product officer
Utopai Studios Names Former Disney AI Leader Hans Ku as Chief Product Officer
Utopai Studios, the AI-focused entertainment studio, has hired former Disney AI leader Hans Ku as its chief product officer, tapping a Hollywood studio veteran as the company tries to grow its content...
The Legend of Zelda: Ocarina of Time Remake Studio Officially Revealed
Nintendo finally pulls back the curtain
Thief: The Dark Project Remastered launches December 3
Thief: The Dark Project Remastered, a modern revival of the 1998 classic from Looking Glass Studios, will launch for PlayStation 5, Xbox Series, Switch 2, PlayStation 4, Switch, and PC via Steam, E…
How Tim Moore Built Vū Technologies Into a Global Virtual Production Business
Tampa's Vū Technologies raised $23 million, then sold its studio operations to focus on building virtual production systems for others.
Matt Damon and David Letterman make blink-and-you-miss-it cameo on “The Gilded Age” season 4 premiere
The Hollywood heavyweights went through a lot of back-and-forth with studios to make it happen.
Affinity’s creative studio is now available on iPad for free
The Verge is about technology and how it makes us feel. Founded in 2011, we offer our audience everything from breaking news to reviews to award-winning features and investigations, on our site, in video, and in podcasts.
Cineverse Nominates Dr. Samrat Ganguly for Election to Board of Directors
/PRNewswire/ -- Cineverse Corp. (Nasdaq: CNVS) ("Cineverse" or the "Company"), an entertainment technology company and studio, announced the nomination for...
Yakuza Creator's Studio Officially Shuts Down After Backers Desert It
Nagoshi Studio and its expensive gangster drama Gang of Dragon are no more
Yakuza Creator's Gang of Dragon PS5 Game and New Studio Officially Dead
Dissolved days ago on 31st October
Gang of Dragon developer Nagoshi Studio shutters months after NetEase cut funding
Studio was "officially dissolved by a shareholders' resolution" on October 31, 2026
PRG PROJECTS OPENS NEW LONDON STUDIO TO COLLABORATE WITH LIVE ENTERTAINMENT'S CREATIVE COMMUNITY
PRG Projects, part of global entertainment technology company PRG (Production Resource Group), today announced the opening of Project Studio, a new collaborative space in central London that expands the company's custom engineering and technology integration capabilities, bringing its technical expertise closer to the creative teams shaping the future of live entertainment.
PRG PROJECTS OPENS NEW LONDON STUDIO TO COLLABORATE WITH LIVE ENTERTAINMENT'S CREATIVE COMMUNITY
/PRNewswire/ -- PRG Projects, part of global entertainment technology company PRG (Production Resource Group), today announced the opening of Project Studio, a...
Denise Cumella Receives 2026 Global Recognition Award for Leadership in Business Book Publishing
The Boss Books founder Denise Cumella received the 2026 Global Recognition Award for leadership after helping over 800 authors publish their sto...
Yakuza Series Creator Toshiro Nagoshi's Studio Has Officially Shut Down Before Releasing a Game
Yakuza series creator Toshiro Nagoshi’s studio has officially shut down before it had the chance to release a game.
Side Acquires Boutique Art Studio Roboto Entertainment in Creative Services Push
Leading games services provider, Side, today acquired the boutique games art studio, Roboto Entertainment, strengthening its global art capabilities and ...
Sony’s Bend Studio Reportedly Plans a 2027 Reveal and Possible Release for Its Third-Person Co-Op Game, Despite Starting the Project Only in Mid-2025
According to a fresh rumor, the next game by Sony's Bend Studio is a third-person co-op game due to be revealed and possibly released in 2027.
Report: Bend Studio’s Next Game Is a Third-Person Co-op Game; Reveal Set for 2027
It's been seven years since Bend Studio released Days Gone on April 26, 2019, and since then, the studio hasn't released anything new. While it seems that a sequel to…
'Dune', 'Godzilla' and more. See the popcorn buckets stealing the show
Popcorn at the movies continues to have a pop culture moment. Studios are outdoing themselves with ever-extravagant popcorn buckets to accompany upcoming blockbuster films.
Martin Scorsese blames Seth Rogen for his ‘Cleopatra’ movie being ‘ruined’: ‘It was gonna be really wild’
Martin Scorsese said that his ‘Cleopatra’ movie was moving forward until a Seth Rogen project ‘blew up’ a studio: ‘It was gonna be really wild.’
Tommy Davidson discusses Irvine Improv show
Tommy Davidson is in the studio live and “In Living Color”
Tommy Davidson discusses Irvine Improv show
Tommy Davidson is in the studio live and “In Living Color”
Mass Effect Studio Shut Down Because EA “Chose to Invest in Star Wars” Instead
Mass Effect was going toe-to-toe with Battlefront.
An introspective Kirk Franklin is no longer apologizing with 'I Am What I Am' album
Kirk Franklin is back with his new album, "I Am What I Am," out Friday. His 14th studio project and first double album, 14 tracks are divided between contemporary music and traditional, live-recorded...
'Spider-Man' Remains Atop Weekly U.K. Home Entertainment Sales Chart Through Oct. 30
Sony’s Spider-Man: Brand New Day continues its reign atop of the Official Film Chart, securing a third consecutive week at No. 1 on the U.K. home entertainment sales chart in its third week of release. Amazon MGM Studios’ Masters of the Universe bowed No. 2 in its debut. Nicholas Galitzine takes on the role of … Continue reading "‘Spider-Man’ Remains Atop Weekly U.K. Home Entertainment Sales Chart Through Oct. 30"
James Gunn would ‘bend over backwards’ to bring Margot Robbie back as Harley Quinn
The DC Studios co-head, who was Robbie’s director on “The Suicide Squad,” fears the actress may have moved onto other things.
EA's sale to Saudi-led consortium was "final nail in the coffin" for BioWare, says studio co-founder
BioWare co-founder Greg Zeschuk was fishing when news of the studio's closure broke. Says EA's sale to Saudi-led consortium was "the final nail in the coffin".
Virtua Fighter Crossroads adds Lionel Rafale
Publisher SEGA and developer RGG Studio have released a new trailer for Virtua Fighter Crossroads introducing returning fighter Lionel Rafale.
BRE Committee Tours Gateway Studios
Chesterfield rehearsal facility has hosted top tier entertainment On Oct. 21, members of the Business Retention & Expansion (BRE) Committee toured Gateway Studios & Production Services (GSPS), a rehearsal facility…
Angel Studios bans nudity, sex scenes, profanity in sweeping new 'Angel Promise'
Angel Studios, the faith-friendly entertainment company behind box office successes such as Sound of Freedom and The King of Kings, is establishing permanent content standards designed to protect its
4 Indian-Origin Science Communicators Win Schmidt Awards 2026
4 Indian-origin science communicators win Schmidt Awards 2026 in US. Learn about Aatish Bhatia, Harini Bhat, Anand Varma & Rupsa Chakraborty.
George Cheeks sets Skydance TV leadership across studios, sports, entertainment, news
Skydance TV co-chair and chief content officer George Cheeks has named the leadership team that will work under him across the company's studios business, entertainment, sports and news.
Ernie Johnson, the best to sit in a sports studio, made ‘Inside the NBA’ must-see TV
For more than three decades, Johnson helped turn "Inside the NBA" into a 21-time Sports Emmy Award winner.
Power of Pink: Genetic Testing for Breast Health
Adrienne Russell, Nurse Navigator at Baptist Cancer Center, joined Studio 3 to discuss genetic testing.
BioWare Co-Founder Says EA's Acquisition Was 'Final Nail In The Coffin' For The Mass Effect Studio
Greg Zeschuk left the studio after Mass Effect 3, but still weighed in on the company's closure earlier this month following EA's acquisition by private equity
Apple Releases Mac Studio With 512GB of RAM, But It Costs As Much As a Small Car
If you upgrade the storage to 16TB, the Mac Studio's price approaches $30,000.
George Cheeks Unveils Skydance TV Leadership
Skydance TV’s Co-Chair and Chief Content Officer Cheeks has named his ten top executives across the company’s studios business, entertainment, sports and news.
Apple reveals pricing for Mac Studio with 512GB of RAM
When Apple announced the new M5 Max and M5 Ultra configurations of the Mac Studio in August, it said a...
Mac Studio M5 Ultra 512GB RAM upgrade costs $15,500 on its own
Months after Apple launched the latest Mac Studio, it is finally taking orders for one more configuration, the 512GB RAM M5 Ultra. It's extremely costly.
Mac Studio With M5 Ultra Now Available With 512GB RAM for $22,299
Starting today, the Mac Studio with the M5 Ultra chip can be configured with 512GB of RAM, with U.S. pricing starting at $22,299. Apple promised this option would be coming in late October, and it is now available right on schedule. Apple promised this option would be coming in late October, and it is now available right on schedule.
"This company has been driven into a wall for years" - Life is Strange studio Don't Nod faces unrest while teetering on insolvency
Life is Strange developer Don't Nod - maker of Remember Me, Vampyr, Banishers, Jusant, and many more - is in dire straits.
Amazon debuts the Alexa Photo Frame and Echo Time smart clock, plus other upgraded devices
Amazon's other new decides include an upgraded Echo Dot, an Echo Studio with visual intelligence features, and the Echo Show 16.
Council releases Heritage Hour presentations
The Floral City Heritage Council, in partnership with the Floral City Public Library and Sherif Shaalan Studios, has released four documentary-length videos of the library’s popular Heritage Hour presentations.
Spotlight on Business: Indoor entertainment park and music production studio
This week's Spotlight on Business highlights a new indoor active entertainment park and a professional recording and music production studio.
EA shuts down legendary game studio BioWare after recent high-profile disappointments, controversies
Animals Starves while the Kardashians Miss the Charts Again
(Welcome to my weekly streaming ratings report, the single best guide to what’s popular in streaming TV and what isn’t. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. If you were forwarded this email, please subscribe to get these insights each week.) Before we get going, I’d like to offer congratulations to Jonathan Funke, whose suggestion “midflicks” won the poll for what I should call straight-to-streaming films which aren’t big or cinematic enough to go to theaters but seem too expensive for a TV movie. It’s so useful a term, I just used it last week! Now I just need to add this term to my data dictionary! Okay, on to this week’s issue. We’re starting out looking at Netflix/Ben Affleck’s latest crime thriller, Animals. I’ll also look at Disclosure Day heading to Peacock (it did better than you’d remember in theaters...) and a new movie based on toys. Plus, a long-time streaming flop returns for its eighth season...will it finally chart? (No.) Will anyone at Disney care? Probably not. All that, plus another look at new shows landing on streaming on 1-Oct from Reelgood, what streamer hasn’t had a film make the Luminate charts since August, Reacher’s long run on the charts, M_onster: The Lizzie Borden Story’s_ short run, the top shows in 2026 according to Samba TV, all the flops, bombs and misses, and a whole lot more. And I mean that last part: putting this week’s issue together, I assembled OVER 25 images, most of which are bespoke looks I made just for this report. Really, publishing articles like this takes the work of writing two articles: one is the narrative and the other is making charts/graphs. Let’s dive right in! (Reminder: The streaming ratings report focuses on the U.S. market and compiles data from Nielsen’s weekly top ten viewership ranks, Luminate’s Top Ten Data, JustWatch and Reelgood interest data, Samba TV household viewership, company datecdotes, Netflix hours viewed data, Google Trends, and IMDb to determine the most popular content. While most data points are current, Nielsen’s data covers the week of October 5th to October 11th, 2026. You can find a link to my terminology here.) Subscribe Film - Netflix’s Latest Star-Studded Thriller Goes For Glory The tempting angle for anyone writing about streaming film this month, like yours truly, is to ask, “Is this why Dan Lin lost his job at Netflix?” Take Animals, the Ben Affleck-starring-and-directing, Artists Equity-produced crime thriller that opened on 9-Oct. (Kerry Washington and Gillian Anderson are also in it.) If it did really well, then one could argue that Lin has another success on his resume. If it underperformed, then it’s another example of a Netflix underperformance this year. So where did Animals fall? Kinda in the middle, but that means it’s more “not a hit” than “big hit”. On Nielsen, it opened to 12.0 million hours, and here’s how that stacks up for 2026 films so far this year: Obviously, that’s not great. It’s both under my 15 million opening bar for “fine” for a Netflix film and 20 million bar for “great” opening. It did a bit better on Samba TV, getting to first place. That’s very, very good, though again, looking at the Nielsen data, it probably means that it was a light week overall. Luminate’s data is a bit closer to Samba TV’s, tied for 17th all time for single weeks since May of 2024: To top it off, no one seemed to like it. It has a 33 on Metacritic and only a 5.7 on IMDb. Both of these numbers could have been impacted by the stories about Affleck’s comments about using AI to make the film. Given the controversy, the film might not have been as bad as the ratings suggest, but it’s also not a bullish sign. All to say…yeah, on net this film isn’t a point in Dan Lin’s favor. At this point, Netflix’s slide has been long enough—going on since February—that I’m almost tempted to lower the bar for what a “hit” is on streaming. Post-February of 2026 or so, it seems like straight-to-streaming films just haven’t hit the same heights as they did from 2022 to 2025. Before we head onto the “Quick Hits” for film, I want to shout out a fellow newsletter whose articles I’ve been loving this year, LA Material, a new LA-based news outlet. For just a highlight of my favorite articles since July... I loved this article on Ghost Town, a group on Venice that clears homeless encampments. As a Los Angeleno, obviously I adore their articles on LA parking issues. Their article on illegal parking tickets got the City Council to address the issue! Also check out their article on people parking in medians. Check out their deep dive on what went wrong with the LA Jazz Festival and how it fell apart, or what’s wrong with USC’s finances. Finally, they wrote up a voter guide on voter guides for the LA General Election. So meta! In search of a city? L.A. Material is an independent news outlet covering the people, politics, culture and glorious chaos shaping Los Angeles. L.A. Material brings you intel on the city you can’t get anywhere else. From exploring how Reddit short stories became Hollywood’s hottest commodity to reporting on the survival jobs keeping entertainment workers afloat. And answering, once and for all, why the AMC Burbank escalator is always broken. Through their newsletters, podcast, videos, events, and member community, L.A. Material is designed to help Angelenos connect to Los Angeles and each other. Sign up now for the free weekday newsletter. Quick Notes on Film Steven Spielberg’s latest film, Disclosure Day, came to Peacock on 9-Oct, and I’ll admit that, after pulling its stats, I did a pinch of a double take. As I wrote throughout my deep, deep, deep dive on summer box office/Obsession/Backrooms/IP/superheroes, oftentimes the film media discusses films as “flops” or “misses” or “hits” without clarifying what they specifically mean. Since Disclosure Day didn’t make $250 million in the US or $500 million globally, it was definitely a disappointment by Spielbergian standards, who is the highest-grossing director of all time, and arguably even more ahead in adjusted grosses. But it did make $245 million globally on a $115 million budget, so it isn’t as big of a miss as I remember. That’s still probably not enough to break even in the theatrical window, when you factor in marketing costs…but it’s close. And it grossed a lot more even in the US than some titles with about ten times more coverage. Anyways, lots of preamble to say this one only did 4.5 million hours according to Nielsen, so it did make the charts, but on the low end. Here’s how it stacks up to other Peacock titles: Apple TV (née +) followed up their “success for them” Mayday with Matchbox The Movie. This one doesn’t look like a success even for them, but at least it’s not a miss. Apple/Skydance clearly tried to take advantage of the success of Barbie at the box office—let’s greenlight all the toy properties!!!—but of course, this didn’t make it to theaters. And it stars John Cena, who, as I argued earlier this summer, NEEDS to get his movies back in theaters. Anyways, this one has mixed-to-bad numbers. It missed the Samba TV and Nielsen charts in its first week, but did make Luminate with 7.1 million hours. That’s just enough to not be an outright miss, and about half what Mayday did earlier this summer. Speaking of Apple Studio’s Mayday, it ended up lasting five weeks on Luminate, which isn’t bad for Apple TV. On Nielsen, it had a three-week run, racking up 13.5 million hours total. Again, like Matchbox, the issue is the budget; I doubt that this viewership earned enough to justify that budget. Also, to be clear, neither of these films are “midflicks”; both should have gone to theaters. Toy Story 5 is not hanging around on the streaming charts on Disney+, so it’s not as leggy as either Zootopia 2 or Moana 2, and definitely not in the same class as Encanto. (It did make all the money at the box office, so Disney is going to be fine…) The Breadwinner on Netflix (from Sony) is down to 3.9 million hours in its third week. It only lasted for one week on the Samba TV charts. Netflix’s Doing Life had a smaller-than-normal binge release curve bounce, only going to 7.1 million hours from 6.0 to start, but it made Samba TV at fifth place in its second week. The Netflix documentary, The Widower: Til’ Death Do Us Part, also had a small binge release curve bounce to 6.5 million hours, but did make a second week on Samba TV. Meanwhile, Netflix’s Unabomber fell off after two weeks on Nielsen—which is not great at all—and Demon Slayer fell off after just one week. Over on Luminate, the two smaller titles The Swan: Behind the Mirror and Kill. Bury. Print both fell out of the Luminate top ten charts. The story of library film at the first of the month is the arrival of the Ice Age films on Netflix. Now, here’s a small example of optimizing your library that even Netflix could do better. Say you want to rent/license a new film series from Disney**.** A streamer could pay a big paycheck and then drop each Ice Age film on the exact same day of the month, the fourth of October. That’s one choice. In contrast, the streamer could have released each film one week apart, and make each one a mini-event for folks watching Ice Age films. Or even roll them out monthly. Netflix opted for the former strategy, and as a result, only three of the films made the Nielsen charts this week. The “Miss of the Week” goes to Tubi’s YA-ish horror film_, R.L. Stine’s Pumpkinhead 2_, which didn’t even make the Luminate charts like Tubi films usually do, or, should I say, “used to”? Tubi films, most of which are straight-to-streaming, used to reliably make the Luminate film charts (which only covers straight-to-streaming films), but a Tubi film hasn’t made it since August. The first Pumpkinhead got 1.4 million hours last year according to Luminate. As I wrote about this film before, it seems to be a bit muddled in terms of age: too scary for young kids but probably not scary enough for older kids. Speaking of Luminate, Netflix’s latest doc about a comic (expect more docs about comedians all month), Who Is Martin Mull?, flopped, getting just 200K and 700K hours according to Luminate. Three other film/special misses belonged to Hulu, including a standup special, Jamie Foxx: Take Care of Yourself, Neon’s latest horror film, Hokum, which made $17 million in the US, and a Family Guy Halloween special. (That last one was only 22 minutes, so it’s not a surprise it missed.) Finally, another Netflix standup special missed the charts, Mojo Brookzz: I Know You Lying missed too. I can confirm last week’s misses, most notably Paramount+’s Jackass: Best and Last, MUBI’s Teenage Sex and Death at Camp Miasma and HBO Max’s Evil Dead Burn. Television - I Can’t Visualize Nothing: The Kardashians Story Normally, in the mini-dive essays that open the Streaming Ratings Report, I focus on shows that do well or, at the very least, make the charts. Why? Because as I’ve said time and again, I can’t visualize nothing like, say, the Kardashians’ TV shows. Here’s the TV debuts chart for this week with a missing spot for The Kardashians, whose eighth season just landed on Hulu:
Former UNC basketball coach Hubert Davis joins TNT Sports college basketball coverage
Davis, who was fired in April, will be part of the network’s game and studio coverage this season.
After experimenting with a PvE mode, Arc Raiders studio Embark says it’s figuring out whether to bring it back permanently
“How we do that without undermining the premise of the game itself?”…
Apple is adding an AI chatbot to Pages, Keynote, and Numbers
The new AI assistant can draft and restructure content in Pages, while organizing data in Numbers.
Apple Updates Creator Studio With New Tools and AI Features
Apple today announced a new update to its Creator Studio suite of apps, adding a number of additional features and tools across Mac, iPad, and iPhone. Amongst the new features, Final Cut Pro for Mac now includes built-in MotionVFX, which was previously a third-party content maker. The integration brings over thousands of effects, plug-ins, transitions, templates, titles and motion graphics tools, including rotoscoping, tracking, and color grading.
Apple Creator Studio gets powerful new AI features using OpenAI models
Apple Creator Studio updates have today been announced, with what the company describes as “powerful new AI features” using a...
It Really Sounds Like The Mass Effect 5 Team Had Figured It All Out Before The BioWare Shutdown: ‘I’ve Rarely Seen A Group So Good At Working Together’
The studio had a notoriously tumultuous development streak before its closure
Kingdom Come: Deliverance Developer Hit by 'Serious' Cybersecurity Incident
Warhorse Studios — the developer behind Kingdom Come: Deliverance, its sequel and an upcoming Lord of the Rings RPG — has been hit by a “serious” cyberattack.
Chrishell Stause announces split from partner G Flip
Chrishell Stause and G Flip attend the Los Angeles premiere of 'Girls Like Girls' at Universal Studios AMC at CityWalk Hollywood on June 15, 2026, in Universal City, California. (Amy
SAP wants Joule to run business workflows, not just answer questions
Joule Work and Joule Studio will bring together agent creation, orchestration and business context, with new interoperability and governance features designed to coordinate agents across applications and providers.
Pokemon UNITE to end service on March 23, 2027
The Pokemon Company and developer TiMi Studio Group will end service for free-to-play multiplayer online battle arena game Pokemon UNITE on March 23, 2027, the companies announced.
Can Holograms Help Schools Address the Student Mental Health Crisis?
A Staten Island high school is opening a nearly $500,000 wellness studio that will connect students with remote therapists through 3D technology, testing a new approach to school-based mental health care.
Ghost of Yōtei Was a Hit But Its Studio Is Already Seeing Layoffs
Ghost of Yōtei is one of Sony's most successful PS5 games
Ghost of Yōtei Studio Hit by Layoffs Following Complete Edition Launch
Despite Ghost of Yotei's resounding success, an eighth of the team has been laid off.
Small-business owner shares lessons on passion, research & earning customer trust
Cantrece Jones founded Acuity Design Group in 2008 and opened Aura Plant Studio more than four years ago. She said the businesses have grown gradually, with the plant shop expanding into commercial installations and event rentals as well as retail.
Side expands presence in China, opens new studio and acquires art outsourcing provider Roboto Entertainment
Roboto Entertainment founder Andrea Cordella appointed global head of art and studio head for new Chengdu office
From impulse purchase to pocket studio: The M-Vave FM-1
M-Vave's cheap FM-1 pocket synth has exploded as a community firmware playground.
Xbox Seeks Partner to Support Arkane Lyon as It Finishes Marvel's Blade, Extends Search for Buyer
Microsoft has said it's exploring the possibility of a company coming in to support Arkane Lyon as it works to finish development of Marvel's Blade, and that it's extending the deadline to find a buyer for the studio.
Elon Musk’s Grok Imagine Releases First Odyssey Episode With Wonder Studios
8 sources compared: Other (4), Western Mainstream (3), Latin American (1). Elon Musk’s Grok Imagine released the first episode of its AI-generated series “The Odyssey,” posting a seven-minute vid...
‘You Can See Everything’ surges with $19.5M at box office; ‘Clayface’ takes No. 1
DC Studios scored a modest, R-rated win with “Clayface,” landing a $24 million opening weekend, according to studio estimates Sunday.
'You Can See Everything' surges with $19.5M at box office; 'Clayface' takes No. 1
DC Studios scored a modest, R-rated win with “Clayface,” landing a $24 million opening weekend, according to studio estimates Sunday | KCBS All News 106.9FM and 740AM
'You Can See Everything' surges with $19.5M at box office; 'Clayface' takes No. 1
DC Studios scored a modest, R-rated win with “Clayface,” landing a $24 million opening weekend, according to studio estimates Sunday | KNSS Radio
'You Can See Everything' surges with $19.5M at box office; 'Clayface' takes No. 1
DC Studios scored a modest, R-rated win with “Clayface,” landing a $24 million opening weekend, according to studio estimates Sunday.
'You Can See Everything' surges with $19.5M at box office; 'Clayface' takes No. 1
DC Studios scored a modest, R-rated win with “Clayface,” landing a $24 million opening weekend, according to studio estimates Sunday | KMBZ
'You Can See Everything' surges with $19.5M at box office; 'Clayface' takes No. 1
DC Studios scored a modest, R-rated win with “Clayface,” landing a $24 million opening weekend, according to studio estimates Sunday.
'You Can See Everything' surges with $19.5M at box office; 'Clayface' takes No. 1
DC Studios scored a modest, R-rated win with “Clayface,” landing a $24 million opening weekend, according to studio estimates Sunday. But the biggest success story in theaters remained A24’s...
'You Can See Everything' Surges With $19.5M at Box Office; 'Clayface' Takes No. 1
NEW YORK (AP) — DC Studios scored a modest, R-rated win with “Clayface,” landing a $24 million opening weekend, according to studio estimates Sunday. But the biggest success story in theaters remained A24’s Elizabeth Holmes documentary “You Can See Everything,” which pulled in $19.5 million in its ...
Five new businesses coming to Hunt Valley Exchange, including Dunkin’ and indoor golf simulator
Five businesses are coming to Hunt Valley Exchange in northern Baltimore County, including a Dunkin’, indoor golf simulator studio, Indian restaurant and wine and spirits store.
Netflix’s Leadership Shake Up…Explained
(Welcome to the “Most Important Story of the Week”, my bi-weekly strategy column analyzing the most important (but often not buzziest) news story of the last two weeks. I’m the Entertainment Strategy Guy, a former streaming executive who now analyzes business strategy in the entertainment industry. Please subscribe.) Well, I had a simple article planned for this week. Called “Whoa, I Missed It!”, I’d take a gander at a few important-but-under-the-radar stories I didn’t cover while I wrote about all things “Skydance. (Formerly known as “the saga of Netflix trying to buy Warner Bros., but not Discovery, then Paramount-Skydance bought all of Warner Bros. Discovery”.) Alas, that article will have to wait. Netflix made news. Ironically, my “Whoa, I Missed It!” article would have mostly been about “content” strategy decisions, which is also what today’s article is about. But instead of the entire industry, this article will only cover Netflix’s decision to upend their film and TV content teams. Just that! So that’s the full topic of the day. I’m going to tackle the issue in the opposite direction of the way “stuff” flows: uphill. We’ll start at film, then move onto TV, and then onto the CEOs themselves, and the strategy questions that still remain. But we start with the numbers driving this. Let’s dive in. Subscribe Most Important Story of the Week - Netflix Upends Their Corporate Hierarchy I’ve got a lot of thoughts, but we’ll start with the most common response to yesterday’s article. Let’s Talk Stock Price More than one person, responding to what I published two days ago, pointed out that, well, actually, the thing driving Netflix’s actions is this: In short, stock price! Even if Netflix isn’t obsessed with their own share price—they probably are, but, for the record, my strategic advice to every CEO is to absolutely ignore stock prices, which will, ironically, probably help the stock price long-term—most everyone thinks they are. By the way, I prefer market capitalization to stock prices, because it’s a more apples-to-apples way to compare companies: But there’s an even better way to look at it, and it kinda casts some doubt on the entire push here: price-to-earnings. I have a long list of articles that I wish I had written, and chief among them is an article titled, “Am I Still a Netflix ‘Bear’?” meaning someone who thinks Netflix’s stock is overvalued. As of last summer, Netflix had solved their biggest problem—which for me (circa 2019) was the lack of free cash flow—but their stock was CRAZY overvalued. That’s this chart here: Why did Netflix’s stock price increase to a price-to-earnings ratio of 50 last summer? What financial metric changed so quickly? Nothing. Given that, historically, mature entertainment companies average 10 to 20, with 16 being the average, that increase made little sense. Netflix’s stock swoon these last eight or so months wasn’t irrational; the stock price rise last year was. So if you want a really hot Netflix take, here it is: Netflix’s stock price has been going down because the financial industry recovered its senses, not because of any strategic mistake. Yes, that would imply that cleaning house may have been a mistake. That’s why the charts yesterday are so important, because they show that Netflix did have a strategic problem (a lack of hits) and that’s what they moved to address. (One could also argue the industry drastically overrated Netflix’s growth prospects, but that’s a financial industry problem, not a Netflix strategy problem per se. Some growth estimates are just crazy. *cough* AI *cough*) Now, the last time Netflix’s stock price crashed—circa 2022—it gave them an opening. I’d argue Netflix insiders knew they needed to expand post-COVID-19 crisis, adding advertising, cracking down on password sharing, and dabbling in sports. But if they had done that when their stock price was high, it would give folks a reason to second guess their strategy. (Arguably, last year, when Netflix pursued the Warner Bros. merger, it gave the industry a chance to review their business.) Instead, after the 2022 fall, they had the opening to make strategic changes. We may see Netflix pivot again following this latest slide. For example, the “binge versus weekly” conversation is alive and well again. Same for expanding into theaters even more. And adding both linear channels and streaming bundles. And maybe more either social, user-generated, vertical, or creator content. But the first shift came with who is making the content calls. A Message from Our Sponsor Last winter Pulp Fiction was on Netflix. For those same 90 days, it was also free, with ads, on Pluto TV and the Roku Channel. That is not a glitch, and it is not rare. The title has run on 20 different US streaming services since 2019, across 80 separate windows, and for more than 600 of those days it sat on a paid subscription service and a free ad-supported one at the same time. Almost nobody can see this, because when a title leaves a service, the record that it was ever there tends to leave with it. Reelgood keeps that record, dated to the day rather than the month: 4MM+ movie, show and episode titles across 300+ services globally, with timestamped arrivals, departures and moves across SVOD, AVOD, TVOD and vMVPD. Licensing teams price against every prior window. Rights teams check what a licensee actually delivered, and when. Pick a title you think you know: data.reelgood.com/title-availability Film - Dan Lin Want to know why I don’t opine on individual film or TV executives, especially new hires? Dan Lin. As I always caution, it’s really, really, really tough to predict which executives will succeed in new roles and which won’t. The successful head of co-production/finance partner, Rideback, Lin was considered for the head of DC Studios job before taking the job as the head of Netflix. By all accounts at the time, this was a smart hire. (That’s my read of the news coverage anyways.) But now that Netflix has fired Dan Lin, we got a slew of news stories about how he was doing a terrible job. In sports media, Bryan Curtis, new Substack writer/podcaster from The Ringer, calls this the “now you tell us” story, when you only hear the bad news after a star athlete leaves a sports team. In this case, now they tell us that Dan Lin was bad with talent after he got kicked out the door. So was Dan Lin a flop? It’s actually tough to say. While film moves faster than TV, even two years isn’t really enough time to evaluate a person’s output. The new head hasn’t really taken control. As Emily Horgan noted, it takes much longer than two years to produce animated films, so yeah, it’s definitely too early to judge in that domain. As for live-action films, I just published an article by Brandon Katz called “Netflix’s Summer of Bummer”, but I’d point out Netflix had a bad summer two years ago too. Arguably, their best summer came from KPop Demon Hunters last year and Happy Gilmore 2, the latter of which I saw credited to Lin. Then, the stories came out that Dan Lin clashed with talent, both Ben Affleck and Greta Gerwig, classic “now they tell us” factoids to explain his firing. This may have been true, but also should have been expected given that he was given the mandate to bring budgets back in check, especially after Rebel Moon. So if he made folks upset, well, that’s what he was hired to do! But also, he was described as “well-liked” at his hiring! In that case, I’m a bit sympathetic to Lin, since he may have been undercut by senior leadership, as often happens. Basically, a CEO hires a subordinate to be their “bad cop” and keep budgets in check, but then when talent complains, the CEO ends up undercutting them. That’s how I think you end up with a Narnia movie as expensive as any of the other flops, along with a film executive the town no longer likes. As a result, I think that Netflix is now executing a classic “hire the opposite” move by hiring Peter Rice. This phrase comes from my experience following football and basketball coaching decisions, where teams generally hire the opposite of who they just had. If you have an offense-minded head coach, hire the defensive guy. Or in college football, if you have a strong recruiter, then you pivot to an “X’s and Os” type of guy. Or in pro basketball, if you have a very analytically minded coach, you hire the player-friendly guy. I see that here. After dropping Scott Stuber—arguably a talent-friendly executive with lax budget control—Netflix hired the business guy to keep costs in check. Now Netflix is pivoting back to Peter Rice and presumably a more talent-friendly regime. (Disney, by the way, has done this twice: hiring business guys to succeed talent-friendly Bob Iger. It didn’t work out last time.) When it comes to Peter Rice…we’ll see! Maybe he works out, but maybe he doesn’t. I’d actually say the biggest problem is that Netflix still hasn’t solved its “IP Problem”, in that they don’t own much IP, so they just have a lower hit rate. The new executive won’t solve that. (Though buying Lionsgate would help.) Share “Content” - Bela Bajaria I almost published yesterday’s article after this column, but ended up flipping the order, because it told the story so well. So if you want the data for why Netflix is looking at TV to fix their problems, it’s in that article, this graph in particular: I know I just wrote that it’s often hard to judge executives, but Bajaria ran TV for six years and film for three and a half more. That’s more than enough to judge hit rates, and Netflix needs more hits. That’s the story. Since 2023, Netflix hasn’t had as many hit shows as it used to, and many of its previous power house TV shows have ended their runs (Stranger Things most of all). Also, many shows from 2020 to 2022 probably pre-dated Bajaria’s tenure. (That said, one thing may have been outside of Bajaria’s control, which I explain below.) Let’s lump some content strategy thoughts about Netflix and TV into one place: We’re just getting started with this issue, but the rest is for paid subscribers of the Entertainment Strategy Guy, so if you’d like to find out… Why I partially blame Squid Game for Netflix’s latest troubles… What is “the football trap”... Why it might not be the TV shows or films’ fault at all… What change I don’t think Netflix will make... How Bela Bajaria evolved Netflix’s TV strategy in smart ways… Whose departure likely submarined Bajaria’s final few years… One sneaky explanation for Netflix’s content struggles... And a whole lot more... ...please subscribe! We can only keep doing this great work with your support.
Final Screen Tests for Next James Bond Under Way in London
Screen tests for the next James Bond have begun in London. Jack Lowden and Callum Turner lead the field, while Amazon MGM Studios says…
Kristen Bell’s daughter takes ‘sneaky photos’ of Dax Shepard when actress is out of town: ‘I have a mole on the ground’
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An ex-bookkeeper spent $375 to launch a sewing business: 'I hadn't felt so sure about something like that in a long time'
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Laika has spent 20 years building up to Wildwood
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"Camposoto" Health Center / Estudio Suárez Corchete
Completed in 2026 in San Fernando, Spain. Images by Fernando Alda. The plot is located in a relatively consolidated area of urban expansion, integrated into a block designated for public facilities within a...
From Wildwood to John Legend: your complete entertainment guide to the week ahead
Anination studio Laika takes flight with a grownup stop-motion tale, while the Grammy-, Oscar- and everything-winner returns with a Pharell-produced 11th album
Prisoners Writer Aaron Guzikowski Is Scripting a New Alien Film at 20th Century Studios
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As devastating Xbox "reset" continues, Dishonored studio Arkane Lyon reportedly only has until November to find a new buyer before it's closed
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Ex-Eminem employee pleads guilty to copyright infringement
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Arkane Devs Say Blade Is Nearly Finished But If It Can't Find A Buyer Soon, The Studio Will Close
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Report: Arkane Studios has until November 13 to find a buyer
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In brief: Fleetwood Mac documentary coming to Apple TV and more
The landslide is bringing them to Apple TV. Fleetwood Mac is telling their story in their own words in the Apple Original Films documentary Fleetwood Mac: The Chain. Apple announced the “unprecedented look” is the first fully authorized documentary about the award-winning, culture-defining band. It brings together the voices and memories of Fleetwood members Mick Fleetwood, John McVie, Lindsey Buckingham, Stevie Nicks and the late Christine McVie. Fleetwood Mac: The Chain will debut Jan. 29 ...Ramy Youssef’s feature directorial debut has added some more star power to the cast. Amanda Seyfried will join Youssef and Sharon Stone in Martha & Muhammad, a new comedy for A24, according to Deadline. Youssef will direct from his own script, in addition to starring. Plot and character details are being kept under wraps, though The Hollywood Reporter previously described the project as telling the story of “a white widowed socialite in New York who develops a relationship with a young Muslim man” ... TNCMS.AdManager.render({region: 'fixed-big-ad-top-asset', slot: 1, fold: "above"}); Another book adaptation is coming to Prime Video. Amazon MGM Studios confirmed Thursday it has picked up Butcher & Blackbird, the bestselling thriller novel by Brynne Weaver. Emma Laird and Thomas Doherty are signed on to star in the new film, which follows vigilante serial killers who fall in love as they compete to take out the most targets ... Copyright © 2026, ABC Audio. All rights reserved. Thank you for reading kmaland.comAt KMA, we attempt to be accurate in our reporting. If you see a typo or mistake in a story, please contact us by emailing kmaradio@kmaland.com.
‘Bardo’ art exhibit opens space to talk about death, grief
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‘Most magical place’: How Dublin Influences This Mother-Daughter Business: Business NH Magazine
Today, Webber and her daughter, Kate Webber, operate The Gratitude Farm, a Dublin-based studio and business that combines Donni’s nature-inspired pottery with Kate’s landscape paintings.
FOX Sports Reveals Broadcasters, New Tech Wrinkles For 2026 World Series
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Apple Pulls Keynote, Pages and Numbers From App Store
Apple has temporarily removed Keynote, Pages, and Numbers from the App Store, just after releasing an update that added iPhone Duo support and a new Intelligent Assistant. It is not clear if the apps were removed intentionally, or if it is a bug. It is not clear if the apps were removed intentionally, or if it is a bug.
How well have past GOTY winners sold?
We’re less than two months away from 2026’s The Game Awards, and what a year it’s been for fantastic games, including Resident Evil Requiem, Forza Horizon 6, Slay the Spire II, the Blood of Dawnwalker, and Control Resonant – just to name a few. So as we approach the end of the year, we thought we’d look back on our estimates for the GOTY winners of the past four years. In terms of revenue, Elden Ring (2022 winner), Baldur’s Gate 3 (2023), Astro Bot (2024), and Expedition 33 (2025) have generated a combined $3.8B via 73M copies sold: Let’s have a look, then. Elden Ring has generated $2B in revenue Elden Ring is a phenomenon in every sense. It’s sold a whopping 36.4M copies across Steam (50%), PS5 (35%), and Xbox (15% across console and PC). Want more free estimates and insights in your inbox twice a week? Subscribe below! Subscribe Elden Ring also just passed an astronomical milestone: $2B in revenue. While PlayStation and Xbox account for half of Elden Ring’s copies sold across these three platforms, they account for 57.5% of revenue. This – as ever – is due to regional pricing and the higher relative share of PC gamers in lower-priced markets. For example, around 17.4% of Elden Ring’s Steam copies sold were in China, where the game costs about 26% less than the price in the States. There’s an … interesting narrative going around these days that console gamers are only interested in ball-and-gun games and have the patience for little else. Well, Elden Ring’s impressive sales prove that is simply not true, and across all platforms. What’s more, over 9.8M people have played Elden Ring for over 100 hours, with nearly 3.5M people getting all of the achievements and trophies. For reference, 10.9% of Elden Ring’s PlayStation players have the platinum trophy, while 10.5% of players on Steam and 3.9% of Xbox players unlocked all the achievements. Git gud, Xbox players! Of the 1.5M people who played Elden Ring on PlayStation last month, 4% also played Dark Souls 3 last month, 4% played Bloodborne, and 3% played Sekiro. There’s those Soulsborne diehards for you. By many accounts, including my own, Elden Ring is one of the best games of all time. It’s an evergreen seller that will continue to be a cash cow for Bandai and FromSoftware for years to come. Want more free estimates and insights in your inbox twice a week? Subscribe below! Subscribe Elden Ring has sold another 2M copies across Steam, PlayStation, and Xbox this year, generating almost $110M. This means it’s outperforming many of this year’s high-profile releases. Even Elden Ring’s standalone run-based PvE spinoff, 2025’s Nightreign, has sold 7.8M copies and generated $282M in revenue. Baldur’s Gate 3 is another billion-dollar-plus banger Another cross-platform phenomenon is Baldur’s Gate 3, which has sold 23.2M copies and generated over $1.2B in revenue. About 18.7M of these copies (80.6%) are via Steam, 2.9M via PS5 (12.7%), and 1.6M (6.8%) via Xbox. Around 1.3M folks on Steam bought BG3 before it hit 1.0. The PlayStation version launched about a month after the PC 1.0 release, while the Xbox version came four months later due to technical issues around developing local co-op on the Series S. Want more free estimates and insights in your inbox twice a week? Subscribe below! Subscribe Across platforms, Baldur’s Gate 3’s monthly active users have never dropped below 2M, including 2.2M MAUs last month (68.5% on Steam, 21.9% on PS5, and 9.6% on Xbox). And it still regularly brings in 280K to 400K players every day: About 1% of BG3’s Steam player base has played for over 500 hours! That’s a little under 200K people. Astro Bot is also an evergreen seller, albeit a more niche, family one Astro Bot, 2024’s winner, has now sold 4.7M copies and generated $291M in revenue. The budget, including marketing, is almost certainly under $100M, given the small Japan-based core team and three-year dev timeline. You can really see why the tides are changing toward less expensive hubs. Astro Bot is the only first-party winner on this list, but follows other first-party winners of The Last of Us Part II (2020’s winner), God of War (2018), and Breath of the Wild (2017). Around 46.6% of Astro Bot’s copies sold have been physical, which is far higher than the typical game. This makes sense for a couple of reasons: There’s a large family audience for this one, and physical boxes are an item to wrap when giving Astro as a gift. Astro has collector value for the PlayStation core (this is nostalgia-fueled platformer celebrating PlayStation’s history) Want more free estimates and insights in your inbox twice a week? Subscribe below! Subscribe Astro is another one of those games that continues selling over time, regularly selling more than 100K a month. It’s sold around 1M more copies this year ($60M in revenue) and is a popular title with families. We can see this using the Alinea platform’s MAU crossover tool: Astro Bot’s top #2, #3, and #4 games by crossover in any given month this year are Minecraft, Fortnite, and Roblox – without fail. The #1 title every month, though, is Astro’s Playroom, a pack-in with all PS5 consoles. For every month this year, between 20% and 30% of Astro Bot players also played Astro’s Playroom that month. So the free pack-in is a noice funnel for converting players to a full paid product. Expedition 33 sells 8.7M despite Game Pass cannibalisation Finally, we have last year’s winner – Expedition 33. The turn-based-RPG banger has generated $366M via 8.7M copies sold, with 58.8% on Steam, 35.7% on PS5, and 5.5% on Xbox. Xbox’s share of copies sold is this low due to Expedition 33 launching on Game Pass, where 4.3M people across console and PC accessed the game. A little under 700K Xbox players used their subscription to play Expedition 33 this year. That said, the game’s 1.5-year Game Pass deal ended last week on October 16, and we’re already beginning to see a positive trend on Expedition 33’s copies sold via Xbox (but the jury’s still out!). There’s understandably a lot of French pride behind this one, as France is the game’s #3 market on both Steam and PlayStation. Vive la France! One thing that stood out to me is that the GOTY winners aren’t $300M Hollywood productions made in the US. They’re mostly mid-budget studios outside the traditional AAA cost centres. Lots to think about there. Also, good games sell well; who’d have thunk it!? And there’s a whole load of them this year, with GTA 6 still to come, too. GTA just made the cutoff point for the VGAs this year. What a coincidence! Loading... Cool links and other stuff Our physical games newsletter from Tuesday was picked up by GameSpot, Eurogamer, TweakTown, and a bunch of others. We’re offering a free trial of our platform for games companies. Send us a message here, or reply right here on Substack/email, and we’ll set you up. Next week, we’ve got some exciting news regarding the future of our newsletter, so stay tuned! The last word Reply to this email – or reach out here – if you have any feedback for the newsletter – or want to request a game for us to cover. Want to see why these companies (and many others) are subscribed to Alinea? Get a free platform trial! [Alinea Analytics boasts the most accurate PC and console estimates in the business. Game makers use our platform to understand their audience, keep an eye on the competition, monitor sales trends, and spot new opportunities. We equip game studios and financial institutions with accurate data and the confidence to make smarter, data-driven decisions. Want to talk about all things games market data? We’d love to chat!]
CBS Makes J.J. Watt Announcement Before Calling Bengals-Ravens Game
While J.J. Watt will always be remembered for his illustrious playing career as one of the game’s most elite pass rushers, he’s carved out a pretty great gig as a broadcaster. Watt started his media career in 2023 as a studio analyst. He’s now in his second year in the booth as a color commentator. […] The post CBS Makes J.J. Watt Announcement Before Calling Bengals-Ravens Game appeared first on HEAVY.
Dispatch Sells 5M Copies, AdHoc Sets Live Concert for 1-Year Anniversary
AdHoc Studio's narrative superhero adventure game 'Dispatch' has over 5 million players in its first year, and it's celebrating with a live concert event.
NBCUniversal's Home Entertainment, Live Plays Business Segment Sees 12.7% Q3 Revenue Decline
NBCUniversal’s studios’ “other” business segment, which includes home entertainment, live plays and third-party content distribution, reported revenue of $285 million, down 12.7% from revenue of $326 million in the previous-year period. Top-selling titles in the quarter included Obsession, Disclosure Day and The Super Mario Galaxy Movie, among others. Overall studios segment operating income increased 18.6% … Continue reading "NBCUniversal’s Home Entertainment, Live Plays Business Segment Sees 12.7% Q3 Revenue Decline"
'Blippi' Spinoff 'Meekah' Set at 'Cocomelon' Studio Moonbug
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Side Acquires Boutique Art Studio Roboto Entertainment in Creative Services Push
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